Exile's Letter

Ezra Pound (1885–1972) · 1915

Free verse · unrhymed · 93 lines · from Cathay

To So-Kin of Rakuyo, ancient friend, Chancellor of Gen.Now I remember that you built me a special tavernBy the south side of the bridge at Ten-Shin.With yellow gold and white jewels, we paid for songsand laughterAnd we were drunk for month on month, forgetting thekings and princes.Intelligent men came drifting in from the sea and fromthe west border,And with them, and with you especiallyThere was nothing at cross purpose,And they made nothing of sea-crossing or of mountaincrossing,If only they could be of that fellowship,And we all spoke out our hearts and minds, and withoutregret.

And then I was sent off to South Wei,smothered in laurel groves,And you to the north of Raku-hoku,Till we had nothing but thoughts and memories in common.

And then, when separation had come to its worst,We met, and travelled into Sen-Go,Through all the thirty-six folds of the turning andtwisting waters,Into a valley of the thousand bright flowers,That was the first valley;And into ten thousand valleys full of voices andpine-winds.And with silver harness and reins of gold,Out come the East of Kan foreman and his company.And there came also the "True man" of Shi-yo to meet me,Playing on a jewelled mouth-organ.In the storied houses of San-Ko they gave us more Senninmusic,Many instruments, like the sound of young phoenix broods.The foreman of Kan Chu, drunk, dancedbecause his long sleeves wouldn't keep stillWith that music-playing.And I, wrapped in brocade, went to sleep with my head onhis lap,And my spirit so high it was all over the heavens,And before the end of the day we were scattered like stars,or rain.I had to be off to So, far away over the waters,You back to your river-bridge.

And your father, who was brave as a leopard,Was governor in Hei Shu, and put down the barbarian rabble.And one May he had you send for me,despite the long distance.And what with broken wheels and so on, I won't say it wasn'thard going,Over roads twisted like sheeps' guts.And I was still going, late in the year,in the cutting wind from the North,And thinking how little you cared for the cost,and you caring enough to pay it.And what a reception:Red jade cups, food well set on a blue jewelled table,And I was drunk, and had no thought of returning.And you would walk out with me to the western corner of thecastle,To the dynastic temple, with water about it clear as blue jade,With boats floating, and the sound of mouth-organs and drums,With ripples like dragon-scales, going grass green on the water,Pleasure lasting, with courtezans, going and coming withouthindrance,With the willow flakes falling like snow,And the vermilioned girls getting drunk about sunset,And the water a hundred feet deep reflecting green eyebrows--Eyebrows painted green are a fine sight in young moonlight,Gracefully painted--And the girls singing back at each other,Dancing in transparent brocade,And the wind lifting the song, and interrupting it,Tossing it up under the clouds.And all this comes to an end.And is not again to be met with.I went up to the court for examination,Tried Layu's luck, offered the Choyo song,And got no promotion,and went back to the East Mountainswhite-headed.And once again, later, we met at the South bridge-head.And then the crowd broke up, you went north to San palace,And if you ask how I regret that parting:It is like the flowers falling at Spring's endConfused, whirled in a tangle.What is the use of talking, and there is no end of talking,There is no end of things in the heart.

I call in the boy,Have him sit on his knees hereTo seal this,And send it a thousand miles, thinking.

Words in this poem

spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
foreman n.
The first or chief man; as: (a) The chief man of a jury, who acts as their speaker.
storied a.
Told in a story. [From Story.]
brocade n.
Silk stuff, woven with gold and silver threads, or ornamented with raised flowers, foliage, etc.; -- also applied to other stuffs thus wrought and enriched. [Sp. brocado (cf. It. broccato, F. brocart), fr. LL. brocare *prick, to figure (textile fabrics), to emboss (linen), to stitch. See Broach.]
went n.
Course; way; path; journey; direction.
dynastic a.
Of or relating to a dynasty or line of kings. Motley. [Gr. dunastique.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
tangle v. t.
To unite or knit together confusedly; to interweave or interlock, as threads, so as to make it difficult to unravel the knot; to entangle; to ravel. [A frequentative fr. tang seaweed; hence, to twist like seaweed. See Tang seaweed, and cf. Tangle, n.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Exile's Letter is in the public domain. This text is taken from Cathay, Project Gutenberg ebook #50155; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Ezra Pound, Exile's Letter, in Cathay (1915), text of Project Gutenberg ebook #50155, Laurel, https://laurelpoetry.com/poem/pound-cathay/exile-s-letter.html, id L01239.

