Canto IV

Samuel Rogers (1763–1855) · 1792–1834

iambic pentameter · 40 lines · from Poems

“Ah, why look back, tho’ all is left behind?No sounds of life are stirring in the wind.—And you, ye birds, winging your passage home,How blest ye are!—We know not where we roam,We go,” they cried, “go to return no more;Nor ours, alas, the transport to exploreA human footstep on a desert shore!”

Still, as beyond this mortal life impell’dBy some mysterious energy, He heldHis everlasting course. Still self-possess’d,High on the deck He stood, disdaining rest;(His amber chain the only badge he bore,His mantle blue such as his fathers wore)Fathom’d, with searching hand, the dark profound,And scatter’d hope and glad assurance round.At day-break might the Caravels be seen,Chasing their shadows o’er the deep serene;Their burnish’d prows lash’d by the sparkling tide.Their green-cross standards waving far and wide.And now once more to better thoughts inclin’d,The sea-man, mounting, clamour’d in the wind.The soldier told his tales of love and war;sThe courtier sung—sung to his gay guitar.Round, at Primero, sate a whisker’d band;So Fortune smil’d, careless of sea or land!tLEON, MONTALVAN, (serving side by side;Two with one soul—and, as they liv’d, they died)VASCO the brave, thrice found among the slain,Thrice, and how soon, up and in arms again,As soon to wish he had been sought in vain,Chain’d down in Fez, beneath the bitter thong,To the hard bench and heavy oar so long!ALBERT of FLORENCE, who, at twilight-time,In my young ear pour’d DANTE’S tragic rhyme,Screen’d by the sail as near the mast we lay,Our night illumin’d by the ocean-spray;LERMA “the generous”, AVILA “the proud;”VELASQUEZ, GARCIA, thro’ the echoing croudTrac’d by their mirth—from EBRO’S classic shore,From golden TAJO—to return no more!

Words in this poem

explore v. t.
To seek for or after; to strive to attain by search; to look wisely and carefully for. [L. explorare to explore; ex out+plorare to cry out aloud,prob. orig., to cause to flow; perh. akin to E. flow: cf. F. explorer.]
clamour n.
A great outcry or vociferation; loud and continued shouting or exclamation. [OF. clamour, clamur, F. clameur, fr. L. clamor, fr. clamare to cry out. See Claim.]
courtier n.
One who is in attendance at the court of a prince; one who has an appointment at court. [From Court.]
primero n.
A game at cards, now unknown. [Sp. primera, fr. primero first, from L. primarius. See Premier.]
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
classic a.
Of or relating to the first class or rank, especially in literature or art. [L. classicus relating to the classes of the Roman people, and especially to the frist class; hence, of the first rank, superior, from classis class: cf. F. clas]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Canto IV is in the public domain. This text is taken from Poems, Project Gutenberg ebook #13586; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Samuel Rogers, Canto IV, in Poems (1792–1834), text of Project Gutenberg ebook #13586, Laurel, https://laurelpoetry.com/poem/rogers-poems/canto-iv.html, id L09758.

Form and metre

Canto IV is 40 lines in 2 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.1 syllables. 15% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCC behindA · windA · homeB · roamB · moreC · exploreC · shoreC
  2. 2 AABBCCDDEEFFGG----HHI-IJJKKLLMMNN impell'dA · heldA · possess'dB · restB · boreC · woreC · profoundD · roundD · seenE · sereneE · tideF · wideF · inclin'dG · windG · war;s · guitar · band · land!t · sideH · diedH · slainI · again · vainI · thongJ · longJ · timeK · rhymeK · layL · sprayL · proudM · croudM · shoreN · moreN
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
“Ah, why look back, tho’ all is left behind?10··········
No sounds of life are stirring in the wind.—10·····/˘···
And you, ye birds, winging your passage home,10····/˘·/˘·
How blest ye are!—We know not where we roam,10··········
We go,” they cried, “go to return no more;10······˘/··
Nor ours, alas, the transport to explore10·/˘/·/˘·˘/
A human footstep on a desert shore!”10·/˘/···/˘·
Still, as beyond this mortal life impell’d10·····/˘·˘/
By some mysterious energy, He held10··˘/˘/˘˘··
His everlasting course. Still self-possess’d,10··˘/˘···˘/
High on the deck He stood, disdaining rest;10······˘/˘·
(His amber chain the only badge he bore,10·/˘··/˘···
His mantle blue such as his fathers wore)10·/˘····/˘·
Fathom’d, with searching hand, the dark profound,10···/˘···˘/
And scatter’d hope and glad assurance round.10·/˘···˘/˘·
At day-break might the Caravels be seen,10·····/˘···
Chasing their shadows o’er the deep serene;10/˘·/····˘/
Their burnish’d prows lash’d by the sparkling tide.10·/˘····/˘·
Their green-cross standards waving far and wide.10···/˘/˘···
And now once more to better thoughts inclin’d,10·····/˘·˘/
The sea-man, mounting, clamour’d in the wind.10···/˘·····
The soldier told his tales of love and war;s11·/˘········
The courtier sung—sung to his gay guitar.10·/˘·····˘/
Round, at Primero, sate a whisker’d band;10··˘/˘·····
So Fortune smil’d, careless of sea or land!t11·/˘·/˘·····
LEON, MONTALVAN, (serving side by side;10/˘···/˘···
Two with one soul—and, as they liv’d, they died)10··········
VASCO the brave, thrice found among the slain,10/˘········
Thrice, and how soon, up and in arms again,10········˘/
As soon to wish he had been sought in vain,10··········
Chain’d down in Fez, beneath the bitter thong,10·······/˘·
To the hard bench and heavy oar so long!10·····/˘···
ALBERT of FLORENCE, who, at twilight-time,10/˘·/˘··/··
In my young ear pour’d DANTE’S tragic rhyme,10·····/˘/˘·
Screen’d by the sail as near the mast we lay,10··········
Our night illumin’d by the ocean-spray;10/·˘/˘··/˘·
LERMA “the generous”, AVILA “the proud;”10/˘·/˘˘/˘··
VELASQUEZ, GARCIA, thro’ the echoing croud11˘/˘·/˘··/˘·
Trac’d by their mirth—from EBRO’S classic shore,10·····/·/˘·
From golden TAJO—to return no more!10·/˘···˘/··
Notes from the edition 4

Samuel Rogers's own notes to his Poems (Project Gutenberg #13586).

  1. Stanza 2, line 5 It was afterwards given to Guacanahari. See F. Col. c. 32.
  2. Stanza 2, line 9 Light vessels, formerly used by the Spaniards and Portuguese.
  3. Stanza 2, line 12 F. Columbus, c. 23.
  4. Stanza 2, line 30 Many such appellations occur in Bernal Diaz. c. 204.

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