Jessie Cameron
'Jessie, Jessie Cameron,Hear me but this once,' quoth he.'Good luck go with you, neighbor's son,But I'm no mate for you,' quoth she.Day was verging toward the nightThere beside the moaning sea,Dimness overtook the lightThere where the breakers be.'O Jessie, Jessie Cameron,I have loved you long and true.'--'Good luck go with you, neighbor's son,But I'm no mate for you.'
She was a careless, fearless girl,And made her answer plain,Outspoken she to earl or churl,Kindhearted in the main,But somewhat heedless with her tongue,And apt at causing pain;A mirthful maiden she and young,Most fair for bliss or bane.'Oh, long ago I told you so,I tell you so to-day:Go you your way, and let me goJust my own free way.'
The sea swept in with moan and foam,Quickening the stretch of sand;They stood almost in sight of home;He strove to take her hand.'Oh, can't you take your answer then,And won't you understand?For me you're not the man of men,I've other plans are planned.You're good for Madge, or good for Cis,Or good for Kate, may be:But what's to me the good of thisWhile you're not good for me?'
They stood together on the beach,They two alone,And louder waxed his urgent speech,His patience almost gone:'Oh, say but one kind word to me,Jessie, Jessie Cameron.'--'I'd be too proud to beg,' quoth she,And pride was in her tone.And pride was in her lifted head,And in her angry eyeAnd in her foot, which might have fled,But would not fly.
Some say that he had gipsy blood;That in his heart was guile:Yet he had gone through fire and floodOnly to win her smile.Some say his grandam was a witch,A black witch from beyond the Nile,Who kept an image in a nicheAnd talked with it the while.And by her hut far down the laneSome say they would not pass at night,Lest they should hear an unked strainOr see an unked sight.
Alas, for Jessie Cameron!--The sea crept moaning, moaning nigher:She should have hastened to begone,--The sea swept higher, breaking by her:She should have hastened to her homeWhile yet the west was flushed with fire,But now her feet are in the foam,The sea-foam, sweeping higher.O mother, linger at your door,And light your lamp to make it plain,But Jessie she comes home no more,No more again.
They stood together on the strand,They only, each by each;Home, her home, was close at hand,Utterly out of reach.Her mother in the chimney nookHeard a startled sea-gull screech,But never turned her head to lookTowards the darkening beach:Neighbours here and neighbours thereHeard one scream, as if a birdShrilly screaming cleft the air:--That was all they heard.
Jessie she comes home no more,Comes home never;Her lover's step sounds at his doorNo more forever.And boats may search upon the seaAnd search along the river,But none know where the bodies be:Sea-winds that shiver,Sea-birds that breast the blast,Sea-waves swelling,Keep the secret first and lastOf their dwelling.
Whether the tide so hemmed them roundWith its pitiless flow,That when they would have gone they foundNo way to go;Whether she scorned him to the lastWith words flung to and fro,Or clung to him when hope was past,None will ever know:Whether he helped or hindered her,Threw up his life or lost it well,The troubled sea, for all its stirFinds no voice to tell.
Only watchers by the dyingHave thought they heard one prayWordless, urgent; and replyingOne seem to say him nay:And watchers by the dead have heardA windy swell from miles away,With sobs and screams, but not a wordDistinct for them to say:And watchers out at sea have caughtGlimpse of a pale gleam here or there,Come and gone as quick as thought,Which might be hand or hair.
Words in this poem
- quoth v. t.
- Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
- outspoken a.
- Speaking, or spoken, freely, openly, or boldly; as, an outspoken man; an outspoken rebuke.
- bane v. t.
- To be the bane of; to ruin. Fuller.
- quickening n.
- The act or process of making or of becoming quick.
- kate n.
- The brambling finch.
- angry a.
- Troublesome; vexatious; rigorous. [See Anger.]
- grandam n.
- An old woman; specifically, a grandmother. [F. grande, fem. of grand + dame. See Grand, and Dame.]
- unked a.
- Odd; strange; ugly; old; uncouth. [Corrupted fr. uncouth, or OE. unkid; un- + p. p. of AS. cyedhan to make known, fr. cuedh known. See Uncouth.]
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- nook n.
- A narrow place formed by an angle in bodies or between bodies; a corner; a recess; a secluded retreat. [OE. nok; cf. Gael. & Ir. niuc.]
- shrilly a.
- Somewhat shrill.
- screaming a.
- Uttering screams; shrieking.
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- wordless a.
- Not using words; not speaking; silent; speechless.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Jessie Cameron is in the public domain. This text is taken from Goblin Market, The Prince's Progress, and Other Poems, Project Gutenberg ebook #16950; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Christina Rossetti, Jessie Cameron, in Goblin Market and Other Poems (1862), text of Project Gutenberg ebook #16950, Laurel, https://laurelpoetry.com/poem/rossetti-goblin-market/jessie-cameron.html, id L04297.
