Teaching How Poetry Is Best Paid for

Winthrop Mackworth Praed (1802–1839) · 1820–1839

iambic tetrameter · ABABAB · 162 lines · from Poems

O say not that the minstrel’s art,The glorious gift of verse,Though his hopes decay, though his friends depart,Can ever be a curse;Though sorrow reign within his heart,And poortith hold his purse.

Say not his toil is profitless;Though he charm no rich relation,The Fairies all his labours blessWith such remunerationAs Mr. Hume would soon confessBeyond his calculation.

Annuities and Three per Cents,Little cares he about them;And Indian bonds, and tithes, and rents,He rambles on without them;But love, and noble sentiments,Oh, never bid him doubt them!

Childe Florice rose from his humble bedAnd prayed, as a good youth should;And forth he sped, with a lightsome tread,Into the neighbouring wood;He knew where the berries were ripe and red,And where the old oak stood.

And as he lay at the noon of dayBeneath the ancient tree,A grey-haired pilgrim passed that way;A holy man was he,And he was wending forth to prayAt a shrine in a far countrie.

Oh, his was a weary wandering,And a song or two might cheer him,The pious Childe began to sing,As the ancient man drew near him;The lark was mute as he touched the string,And the thrush said, “Hear him, hear him!”

He sang high tales of the martyred brave,Of the good, and pure, and just,Who have gone into the silent graveIn such deep faith and trust,That the hopes and thoughts which sain and saveSpring from their buried dust.

The fair of face, and the stout of limb,Meek maids and grandsires hoary,Who have sung on the cross their rapturous hymn,As they passed to their doom of glory;Their radiant fame is never dim,Nor their names erased from story.

Time spares the stone where sleep the deadWith angels watching round them;The mourner’s grief is comfortedAs he looks on the chains that bound them;And peace is shed on the murderer’s head,And he kisses the thorns that crowned them

Such tales he told; and the pilgrim heardIn a trance of voiceless pleasure;For the depths of his inmost soul was stirredBy the sad and solemn measure:“I give thee my blessing,” was his word,“It is all I have of treasure!”--

A little child came bounding by;And he, in a fragrant bower,Had found a gorgeous butterfly,Rare spoil for a nursery dower,Which with fierce step and eager eyeHe chased from flower to flower.

“Come hither, come hither,” ’gan Florice call;And the urchin left his fun:So from the hall of poor Sir PaulRetreats the baffled dun;So Ellen parts from the village ball,Where she leaves a heart half won.

Then Florice did the child caress,And sang his sweetest songs:Their theme was of the gentlenessWhich to the soul belongs,Ere yet it knows the name or dressOf human rights and wrongs;

And of the wants which make agreeAll parts of this vast plan;How life is in whate’er we see,And only life in man;What matter where the less may be,And where the longer span?

And how the heart grows cold withoutSoft Pity’s freshening dews;And how when any life goes outSome little pang ensues:--Facts which great soldiers often doubt,And wits who write reviews.

Oh, song hath power o’er Nature’s springs,Though deep the Nymph has laid them!The child gazed--gazed on gilded wingsAs the next bright breeze displayed them;But he felt the while that the meanest thingsAre dear to Him that made them!

The sun went down behind the hill,The breeze was growing colder;But there the Minstrel lingered still,And amazed the chance beholder,Musing beside a rippling rillWith a harp upon his shoulder.

And soon, on a graceful steed and tame,A sleek Arabian mare,The lady Juliana cameRiding to take the air,With many a lord at whose proud nameA Radical would swear.

The Minstrel touched his lute again;It was more than a Sultan’s crown,When the Lady checked her bridle reinAnd lit from her palfrey down:--What would you give for such a strain,Rees, Longman, Orme and Brown?

He sang of Beauty’s dazzling eyes,Of Beauty’s melting tone,And her praise is a richer prizeThan the gems of Persia’s throne,And her love a bliss which the coldly wiseHave never, never known.

He told how the valiant scoff at fearWhen the sob of her grief is heard;How fiercely they fight for a smile or a tear,How they die for a single word:--Things which, I own, to me appearExceedingly absurd.

The Lady soon had heard enough;She turned to hear Sir DenysDiscourse in language vastly gruffAbout his skill at Tennis;While smooth Sir Guy described the stuffHis mistress wore at Venice.

The Lady smiled one radiant smile,And the Lady rode away--There is not a Lady in all our Isle,I have heard a Poet say,Who can listen more than a little whileTo a poet’s sweetest lay.--

His mother’s voice was fierce and shrillAs she set the milk and fruit:“Out on thine unrewarded skill,And on thy vagrant lute;Let the strings be broken an they will,And the beggar lips be mute!”

Peace, peace! the Pilgrim as he wentForgot the Minstrel’s song,But the blessing that his wan lips sentWill guard the Minstrel long,And keep his spirit innocent,And turn his hand from wrong.

