The Coliseum
Type of the antique Rome! Rich reliquaryOf lofty contemplation left to TimeBy buried centuries of pomp and power!At length—at length—after so many daysOf weary pilgrimage and burning thirst,(Thirst for the springs of lore that in thee lie,)I kneel, an altered and an humble man,Amid thy shadows, and so drink withinMy very soul thy grandeur, gloom, and glory!
Vastness! and Age! and Memories of Eld!Silence! and Desolation! and dim Night!I feel ye now—I feel ye in your strength—O spells more sure than e’er Judæan kingTaught in the gardens of Gethsemane!O charms more potent than the rapt ChaldeeEver drew down from out the quiet stars!
Here, where a hero fell, a column falls!Here, where the mimic eagle glared in gold,A midnight vigil holds the swarthy bat!Here, where the dames of Rome their gilded hairWaved to the wind, now wave the reed and thistle!Here, where on golden throne the monarch lolled,Glides, spectre-like, unto his marble home,Lit by the wan light of the hornèd moon,The swift and silent lizard of the stones!
But stay! these walls—these ivy-clad arcades—These mouldering plinths—these sad and blackened shafts—These vague entablatures—this crumbling frieze—These shattered cornices—this wreck—this ruin—These stones—alas! these grey stones—are they all—All of the famed and the colossal leftBy the corrosive Hours to Fate and me?
“Not all”—the Echoes answer me—“not all!Prophetic sounds and loud arise for everFrom us, and from all Ruin, unto the wise,As melody from Memnon to the Sun.We rule the hearts of mightiest men—we ruleWith a despotic sway all giant minds.We are not impotent—we pallid stones.Not all our power is gone—not all our fame—Not all the magic of our high renown—Not all the wonder that encircles us—Not all the mysteries that in us lie—Not all the memories that hang uponAnd cling around about us as a garment,Clothing us in a robe of more than glory.”
Not long ago, the writer of these lines,In the mad pride of intellectuality,Maintained “the power of words”—denied that everA thought arose within the human brainBeyond the utterance of the human tongue:And now, as if in mockery of that boast,Two words—two foreign soft dissyllables—Italian tones, made only to be murmuredBy angels dreaming in the moon-lit “dewThat hangs like chains of pearl on Hermon hill,”—Have stirred from out the abysses of his heart,Unthought-like thoughts that are the souls of thought,Richer, far wilder, far diviner visionsThan even the seraph harper, Israfel,(Who has “the sweetest voice of all God’s creatures,”)Could hope to utter. And I! my spells are broken.The pen falls powerless from my shivering hand.With thy dear name as text, though bidden by thee,I cannot write—I cannot speak or think—Alas, I cannot feel; for ’tis not feeling,This standing motionless upon the goldenThreshold of the wide-open gate of dreams,Gazing, entranced, adown the gorgeous vista,And thrilling as I see, upon the right,Upon the left, and all the way along,Amid unpurpled vapours, far awayTo where the prospect terminates—thee only.
Words in this poem 17
- reliquary n.
- A depositary, often a small box or casket, in which relics are kept. [LL.reliquiarium, reliquiare: cf. F. reliquaire. See Relic.]
- pilgrimage n.
- The journey of a pilgrim; a long journey; especially, a journey to a shrine or other sacred place. Fig., the journey of human life. [OE. pilgrimage, pelgrinage; cf. F. pèlerinage.]
- kneel v. i.
- To bend the knee; to fall or rest on the knees; -- sometimes with down. [OE. knelen, cneolien; akin to D. knielen, Dan. knæle. See Knee.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- desolation n.
- The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
- rapt n.
- An ecstasy; a trance. Bp. Morton. [From F. rapt abduction, rape, L. raptus, fr. rapere to seize and carry off, to transport; or fr. E. rapt, a. See Rapt, a., and Rapid.]
- chaldee a.
- Of or pertaining to Chaldea.