Form and metre
Jessie Cameron is 120 lines in 10 stanzas of 12 lines each. The rhyme scheme is ABABCBCBDEDE, complete in 5 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 7.0 syllables. 15 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABCBDBDBAECE cameronA · heB · sonC · sheB · nightD · seaB · lightD · beB · cameronA · trueE · sonC · youE
- 2 ABABCBCBDEDE girlA · plainB · churlA · mainB · tongueC · painB · youngC · baneB · soD · dayE · goD · wayE
- 3 ABABCBCB-D-D foamA · sandB · homeA · handB · thenC · understandB · menC · plannedB · cis · beD · this · meD
- 4 ABA-CBCBDEDE beachA · aloneB · speechA · gone · meC · cameronB · sheC · toneB · headD · eyeE · fledD · flyE
- 5 ABABCBCBDEDE bloodA · guileB · floodA · smileB · witchC · nileB · nicheC · whileB · laneD · nightE · strainD · sightE
- 6 -A--BABACDCD cameron · nigherA · begone · her · homeB · fireA · foamB · higherA · doorC · plainD · moreC · againD
- 7 ABABCBCBDEDE strandA · eachB · handA · reachB · nookC · screechB · lookC · beachB · thereD · birdE · airD · heardE
- 8 ABABCDCDEFEF moreA · neverB · doorA · foreverB · seaC · riverD · beC · shiverD · blastE · swellingF · lastE · dwellingF
- 9 ABABCBCBDEDE roundA · flowB · foundA · goB · lastC · froB · pastC · knowB · herD · wellE · stirD · tellE
- 10 ABABCBCBDEDE dyingA · prayB · replyingA · nayB · heardC · awayB · wordC · sayB · caughtD · thereE · thoughtD · hairE
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| 'Jessie, Jessie Cameron, | 7 | /˘/˘/˘˘ |
| Hear me but this once,' quoth he. | 7 | ······· |
| 'Good luck go with you, neighbor's son, | 8 | ·····/˘· |
| But I'm no mate for you,' quoth she. | 8 | ········ |
| Day was verging toward the night | 8 | ··/˘···· |
| There beside the moaning sea, | 7 | ·˘/·/˘· |
| Dimness overtook the light | 7 | /˘·˘/·· |
| There where the breakers be. | 6 | ···/˘· |
| 'O Jessie, Jessie Cameron, | 8 | ·/˘/˘/˘˘ |
| I have loved you long and true.'-- | 8 | ···˘···· |
| 'Good luck go with you, neighbor's son, | 8 | ·····/˘· |
| But I'm no mate for you.' | 6 | ······ |
| She was a careless, fearless girl, | 8 | ···/˘/˘· |
| And made her answer plain, | 6 | ···/˘· |
| Outspoken she to earl or churl, | 8 | //˘····· |
| Kindhearted in the main, | 5 | /˘··· |
| But somewhat heedless with her tongue, | 8 | ·///˘··· |
| And apt at causing pain; | 6 | ···/˘· |
| A mirthful maiden she and young, | 8 | ·/˘/˘··· |
| Most fair for bliss or bane. | 6 | ······ |
| 'Oh, long ago I told you so, | 8 | ··˘/···· |
| I tell you so to-day: | 6 | ······ |
| Go you your way, and let me go | 8 | ········ |
| Just my own free way.' | 5 | ····· |
| The sea swept in with moan and foam, | 8 | ········ |
| Quickening the stretch of sand; | 7 | /˘˘···· |
| They stood almost in sight of home; | 8 | ··/····· |
| He strove to take her hand. | 6 | ······ |
| 'Oh, can't you take your answer then, | 8 | ·····/˘· |
| And won't you understand? | 6 | ····˘/ |
| For me you're not the man of men, | 8 | ········ |
| I've other plans are planned. | 7 | ·/˘···˘ |
| You're good for Madge, or good for Cis, | 8 | ········ |
| Or good for Kate, may be: | 6 | ······ |
| But what's to me the good of this | 8 | ········ |
| While you're not good for me?' | 6 | ······ |
| They stood together on the beach, | 8 | ··˘/˘··· |
| They two alone, | 4 | ··˘/ |
| And louder waxed his urgent speech, | 8 | ·/˘··/˘· |
| His patience almost gone: | 6 | ·/˘/·· |
| 'Oh, say but one kind word to me, | 8 | ········ |
| Jessie, Jessie Cameron.'-- | 7 | /˘/˘/˘˘ |
| 'I'd be too proud to beg,' quoth she, | 8 | ········ |
| And pride was in her tone. | 6 | ······ |
| And pride was in her lifted head, | 8 | ·····/˘· |
| And in her angry eye | 6 | ···/˘· |
