Light and Shade
Thou hast done well to kneel and say,"Since He who gave can take away,And bid me suffer, I obey."
And also well to tell thy heartThat good lies in the bitterest part,And thou wilt profit by her smart.
But bitter hours come to all:When even truths like these will pall,Sick hearts for humbler comfort call.
Then I would have thee strive to seeThat good and evil come to thee,As one of a great family.
And as material life is planned,That even the loneliest one must standDependent on his brother's hand;
So links more subtle and more fineBind every other soul to thineIn one great brotherhood divine.
Nor with thy share of work be vexed;Though incomplete, and even perplex,It fits exactly to the next.
What seems so dark to thy dim sightMay be a shadow, seen aright,Making some brightness doubly bright.
The flash that struck thy tree,--no moreTo shelter thee,--lets Heaven's blue floorShine where it never shone before.
Thy life that has been dropped asideInto Time's stream, may stir the tide,In rippled circles spreading wide.
The cry wrung from thy spirit's painMay echo on some far-off plain,And guide a wanderer home again.
Fail--yet rejoice; because no lessThe failure that makes thy distressMay teach another full success.
It may be that in some great needThy life's poor fragments are decreedTo help build up a lofty deed.
Thy heart should throb in vast content,Thus knowing that it was but meantAs chord in one great instrument;
That even the discord in thy soulMay make completer music rollFrom out the great harmonious whole.
It may be, that when all is light,Deep set within that deep delightWill be to know why all was right;
To hear life's perfect music rise,And while it floods the happy skies,Thy feeble voice to recognise.
Then strive more gladly to fulfilThy little part. This darkness stillIs light to every loving will.
And trust,--as if already plain,How just thy share of loss and painIs for another fuller gain.
I dare not limit time or placeTouched by thy life: nor dare I traceIts far vibrations into space.
One only knows. Yet if the fretOf thy weak heart, in weak regretNeeds a more tender comfort yet:
Then thou mayst take thy loneliest fears,The bitterest drops of all thy tears,The dreariest hours of all thy years;
And through thy anguish there outspread,May ask that God's great love would shedBlessings on one beloved head.
And thus thy soul shall learn to drawSweetness from out that loving lawThat sees no failure and no flaw,
Where all is good. And life is good,Were the one lesson understoodOf its most sacred brotherhood.
Words in this poem
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- kneel v. i.
- To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
- humbler n.
- One who, or that which, humbles some one.
- aright adv.
- Rightly; correctly; in a right way or form; without mistake or crime; as, to worship God aright. [Pref. a- + right.]
- throb v. i.
- To beat, or pulsate, with more than usual force or rapidity; to beat in consequence of agitation; to palpitate; -- said of the heart, pulse, etc. [OE. ; of uncertain origin; cf. Russ. trepete a trembling, and E. trepidation.]
- recognise v. t.
- To know again; to perceive the identity of, with a person or thing previously known; to recover or recall knowledge of. [From Recognizance; see Cognition, and cf. Reconnoiter.]
- gladly adv.
- Preferably; by choice. [From Glad, a.]
- needs adv.
- Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
- outspread v. t.
- To spread out; to expand; -- usually as a past part. or adj.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Light and Shade is in the public domain. This text is taken from Legends and Lyrics. Part 2, Project Gutenberg ebook #2304; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Adelaide Anne Procter, Light and Shade, in Legends and Lyrics: Second Series (1861), text of Project Gutenberg ebook #2304, Laurel, https://laurelpoetry.com/poem/procter-legends-lyrics/light-and-shade.html, id L21789.