Belike the child had little thoughtOf the moral the Minstrel drew;But the dream of a deed of kindness wrought--Brings it not peace to you?And does not a lesson of virtue taughtTeach him that teaches too?

And if the Lady sighed no sighFor the Minstrel or his hymn,--Yet when he shall lie ’neath the moonlit sky,Or lip the goblet’s brim,What a star in the mist of memoryThat smile will be to him!

Words in this poem 27
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
depart v. i.
To part; to divide; to separate. [OE. departen to divide, part, depart, F. départir to divide, distribute, se départir to separate one's self, depart; pref. dé- (L. de) + partir to part, depart,]
profitless a.
Without profit; unprofitable.
childe n.
A cognomen formerly prefixed to his name by the oldest son, until he succeeded to his ancestral titles, or was knighted; as, Childe Roland.
lightsome a.
Having light; lighted; not dark or gloomy; bright.
neighbouring a.
Living or being near; adjacent; as, the neighboring nations or countries.
sain v. t.
To sanctify; to bless so as to protect from evil influence. [Cf. Saint, Sane.]
hoary a.
White or whitish."The hoary willows."
voiceless a.
Having no voice, utterance, or vote; silent; mute; dumb.
inmost a.
Deepest within; farthest from the surface or external part; innermost. [OE. innemest, AS. innemest, a double superlative form fr. inne within, fr. in in. The modern form is due to confusion with most. See In, and cf. Aftermost, Fore]
gorgeous a.
Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
nursery n.
The act of nursing. [Cf. F. nourricerie.]
caress n.
An act of endearment; any act or expression of affection; an embracing, or touching, with tenderness. [F. caresse, It. carezza, LL. caritia dearness, fr. L. carus dear. See Charity.]
went n.
Course; way; path; journey; direction.
beholder n.
One who beholds; a spectator.
rill n.
A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
steed n.
A horse, especially a spirited horse for state of war; -- used chiefly in poetry or stately prose. [OE. stede, AS. steda a stud-horse, war horse, fr. stod a stud of breeding steeds; akin to G. stute a mare, Icel. stedda, sto, a stud. *163. See Stud of horses.]
palfrey n.
A saddle horse for the road, or for state occasions, as distinguished from a war horse. [OE. palefrai, OF. palefrei, F. palefroi, LL. palafredus, parafredus, from L. paraveredus a horse for extraordinary occasions, an extra post horse; Gr. veredus a]
coldly adv.
In a cold manner; without warmth, animation, or feeling; with indifference; calmly.
valiant a.
Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
vastly adv.
To a vast extent or degree; very greatly; immensely. Jer.
gruff a.
Of a rough or stern manner, voice, or countenance; sour; surly; severe; harsh. [D. grof; akin to G. grob, OHG. gerob, grob, Dan. grov, Sw. grof, perh. akin to AS. rcófan to break, Z. reavc, rupture, g- standing for the AS. prefix ge-, Goth.]
rode n.
Redness; complexion. [See Rud.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
belike adv.
It is likely or probably; perhaps. -- Be*like"ly, adv. [Pref. be- (for by) + like.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
moonlit a.
Illumined by the moon.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Teaching How Poetry Is Best Paid for is in the public domain. This text is taken from The poems of Winthrop Mackworth Praed. [selected], Project Gutenberg ebook #71008; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Winthrop Mackworth Praed, Teaching How Poetry Is Best Paid for, in Poems (1820–1839), text of Project Gutenberg ebook #71008, Laurel, https://laurelpoetry.com/poem/praed-poems/teaching-how-poetry-is-best-paid-for.html, id L10246.

