The Bells
Hear the sledges with the bells—Silver bells!What a world of merriment their melody foretells!How they tinkle, tinkle, tinkle,In the icy air of night!While the stars that oversprinkleAll the heavens, seem to twinkleWith a crystalline delight;Keeping time, time, time,In a sort of Runic rhyme,To the tintinabulation that so musically wellsFrom the bells, bells, bells, bells,Bells, bells, bells—From the jingling and the tinkling of the bells.
Hear the mellow wedding bells,Golden bells!What a world of happiness their harmony foretells!Through the balmy air of nightHow they ring out their delight!From the molten-golden notes,And all in tune,What a liquid ditty floatsTo the turtle-dove that listens, while she gloatsOn the moon!Oh, from out the sounding cells,What a gush of euphony voluminously wells!How it swells!How it dwellsOn the Future! how it tellsOf the rapture that impelsTo the swinging and the ringingOf the bells, bells, bells,Of the bells, bells, bells, bells,Bells, bells, bells—To the rhyming and the chiming of the bells!
Hear the loud alarum bells—Brazen bells!What a tale of terror now their turbulency tells!In the startled ear of nightHow they scream out their affright!Too much horrified to speak,They can only shriek, shriek,Out of tune,In a clamorous appealing to the mercy of the fire,In a mad expostulation with the deaf and frantic fire.Leaping higher, higher, higher,With a desperate desire,And a resolute endeavour,Now—now to sit or never,By the side of the pale-faced moon.Oh, the bells, bells, bells!What a tale their terror tellsOf Despair!How they clang, and clash, and roar!What a horror they outpourOn the besom of the palpitating air!Yet the ear it fully knows,By the twanging,And the clanging,How the danger ebbs and flows;Yet the ear distinctly tells,In the jangling,And the wrangling,How the danger sinks and swells,By the sinking or the swelling in the anger of the bells—Of the bells—Of the bells, bells, bells, bells,Bells, bells, bells—In the clamour and the clangour of the bells!
Hear the tolling of the bells—Iron bells!What a world of solemn thought their monody compels!In the silence of the night,How we shiver with affrightAt the melancholy menace of their tone!For every sound that floatsFrom the rust within their throatsIs a groan.And the people—ah, the people—They that dwell up in the steeple,All alone,And who tolling, tolling, tolling,In that muffled monotone,Feel a glory in so rollingOn the human heart a stone—They are neither man nor woman—They are neither brute nor human—They are Ghouls:And their king it is who tolls;And he rolls, rolls, rolls,RollsA pæan from the bells!And his merry bosom swellsWith the pæan of the bells!And he dances, and he yells;Keeping time, time, time,In a sort of Runic rhyme,To the pæan of the bells—Of the bells:Keeping time, time, time,In a sort of Runic rhyme,To the throbbing of the bells—Of the bells, bells, bells—To the sobbing of the bells;Keeping time, time, time,As he knells, knells, knells,In a happy Runic rhyme,To the rolling of the bells—Of the bells, bells, bells—To the tolling of the bells,Of the bells, bells, bells, bells—Bells, bells, bells—To the moaning and the groaning of the bells.
Words in this poem 20
- twinkle v. i.
- To open and shut the eye rapidly; to blink; to wink. [OE. twinklen, AS. twinclian; akin to OE. twinken to blink, wink, G. zwinken, zwinkern, and perhaps to E. twitch.]
- musically adv.
- In a musical manner.
- jingling n.
- The act or process of producing a jingle; also, the sound itself; a chink.
- balmy a.
- Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
- ditty n.
- A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]
- euphony n.
- A pleasing or sweet sound; an easy, smooth enunciation of sounds; a pronunciation of letters and syllables which is pleasing to the ear. [L. euphonia, Gr. euphonie.]
- appealing a.
- That appeals; imploring.
- expostulation n.
- The act of expostulating or reasoning with a person in opposition to some impropriety of conduct; remonstrance; earnest and kindly protest; dissuasion. [L. expostulatio.]
- desperate a.
- Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
- endeavour v. t.
- To exert physical or intellectual strength for the attainment of; to use efforts to effect; to strive to achieve or reach; to try; to attempt. [OE. endevor; pref. en- + dever, devoir, duty, F. devoir: cf. F. se mettre en devoir de faire quelque chose to try to do a thing, to go about it. See Devoir, Deb]
- clang v. t.
- To strike together so as to produce a ringing metallic sound. [L. clangere; akin to Gr. clank.]
- outpour n.
- A flowing out; a free discharge.
- besom n.
- A brush of twigs for sweeping; a broom; anything which sweeps away or destroys. [OE. besme, besum, AS. besma; akin to D. bezem, OHG pesamo, G. besen; of uncertain origin.]
- jangling a.
- Producing discordant sounds.
- clamour n.
- A great outcry or vociferation; loud and continued shouting or exclamation. [OF. clamour, clamur, F. clameur, fr. L. clamor, fr. clamare to cry out. See Claim.]
- clangour n.
