In the Exhibition of the Royal Academy, 1831

Winthrop Mackworth Praed (1802–1839) · 1820–1839

iambic tetrameter · ABABCDCD · 112 lines · from Poems

What are you, lady?--naught is hereTo tell us of your name or story,To claim the gazer’s smile or tear,To dub you Whig or damn you Tory;It is beyond a poet’s skillTo form the slightest notion whetherWe e’er shall walk through one quadrille,Or look upon one moon together.

You’re very pretty!--all the worldIs talking of your bright brow’s splendour.And of your locks, so softly curled,And of your hands, so white and slender;Some think you’re blooming in Bengal;Some say you’re blowing in the City;Some know you’re nobody at all:I only feel--you’re very pretty.

But bless my heart! it’s very wrong;You’re making all our belles ferocious;Anne “never saw a chin so long;”And Laura thinks your dress “atrocious:”And Lady Jane, who now and thenIs taken for the village steeple,Is sure you can’t be four feet ten,And “wonders at the taste of people.”

Soon pass the praises of a face;Swift fades the very best vermilion;Fame rides a most prodigious pace;Oblivion follows on the pillion;And all who in these sultry roomsTo-day have stared, and pushed, and fainted,Will soon forget your pearls and plumes,As if they never had been painted.

You’ll be forgotten--as old debtsBy persons who are used to borrow;Forgotten as the sun that sets,When shines a new one on the morrow;Forgotten--like the luscious peachThat blessed the schoolboy last September;Forgotten like a maiden speech,Which all men praise, but none remember.

Yet, ere you sink into the streamThat whelms alike sage, saint, and martyr,And soldier’s sword, and minstrel’s theme,And Canning’s wit, and Gatton’s charter,Here, of the fortunes of your youth,My fancy weaves her dim conjectures,Which have, perhaps, as much of truthAs passion’s vows, or Cobbett’s lectures.

Was’t in the north, or in the southThat summer breezes rocked your cradle?And had you in your baby mouthA wooden or a silver ladle?And was your first unconscious sleepBy Brownie banned, or blessed by Fairy?And did you wake to laugh or weep?And were you christened Maud or Mary?

And was your father called “Your Grace?”And did he bet at Ascot races?And did he chat of commonplace?And did he fill a score of places?And did your lady-mother’s charmsConsist in picklings, broilings, bastings?Or did she prate about the armsHer brave forefathers wore at Hastings?

Where were you finished? tell me where?Was it at Chelsea or at Chiswick?Had you the ordinary shareOf books and backboard, harp and physic?And did they bid you banish pride,And mind your Oriental tinting?And did you learn how Dido died?And who found out the art of printing?

And are you fond of lanes and brooks--A votary of the sylvan Muses?Or do you con the little booksWhich Baron Brougham and Vaux diffuses?Or do you love to knit and sow--The fashionable world’s Arachne?Or do you canter down the RowUpon a very long-tailed hackney?

And do you love your brother James?And do you pet his mares and setters?And have your friends romantic names?And do you write them long, long letters?And are you--since the world beganAll women are--a little spiteful?And don’t you dote on Malibran?And don’t you think Tom Moore delightful?

I see they’ve brought you flowers to-day;Delicious food for eyes and noses;But carelessly you turn awayFrom all the pinks and all the roses;Say, is that fond look sent in searchOf one whose look as fondly answers?And is he, fairest, in the Church?Or is he--ain’t he--in the Lancers?

And is your love a motley pageOf black and white, half joy, half sorrow?Are you to wait till you’re of age?Or are you to be his to-morrow?Or do they bid you, in their scorn,Your pure and sinless flame to smother?Is he so very meanly born?Or are you married to another?

Whate’er you are, at last, adieu!I think it is your bounden dutyTo let the rhymes I coin for youBe prized by all who prize your beauty.From you I seek nor gold nor fame;From you I fear no cruel strictures;I wish some girls that I could nameWere half as silent as their pictures!

