Part II
High on a mountain of enamelled head—Such as the drowsy shepherd on his bedOf giant pasturage lying at his ease,Raising his heavy eyelid, starts and seesWith many a muttered “hope to be forgiven”What time the moon is quadrated in heaven—Of rosy head, that towering far awayInto the sunlit ether, caught the rayOf sunken suns at eve—at noon of night,While the moon danced with the fair stranger light—Upreared upon such height arose a pileOf gorgeous columns on th’ unburthened air,Flashing from Parian marble that twin smileFar down upon the wave that sparkled there,And nursled the young mountain in its lair.Of molten stars their pavement, such as fallThro’ the ebon air, besilvering the pallOf their own dissolution, while they die—Adorning then the dwellings of the sky.A dome, by linked light from heaven let down,Sat gently on these columns as a crown—A window of one circular diamond, there,Looked out above into the purple air,And rays from God shot down that meteor chainAnd hallowed all the beauty twice again,Save when, between th’ Empyrean and that ring,Some eager spirit flapped his dusky wing.But on the pillars seraph eyes have seenThe dimness of this world: that greyish greenThat Nature loves the best for Beauty’s graveLurked in each cornice, round each architrave—And every sculptured cherub thereabout,That from his marble dwelling peerèd out,Seemed earthly in the shadow of his niche—Achaian statues in a world so rich?Friezes from Tadmor and Persepolis—From Balbec, and the stilly, clear abyssOf beautiful Gomorrah! O, the waveIs now upon thee—but too late to save!
Sound loves to revel in a summer night:Witness the murmur of the grey twilightThat stole upon the ear, in Eyraco,Of many a wild star-gazer long ago—That stealeth ever on the ear of himWho, musing, gazeth on the distance dim,And sees the darkness coming as a cloud—Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it bringsA music with it—’tis the rush of wings—A pause—and then a sweeping, falling strain,And Nesace is in her halls again.From the wild energy of wanton hasteHer cheeks were flushing, and her lips apart;And zone that clung around her gentle waistHad burst beneath the heaving of her heart.Within the centre of that hall to breatheShe paused and panted, Zanthe! all beneath,The fairy light that kissed her golden hairAnd longed to rest, yet could but sparkle there!
Young flowers were whispering in melodyTo happy flowers that night—and tree to tree;Fountains were gushing music as they fellIn many a star-lit grove, or moon-lit dell;Yet silence came upon material things—Fair flowers, bright waterfalls and angel wings—And sound alone that from the spirit sprangBore burthen to the charm the maiden sang:
“’Neath blue-bell or streamer—Or tufted wild sprayThat keeps, from the dreamer,The moonbeam away—Bright beings! that ponder,With half-closing eyes,On the stars, which your wonderHath drawn from the skies,Till they glance thro’ the shade, andCome down to your browLike——eyes of the maidenWho calls on you now—Arise! from your dreamingIn violet bowers,To duty beseemingThese star-litten hours—And shake from your tressesEncumbered with dewThe breath of those kissesThat cumber them too—(O! how, without you, Love!Could angels be blest?)Those kisses of true loveThat lulled ye to rest!Up!—shake from your wingEach hindering thing:The dew of the night—It would weigh down your flightAnd true love caresses—O! leave them apart!They are light on the tresses,But lead on the heart.
“Ligeia! Ligeia!My beautiful one!Whose harshest ideaWill to melody run,Oh! is it thy willOn the breezes to toss?Or, capriciously still,Like the lone Albatross,Incumbent on night(As she on the air)To keep watch with delightOn the harmony there?
“Ligeia! whereverThy image may be,No magic shall severThy music from thee.Thou hast bound many eyesIn a dreamy sleep—But the strains still ariseWhich thy vigilance keep—The sound of the rainWhich leaps down to the flower,And dances againIn the rhythm of the shower—The murmur that springsFrom the growing of grassAre the music of things—But are modelled, alas!—Away, then, my dearest,Oh! hie thee awayTo springs that lie clearestBeneath the moon-ray—To lone lake that smiles,In its dream of deep rest,At the many star-islesThat enjewel its breast—Where wild flowers, creeping,Have mingled their shade,On its margin is sleepingFull many a maid—Some have left the cool glade, andHave slept with the bee—Arouse them, my maiden,On moorland and lea—Go! breathe on their slumber,All softly in ear,The musical numberThey slumbered to hear—For what can awakenAn angel so soonWhose sleep hath been takenBeneath the cold moon,As the spell which no slumberOf witchery may test,The rhythmical numberWhich lulled him to rest?”