- A sharp, harsh, ringing sound. [L., fr. clangere. See Clang, v. t.]
- monody n.
- A species of poem of a mournful character, in which a single mourner expresses lamentation; a song for one voice. [L. monodia, Gr. monodie. See Ode.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- monotone n.
- A single unvaried tone or sound. [See Monotonous, Monotony.]
- sobbing n.
- A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Bells is in the public domain. This text is taken from The poetical works of Edgar Allan Poe, Project Gutenberg ebook #79019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edgar Allan Poe, The Bells, in The Complete Poetical Works (1827–1849), text of Project Gutenberg ebook #79019, Laurel, https://laurelpoetry.com/poem/poe-poems/the-bells.html, id L04156.
Form and metre
The Bells is 113 lines in 4 verse paragraphs. It is in rhyming couplets, 53% of the lines. The metre is trochaic tetrameter, as Wikipedia: The Bells (poem) has it. 97% of its stressed syllables fall where the metre puts the beat. The lines average 6.8 syllables. 17 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.
See other poems in rhyming couplets, other poems in trochaic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AAABCBBCDDAAAA bellsA · bellsA · foretellsA · tinkleB · nightC · oversprinkleB · twinkleB · delightC · timeD · rhymeD · wellsA · bellsA · bellsA · bellsA
- 2 AAABBCDCCDAAAAAA-AAAA bellsA · bellsA · foretellsA · nightB · delightB · notesC · tuneD · floatsC · gloatsC · moonD · cellsA · wellsA · swellsA · dwellsA · tellsA · impelsA · ringing · bellsA · bellsA · bellsA · bellsA
- 3 AAABBCC-DDDDEE-FFGHHGI--IJKKJJJJJ- bellsA · bellsA · tellsA · nightB · affrightB · speakC · shriekC · tune · fireD · fireD · higherD · desireD · endeavourE · neverE · moon · bellsF · tellsF · despairG · roarH · outpourH · airG · knowsI · twanging · clanging · flowsI · tellsJ · janglingK · wranglingK · swellsJ · bellsJ · bellsJ · bellsJ · bellsJ · bells
- 4 AAABBCDDCEECFCFCCC-GGGHHHHIIHHIIJJJIJIJJJ--- bellsA · bellsA · compelsA · nightB · affrightB · toneC · floatsD · throatsD · groanC · peopleE · steepleE · aloneC · tollingF · monotoneC · rollingF · stoneC · womanC · humanC · ghouls · tollsG · rollsG · rollsG · bellsH · swellsH · bellsH · yellsH · timeI · rhymeI · bellsH · bellsH · timeI · rhymeI · bellsJ · bellsJ · bellsJ · timeI · knellsJ · rhymeI · bellsJ · bellsJ · bellsJ · bells · bells · bells
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Hear the sledges with the bells— | 7 | ··/˘··· |
| Silver bells! | 3 | /˘· |
| What a world of merriment their melody foretells! | 12 | ····/˘˘·/˘˘/ |
| How they tinkle, tinkle, tinkle, | 8 | ··/˘/˘/˘ |
| In the icy air of night! | 7 | ··/˘··· |
| While the stars that oversprinkle | 8 | ········ |
| All the heavens, seem to twinkle | 8 | ··/˘··/˘ |
| With a crystalline delight; | 7 | ··/˘·˘/ |
| Keeping time, time, time, | 5 | /˘··· |
| In a sort of Runic rhyme, | 7 | ····/˘· |
| To the tintinabulation that so musically wells | 13 | ··········/˘· |
| From the bells, bells, bells, bells, | 6 | ······ |
| Bells, bells, bells— | 3 | ··· |
| From the jingling and the tinkling of the bells. | 11 | ··/˘··/˘··· |
| Hear the mellow wedding bells, | 7 | ··/˘/˘· |
| Golden bells! | 3 | /˘· |
| What a world of happiness their harmony foretells! | 11 | ····/˘·/˘˘/ |
| Through the balmy air of night | 7 | ··/˘··· |
| How they ring out their delight! | 7 | ·····˘/ |
| From the molten-golden notes, | 7 | ··/˘/˘· |
| And all in tune, | 4 | ···· |
| What a liquid ditty floats | 7 | ··/˘/˘· |
| To the turtle-dove that listens, while she gloats | 11 | ··/˘··/˘··· |
| On the moon! | 3 | ··· |
| Oh, from out the sounding cells, | 7 | ····/˘· |
| What a gush of euphony voluminously wells! | 12 | ····/˘······ |
| How it swells! | 3 | ··· |
| How it dwells | 3 | ··· |
| On the Future! how it tells | 7 | ··/˘··· |
| Of the rapture that impels | 7 | ··/˘·˘/ |