Words in this poem 22
damn v. t.
To condemn; to declare guilty; to doom; to adjudge to punishment; to sentence; to censhure. [OE. damnen dap), OF. damner, dampner, F. damner, fr. L. damnare, damnatum, to condemn, fr. damnum damage, a fine, penalty. Cf. Condemn, Damage.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
quadrille n.
A dance having five figures, in common time, four couples of dancers being in each set. [F. quadrille, n. fem., fr. Sp. cuadrilla meeting of four or more persons or It. quadriglia a band of soldiers, a sort of dance; dim. fr. L. quadra a square, fr.]
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
nobody n.
No person; no one; not anybody. [No, a. + body.]
laura n.
A number of hermitages or cells in the same neighborhood occupied by anchorites who were under the same superior. C. Kingsley.
jane n.
A coin of Genoa; any small coin. [LL. Janua Genoa; L. Genua, also OE. Jean.]
prodigious a.
Of the nature of a prodigy; marvelous; wonderful; portentous. [L. prodigiosus, fr. prodigium a prodigy; cf. F. prodigieux. See Prodigy.]
oblivion n.
The act of forgetting, or the state of being forgotten; cessation of remembrance; forgetfulness. [L. oblivio, akin to oblivisci to forget: cf. OF. oblivion.]
pillion n.
A panel or cushion saddle; the under pad or cushion of saddle; esp., a pad or cushion put on behind a man's saddle, on which a woman may ride. [Ir. pillin, pilliun (akin to Gael. pillean, pillin), fr. Ir. & Gael. pill, peall, a skin or hide, prob. fr. L. pellis. See Pell, n., Fell skin.]
borrow v. t.
To receive from another as a loan, with the implied or expressed intention of returning the identical article or its equivalent in kind; -- the opposite of lend. [OE. borwen, AS. borgian, fr. borg, borh, pledge; akin to D. borg, G. borg; prob. fr. root of AS. beorgan to protect. Borough.]
luscious a.
Sweet; delicious; very grateful to the taste; toothsome; excessively sweet or rich. [Prob. for lustious, fr. lusty, or perh. a corruption of luxurious. Cf. Lush, Lusty.]
schoolboy n.
A boy belonging to, or attending, a school.
brownie n.
An imaginary good-natured spirit, who was supposed often to perform important services around the house by night, such as thrashing, churning, sweeping. [So called from its supposed tawny or swarthy color.]
maud n.
A gray plaid; -- used by shepherds in Scotland.
hastings n.
Early fruit or vegetables; especially, early pease. Mortimer. [From Haste, v.]
backboard n.
A board which supports the back wen one is sitting; [2nd back, n. + board.]
canter n.
A moderate and easy gallop adapted to pleasure riding. [An abbreviation of Caner bury. See Canterbury gallop, under Canterbury.]
dote n.
A marriage portion. See 1st Dot, n. Wyatt. [See Dot dowry.]
fondly adv.
Foolishly. Verstegan (1673).
sinless a.
Free from sin. Piers Plowman.
bounden a.
Bound; fastened by bonds. [Old. p. p. of bind.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

In the Exhibition of the Royal Academy, 1831 is in the public domain. This text is taken from The poems of Winthrop Mackworth Praed. [selected], Project Gutenberg ebook #71008; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Winthrop Mackworth Praed, In the Exhibition of the Royal Academy, 1831, in Poems (1820–1839), text of Project Gutenberg ebook #71008, Laurel, https://laurelpoetry.com/poem/praed-poems/in-the-exhibition-of-the-royal-academy-1831.html, id L10218.