Spirits in wing, and angels to the view,A thousand seraphs burst th’ Empyrean thro’,Young dreams still hovering on their drowsy flight—Seraphs in all but “Knowledge,” the keen lightThat fell, refracted, thro’ thy bounds, afar,O Death! from eye of God upon that star:Sweet was that error—sweeter still that death—Sweet was that error—e’en with us the breathOf Science dims the mirror of our joy—To them ’twere the Simoom, and would destroy—For what (to them) availeth it to knowThat Truth is Falsehood—or that Bliss is Woe?Sweet was their death—with them to die was rifeWith the last ecstasy of satiate life—Beyond that death no immortality—But sleep that pondereth and is not “to be”—And there—oh! may my weary spirit dwell—Apart from Heaven’s Eternity—and yet how far from Hell!What guilty spirit, in what shrubbery dim,Heard not the stirring summons of that hymn?But two: they fell: for Heaven no grace impartsTo those who hear not for their beating hearts.A maiden-angel and her seraph-lover—O! where (and ye may seek the wide skies over)Was Love, the blind, near sober Duty known?Unguided Love hath fallen—’mid “tears of perfect moan.”
He was a goodly spirit—he who fell:A wanderer by mossy-mantled well—A gazer on the lights that shine above—A dreamer in the moonbeam by his love:What wonder? for each star is eye-like there,And looks so sweetly down on Beauty’s hair—And they and ev’ry mossy spring were holyTo his love-haunted heart and melancholy.The night had found (to him a night of woe)Upon a mountain crag, young Angelo—Beetling it bends athwart the solemn sky,And scowls on starry worlds that down beneath it lie.Here sat he with his love—his dark eye bentWith eagle gaze along the firmament:Now turned it upon her—but ever thenIt trembled to the orb of Earth again.
“Ianthe, dearest, see! how dim that ray!How lovely ’tis to look so far away!She seemed not thus upon that autumn eveI left her gorgeous halls—nor mourned to leave.That eve—that eve—I should remember well—The sun-ray dropped, in Lemnos, with a spellOn th’ arabesque carving of a gilded hallWherein I sat, and on the draperied wall—And on my eyelids—O the heavy light!How drowsily it weighed them into night!On flowers, before, and mist, and love they ranWith Persian Saadi in his Gulistan:But O that light!—I slumber’d—Death, the while,Stole o’er my senses in that lovely isle,So softly that no single silken hairAwoke that slept—or knew that he was there.
“The last spot of Earth’s orb I trod uponWas a proud temple called the Parthenon—More beauty clung around her column’d wallThan e’en thy glowing bosom beats withal;”And when old Time my wing did disenthral,Thence sprang I—as the eagle from his tower,And years I left behind me in an hour.What time upon her airy bounds I hungOne half the garden of her globe was flung,Unrolling as a chart unto my view—Tenantless cities of the desert too!Ianthe, beauty crowded on me then,And half I wished to be again of men.”
“My Angelo! and why of them to be?A brighter dwelling-place is here for thee—And greener fields than in yon world above,And woman’s loveliness—and passionate love.”
“But, list, Ianthe! when the air so softFailed, as my pennon’d spirit leapt aloft,Perhaps my brain grew dizzy—but the worldI left so late was into chaos hurled—Sprang from her station, on the winds apart,And rolled, a flame, the fiery heaven athwart.Methought, my sweet one, then I ceased to soar,And fell—not swiftly as I rose before,But with a downward, tremulous motion thro’Light, brazen rays, this golden star unto!Nor long the measure of my falling hours,For nearest of all stars was thine to ours—Dread star! that came, amid a night of mirth,A red Dædalion on the timid Earth.
“We came—and to thy Earth—but not to usBe given our lady’s bidding to discuss:We came, my love; around, above, below,Gay fire-fly of the night we come and go,Nor ask a reason save the angel-nodShe grants to us, as granted by her God—But, Angelo, than thine grey Time unfurledNever his fairy wing o’er fairier world!Dim was its little disk, and angel eyesAlone could see the phantom in the skies,When first Al Aaraaf knew her course to beHeadlong thitherward o’er the starry sea—But when its glory swelled upon the sky,As glowing Beauty’s bust beneath man’s eye,We paused before the heritage of men,And thy star trembled—as doth Beauty then!”