| And in her foot, which might have fled, | 8 | ········ |
| But would not fly. | 4 | ···· |
| Some say that he had gipsy blood; | 8 | ·····/˘· |
| That in his heart was guile: | 6 | ······ |
| Yet he had gone through fire and flood | 8 | ·····/·· |
| Only to win her smile. | 6 | /˘···· |
| Some say his grandam was a witch, | 8 | ···/˘··· |
| A black witch from beyond the Nile, | 8 | ········ |
| Who kept an image in a niche | 8 | ···/˘··· |
| And talked with it the while. | 7 | ··˘···· |
| And by her hut far down the lane | 8 | ········ |
| Some say they would not pass at night, | 8 | ········ |
| Lest they should hear an unked strain | 8 | ·····/˘· |
| Or see an unked sight. | 7 | ···/˘˘· |
| Alas, for Jessie Cameron!-- | 8 | ˘/·/˘/˘˘ |
| The sea crept moaning, moaning nigher: | 9 | ···/˘/˘·· |
| She should have hastened to begone,-- | 8 | ···/˘·˘/ |
| The sea swept higher, breaking by her: | 8 | ···//˘·· |
| She should have hastened to her home | 8 | ···/˘··· |
| While yet the west was flushed with fire, | 9 | ·······/˘ |
| But now her feet are in the foam, | 8 | ········ |
| The sea-foam, sweeping higher. | 7 | ···/˘/˘ |
| O mother, linger at your door, | 8 | ·/˘/˘··· |
| And light your lamp to make it plain, | 8 | ········ |
| But Jessie she comes home no more, | 8 | ·/˘····· |
| No more again. | 4 | ··˘/ |
| They stood together on the strand, | 8 | ··˘/˘··· |
| They only, each by each; | 6 | ·/˘··· |
| Home, her home, was close at hand, | 7 | ······· |
| Utterly out of reach. | 6 | /˘˘··· |
| Her mother in the chimney nook | 8 | ·/˘··/˘· |
| Heard a startled sea-gull screech, | 8 | ··/˘˘··· |
| But never turned her head to look | 8 | ·/˘····· |
| Towards the darkening beach: | 7 | ···/˘˘· |
| Neighbours here and neighbours there | 7 | /˘··/˘· |
| Heard one scream, as if a bird | 7 | ······· |
| Shrilly screaming cleft the air:-- | 7 | /˘/˘··· |
| That was all they heard. | 5 | ····· |
| Jessie she comes home no more, | 7 | /˘····· |
| Comes home never; | 4 | ··/˘ |
| Her lover's step sounds at his door | 8 | ·/˘····· |
| No more forever. | 5 | ··˘/˘ |
| And boats may search upon the sea | 8 | ········ |
| And search along the river, | 7 | ··˘/·/˘ |
| But none know where the bodies be: | 8 | ·····/˘· |
| Sea-winds that shiver, | 5 | ···/˘ |
| Sea-birds that breast the blast, | 6 | ······ |
| Sea-waves swelling, | 4 | ··/˘ |
| Keep the secret first and last | 7 | ··/˘··· |
| Of their dwelling. | 4 | ··/˘ |
| Whether the tide so hemmed them round | 8 | ········ |
| With its pitiless flow, | 6 | ··/˘˘· |
| That when they would have gone they found | 8 | ········ |
| No way to go; | 4 | ···· |
| Whether she scorned him to the last | 8 | ········ |
| With words flung to and fro, | 6 | ······ |
| Or clung to him when hope was past, | 8 | ········ |
| None will ever know: | 5 | ··/˘· |
| Whether he helped or hindered her, | 8 | ·····/˘· |
| Threw up his life or lost it well, | 8 | ········ |
| The troubled sea, for all its stir | 8 | ·/˘····· |
| Finds no voice to tell. | 5 | ····· |
| Only watchers by the dying | 8 | /˘/˘··/˘ |
| Have thought they heard one pray | 6 | ······ |
| Wordless, urgent; and replying | 8 | /˘/˘·˘/˘ |
| One seem to say him nay: | 6 | ······ |
| And watchers by the dead have heard | 8 | ·/˘····· |
| A windy swell from miles away, | 8 | ·/˘···˘/ |
| With sobs and screams, but not a word | 8 | ········ |
| Distinct for them to say: | 6 | ˘/···· |
| And watchers out at sea have caught | 8 | ·/˘····· |
| Glimpse of a pale gleam here or there, | 8 | ········ |
| Come and gone as quick as thought, | 7 | ······· |
| Which might be hand or hair. | 6 | ······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.