A Comforter
Will she come to me, little Effie,Will she come in my arms to rest,And nestle her head on my shoulder,While the sun goes down in the west?
"I and Effie will sit together,All alone, in this great arm-chair:-Is it silly to mind it, darling,When Life is so hard to bear?
"No one comforts me like my Effie,Just I think that she does not try,--Only looks with a wistful wonderWhy grown people should ever cry;
"While her little soft arms close tighterRound my neck in their clinging hold:-Well, I must not cry on your hair, dear,For my tears might tarnish the gold.
"I am tired of trying to read, dear;It is worse to talk and seem gay:There are some kinds of sorrow, Effie,It is useless to thrust away.
"Ah, advice may be wise, my darling,But one always knows it before;And the reasoning down one's sorrowSeems to make one suffer the more.
"But my Effie won't reason, will she?Or endeavour to understand;Only holds up her mouth to kiss me,As she strokes my face with her hand.
"If you break your plaything yourself, dear,Don't you cry for it all the same?I don't think it is such a comfort,One has only oneself to blame.
"People say things cannot be helped, dear,But then that is the reason why;For if things could be helped or altered,One would never sit down to cry:
"They say, too, that tears are quite uselessTo undo, amend, or restore,--When I think how useless, my Effie,Then my tears only fall the more.
"All to-day I struggled against it;But that does not make sorrow cease;And now, dear, it is such a comfortTo be able to cry in peace.
"Though wise people would call that folly,And remonstrate with grave surprise;We won't mind what they say, my Effie;--We never professed to be wise.
"But my comforter knows a lessonWiser, truer than all the rest:-That to help and to heal a sorrow,Love and silence are always best.
"Well, who is my comforter--tell me?Effie smiles, but she will not speak;Or look up through the long curled lashesThat are shading her rosy cheek.
"Is she thinking of talking fishes,The blue bird, or magical tree?Perhaps I am thinking, my darling,Of something that never can be.
"You long--don't you, dear?--for the Genii,Who were slaves of lamps and of rings;And I--I am sometimes afraid, dear,--I want as impossible things.
"But hark! there is Nurse calling Effie!It is bedtime, so run away;And I must go back, or the othersWill be wondering why I stay.
"So good-night to my darling Effie;Keep happy, sweetheart, and grow wise:-There's one kiss for her golden tresses,And two for her sleepy eyes."
There are more things in Heaven and Earth, than weCan dream of, or than nature understands;We learn not through our poor philosophyWhat hidden chords are touched by unseen hands.
The present hour repeats upon its stringsEchoes of some vague dream we have forgot;Dim voices whisper half-remembered things,And when we pause to listen,--answer not.
Forebodings come: we know not how, or whence,Shadowing a nameless fear upon the soul,And stir within our hearts a subtler sense,Than light may read, or wisdom may control.
And who can tell what secret links of thoughtBind heart to heart? Unspoken things are heard,As if within our deepest selves was broughtThe soul, perhaps, of some unuttered word.
But, though a veil of shadow hangs betweenThat hidden life, and what we see and hear,Let us revere the power of the Unseen,And know a world of mystery is near.
Words in this poem
- nestle v. i.
- To make and occupy a nest; to nest. [AS. nestlian.]
- wistful a.
- Longing; wishful; desirous. [For wishful; perhaps influenced by wistly, which is probably corrupted from OE. wisly certainly (from Icel. viss certain, akin to E. wit). See Wish.]
- tighter n.
- A ribbon or string used to draw clothes closer.
- endeavour v. t.
- To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
- plaything n.
- A thing to play with; a toy; anything that serves to amuse.
- oneself pron.
- A reflexive form of the indefinite pronoun one. Commonly writen as two words, one's self.
- comforter n.
- One who administers comfort or consolation.
- bedtime n.
- The time to go to bed.
- unseen a.
- Not seen or discovered.
- shadowing n.
- Shade, or gradation of light and color; shading. Feltham.
- nameless a.
- Without a name; not having been given a name; as, a nameless star.
- revere v. t.