Form and metre

Exile's Letter is 93 lines in 5 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 87% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 41 lines end on an unstressed syllable, a feminine ending. 23% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -AA------------- gen · tavernA · shinA · songs · laughter · the · princes · from · border · especially · purpose · mountain · crossing · fellowship · without · regret
  2. 3 --AB--A----------------B- worst · go · andA · watersB · flowers · valley · andA · winds · gold · company · me · organ · sennin · music · broods · danced · still · playing · on · lap · heavens · stars · rain · watersB · bridge
  3. 4 -------------------------A-A--------BB------ leopard · rabble · me · distance · wasn't · going · guts · year · north · cost · it · reception · table · returning · the · castle · jade · drums · water · without · hindrance · snow · sunset · eyebrows · moonlight · paintedA · other · brocadeA · it · clouds · end · with · examination · song · promotion · mountains · headedB · headB · palace · parting · end · tangle · talking · heart
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
To So-Kin of Rakuyo, ancient friend, Chancellor of Gen.16······/˘·/˘˘·/˘˘
Now I remember that you built me a special tavern14··˘/˘·····/˘/˘
By the south side of the bridge at Ten-Shin.10··········
With yellow gold and white jewels, we paid for songs12·/˘···/˘····
and laughter3·/˘
And we were drunk for month on month, forgetting the12········˘/˘·
kings and princes.4··/˘
Intelligent men came drifting in from the sea and from14˘/˘˘··/˘······
the west border,4··/˘
And with them, and with you especially9······˘/˘
There was nothing at cross purpose,8··/˘··/˘
And they made nothing of sea-crossing or of mountain13···/˘··/˘··/˘
crossing,2/˘
If only they could be of that fellowship,11·/˘·····/˘·
And we all spoke out our hearts and minds, and without13·····/˘······
regret.2˘/
And then I was sent off to South Wei,9·········
smothered in laurel groves,6/˘·/˘·
And you to the north of Raku-hoku,10··········
Till we had nothing but thoughts and memories in common.14···/˘···/˘˘·/˘
And then, when separation had come to its worst,12····˘/˘·····
We met, and travelled into Sen-Go,9···/˘····
Through all the thirty-six folds of the turning and12···/˘····/˘·
twisting waters,4/˘/˘
Into a valley of the thousand bright flowers,12···/˘··/˘·/˘
That was the first valley;6····/˘
And into ten thousand valleys full of voices and13····/˘/˘··/˘·
pine-winds.2··
And with silver harness and reins of gold,10··/˘/˘····
Out come the East of Kan foreman and his company.13······/˘··/˘˘
And there came also the "True man" of Shi-yo to meet me,14···/˘·········
Playing on a jewelled mouth-organ.9/˘··/˘·/˘
In the storied houses of San-Ko they gave us more Sennin15··/˘/˘·········
music,2/˘
Many instruments, like the sound of young phoenix broods.13/˘/˘˘·····/˘·
The foreman of Kan Chu, drunk, danced8·/˘·····
because his long sleeves wouldn't keep still9·····/˘··
With that music-playing.6··/˘/˘
And I, wrapped in brocade, went to sleep with my head on13····˘/·······
his lap,2··
And my spirit so high it was all over the heavens,14··/˘········/˘
And before the end of the day we were scattered like stars,14··········/˘··
or rain.2··
I had to be off to So, far away over the waters,15········˘/···/˘
You back to your river-bridge.7····/˘·
And your father, who was brave as a leopard,11··/˘·····/˘
Was governor in Hei Shu, and put down the barbarian rabble.17·/˘˘·······˘/˘˘/˘
And one May he had you send for me,9·········
despite the long distance.6˘/··/˘
And what with broken wheels and so on, I won't say it wasn't15···/˘········/˘
hard going,3·/˘
Over roads twisted like sheeps' guts.8···/˘···
And I was still going, late in the year,10····/˘····
in the cutting wind from the North,8··/˘····
And thinking how little you cared for the cost,11·/˘·/˘·····
and you caring enough to pay it.9··/˘˘/···
And what a reception:6···˘/˘
Red jade cups, food well set on a blue jewelled table,13·········/˘/˘
And I was drunk, and had no thought of returning.12·········˘/˘
And you would walk out with me to the western corner of the15·········/˘/˘··
castle,2/˘
To the dynastic temple, with water about it clear as blue jade,17··˘/˘/˘·/˘·······
With boats floating, and the sound of mouth-organs and drums,13··/˘·····/˘··
With ripples like dragon-scales, going grass green on the water,15·/˘·/˘·/˘····/˘
Pleasure lasting, with courtezans, going and coming without15/˘/˘····/˘·/˘··
hindrance,2/˘
With the willow flakes falling like snow,9··/··/˘··
And the vermilioned girls getting drunk about sunset,13··˘/˘·/˘···/·
And the water a hundred feet deep reflecting green eyebrows15··/˘·/˘··˘/˘·/·
--Eyebrows painted green are a fine sight in young moonlight,13/·/˘·······/·
Gracefully painted--5/˘˘/˘
And the girls singing back at each other,10···/˘···/˘
Dancing in transparent brocade,8/˘·˘/˘˘/
And the wind lifting the song, and interrupting it,13···/˘····˘/˘·
Tossing it up under the clouds.8/˘······
And all this comes to an end.7·······
And is not again to be met with.9···˘/····
I went up to the court for examination,12·······˘·˘/˘
Tried Layu's luck, offered the Choyo song,8···/˘···
And got no promotion,6···˘/˘
and went back to the East Mountains8······/˘
white-headed.3·/˘
And once again, later, we met at the South bridge-head.13··˘//˘·······
And then the crowd broke up, you went north to San palace,13···········/˘
And if you ask how I regret that parting:11······˘/·/˘
It is like the flowers falling at Spring's end11····/˘/˘···
Confused, whirled in a tangle.7˘/···/˘
What is the use of talking, and there is no end of talking,15·····/˘······/˘
There is no end of things in the heart.9·········
I call in the boy,5·····
Have him sit on his knees here7·······
To seal this,3···
And send it a thousand miles, thinking.9····/˘·/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Ezra Pound