Thus, in discourse, the lovers whiled awayThe night that waned and waned and brought no day.They fell: for Heaven to them no hope impartsWho hear not for the beating of their hearts.
Words in this poem 49
- pasturage n.
- Grazing ground; grass land used for pasturing; pasture. [OF. pasturage, F. pâturage. See Pasture.]
- towering a.
- Very high; elevated; rising aloft; as, a towering height.
- sunlit a.
- Lighted by the sun.
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- lair n.
- A place in which to lie or rest; especially, the bed or couch of a wild beast. [OE. leir, AS. leger; akin to D. leger, G. lager couch, lair, OHG. laga, Goth. ligrs, and to E. lie. See Lie to be prostrate, and cf. Layer, Leaguer.]
- ebon a.
- Consisting of ebony.
- empyrean n.
- The highest heaven, where the pure element of fire was supposed by the ancients to subsist. [See Empyreal.]
- cherub n.
- A mysterious composite being, the winged footstool and chariot of the Almighty, described in Ezekiel i. and x. [Heb. kerub.]
- thereabout adv.
- Near that place. [The latter spelling is less proper, but more commonly used.]
- achaian a.
- Of or pertaining to Achaia in Greece; also, Grecian.
- stilly a.
- Still; quiet; calm.
- stole n.
- A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
- clung a.
- Wasted away; shrunken. [Prop. p. p. fr. OE. clingen to wither. See Cling, v. i.]
- centre v. i.
- To be placed in a center; to be central.
- dell n.
- A small, retired valley; a ravine. [AS. del, akin to E. dale; cf. D. delle, del, low ground. See Dale.]
- dreamer n.
- One who dreams.
- moonbeam n.
- A ray of light from the moon.
- beseeming n.
- Appearance; look; garb.
- cumber n.
- Trouble; embarrassment; distress. [Cf. encombre hindrance, impediment. See Cuber,v.]
- lone n.
- A lane. See Loanin.
- wherever adv.
- At or in whatever place; wheresoever.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- hast
- , 2d pers. sing. pres. of. Fave, contr. of havest.
- dreamy a.
- Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
- glade n.
- An open passage through a wood; a grassy open or cleared space in a forest. [Prob. of Scand. origin, and akin to glad, a.; cf. also W. golead, goleuad, a lighting, illumination, fr. goleu light, clear, bright, goleu fwlch glade, lit., a ]
- moorland n.
- Land consisting of a moor or moors. [AS. morland.]
- witchery
- Sorcery; enchantment; witchcraft.
- afar adv.
- At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
- simoom n.
- A hot, dry, suffocating, dust-laden wind, that blows occasionally in Arabia, Syria, and neighboring countries, generated by the extreme heat of the parched deserts or sandy plains. [Ar. sam, fr. samma to poison. Cf. Samiel.]
- rife a.
- Prevailing; prevalent; abounding. [AS. rif abundant, or Icel. rifr munificent; akin to OD. riff, rijve, abundant.]
- satiate a.
- Filled to satiety; glutted; sated; -- followed by with or of. [L. satiatus, p. p. of satiare to satisfy, from sat, satis, enough. See Sad, a., and cf. Sate.]
- dwell v. i.
- To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
- shrubbery n.
- A collection of shrubs.
- goodly a.
- Pleasant; agreeable; desirable. [OE. godlich, AS. g. See Good, and Like.]
- haunted a.
- Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
- crag n.
- The neck or throat [A form of craw: cf. D. kraag neck, collar, G. kragen. See Craw.]
- starry a.
- Abounding with stars; adorned with stars.
- firmament n.
- Fixed foundation; established basis. [L. firmamentum, fr. firmare to make firm: cf. F. firmament. See Firm, v. & a.]
- draperied a.
- Covered or supplied with drapery.
- drowsily adv.
- In a drowsy manner.
- isle v. t.
- To cause to become an island, or like an island; to surround or encompass; to island.
- withal adv.
- With this; with that. [With + all.]
- tenantless a.
- Having no tenants; unoccupied; as, a tenantless mansion.