- To regard with reverence, or profound respect and affection, mingled with awe or fear; to venerate; to reverence; to honor in estimation. [L. revereri; pref. re- re- + vereri to fear, perh. akin to E. wary: cf. F. révérer.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Comforter is in the public domain. This text is taken from Legends and Lyrics. Part 2, Project Gutenberg ebook #2304; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Adelaide Anne Procter, A Comforter, in Legends and Lyrics: Second Series (1861), text of Project Gutenberg ebook #2304, Laurel, https://laurelpoetry.com/poem/procter-legends-lyrics/a-comforter.html, id L21795.
Form and metre
A Comforter is 92 lines in 23 stanzas of 4 lines each. The commonest rhyme scheme is ABAB, in 6 of the 23 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 78%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A effie · restA · shoulder · westA
- 2 -A-A together · chairA · darling · bearA
- 3 -A-A effie · tryA · wonder · cryA
- 4 -A-A tighter · holdA · dear · goldA
- 5 -A-A dear · gayA · effie · awayA
- 6 -A-A darling · beforeA · sorrow · moreA
- 7 ABAB sheA · understandB · meA · handB
- 8 -A-A dear · sameA · comfort · blameA
- 9 -A-A dear · whyA · altered · cryA
- 10 -A-A useless · restoreA · effie · moreA
- 11 ABAB itA · ceaseB · comfortA · peaceB
- 12 -A-A folly · surpriseA · effie · wiseA
- 13 -A-A lesson · restA · sorrow · bestA
- 14 -A-A me · speakA · lashes · cheekA
- 15 -A-A fishes · treeA · darling · beA
- 16 -A-A genii · ringsA · dear · thingsA
- 17 -A-A effie · awayA · others · stayA
- 18 -AAA effie · wiseA · tressesA · eyesA
- 19 -A-A we · understandsA · philosophy · handsA
- 20 ABAB stringsA · forgotB · thingsA · notB
- 21 ABAB whenceA · soulB · senseA · controlB
- 22 ABAB thoughtA · heardB · broughtA · wordB
- 23 ABAB betweenA · hearB · unseenA · nearB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Will she come to me, little Effie, | 9 | ·····/˘/˘ |
| Will she come in my arms to rest, | 8 | ········ |
| And nestle her head on my shoulder, | 9 | ·/˘····/˘ |
| While the sun goes down in the west? | 8 | ········ |
| "I and Effie will sit together, | 9 | ··/˘··˘/˘ |
| All alone, in this great arm-chair:- | 8 | ·˘/····· |
| Is it silly to mind it, darling, | 9 | ··/˘···/˘ |
| When Life is so hard to bear? | 7 | ······· |
| "No one comforts me like my Effie, | 9 | ··/˘···/˘ |
| Just I think that she does not try,-- | 8 | ········ |
| Only looks with a wistful wonder | 9 | /˘···/˘/˘ |
| Why grown people should ever cry; | 8 | ··/˘·/˘· |
| "While her little soft arms close tighter | 9 | ··/˘···/˘ |
| Round my neck in their clinging hold:- | 8 | ·····/˘· |
| Well, I must not cry on your hair, dear, | 9 | ········· |
| For my tears might tarnish the gold. | 8 | ····/˘·· |
| "I am tired of trying to read, dear; | 9 | ··/·/˘··· |
| It is worse to talk and seem gay: | 8 | ········ |
| There are some kinds of sorrow, Effie, | 9 | ·····/˘/˘ |
| It is useless to thrust away. | 8 | ··/˘··˘/ |
| "Ah, advice may be wise, my darling, | 9 | ·˘/····/˘ |
| But one always knows it before; | 8 | ··/····· |
| And the reasoning down one's sorrow | 9 | ··/˘˘··/˘ |
| Seems to make one suffer the more. | 8 | ····/˘·· |
| "But my Effie won't reason, will she? | 9 | ··/˘·/˘·· |
| Or endeavour to understand; | 8 | ·˘/˘··˘/ |
| Only holds up her mouth to kiss me, | 9 | /˘······· |
| As she strokes my face with her hand. | 8 | ········ |
| "If you break your plaything yourself, dear, | 9 | ····/·/˘· |
| Don't you cry for it all the same? | 8 | ········ |
| I don't think it is such a comfort, | 9 | ·······/˘ |
