The Forsaken Merman

Mary E. Burt (1850–1918) · 1904

trochaic tetrameter · 143 lines · from Poems Every Child Should Know

Come, dear children, let us away;Down and away below!Now my brothers call from the bay,Now the great winds shoreward blow,Now the salt tides seaward flow;Now the wild white horses play,Champ and chafe and toss in the spray.Children dear, let us away!This way, this way!

Call her once before you go--Call once yet!In a voice that she will know:“Margaret! Margaret!”Children’s voices should be dear(Call once more) to a mother’s ear;Children’s voices, wild with pain--Surely she will come again!Call her once and come away;This way, this way!“Mother dear, we cannot stay!The wild white horses foam and fret.”Margaret! Margaret!

Come, dear children, come away down;Call no more!One last look at the white-wall’d town,And the little gray church on the windy shore;Then come down!She will not come though you call all day;Come away, come away!

Children dear, was it yesterdayWe heard the sweet bells over the bay?In the caverns where we lay,Through the surf and through the swell,The far-off sound of a silver bell?Sand-strewn caverns, cool and deep,Where the winds are all asleep;Where the spent lights quiver and gleam,Where the salt weed sways in the stream,Where the sea-beasts, ranged all round,Feed in the ooze of their pasture-ground;Where the sea-snakes coil and twine,Dry their mail and bask in the brine;Where great whales come sailing by,Sail and sail, with unshut eye,Round the world forever and aye?When did music come this way?Children dear, was it yesterday?

Children dear, was it yesterday(Call yet once) that she went away?Once she sate with you and me,On a red gold throne in the heart of the sea,And the youngest sate on her knee.She comb’d its bright hair, and she tended it well,When down swung the sound of a far-off bell.She sigh’d, she look’d up through the clear green sea;She said: “I must go, for my kinsfolk prayIn the little gray church on the shore to-day.’Twill be Easter-time in the world--ah me!And I lose my poor soul, Merman! here with thee.”I said: “Go up, dear heart, through the waves;Say thy prayer, and come back to the kind sea-caves!”She smil’d, she went up through the surf in the bay.Children dear, was it yesterday?

Children dear, were we long alone?“The sea grows stormy, the little ones moan;Long prayers,” I said, “in the world they say;Come!” I said; and we rose through the surf in the bay.We went up the beach, by the sandy downWhere the sea-stocks bloom, to the white-wall’d town;Through the narrow pav’d streets, where all was still,To the little gray church on the windy hill.From the church came a murmur of folk at their prayers,But we stood without in the cold blowing airs.We climb’d on the graves, on the stones worn with rains,And we gaz’d up the aisle through the small leaded panes.She sate by the pillar; we saw her clear:“Margaret, hist! come quick, we are here!Dear heart,” I said, “we are long alone;The sea grows stormy, the little ones moan.”But, ah, she gave me never a look,For her eyes were seal’d to the holy book!Loud prays the priest: shut stands the door.Come away, children, call no more!Come away, come down, call no more!

Down, down, down!Down to the depths of the sea!She sits at her wheel in the humming town,Singing most joyfully.Hark what she sings: “O joy, O joy,For the humming street, and the child with its toy!For the priest, and the bell, and the holy well;For the wheel where I spun,And the blessèd light of the sun!”And so she sings her fill,Singing most joyfully,Till the spindle drops from her hand,And the whizzing wheel stands still.She steals to the window, and looks at the sand,And over the sand at the sea;And her eyes are set in a stare;And anon there breaks a sigh,And anon there drops a tear,From a sorrow-clouded eye,And a heart sorrow-laden,A long, long sigh;For the cold strange eyes of a little Mermaiden,And the gleam of her golden hair.

Come away, away, children;Come, children, come down!The hoarse wind blows colder;Lights shine in the town.She will start from her slumberWhen gusts shake the door;She will hear the winds howling,Will hear the waves roar.We shall see, while above usThe waves roar and whirl,A ceiling of amber,A pavement of pearl.Singing: “Here came a mortal,But faithless was she!And alone dwell foreverThe kings of the sea.”

But, children, at midnight,When soft the winds blow,When clear falls the moonlight,When spring-tides are low;When sweet airs come seawardFrom heaths starr’d with broom,And high rocks throw mildlyOn the blanch’d sands a gloom;Up the still, glistening beaches,Up the creeks we will hie,Over banks of bright seaweedThe ebb-tide leaves dry.We will gaze, from the sand-hills,At the white, sleeping town;At the church on the hill-side--And then come back down.Singing: “There dwells a lov’d one,But cruel is she!She left lonely foreverThe kings of the sea.”