Form and metre
Light and Shade is 75 lines in 25 stanzas of 3 lines each. It is in rhyming couplets, 64% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AAA sayA · awayA · obeyA
- 2 AAA heartA · partA · smartA
- 3 AAA allA · pallA · callA
- 4 AA- seeA · theeA · family
- 5 AAA plannedA · standA · handA
- 6 AAA fineA · thineA · divineA
- 7 A-A vexedA · perplex · nextA
- 8 AAA sightA · arightA · brightA
- 9 AAA moreA · floorA · beforeA
- 10 AAA asideA · tideA · wideA
- 11 AAA painA · plainA · againA
- 12 AAA lessA · distressA · successA
- 13 AAA needA · decreedA · deedA
- 14 AAA contentA · meantA · instrumentA
- 15 AAA soulA · rollA · wholeA
- 16 AAA lightA · delightA · rightA
- 17 AAA riseA · skiesA · recogniseA
- 18 -AA fulfil · stillA · willA
- 19 AAA plainA · painA · gainA
- 20 AAA placeA · traceA · spaceA
- 21 AAA fretA · regretA · yetA
- 22 AAA fearsA · tearsA · yearsA
- 23 AAA outspreadA · shedA · headA
- 24 AAA drawA · lawA · flawA
- 25 AAA goodA · understoodA · brotherhoodA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thou hast done well to kneel and say, | 8 | ········ |
| "Since He who gave can take away, | 8 | ······˘/ |
| And bid me suffer, I obey." | 8 | ···/˘·˘/ |
| And also well to tell thy heart | 8 | ·/˘····· |
| That good lies in the bitterest part, | 8 | ·····/˘· |
| And thou wilt profit by her smart. | 8 | ···/˘··· |
| But bitter hours come to all: | 8 | ·/˘/˘··· |
| When even truths like these will pall, | 8 | ·/˘····· |
| Sick hearts for humbler comfort call. | 8 | ···/˘/˘· |
| Then I would have thee strive to see | 8 | ········ |
| That good and evil come to thee, | 8 | ···/˘··· |
| As one of a great family. | 8 | ·····/˘˘ |
| And as material life is planned, | 8 | ··˘/˘··· |
| That even the loneliest one must stand | 9 | ·/······· |
| Dependent on his brother's hand; | 8 | ˘/˘··/˘· |
| So links more subtle and more fine | 8 | ···/˘··· |
| Bind every other soul to thine | 8 | ·/˘/˘··· |
| In one great brotherhood divine. | 8 | ···/˘·˘/ |
| Nor with thy share of work be vexed; | 8 | ········ |
| Though incomplete, and even perplex, | 8 | ·˘˘/·/˘/ |
| It fits exactly to the next. | 8 | ··˘/˘··· |
| What seems so dark to thy dim sight | 8 | ········ |
| May be a shadow, seen aright, | 8 | ···/··˘/ |
| Making some brightness doubly bright. | 8 | /˘·/˘/˘· |
| The flash that struck thy tree,--no more | 8 | ········ |
| To shelter thee,--lets Heaven's blue floor | 9 | ·/˘··/˘·· |
| Shine where it never shone before. | 8 | ···/˘··· |
| Thy life that has been dropped aside | 8 | ······˘/ |
| Into Time's stream, may stir the tide, | 8 | ········ |
| In rippled circles spreading wide. | 8 | ·/˘/˘/˘· |
| The cry wrung from thy spirit's pain | 8 | ·····/˘· |
| May echo on some far-off plain, | 8 | ·/˘····· |
| And guide a wanderer home again. | 8 | ···/˘·˘/ |
| Fail--yet rejoice; because no less | 8 | ··˘/···· |
| The failure that makes thy distress | 8 | ·/˘···˘/ |
| May teach another full success. | 8 | ··˘/˘·˘/ |
| It may be that in some great need | 8 | ········ |
| Thy life's poor fragments are decreed | 8 | ···/˘·˘/ |
| To help build up a lofty deed. | 8 | ·····/˘· |
| Thy heart should throb in vast content, | 8 | ······/˘ |
| Thus knowing that it was but meant | 8 | ·/˘····· |
| As chord in one great instrument; | 8 | ·····/˘˘ |
| That even the discord in thy soul | 8 | ·/·/˘··· |
| May make completer music roll | 8 | ·····/˘· |
| From out the great harmonious whole. | 8 | ····˘/˘· |
| It may be, that when all is light, | 8 | ········ |
| Deep set within that deep delight | 8 | ······˘/ |
| Will be to know why all was right; | 8 | ········ |
| To hear life's perfect music rise, | 8 | ···/·/˘· |
| And while it floods the happy skies, | 8 | ·····/˘· |
| Thy feeble voice to recognise. | 8 | ·/˘··/˘· |
| Then strive more gladly to fulfil | 8 | ···/˘··· |
| Thy little part. This darkness still | 8 | ·/˘··/˘· |
| Is light to every loving will. | 8 | ···/˘/˘· |
| And trust,--as if already plain, | 8 | ····˘/˘· |
| How just thy share of loss and pain | 8 | ········ |
| Is for another fuller gain. | 8 | ··˘/˘/˘· |
| I dare not limit time or place | 8 | ···/˘··· |
| Touched by thy life: nor dare I trace | 8 | ········ |
| Its far vibrations into space. | 8 | ··˘/˘··· |
| One only knows. Yet if the fret | 8 | ·/˘····· |
| Of thy weak heart, in weak regret | 8 | ······˘/ |
| Needs a more tender comfort yet: | 8 | ···/˘/˘· |
| Then thou mayst take thy loneliest fears, | 9 | ········· |
| The bitterest drops of all thy tears, | 8 | ·/˘····· |
| The dreariest hours of all thy years; | 8 | ···/···· |
| And through thy anguish there outspread, | 8 | ···/˘·˘/ |
| May ask that God's great love would shed | 8 | ········ |
| Blessings on one beloved head. | 8 | /˘··˘/˘· |
| And thus thy soul shall learn to draw | 8 | ········ |
| Sweetness from out that loving law | 8 | /˘···/˘· |
| That sees no failure and no flaw, | 8 | ···/˘··· |
| Where all is good. And life is good, | 8 | ········ |
| Were the one lesson understood | 8 | ···/˘·˘/ |
| Of its most sacred brotherhood. | 8 | ···/˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.