Canto V
Yet who but He undaunted could exploreuA world of waves—a sea without a shore,Trackless and vast and wild as that reveal’dWhen round the Ark the birds of tempest wheel’d;When all was still in the destroying hour—No sign of man! no vestige of his power!One at the stern before the hour-glass stood,As ’twere to count the sands; one o’er the floodGaz’d for St. Elmo; while another cried“Once more good morrow!” and sate down and sigh’d.Day, when it came, came only with its light.Tho’ long invok’d, ’twas sadder than the night!Look where He would, for ever as He turn’d,He met the eye of one that inly mourn’d.Then sunk his generous spirit, and He wept.The friend, the father rose; the hero slept.PALOS, thy port, with many a pang resign’ d,Fill’d with its busy scenes his lonely mind;The solemn march, the vows in concert giv’n,The bended knees and lifted hands to heav’n,The incens’d rites, and choral harmonies,The Guardian’s blessings mingling with his sighs;While his dear boys—ah, on his neck they hung,vAnd long at parting to his garments clung.Oft in the silent night-watch doubt and fearBroke in uncertain murmurs on his ear.Oft the stern Catalan, at noon of day,Mutter’d dark threats, and linger’d to obey;Tho’ that brave Youth—he, whom his courser boreRight thro’ the midst, when, fetlock deep in gore,The great GONZALO battled with the Moor,(What time the ALHAMBRA shook—soon to unfoldIts sacred courts, and fountains yet untold,Its holy texts and arabesques of gold)Tho’ ROLDAN, sleep and death to him alike,Grasp’d his good sword and half unsheath’d to strike.“Oh born to wander with your flocks,” he cried,“And bask and dream along the mountain-side;To urge your mules, tinkling from hill to hill;Or at the vintage-feast to drink your fill,And strike your castanets, with gipsy-maidDancing Fandangos in the chesnut shade—Come on,” he cried, and threw his glove in scorn,“Not this your wonted pledge, the brimming horn.Valiant in peace! Adventurous at home!Oh, had ye vow’d with pilgrim-staff to roam;Or with banditti sought the sheltering wood,Where mouldering crosses mark the scene of blood!—”He said, he drew; then, at his Master’s frown,Sullenly sheath’d, plunging the weapon down.
Gonzalo Fernandez, already known by the name of The great Captain. Granadasurrendered on the 2nd of January, 1492. Columbus set sail on the, 3rd ofAugust following.
Words in this poem 19
- undaunted a.
- Not daunted; not subdued or depressed by fear.
- trackless a.
- Having no track; marked by no footsteps; untrodden; as, a trackless desert.
- sate v. t.
- To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
- inly a.
- Internal; interior; secret. [OE. inlich, AS. inlic. See In.]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- choral a.
- Of or pertaining to a choir or chorus; singing, sung, or adapted to be sung, in chorus or harmony. Choral service, a service of song. [LL. choralis, fr. L. chorus. See Chorus.]
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- broke v. i.
- To transact business for another. Brome. [See Broker, and cf. Brook.]
- catalan a.
- Of or pertaining to Catalonia.
- courser n.
- One who courses or hunts. [F. coursier.]
- fetlock n.
- The cushionlike projection, bearing a tuft of long hair, on the back side of the leg above the hoof of the horse and similar animals. [OE. fetlak, fitlock, cf. Icel. fet pace, step, fit webbed foot of water birds, akin to E. foot. sq. root 77. See Foot.]
- alhambra n.
- The palace of the Moorish kings at Granada. [Ultimately fr. Ar. al the + hamra red; i. e., the red (sc. house).]
- shook v. t.
- To pack, as staves, in a shook.
- untold a.
- Not told; not related; not revealed; as, untold secrets.
- bask v. i.
- To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
- wonted a.
- Accustomed; customary; usual.
- brimming a.
- Full to the brim; overflowing.
- valiant a.
- Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
- january n.
- The first month of the year, containing thirty-one days. [L. Januarius, fr. Janus an old Latin deity, the god of the sun and the year, to whom the month of January was sacred; cf. janua a door, Skr. ya to go.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Canto V is in the public domain. This text is taken from Poems, Project Gutenberg ebook #13586; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Samuel Rogers, Canto V, in Poems (1792–1834), text of Project Gutenberg ebook #13586, Laurel, https://laurelpoetry.com/poem/rogers-poems/canto-v.html, id L09759.
