A Woman's Answer
I will not let you say a Woman's partMust be to give exclusive love alone;Dearest, although I love you so, my heartAnswers a thousand claims beside your own.
I love--what do I not love? earth and airFind space within my heart, and myriad thingsYou would not deign to heed, are cherished there,And vibrate on its very inmost strings.
I love the summer with her ebb and flowOf light, and warmth, and music that have nurstHer tender buds to blossoms . . . and you knowIt was in summer that I saw you first.
I love the winter dearly too, . . . but thenI owe it so much; on a winter's day,Bleak, cold, and stormy, you returned again,When you had been those weary months away.
I love the Stars like friends; so many nightsI gazed at them, when you were far from me,Till I grew blind with tears . . . those far-off lightsCould watch you, whom I longed in vain to see.
I love the Flowers; happy hours lieShut up within their petals close and fast:You have forgotten, dear: but they and IKeep every fragment of the golden Past.
I love, too, to be loved; all loving praiseSeems like a crown upon my Life,--to makeIt better worth the giving, and to raiseStill nearer to your own the heart you take.
I love all good and noble souls;--I heardOne speak of you but lately, and for daysOnly to think of it, my soul was stirredIn tender memory of such generous praise.
I love all those who love you; all who oweComfort to you: and I can find regretEven for those poorer hearts who once could know,And once could love you, and can now forget.
Well, is my heart so narrow--I, who spareLove for all these? Do I not even holdMy favourite books in special tender care,And prize them as a miser does his gold?
The Poets that you used to read to meWhile summer twilights faded in the sky;But most of all I think Aurora Leigh,Because--because--do you remember why?
Will you be jealous? Did you guess beforeI loved so many things?--Still you the best:-Dearest, remember that I love you more,Oh, more a thousand times than all the rest!
Words in this poem
- myriad n.
- The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
- deign v. t.
- To esteem worthy; to consider worth notice; -- opposed to disdain. [OE. deinen, deignen, OF. degner, deigner, daigner, F. daigner, fr. L. dignari to deem worthy, deign, fr. dignus worthy; akin to decere to be fitting. See Decent]
- inmost a.
- Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
- generous a.
- Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
- aurora n.
- The rising light of the morning; the dawn of day; the redness of the sky just before the sun rises. [L. aurora, for ausosa, akin to Gr. ushas, and E. east.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Woman's Answer is in the public domain. This text is taken from Legends and Lyrics. Part 2, Project Gutenberg ebook #2304; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Adelaide Anne Procter, A Woman's Answer, in Legends and Lyrics: Second Series (1861), text of Project Gutenberg ebook #2304, Laurel, https://laurelpoetry.com/poem/procter-legends-lyrics/a-woman-s-answer.html, id L21802.
Form and metre
A Woman's Answer is 48 lines in 12 stanzas of 4 lines each. Every stanza rhymes ABAB. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 89%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB partA · aloneB · heartA · ownB
- 2 ABAB airA · thingsB · thereA · stringsB
- 3 ABAB flowA · nurstB · knowA · firstB
- 4 ABAB thenA · dayB · againA · awayB
- 5 ABAB nightsA · meB · lightsA · seeB
- 6 ABAB lieA · fastB · iA · pastB
- 7 ABAB praiseA · makeB · raiseA · takeB
- 8 ABAB heardA · daysB · stirredA · praiseB
- 9 ABAB oweA · regretB · knowA · forgetB
- 10 ABAB spareA · holdB · careA · goldB
- 11 ABAB meA · skyB · leighA · whyB
- 12 ABAB beforeA · bestB · moreA · restB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I will not let you say a Woman's part | 10 | ·······/˘· |
| Must be to give exclusive love alone; | 10 | ····˘/˘·˘/ |
| Dearest, although I love you so, my heart | 10 | /˘········ |
| Answers a thousand claims beside your own. | 10 | /˘·/˘·˘/·· |
| I love--what do I not love? earth and air | 10 | ·········· |
| Find space within my heart, and myriad things | 10 | ·······/˘· |
| You would not deign to heed, are cherished there, | 10 | ·······/˘· |
| And vibrate on its very inmost strings. | 10 | ·/˘··/˘/˘· |
| I love the summer with her ebb and flow | 10 | ···/˘····· |
| Of light, and warmth, and music that have nurst | 10 | ·····/˘··· |
| Her tender buds to blossoms . . . and you know | 10 | ·/˘··/˘··· |
| It was in summer that I saw you first. | 10 | ···/˘····· |
| I love the winter dearly too, . . . but then | 10 | ···/˘/˘··· |
| I owe it so much; on a winter's day, | 10 | ·······/˘· |
| Bleak, cold, and stormy, you returned again, | 10 | ···/˘·˘/˘/ |
| When you had been those weary months away. | 10 | ·····/˘·˘/ |
| I love the Stars like friends; so many nights | 10 | ·······/˘· |
| I gazed at them, when you were far from me, | 10 | ·········· |
| Till I grew blind with tears . . . those far-off lights | 10 | ·········· |
| Could watch you, whom I longed in vain to see. | 10 | ·········· |
| I love the Flowers; happy hours lie | 10 | ···/˘/˘/˘· |
| Shut up within their petals close and fast: | 10 | ·····/˘··· |
| You have forgotten, dear: but they and I | 10 | ··˘/˘····· |
| Keep every fragment of the golden Past. | 10 | ·/˘/˘··/˘· |
| I love, too, to be loved; all loving praise | 10 | ·······/˘· |
| Seems like a crown upon my Life,--to make | 10 | ·········· |
| It better worth the giving, and to raise | 10 | ·/˘··/˘··· |
| Still nearer to your own the heart you take. | 10 | ·/˘······· |
| I love all good and noble souls;--I heard | 10 | ·····/˘··· |
| One speak of you but lately, and for days | 10 | ·····/˘··· |
| Only to think of it, my soul was stirred | 10 | /˘········ |
| In tender memory of such generous praise. | 10 | ·/˘/˘··/˘· |
| I love all those who love you; all who owe | 10 | ·········· |
| Comfort to you: and I can find regret | 10 | /˘······˘/ |
| Even for those poorer hearts who once could know, | 10 | /··/˘····· |
| And once could love you, and can now forget. | 10 | ········˘/ |
| Well, is my heart so narrow--I, who spare | 10 | ·····/˘··· |
| Love for all these? Do I not even hold | 10 | ·······/˘· |
| My favourite books in special tender care, | 11 | ······/˘/˘· |
| And prize them as a miser does his gold? | 10 | ·····/˘··· |
| The Poets that you used to read to me | 10 | ·/˘······· |
| While summer twilights faded in the sky; | 10 | ·/˘/·/˘··· |
| But most of all I think Aurora Leigh, | 10 | ·········· |
| Because--because--do you remember why? | 10 | ······˘/˘· |
| Will you be jealous? Did you guess before | 10 | ···/˘····· |
| I loved so many things?--Still you the best:- | 10 | ···/˘····· |
| Dearest, remember that I love you more, | 10 | /˘˘/˘····· |
| Oh, more a thousand times than all the rest! | 10 | ···/˘····· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.