| One has only oneself to blame. | 8 | ··/˘·/·· |
| "People say things cannot be helped, dear, | 9 | /˘··/˘··· |
| But then that is the reason why; | 8 | ·····/˘· |
| For if things could be helped or altered, | 9 | ·······/˘ |
| One would never sit down to cry: | 8 | ··/˘···· |
| "They say, too, that tears are quite useless | 9 | ·······/˘ |
| To undo, amend, or restore,-- | 8 | ·˘/˘/·˘/ |
| When I think how useless, my Effie, | 9 | ····/˘·/˘ |
| Then my tears only fall the more. | 8 | ···/˘··· |
| "All to-day I struggled against it; | 9 | ····/˘··· |
| But that does not make sorrow cease; | 8 | ·····/˘· |
| And now, dear, it is such a comfort | 9 | ·······/˘ |
| To be able to cry in peace. | 8 | ··/˘···· |
| "Though wise people would call that folly, | 9 | ··/˘···/˘ |
| And remonstrate with grave surprise; | 8 | ·˘/˘··˘/ |
| We won't mind what they say, my Effie;-- | 9 | ·······/˘ |
| We never professed to be wise. | 8 | ·/˘˘/··· |
| "But my comforter knows a lesson | 9 | ··/˘˘··/˘ |
| Wiser, truer than all the rest:- | 8 | /˘/˘···· |
| That to help and to heal a sorrow, | 9 | ·······/˘ |
| Love and silence are always best. | 8 | ··/˘·/·· |
| "Well, who is my comforter--tell me? | 8 | ····/˘·· |
| Effie smiles, but she will not speak; | 8 | /˘······ |
| Or look up through the long curled lashes | 9 | ·······/˘ |
| That are shading her rosy cheek. | 8 | ··/˘·/˘· |
| "Is she thinking of talking fishes, | 9 | ··/˘·/˘/˘ |
| The blue bird, or magical tree? | 8 | ····/˘˘· |
| Perhaps I am thinking, my darling, | 9 | ˘/··/˘·/˘ |
| Of something that never can be. | 8 | ·/˘·/˘·· |
| "You long--don't you, dear?--for the Genii, | 9 | ········· |
| Who were slaves of lamps and of rings; | 8 | ········ |
| And I--I am sometimes afraid, dear,-- | 9 | ····˘/˘/· |
| I want as impossible things. | 8 | ···˘/˘˘· |
| "But hark! there is Nurse calling Effie! | 9 | ·····/˘/˘ |
| It is bedtime, so run away; | 8 | ··/···˘/ |
| And I must go back, or the others | 9 | ·······/˘ |
| Will be wondering why I stay. | 8 | ··/˘˘··· |
| "So good-night to my darling Effie; | 9 | ·····/˘/˘ |
| Keep happy, sweetheart, and grow wise:- | 8 | ·/˘/···· |
| There's one kiss for her golden tresses, | 9 | ·····/˘/˘ |
| And two for her sleepy eyes." | 7 | ····/˘· |
| There are more things in Heaven and Earth, than we | 10 | ·····/···· |
| Can dream of, or than nature understands; | 10 | ·····/˘·˘/ |
| We learn not through our poor philosophy | 9 | ····/·˘/˘ |
| What hidden chords are touched by unseen hands. | 10 | ·/˘····˘/· |
| The present hour repeats upon its strings | 10 | ·/˘/˘/···· |
| Echoes of some vague dream we have forgot; | 10 | /˘······˘/ |
| Dim voices whisper half-remembered things, | 10 | ·/˘/˘·˘/˘· |
| And when we pause to listen,--answer not. | 10 | ·····/˘/˘· |
| Forebodings come: we know not how, or whence, | 10 | ˘/˘······· |
| Shadowing a nameless fear upon the soul, | 10 | /˘·/˘····· |
| And stir within our hearts a subtler sense, | 10 | ····/··/˘· |
| Than light may read, or wisdom may control. | 10 | ·····/˘·˘/ |
| And who can tell what secret links of thought | 10 | ·····/˘··· |
| Bind heart to heart? Unspoken things are heard, | 10 | ····˘/˘··· |
| As if within our deepest selves was brought | 10 | ····//˘··· |
| The soul, perhaps, of some unuttered word. | 10 | ··˘/······ |
| But, though a veil of shadow hangs between | 10 | ·····/···· |
| That hidden life, and what we see and hear, | 10 | ·/˘······· |
| Let us revere the power of the Unseen, | 10 | ··˘/·/··˘/ |
| And know a world of mystery is near. | 9 | ·····/˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.