Form and metre

Teaching How Poetry Is Best Paid for is 162 lines in 27 stanzas of 6 lines each. The rhyme scheme is ABABAB, complete in 24 of its 27 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 7.8 syllables. 24 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABAB artA · verseB · departA · curseB · heartA · purseB
  2. 2 ABABAB profitlessA · relationB · blessA · remunerationB · confessA · calculationB
  3. 3 ABABAB centsA · themB · rentsA · themB · sentimentsA · themB
  4. 4 ABABAB bedA · shouldB · treadA · woodB · redA · stoodB
  5. 5 ABABA- dayA · treeB · wayA · heB · prayA · countrie
  6. 6 ABABAB wanderingA · himB · singA · himB · stringA · himB
  7. 7 ABABAB braveA · justB · graveA · trustB · saveA · dustB
  8. 8 ABABAB limbA · hoaryB · hymnA · gloryB · dimA · storyB
  9. 9 ABABAB deadA · themB · comfortedA · themB · headA · themB
  10. 10 ABABAB heardA · pleasureB · stirredA · measureB · wordA · treasureB
  11. 11 ABA-AB byA · bowerB · butterflyA · dower · eyeA · flowerB
  12. 12 ABABAB callA · funB · paulA · dunB · ballA · wonB
  13. 13 ABABAB caressA · songsB · gentlenessA · belongsB · dressA · wrongsB
  14. 14 ABABAB agreeA · planB · seeA · manB · beA · spanB
  15. 15 ABABAB withoutA · dewsB · outA · ensuesB · doubtA · reviewsB
  16. 16 ABABAB springsA · themB · wingsA · themB · thingsA · themB
  17. 17 ABABAB hillA · colderB · stillA · beholderB · rillA · shoulderB
  18. 18 ABABAB tameA · mareB · cameA · airB · nameA · swearB
  19. 19 ABABAB againA · crownB · reinA · downB · strainA · brownB
  20. 20 ABABAB eyesA · toneB · prizeA · throneB · wiseA · knownB
  21. 21 ABABAB fearA · heardB · tearA · wordB · appearA · absurdB
  22. 22 ABABAB enoughA · denysB · gruffA · tennisB · stuffA · veniceB
  23. 23 ABABAB smileA · awayB · isleA · sayB · whileA · layB
  24. 24 ABABAB shrillA · fruitB · skillA · luteB · willA · muteB
  25. 25 ABABAB wentA · songB · sentA · longB · innocentA · wrongB
  26. 26 ABABAB thoughtA · drewB · wroughtA · youB · taughtA · tooB
  27. 27 ABAB-B sighA · hymnB · skyA · brimB · memory · himB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
O say not that the minstrel’s art,8·····/˘·
The glorious gift of verse,7·/˘˘···
Though his hopes decay, though his friends depart,10···˘/···˘/
Can ever be a curse;6·/˘···
Though sorrow reign within his heart,8·/˘·····
And poortith hold his purse.6······
Say not his toil is profitless;8·····/˘˘
Though he charm no rich relation,8·····˘/˘
The Fairies all his labours bless8·/˘··/˘·
With such remuneration7··˘·˘/˘
As Mr. Hume would soon confess8·/˘···˘/
Beyond his calculation.7····˘/˘
Annuities and Three per Cents,8˘/˘˘····
Little cares he about them;7/˘·····
And Indian bonds, and tithes, and rents,8·/˘·····
He rambles on without them;7·/˘····
But love, and noble sentiments,8···/˘/˘˘
Oh, never bid him doubt them!7·/˘····
Childe Florice rose from his humble bed9······/˘·
And prayed, as a good youth should;8··˘·····
And forth he sped, with a lightsome tread,9······/˘·
Into the neighbouring wood;7···/˘˘·
He knew where the berries were ripe and red,10····/˘····
And where the old oak stood.6······
And as he lay at the noon of day9·········
Beneath the ancient tree,6···/˘·
A grey-haired pilgrim passed that way;8···/˘···
A holy man was he,6·/˘···
And he was wending forth to pray8···/˘···
At a shrine in a far countrie.8········
Oh, his was a weary wandering,9····/˘/˘˘
And a song or two might cheer him,8········
The pious Childe began to sing,8·/˘·˘/··
As the ancient man drew near him;8··/˘····
The lark was mute as he touched the string,9·········
And the thrush said, “Hear him, hear him!”8········
He sang high tales of the martyred brave,9······/˘·
Of the good, and pure, and just,7·······
Who have gone into the silent grave9······/˘·
In such deep faith and trust,6······
That the hopes and thoughts which sain and save9·········
Spring from their buried dust.6···/˘·
The fair of face, and the stout of limb,9·········
Meek maids and grandsires hoary,7·····/˘
Who have sung on the cross their rapturous hymn,10·······/˘·
As they passed to their doom of glory;9·······/˘
Their radiant fame is never dim,8·/˘··/˘·
Nor their names erased from story.8···˘/·/˘
Time spares the stone where sleep the dead8········
With angels watching round them;7·/˘/˘··
The mourner’s grief is comforted8·/˘··/˘˘
As he looks on the chains that bound them;9·········
And peace is shed on the murderer’s head,9······/˘·
And he kisses the thorns that crowned them9··/˘·····
Such tales he told; and the pilgrim heard9······/˘·