Words in this poem 16
shoreward adv.
Toward the shore.
seaward a.
Directed or situated toward the sea. Donne.
champ v. t.
To bite with repeated action of the teeth so as to be heard. [Prob, of Scand. orgin; cf. dial. Sw. kämsa to chew with difficulty, champ; but cf. also OF. champier, champeyer, champoyer, to graze in fields, fr. F. champ fie]
bask v. i.
To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
unshut v. t.
To open, or throw open. [1st pref. un- + shut.]
went n.
Course; way; path; journey; direction.
sate v. t.
To satisfy the desire or appetite of; to satiate; to glut; to surfeit. [Probably shortened fr. satiate: cf. L. satus full. See Satiate.]
kinsfolk n.
Relatives; kindred; kin; persons of the same family or closely or closely related families.
twill v. i.
To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
merman n.
The male corresponding to mermaid; a sea man, or man fish.
folk n.
In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
leaded a.
Fitted with lead; set in lead; as, leaded windows.
anon adv.
Straightway; at once. [OE. anoon, anon, anan, lit., in one (moment), fr. AS. on in + an one. See On and One.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
creeks n.
A tribe or confederacy of North American Indians, including the Muskogees, Seminoles, Uchees, and other subordinate tribes. They formerly inhabited Georgia, Florida, and Alabama.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Forsaken Merman is in the public domain. This text is taken from Poems Every Child Should Know The What-Every-Child-Should-Know-Library, Project Gutenberg ebook #16436; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Mary E. Burt, The Forsaken Merman, in Poems Every Child Should Know (1904), text of Project Gutenberg ebook #16436, Laurel, https://laurelpoetry.com/poem/poems-every-child/the-forsaken-merman.html, id L25297.