Form and metre

In the Exhibition of the Royal Academy, 1831 is 112 lines in 14 stanzas of 8 lines each. The rhyme scheme is ABABCDCD, complete in 10 of its 14 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 93%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 54 lines end on an unstressed syllable, a feminine ending. 22% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCD hereA · storyB · tearA · toryB · skillC · whetherD · quadrilleC · togetherD
  2. 2 ABABCDCD worldA · splendourB · curledA · slenderB · bengalC · cityD · allC · prettyD
  3. 3 ABABCDCD wrongA · ferociousB · longA · atrociousB · thenC · steepleD · tenC · peopleD
  4. 4 ABABCDCD faceA · vermilionB · paceA · pillionB · roomsC · faintedD · plumesC · paintedD
  5. 5 A-A-BCBC debtsA · borrow · setsA · morrow · peachB · septemberC · speechB · rememberC
  6. 6 ABABCDCD streamA · martyrB · themeA · charterB · youthC · conjecturesD · truthC · lecturesD
  7. 7 ABABCDCD southA · cradleB · mouthA · ladleB · sleepC · fairyD · weepC · maryD
  8. 8 ABABCDCD graceA · racesB · commonplaceA · placesB · charmsC · bastingsD · armsC · hastingsD
  9. 9 A-A-BCBC whereA · chiswick · shareA · physic · prideB · tintingC · diedB · printingC
  10. 10 ABABC-C- brooksA · musesB · booksA · diffusesB · sowC · arachne · rowC · hackney
  11. 11 ABAB-C-C jamesA · settersB · namesA · lettersB · began · spitefulC · malibran · delightfulC
  12. 12 ABABCDCD dayA · nosesB · awayA · rosesB · searchC · answersD · churchC · lancersD
  13. 13 ABABCDCD pageA · sorrowB · ageA · morrowB · scornC · smotherD · bornC · anotherD
  14. 14 ABABCDCD adieuA · dutyB · youA · beautyB · fameC · stricturesD · nameC · picturesD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
What are you, lady?--naught is here8···/˘···
To tell us of your name or story,9·······/˘
To claim the gazer’s smile or tear,8········
To dub you Whig or damn you Tory;9·······/˘
It is beyond a poet’s skill8·····/˘·
To form the slightest notion whether9···/˘/˘··
We e’er shall walk through one quadrille,8······˘/
Or look upon one moon together.9······˘/˘
You’re very pretty!--all the world8·/˘/˘···
Is talking of your bright brow’s splendour.9·/˘····/˘
And of your locks, so softly curled,8·····/˘·
And of your hands, so white and slender;9·······/˘
Some think you’re blooming in Bengal;8···/˘·/˘
Some say you’re blowing in the City;9···/˘··/˘
Some know you’re nobody at all:8···/····
I only feel--you’re very pretty.9·/˘··/˘/˘
But bless my heart! it’s very wrong;8·····/˘·
You’re making all our belles ferocious;9·/˘·/·˘/˘
Anne “never saw a chin so long;”8·/˘·····
And Laura thinks your dress “atrocious:”9·/˘···˘/˘
And Lady Jane, who now and then8·/˘·····
Is taken for the village steeple,9·/˘··/˘/˘
Is sure you can’t be four feet ten,8········
And “wonders at the taste of people.”9·/˘····/˘
Soon pass the praises of a face;8···/˘···
Swift fades the very best vermilion;9···/˘·˘/˘
Fame rides a most prodigious pace;8····˘/˘·
Oblivion follows on the pillion;9˘/˘/˘··/˘
And all who in these sultry rooms8·····/˘·
To-day have stared, and pushed, and fainted,9·······/˘
Will soon forget your pearls and plumes,8··˘/····
As if they never had been painted.9···/˘··/˘
You’ll be forgotten--as old debts8··˘/˘···
By persons who are used to borrow;9·/˘····/·
Forgotten as the sun that sets,8˘/˘·····
When shines a new one on the morrow;9·······/˘
Forgotten--like the luscious peach8˘/˘··/˘·
That blessed the schoolboy last September;9···/··˘/˘