| To the swinging and the ringing | 8 | ··/˘··/˘ |
| Of the bells, bells, bells, | 5 | ····· |
| Of the bells, bells, bells, bells, | 6 | ······ |
| Bells, bells, bells— | 3 | ··· |
| To the rhyming and the chiming of the bells! | 11 | ··/˘··/˘··· |
| Hear the loud alarum bells— | 7 | ···˘/˘· |
| Brazen bells! | 3 | /˘· |
| What a tale of terror now their turbulency tells! | 13 | ····/˘··/˘˘˘· |
| In the startled ear of night | 8 | ··/˘˘··· |
| How they scream out their affright! | 7 | ·····˘/ |
| Too much horrified to speak, | 7 | ··/˘··· |
| They can only shriek, shriek, | 6 | ··/˘·· |
| Out of tune, | 3 | ··· |
| In a clamorous appealing to the mercy of the fire, | 15 | ··/˘˘˘/˘··/˘··/ |
| In a mad expostulation with the deaf and frantic fire. | 12 | ·········/˘/ |
| Leaping higher, higher, higher, | 8 | /˘/˘/˘/˘ |
| With a desperate desire, | 7 | ··/˘˘/˘ |
| And a resolute endeavour, | 8 | ··/˘·˘/˘ |
| Now—now to sit or never, | 7 | ·····/˘ |
| By the side of the pale-faced moon. | 8 | ········ |
| Oh, the bells, bells, bells! | 5 | ····· |
| What a tale their terror tells | 7 | ····/˘· |
| Of Despair! | 3 | ·˘/ |
| How they clang, and clash, and roar! | 7 | ······· |
| What a horror they outpour | 7 | ··/˘··/ |
| On the besom of the palpitating air! | 9 | ··/˘··/˘· |
| Yet the ear it fully knows, | 7 | ····/˘· |
| By the twanging, | 4 | ··/˘ |
| And the clanging, | 4 | ··/˘ |
| How the danger ebbs and flows; | 7 | ··/˘··· |
| Yet the ear distinctly tells, | 7 | ···˘/˘· |
| In the jangling, | 5 | ··/˘˘ |
| And the wrangling, | 5 | ··/˘˘ |
| How the danger sinks and swells, | 7 | ··/˘··· |
| By the sinking or the swelling in the anger of the bells— | 15 | ··/˘··/˘··/˘··· |
| Of the bells— | 3 | ··· |
| Of the bells, bells, bells, bells, | 6 | ······ |
| Bells, bells, bells— | 3 | ··· |
| In the clamour and the clangour of the bells! | 11 | ··/˘······· |
| Hear the tolling of the bells— | 7 | ··/˘··· |
| Iron bells! | 3 | /˘· |
| What a world of solemn thought their monody compels! | 13 | ····/˘··/˘˘˘/ |
| In the silence of the night, | 7 | ··/˘··· |
| How we shiver with affright | 7 | ··/˘·˘/ |
| At the melancholy menace of their tone! | 11 | ··/˘·˘/˘··· |
| For every sound that floats | 7 | ·/˘˘··· |
| From the rust within their throats | 7 | ······· |
| Is a groan. | 3 | ··· |
| And the people—ah, the people— | 8 | ··/˘··/˘ |
| They that dwell up in the steeple, | 8 | ······/˘ |
| All alone, | 3 | ·˘/ |
| And who tolling, tolling, tolling, | 8 | ··/˘/˘/˘ |
| In that muffled monotone, | 8 | ··/˘˘/˘· |
| Feel a glory in so rolling | 8 | ··/˘··/˘ |
| On the human heart a stone— | 7 | ··/˘··· |
| They are neither man nor woman— | 8 | ··/˘··/˘ |
| They are neither brute nor human— | 8 | ··/˘··/˘ |
| They are Ghouls: | 3 | ··· |
| And their king it is who tolls; | 7 | ······· |
| And he rolls, rolls, rolls, | 5 | ····· |
| Rolls | 1 | · |
| A pæan from the bells! | 5 | ····· |
| And his merry bosom swells | 7 | ··/˘/˘· |
| With the pæan of the bells! | 6 | ······ |
| And he dances, and he yells; | 7 | ··/˘··· |
| Keeping time, time, time, | 5 | /˘··· |
| In a sort of Runic rhyme, | 7 | ····/˘· |
| To the pæan of the bells— | 6 | ······ |
| Of the bells: | 3 | ··· |
| Keeping time, time, time, | 5 | /˘··· |
| In a sort of Runic rhyme, | 7 | ····/˘· |
| To the throbbing of the bells— | 7 | ··/˘··· |
| Of the bells, bells, bells— | 5 | ····· |
| To the sobbing of the bells; | 7 | ··/˘··· |
| Keeping time, time, time, | 5 | /˘··· |
| As he knells, knells, knells, | 5 | ····· |
| In a happy Runic rhyme, | 7 | ··/˘/˘· |
| To the rolling of the bells— | 7 | ··/˘··· |
| Of the bells, bells, bells— | 5 | ····· |
| To the tolling of the bells, | 7 | ··/˘··· |
| Of the bells, bells, bells, bells— | 6 | ······ |
| Bells, bells, bells— | 3 | ··· |
| To the moaning and the groaning of the bells. | 11 | ··/˘··/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.