Form and metre
Canto V is 53 lines in 2 verse paragraphs. It is in rhyming couplets, 72% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 10.4 syllables. 5 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 --AABBCCDDEE--FF----GG--HHIIJJ-KKKLLMMNNOOPPQQRRSS exploreu · shore · reveal'dA · wheel'dA · hourB · powerB · stoodC · floodC · criedD · sigh'dD · lightE · nightE · turn'd · mourn'd · weptF · sleptF · d · mind · giv'n · heav'n · harmoniesG · sighsG · hung,v · clung · fearH · earH · dayI · obeyI · boreJ · goreJ · moor · unfoldK · untoldK · goldK · alikeL · strikeL · criedM · sideM · hillN · fillN · maidO · shadeO · scornP · hornP · homeQ · roamQ · woodR · bloodR · frownS · downS
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Yet who but He undaunted could exploreu | 11 | ····˘/˘···· |
| A world of waves—a sea without a shore, | 10 | ·········· |
| Trackless and vast and wild as that reveal’d | 10 | /˘······˘/ |
| When round the Ark the birds of tempest wheel’d; | 10 | ·······/˘· |
| When all was still in the destroying hour— | 11 | ······˘/˘/˘ |
| No sign of man! no vestige of his power! | 11 | ·····/˘··/˘ |
| One at the stern before the hour-glass stood, | 10 | ·······/·· |
| As ’twere to count the sands; one o’er the flood | 10 | ·········· |
| Gaz’d for St. Elmo; while another cried | 10 | ···/˘·˘/˘· |
| “Once more good morrow!” and sate down and sigh’d. | 10 | ···/˘····· |
| Day, when it came, came only with its light. | 10 | ·····/˘··· |
| Tho’ long invok’d, ’twas sadder than the night! | 10 | ··˘/·/˘··· |
| Look where He would, for ever as He turn’d, | 10 | ·····/˘··· |
| He met the eye of one that inly mourn’d. | 10 | ·······/˘· |
| Then sunk his generous spirit, and He wept. | 10 | ···/˘˘/··· |
| The friend, the father rose; the hero slept. | 10 | ···/˘··/˘· |
| PALOS, thy port, with many a pang resign’ d, | 11 | /˘···/··˘/· |
| Fill’d with its busy scenes his lonely mind; | 10 | ···/˘··/˘· |
| The solemn march, the vows in concert giv’n, | 10 | ·/˘····/˘· |
| The bended knees and lifted hands to heav’n, | 10 | ·/˘··/˘··· |
| The incens’d rites, and choral harmonies, | 10 | ·/···/˘/˘˘ |
| The Guardian’s blessings mingling with his sighs; | 10 | ·/˘/˘/˘··· |
| While his dear boys—ah, on his neck they hung,v | 11 | ··········· |
| And long at parting to his garments clung. | 10 | ···/˘··/˘· |
| Oft in the silent night-watch doubt and fear | 10 | ···/˘····· |
| Broke in uncertain murmurs on his ear. | 10 | ··˘/˘/˘··· |
| Oft the stern Catalan, at noon of day, | 10 | ···/˘˘···· |
| Mutter’d dark threats, and linger’d to obey; | 10 | /˘···/˘·˘/ |
| Tho’ that brave Youth—he, whom his courser bore | 10 | ·······/˘· |
| Right thro’ the midst, when, fetlock deep in gore, | 10 | ·····/˘··· |
| The great GONZALO battled with the Moor, | 10 | ··˘/˘/˘··· |
| (What time the ALHAMBRA shook—soon to unfold | 11 | ···˘/˘···˘/ |
| Its sacred courts, and fountains yet untold, | 10 | ·/˘··/˘·˘/ |
| Its holy texts and arabesques of gold) | 10 | ·/˘······· |
| Tho’ ROLDAN, sleep and death to him alike, | 10 | ·/˘·····˘/ |
| Grasp’d his good sword and half unsheath’d to strike. | 10 | ·········· |
| “Oh born to wander with your flocks,” he cried, | 10 | ···/˘····· |
| “And bask and dream along the mountain-side; | 10 | ····˘/·/˘· |
| To urge your mules, tinkling from hill to hill; | 10 | ····/˘···· |
| Or at the vintage-feast to drink your fill, | 10 | ···/˘····· |
| And strike your castanets, with gipsy-maid | 10 | ···/˘˘·/˘· |
| Dancing Fandangos in the chesnut shade— | 10 | /˘˘/···/·· |
| Come on,” he cried, and threw his glove in scorn, | 10 | ·········· |
| “Not this your wonted pledge, the brimming horn. | 10 | ···/˘··/˘· |
| Valiant in peace! Adventurous at home! | 10 | /˘··˘/˘˘·· |
| Oh, had ye vow’d with pilgrim-staff to roam; | 10 | ·····/˘··· |
| Or with banditti sought the sheltering wood, | 10 | ·······/˘· |
| Where mouldering crosses mark the scene of blood!—” | 10 | ·/˘/˘····· |
| He said, he drew; then, at his Master’s frown, | 10 | ·······/˘· |
| Sullenly sheath’d, plunging the weapon down. | 10 | ····/˘·/˘· |
| Gonzalo Fernandez, already known by the name of The great Captain. Granada | 21 | ˘/˘˘/˘˘/˘·······/˘˘/˘ |
| surrendered on the 2nd of January, 1492. Columbus set sail on the, 3rd of | 20 | ˘/˘····/˘·˘˘/˘······ |
| August following. | 5 | /˘/˘˘ |
Notes from the edition 4
Samuel Rogers's own notes to his Poems (Project Gutenberg #13586).
- Stanza 1, line 9 A luminous appearance of good omen.
- Stanza 1, line 19 His public procession to the Convent of Rábida on the day before he set sail. It was there that his sons had received their education; and he himself appears to have passed some time there, the venerable Guardian, Juan Perez de Marchena, being his zealous and affectionate friend.—The ceremonies of his departure and return are represented in many of the fresco-paintings in the palaces of Genoa.
- Stanza 1, line 31 Gonzalo Fernandez, already known by the name of The great Captain. Granada surrendered on the 2nd of January, 1492. Columbus set sail on the, 3rd of August following.
- Stanza 1, line 35 Probably a soldier of fortune. There were more than one of the name on board.
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