- vigil n.
- Abstinence from sleep, whether at a time when sleep is customary or not; the act of keeping awake, or the state of being awake, or the state of being awake; sleeplessness; wakefulness; watch. [OE. vigile, L. vigilia, from vigil awake, watchful, probably akin to E. wake: cf. F. vigile. See Wake, v. i., and cf. Reveille, Surveillance, Vedette, Vegetable]
- clad v.
- To clothe. Holland.
- colossal a.
- Of enormous size; gigantic; huge; as, a colossal statue. [Cf. F. cossal, L. colosseus. See Colossus.]
- memnon n.
- A celebrated Egyptian statue near Thebes, said to have the property of emitting a harplike sound at sunrise.
- intellectuality n.
- Intellectual powers; possession of intellect; quality of being intellectual. [L. intellectualitas: cf. F. intellectualité.]
- harper n.
- A player on the harp; a minstrel. [AS. hearpere.]
- adown adv.
- From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- vista n.
- A view; especially, a view through or between intervening objects, as trees; a view or prospect through an avenue, or the like; hence, the trees or other objects that form the avenue. [It., sight, view, fr. vedere, p. p. visto, veduto, to see, fr. L. videre, visum. See View, Vision.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Coliseum is in the public domain. This text is taken from The poetical works of Edgar Allan Poe, Project Gutenberg ebook #79019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edgar Allan Poe, The Coliseum, in The Complete Poetical Works (1827–1849), text of Project Gutenberg ebook #79019, Laurel, https://laurelpoetry.com/poem/poe-poems/the-coliseum.html, id L04151.
Form and metre
The Coliseum is 73 lines in 6 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 86%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 14 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
See other poems in iambic pentameter, other poems in blank verse.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Type of the antique Rome! Rich reliquary | 11 | ···˘/··/˘˘˘ |
| Of lofty contemplation left to Time | 10 | ·/˘·˘/˘··· |
| By buried centuries of pomp and power! | 9 | ·/˘/˘···/ |
| At length—at length—after so many days | 9 | ·······/· |
| Of weary pilgrimage and burning thirst, | 9 | ·/˘/˘·/˘· |
| (Thirst for the springs of lore that in thee lie,) | 10 | ·········· |
| I kneel, an altered and an humble man, | 10 | ···/˘··/˘· |
| Amid thy shadows, and so drink within | 10 | ˘/·/······ |
| My very soul thy grandeur, gloom, and glory! | 11 | ·/˘··˘/··/˘ |
| Vastness! and Age! and Memories of Eld! | 9 | /˘···/˘·· |
| Silence! and Desolation! and dim Night! | 10 | /˘··˘/˘··· |
| I feel ye now—I feel ye in your strength— | 10 | ·········· |
| O spells more sure than e’er Judæan king | 9 | ········· |
| Taught in the gardens of Gethsemane! | 9 | ···/˘···· |
| O charms more potent than the rapt Chaldee | 10 | ···/˘···/˘ |
| Ever drew down from out the quiet stars! | 8 | /·····/· |
| Here, where a hero fell, a column falls! | 10 | ···/˘··/˘· |
| Here, where the mimic eagle glared in gold, | 10 | ···/˘/˘··· |
| A midnight vigil holds the swarthy bat! | 10 | ·/·/˘··/˘· |
| Here, where the dames of Rome their gilded hair | 10 | ·······/˘· |
| Waved to the wind, now wave the reed and thistle! | 11 | ·········/˘ |
| Here, where on golden throne the monarch lolled, | 10 | ···/˘··/·· |