Forgotten like a maiden speech,8˘/˘··/˘·
Which all men praise, but none remember.9······˘/˘
Yet, ere you sink into the stream8········
That whelms alike sage, saint, and martyr,9··˘/···/˘
And soldier’s sword, and minstrel’s theme,8·/˘··/˘·
And Canning’s wit, and Gatton’s charter,9·/˘··/˘/˘
Here, of the fortunes of your youth,8···/˘···
My fancy weaves her dim conjectures,9·/˘···˘/˘
Which have, perhaps, as much of truth8··˘/····
As passion’s vows, or Cobbett’s lectures.9·/˘··/˘/˘
Was’t in the north, or in the south8········
That summer breezes rocked your cradle?9·/˘/˘··/˘
And had you in your baby mouth8·····/˘·
A wooden or a silver ladle?9·/˘··/˘/˘
And was your first unconscious sleep8·····/˘·
By Brownie banned, or blessed by Fairy?9·/˘····/˘
And did you wake to laugh or weep?8········
And were you christened Maud or Mary?9···/˘··/˘
And was your father called “Your Grace?”8···/˘···
And did he bet at Ascot races?9·····/·/˘
And did he chat of commonplace?8·····/˘·
And did he fill a score of places?9·······/˘
And did your lady-mother’s charms8···/˘/˘·
Consist in picklings, broilings, bastings?9˘/·/˘/˘/˘
Or did she prate about the arms8········
Her brave forefathers wore at Hastings?9··/·˘··/˘
Where were you finished? tell me where?8···/˘···
Was it at Chelsea or at Chiswick?9···/˘··/˘
Had you the ordinary share8···/˘·˘·
Of books and backboard, harp and physic?9···/···/˘
And did they bid you banish pride,8·····/˘·
And mind your Oriental tinting?9····˘/˘/˘
And did you learn how Dido died?8·····/˘·
And who found out the art of printing?9·······/˘
And are you fond of lanes and brooks--8········
A votary of the sylvan Muses?10·/˘˘··/˘/˘
Or do you con the little books8·····/˘·
Which Baron Brougham and Vaux diffuses?10·/˘/˘··˘/˘
Or do you love to knit and sow--8········
The fashionable world’s Arachne?8·/˘˘˘···
Or do you canter down the Row8···/˘···
Upon a very long-tailed hackney?9···/˘··/˘
And do you love your brother James?8·····/˘·
And do you pet his mares and setters?9·······/˘
And have your friends romantic names?8····˘/˘·
And do you write them long, long letters?9·······/˘
And are you--since the world began8······˘/
All women are--a little spiteful?9·/˘··/˘/˘
And don’t you dote on Malibran?8········
And don’t you think Tom Moore delightful?9······˘/˘
I see they’ve brought you flowers to-day;8·····/··
Delicious food for eyes and noses;9˘/˘····/˘
But carelessly you turn away8·/˘˘··˘/
From all the pinks and all the roses;9·······/˘
Say, is that fond look sent in search8········
Of one whose look as fondly answers?9·····/˘/˘
And is he, fairest, in the Church?8···/˘···
Or is he--ain’t he--in the Lancers?9·······/˘
And is your love a motley page8·····/˘·
Of black and white, half joy, half sorrow?9·······/˘
Are you to wait till you’re of age?8········
Or are you to be his to-morrow?9·······/˘
Or do they bid you, in their scorn,8········
Your pure and sinless flame to smother?9···/˘··/˘
Is he so very meanly born?8···/˘/˘·
Or are you married to another?9···/˘·˘/˘
Whate’er you are, at last, adieu!9˘˘/····˘/
I think it is your bounden duty9·····/˘/˘
To let the rhymes I coin for you8········
Be prized by all who prize your beauty.9·······/˘
From you I seek nor gold nor fame;8········
From you I fear no cruel strictures;9·····/˘/˘
I wish some girls that I could name8········
Were half as silent as their pictures!9···/˘··/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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