Form and metre

The Forsaken Merman is 143 lines in 9 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 74%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABBAAAA awayA · belowB · bayA · blowB · flowB · playA · sprayA · awayA · wayA
  2. 2 ABACDDEEFFFBC goA · yetB · knowA · margaretC · dearD · earD · painE · againE · awayF · wayF · stayF · fretB · margaretC
  3. 3 ABABACC downA · moreB · townA · shoreB · downA · dayC · awayC
  4. 4 AAABBCCDDEEFFGGGAA yesterdayA · bayA · layA · swellB · bellB · deepC · asleepC · gleamD · streamD · roundE · groundE · twineF · brineF · byG · eyeG · ayeG · wayA · yesterdayA
  5. 5 AABBBCCBAABBDDAA yesterdayA · awayA · meB · seaB · kneeB · wellC · bellC · seaB · prayA · dayA · meB · theeB · wavesD · cavesD · bayA · yesterdayA
  6. 6 AABBCCDDEEFFGGAAHHIII aloneA · moanA · sayB · bayB · downC · townC · stillD · hillD · prayersE · airsE · rainsF · panesF · clearG · hereG · aloneA · moanA · lookH · bookH · doorI · moreI · moreI
  7. 7 ABACDD-EEFCGFGBHIHIJIJH downA · seaB · townA · joyfullyC · joyD · toyD · well · spunE · sunE · fillF · joyfullyC · handG · stillF · sandG · seaB · stareH · sighI · tearH · eyeI · ladenJ · sighI · mermaidenJ · hairH
  8. 8 AA-A-B-B-C-CCD-D childrenA · downA · colder · townA · slumber · doorB · howling · roarB · us · whirlC · amber · pearlC · mortalC · sheD · forever · seaD
  9. 9 ABAB-C-C-----D-D-E-E midnightA · blowB · moonlightA · lowB · seaward · broomC · mildly · gloomC · beaches · hie · seaweed · dry · hills · townD · side · downD · one · sheE · forever · seaE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
Come, dear children, let us away;8··/˘··˘/
Down and away below!6··˘/··
Now my brothers call from the bay,8··/˘····
Now the great winds shoreward blow,7····/˘·
Now the salt tides seaward flow;7····/˘·
Now the wild white horses play,7····/˘·
Champ and chafe and toss in the spray.8········
Children dear, let us away!7/˘···˘/
This way, this way!4····
Call her once before you go--7·······
Call once yet!3···
In a voice that she will know:7·······
“Margaret! Margaret!”6/˘˘/˘˘
Children’s voices should be dear7/˘/˘···
(Call once more) to a mother’s ear;8·····/˘·
Children’s voices, wild with pain--7/˘/˘···
Surely she will come again!7/˘···˘/
Call her once and come away;7·····˘/
This way, this way!4····
“Mother dear, we cannot stay!7/˘··/˘·
The wild white horses foam and fret.”8···/˘···
Margaret! Margaret!6/˘˘/˘˘
Come, dear children, come away down;8··/˘·˘/·
Call no more!3···
One last look at the white-wall’d town,8········
And the little gray church on the windy shore;11··/˘····/˘·
Then come down!3···
She will not come though you call all day;9·········
Come away, come away!6·˘/·˘/
Children dear, was it yesterday8/˘···/˘˘
We heard the sweet bells over the bay?8········
In the caverns where we lay,7··/˘···
Through the surf and through the swell,7·······
The far-off sound of a silver bell?9······/˘·
Sand-strewn caverns, cool and deep,7··/˘···
Where the winds are all asleep;7·····˘/
Where the spent lights quiver and gleam,8····/˘··
Where the salt weed sways in the stream,8········
Where the sea-beasts, ranged all round,8·····˘··
Feed in the ooze of their pasture-ground;9······/˘·
Where the sea-snakes coil and twine,7·······
Dry their mail and bask in the brine;8········
Where great whales come sailing by,7····/˘·
Sail and sail, with unshut eye,7····˘/·
Round the world forever and aye?8···˘/˘··
When did music come this way?7··/˘···
Children dear, was it yesterday?8/˘···/˘˘
Children dear, was it yesterday8/˘···/˘˘
(Call yet once) that she went away?8······˘/
Once she sate with you and me,7·······
On a red gold throne in the heart of the sea,11···········
And the youngest sate on her knee.8··/˘····
She comb’d its bright hair, and she tended it well,11·······/˘··
When down swung the sound of a far-off bell.10··········
She sigh’d, she look’d up through the clear green sea;10··········
She said: “I must go, for my kinsfolk pray10·······/˘·
In the little gray church on the shore to-day.11··/˘·······
’Twill be Easter-time in the world--ah me!10··/˘······
And I lose my poor soul, Merman! here with thee.”11······/····
I said: “Go up, dear heart, through the waves;9·········
Say thy prayer, and come back to the kind sea-caves!”11···········
She smil’d, she went up through the surf in the bay.11···········
Children dear, was it yesterday?8/˘···/˘˘
Children dear, were we long alone?8/˘····˘/
“The sea grows stormy, the little ones moan;10···/˘·/˘··
Long prayers,” I said, “in the world they say;9·········
Come!” I said; and we rose through the surf in the bay.12············
We went up the beach, by the sandy down10·······/˘·
Where the sea-stocks bloom, to the white-wall’d town;10··········
Through the narrow pav’d streets, where all was still,10··/˘······
To the little gray church on the windy hill.11··/˘····/˘·
From the church came a murmur of folk at their prayers,12·····/˘·····
But we stood without in the cold blowing airs.11········/˘·
We climb’d on the graves, on the stones worn with rains,11···········
And we gaz’d up the aisle through the small leaded panes.12·········/˘·
She sate by the pillar; we saw her clear:10····/˘····
“Margaret, hist! come quick, we are here!8/˘······
Dear heart,” I said, “we are long alone;9·······˘/
The sea grows stormy, the little ones moan.”10···/˘·/˘··
But, ah, she gave me never a look,8·····/··
For her eyes were seal’d to the holy book!10·······/˘·
Loud prays the priest: shut stands the door.8········
Come away, children, call no more!8·˘//˘···
Come away, come down, call no more!8·˘/·····
Down, down, down!3···
Down to the depths of the sea!7·······
She sits at her wheel in the humming town,10·······/˘·
Singing most joyfully.6/˘·/˘˘
Hark what she sings: “O joy, O joy,8········
For the humming street, and the child with its toy!11··/˘·······
For the priest, and the bell, and the holy well;11········/˘·
For the wheel where I spun,6······
And the blessèd light of the sun!”7·······
And so she sings her fill,6······
Singing most joyfully,6/˘·/˘˘
Till the spindle drops from her hand,8··/˘····
And the whizzing wheel stands still.7··/˘···
She steals to the window, and looks at the sand,11····/˘·····
And over the sand at the sea;8········
And her eyes are set in a stare;8········
And anon there breaks a sigh,7·˘/····
And anon there drops a tear,7·˘/····
From a sorrow-clouded eye,7··/˘/˘·
And a heart sorrow-laden,7···/˘/˘
A long, long sigh;4····
For the cold strange eyes of a little Mermaiden,12·······/˘···
And the gleam of her golden hair.8·····/˘·
Come away, away, children;7·˘/˘//˘
Come, children, come down!5·/˘··
The hoarse wind blows colder;6····/˘
Lights shine in the town.5·····
She will start from her slumber7·····/˘
When gusts shake the door;5·····
She will hear the winds howling,7·····/˘
Will hear the waves roar.5·····
We shall see, while above us7·······
The waves roar and whirl,5·····
A ceiling of amber,6·/˘·/˘
A pavement of pearl.5·/˘··
Singing: “Here came a mortal,7/˘···/˘
But faithless was she!5·/˘··
And alone dwell forever7·˘/·˘/˘
The kings of the sea.”5·····
But, children, at midnight,6·/˘·/·
When soft the winds blow,5·····
When clear falls the moonlight,6····/·
When spring-tides are low;5·····
When sweet airs come seaward6····/˘
From heaths starr’d with broom,5·····
And high rocks throw mildly6····/˘
On the blanch’d sands a gloom;6······
Up the still, glistening beaches,8···/˘˘/˘
Up the creeks we will hie,6······
Over banks of bright seaweed7·····/·
The ebb-tide leaves dry.5·····
We will gaze, from the sand-hills,7·······
At the white, sleeping town;6···/˘·
At the church on the hill-side--7·······
And then come back down.5·····
Singing: “There dwells a lov’d one,7/˘·····
But cruel is she!5·/˘··
She left lonely forever7··/˘˘/˘
The kings of the sea.”5·····

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