| Glides, spectre-like, unto his marble home, | 10 | ·/˘····/˘· |
| Lit by the wan light of the hornèd moon, | 9 | ········· |
| The swift and silent lizard of the stones! | 10 | ···/˘/˘··· |
| But stay! these walls—these ivy-clad arcades— | 10 | ·····/˘·˘/ |
| These mouldering plinths—these sad and blackened shafts— | 10 | ·/˘····/˘· |
| These vague entablatures—this crumbling frieze— | 10 | ·······/˘· |
| These shattered cornices—this wreck—this ruin— | 10 | ·/˘······/ |
| These stones—alas! these grey stones—are they all— | 10 | ··˘/······ |
| All of the famed and the colossal left | 10 | ······˘/˘· |
| By the corrosive Hours to Fate and me? | 10 | ··˘/˘/···· |
| “Not all”—the Echoes answer me—“not all! | 10 | ···/˘/˘··· |
| Prophetic sounds and loud arise for ever | 10 | ˘/˘···˘/·/ |
| From us, and from all Ruin, unto the wise, | 10 | ·····/···· |
| As melody from Memnon to the Sun. | 9 | ·/˘·/···· |
| We rule the hearts of mightiest men—we rule | 10 | ·····/˘··· |
| With a despotic sway all giant minds. | 10 | ··˘/˘··/˘· |
| We are not impotent—we pallid stones. | 9 | ···/˘·/˘· |
| Not all our power is gone—not all our fame— | 10 | ··//····/· |
| Not all the magic of our high renown— | 10 | ···/˘·/·˘/ |
| Not all the wonder that encircles us— | 10 | ···/˘·˘/˘· |
| Not all the mysteries that in us lie— | 9 | ···/˘···· |
| Not all the memories that hang upon | 9 | ···/˘···· |
| And cling around about us as a garment, | 11 | ·········/˘ |
| Clothing us in a robe of more than glory.” | 11 | /˘·······/˘ |
| Not long ago, the writer of these lines, | 9 | ··˘/·/··· |
| In the mad pride of intellectuality, | 11 | ··········· |
| Maintained “the power of words”—denied that ever | 10 | ˘/·/··˘/·/ |
| A thought arose within the human brain | 10 | ··˘/···/˘· |
| Beyond the utterance of the human tongue: | 10 | ···/˘··/˘· |
| And now, as if in mockery of that boast, | 10 | ·····/˘··· |
| Two words—two foreign soft dissyllables— | 9 | ···/˘···· |
| Italian tones, made only to be murmured | 11 | ˘/˘··/˘··/˘ |
| By angels dreaming in the moon-lit “dew | 10 | ·/˘/˘····· |
| That hangs like chains of pearl on Hermon hill,”— | 10 | ·······/˘· |
| Have stirred from out the abysses of his heart, | 11 | ·····˘/˘··· |
| Unthought-like thoughts that are the souls of thought, | 10 | ·········· |
| Richer, far wilder, far diviner visions | 10 | /˘·/·˘/˘/˘ |
| Than even the seraph harper, Israfel, | 10 | ·/·/˘/˘··· |
| (Who has “the sweetest voice of all God’s creatures,”) | 11 | ···/˘····/˘ |
| Could hope to utter. And I! my spells are broken. | 12 | ···/˘·····/˘ |
| The pen falls powerless from my shivering hand. | 10 | ···/˘··/˘· |
| With thy dear name as text, though bidden by thee, | 11 | ·······/˘·· |
| I cannot write—I cannot speak or think— | 10 | ·/˘··/˘··· |
| Alas, I cannot feel; for ’tis not feeling, | 11 | ˘/·/˘····/˘ |
| This standing motionless upon the golden | 10 | ·/˘/˘···/˘ |
| Threshold of the wide-open gate of dreams, | 10 | /····/˘··· |
| Gazing, entranced, adown the gorgeous vista, | 11 | /˘˘/˘/·/˘/˘ |
| And thrilling as I see, upon the right, | 10 | ·/˘······· |
| Upon the left, and all the way along, | 10 | ········˘/ |
| Amid unpurpled vapours, far away | 9 | ˘/··/˘·˘/ |
| To where the prospect terminates—thee only. | 11 | ···/˘/˘··/˘ |
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