In a trance of voiceless pleasure;8····/˘/˘
For the depths of his inmost soul was stirred10·····/˘···
By the sad and solemn measure:8····/˘/˘
“I give thee my blessing,” was his word,9····/˘···
“It is all I have of treasure!”--8······/˘
A little child came bounding by;8·/˘··/˘·
And he, in a fragrant bower,8····/˘/˘
Had found a gorgeous butterfly,8···/˘/˘·
Rare spoil for a nursery dower,8····/˘˘·
Which with fierce step and eager eye8·····/˘·
He chased from flower to flower.8···/˘·/˘
“Come hither, come hither,” ’gan Florice call;10·/˘·/˘····
And the urchin left his fun:7··/˘···
So from the hall of poor Sir Paul8········
Retreats the baffled dun;7˘/·/˘˘·
So Ellen parts from the village ball,9·/˘···/˘·
Where she leaves a heart half won.7·······
Then Florice did the child caress,8······˘/
And sang his sweetest songs:6···/˘·
Their theme was of the gentleness8·····/˘˘
Which to the soul belongs,6····˘/
Ere yet it knows the name or dress8········
Of human rights and wrongs;6·/˘···
And of the wants which make agree8······˘/
All parts of this vast plan;6······
How life is in whate’er we see,9····˘˘/··
And only life in man;6·/˘···
What matter where the less may be,8·/˘·····
And where the longer span?6···/˘·
And how the heart grows cold without8········
Soft Pity’s freshening dews;7·/˘/˘˘·
And how when any life goes out8···/˘···
Some little pang ensues:--6·/˘·˘/
Facts which great soldiers often doubt,8···/˘/˘·
And wits who write reviews.6····˘/
Oh, song hath power o’er Nature’s springs,8···/·/˘·
Though deep the Nymph has laid them!7·······
The child gazed--gazed on gilded wings8·····/˘·
As the next bright breeze displayed them;8·····˘/·
But he felt the while that the meanest things10·······/˘·
Are dear to Him that made them!7·······
The sun went down behind the hill,8········
The breeze was growing colder;7···/˘/˘
But there the Minstrel lingered still,8···/˘/˘·
And amazed the chance beholder,8·˘/··˘/˘
Musing beside a rippling rill8/˘˘/·/˘·
With a harp upon his shoulder.8······/˘
And soon, on a graceful steed and tame,9····/˘···
A sleek Arabian mare,7··˘/˘˘·
The lady Juliana came8·/˘·˘/˘·
Riding to take the air,6/˘····
With many a lord at whose proud name8·/······
A Radical would swear.6·/˘˘··
The Minstrel touched his lute again;8·/˘···˘/
It was more than a Sultan’s crown,8·····/˘·
When the Lady checked her bridle rein9··/˘··/˘·
And lit from her palfrey down:--7····/˘·
What would you give for such a strain,8········
Rees, Longman, Orme and Brown?6·/˘···
He sang of Beauty’s dazzling eyes,8···/˘/˘·
Of Beauty’s melting tone,6·/˘/˘·
And her praise is a richer prize8·····/˘·
Than the gems of Persia’s throne,7····/˘·
And her love a bliss which the coldly wise10·······/˘·
Have never, never known.6·/˘/˘·
He told how the valiant scoff at fear9····/˘···
When the sob of her grief is heard;8········
How fiercely they fight for a smile or a tear,11·/˘········
How they die for a single word:--8·····/˘·
Things which, I own, to me appear8······˘/
Exceedingly absurd.6˘/˘˘˘/
The Lady soon had heard enough;8·/˘···˘/
She turned to hear Sir Denys8··˘···/˘
Discourse in language vastly gruff8/˘·/˘/˘·
About his skill at Tennis;7·····/˘
While smooth Sir Guy described the stuff8····˘/··
His mistress wore at Venice.7·/˘··/˘
The Lady smiled one radiant smile,8·/˘··/˘·
And the Lady rode away--7··/˘·˘/
There is not a Lady in all our Isle,10····/˘··/·
I have heard a Poet say,7····/˘·
Who can listen more than a little while10··/˘···/˘·
To a poet’s sweetest lay.--7··/˘/˘·
His mother’s voice was fierce and shrill8·/˘·····
As she set the milk and fruit:7·······
“Out on thine unrewarded skill,8········
And on thy vagrant lute;6···/˘·
Let the strings be broken an they will,9····/˘···
And the beggar lips be mute!”7··/˘···
Peace, peace! the Pilgrim as he went8···/˘···
Forgot the Minstrel’s song,6˘/·/˘·
But the blessing that his wan lips sent9··/˘·····
Will guard the Minstrel long,6···/˘·
And keep his spirit innocent,8···/˘/˘˘
And turn his hand from wrong.6······
Belike the child had little thought8˘/···/˘·
Of the moral the Minstrel drew;8··/˘·/˘·
But the dream of a deed of kindness wrought--10·······/˘·
Brings it not peace to you?6······
And does not a lesson of virtue taught10····/˘·/˘·
Teach him that teaches too?6···/˘·
And if the Lady sighed no sigh8···/˘···
For the Minstrel or his hymn,--7··/˘···
Yet when he shall lie ’neath the moonlit sky,10·······/··
Or lip the goblet’s brim,6···/˘·
What a star in the mist of memory9·······/˘
That smile will be to him!6······

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Winthrop Mackworth Praed