Clavering

Edwin Arlington Robinson (1869–1935) · 1910

iambic tetrameter · 48 lines · from The Town Down the River

I say no more for ClaveringThan I should say of him who failsTo bring his wounded vessel homeWhen reft of rudder and of sails;

I say no more than I should sayOf any other one who seesToo far for guidance of to-day,Too near for the eternities.

I think of him as I should thinkOf one who for scant wages played,And faintly, a flawed instrumentThat fell while it was being made;

I think of him as one who fared,Unfaltering and undeceived,Amid mirages of renownAnd urgings of the unachieved;

I think of him as one who gaveTo Lingard leave to be amused,And listened with a patient graceThat we, the wise ones, had refused;

I think of metres that he wroteFor Cubit, the ophidian guest:“What Lilith, or Dark Lady” ... Well,Time swallows Cubit with the rest.

I think of last words that he saidOne midnight over Calverly:“Good-by--good man.” He was not good;So Clavering was wrong, you see.

I wonder what had come to passCould he have borrowed for a spellThe fiery-frantic indolenceThat made a ghost of Leffingwell;

I wonder if he pitied usWho cautioned him till he was grayTo build his house with ours on earthAnd have an end of yesterday;

I wonder what it was we sawTo make us think that we were strong;I wonder if he saw too much,Or if he looked one way too long.

But when were thoughts or wonderingsTo ferret out the man within?Why prate of what he seemed to be,And all that he might not have been?

He clung to phantoms and to friends,And never came to anything.He left a wreath on Cubit’s grave.I say no more for Clavering.

Words in this poem

reft n.
A chink; a rift. See Rift. Rom. of R.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
cubit n.
The forearm; the ulna, a bone of the arm extending from elbow to wrist. [L. cubitum, cubitus; elbow, ell, cubit, fr. (because the elbow serves focubare to lie down, recline; cf. Gr. Incumbent, Covey.]
ophidian n.
One of the Ophidia; a snake or serpent. [Cf. F. ophidien.]
indolence n.
Freedom from that which pains, or harasses, as toil, care, grief, etc. [L. indolentia freedom from pain: cf. F. indolence.]
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
clung a.
Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Clavering is in the public domain. This text is taken from The town down the river, Project Gutenberg ebook #76699; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edwin Arlington Robinson, Clavering, in The Town Down the River (1910), text of Project Gutenberg ebook #76699, Laurel, https://laurelpoetry.com/poem/robinson-town-down-river/clavering.html, id L17189.

Form and metre

Clavering is 48 lines in 12 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 5 lines end on an unstressed syllable, a feminine ending. 42% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A clavering · failsA · home · sailsA
  2. 2 ABAB sayA · seesB · dayA · eternitiesB
  3. 3 -A-A think · playedA · instrument · madeA
  4. 4 -A-A fared · undeceivedA · renown · unachievedA
  5. 5 -A-A gave · amusedA · grace · refusedA
  6. 6 -A-A wrote · guestA · well · restA
  7. 8 -A-A pass · spellA · indolence · leffingwellA
  8. 9 -A-A us · grayA · earth · yesterdayA
  9. 10 -A-A saw · strongA · much · longA
  10. 11 -A-A wonderings · withinA · be · beenA
  11. 12 -A-A friends · anythingA · grave · claveringA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
I say no more for Clavering8········
Than I should say of him who fails8········
To bring his wounded vessel home8···/˘/˘·
When reft of rudder and of sails;8···/˘···
I say no more than I should say8········
Of any other one who sees8·/˘/˘···
Too far for guidance of to-day,8···/˘···
Too near for the eternities.8····˘/˘˘
I think of him as I should think8········
Of one who for scant wages played,8·····/˘·
And faintly, a flawed instrument8·/˘··/˘˘
That fell while it was being made;8·····/˘·
I think of him as one who fared,8········
Unfaltering and undeceived,8········
Amid mirages of renown8˘/˘/˘·˘/
And urgings of the unachieved;8·/˘·····
I think of him as one who gave8········
To Lingard leave to be amused,8·/˘···˘/
And listened with a patient grace8·/˘··/˘·
That we, the wise ones, had refused;8······˘/
I think of metres that he wrote8···/˘···
For Cubit, the ophidian guest:9·/˘·˘/˘˘·
“What Lilith, or Dark Lady” ... Well,8·/˘··/˘·
Time swallows Cubit with the rest.8·/˘/˘···
I think of last words that he said8········
One midnight over Calverly:8·/······
“Good-by--good man.” He was not good;8········
So Clavering was wrong, you see.8········
I wonder what had come to pass8·/˘·····
Could he have borrowed for a spell8···/····
The fiery-frantic indolence9·/˘˘/˘/˘˘
That made a ghost of Leffingwell;8·····/˘˘
I wonder if he pitied us8·/˘··/··
Who cautioned him till he was gray8·/˘·····
To build his house with ours on earth8·····/··
And have an end of yesterday;8·····/˘·
I wonder what it was we saw8·/˘·····
To make us think that we were strong;8········
I wonder if he saw too much,8·/˘·····
Or if he looked one way too long.8········
But when were thoughts or wonderings8·····/˘˘
To ferret out the man within?8·/˘·····
Why prate of what he seemed to be,8········
And all that he might not have been?8········
He clung to phantoms and to friends,8···/˘···
And never came to anything.8·/˘··/˘·
He left a wreath on Cubit’s grave.8·····/˘·
I say no more for Clavering.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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