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
- chaos n.
- An empty, immeasurable space; a yawning chasm. [L. chaos chaos (in senses 1 & 2), Gr. Chasm.]
- amid prep.
- In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
- discuss v. t.
- To break to pieces; to shatter. Sir T. Browne. [L. discussus, p. p. of discutere to strike asunder (hence came the sense to separate mentally, distinguish); dis- + quatere to shake, strike. See Quash.]
- thitherward adv.
- To ward that place; in that direction.
- heritage a.
- That which is inherited, or passes from heir to heir; inheritance. [OE. heritage, eritage, OF. heritage, eritage, F. héritage, fr. hériter to inherit, LL. heriditare. See Hereditable.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part II is in the public domain. This text is taken from The poetical works of Edgar Allan Poe, Project Gutenberg ebook #79019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edgar Allan Poe, Part II, in The Complete Poetical Works (1827–1849), text of Project Gutenberg ebook #79019, Laurel, https://laurelpoetry.com/poem/poe-poems/part-ii.html, id L04185.
Form and metre
Part II is 264 lines in 15 verse paragraphs. It is in rhyming couplets, 54% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 93% of its stressed syllables fall where the metre puts the beat. The lines average 8.5 syllables. 37 lines end on an unstressed syllable, a feminine ending. 32% of the lines run on without a stop at the line end.
See other poems in heroic couplets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABB--CCDDEFEFF--GGHHII--JJKKLLMMNNOOPP headA · bedA · easeB · seesB · forgiven · heaven · awayC · rayC · nightD · lightD · pileE · airF · smileE · thereF · lairF · fall · pall · dieG · skyG · downH · crownH · thereI · airI · chain · again · ringJ · wingJ · seenK · greenK · graveL · architraveL · thereaboutM · outM · nicheN · richN · persepolisO · abyssO · waveP · saveP
- 2 AA--BBCC nightA · twilightA · eyraco · ago · himB · dimB · cloudC · loudC
- 3 AABBCDCD--EE bringsA · wingsA · strainB · againB · hasteC · apartD · waistC · heartD · breathe · beneath · hairE · thereE
- 4 --AABBCC melody · tree · fellA · dellA · thingsB · wingsB · sprangC · sangC
- 5 ABAB-C-C-D-DEFEF-G-G-H-HIIJJKLKL streamerA · sprayB · dreamerA · awayB · ponder · eyesC · wonder · skiesC · and · browD · maiden · nowD · dreamingE · bowersF · beseemingE · hoursF · tresses · dewG · kisses · tooG · love · blestH · love · restH · wingI · thingI · nightJ · flightJ · caressesK · apartL · tressesK · heartL
- 6 -A-AB-B-CDCD ligeia · oneA · idea · runA · willB · toss · stillB · albatross · nightC · airD · delightC · thereD
- 7 ABABCDCD-E-EFGFG-HIHJIJIKLKL-M-MNONOPPPPQRQR whereverA · beB · severA · theeB · eyesC · sleepD · ariseC · keepD · rain · flowerE · again · showerE · springsF · grassG · thingsF · alasG · dearest · awayH · clearestI · rayH · smilesJ · restI · islesJ · breastI · creepingK · shadeL · sleepingK · maidL · and · beeM · maiden · leaM · slumberN · earO · numberN · hearO · awakenP · soonP · takenP · moonP · slumberQ · testR · numberQ · restR
- 8 --AABBCCDDEEFF--GGHHII--JJ view · thro · flightA · lightA · afarB · starB · deathC · breathC · joyD · destroyD · knowE · woeE · rifeF · lifeF · immortality · be · dwellG · hellG · dimH · hymnH · impartsI · heartsI · lover · over · knownJ · moanJ
- 9 AABBCC--DDEEFFGG fellA · wellA · aboveB · loveB · thereC · hairC · holy · melancholy · woeD · angeloD · skyE · lieE · bentF · firmamentF · thenG · againG
- 10 AABBCCDDEEFFGGHH rayA · awayA · eveB · leaveB · wellC · spellC · hallD · wallD · lightE · nightE · ranF · gulistanF · whileG · isleG · hairH · thereH
- 11 AABBBCCDDEEFF uponA · parthenonA · wallB · withalB · disenthralB · towerC · hourC · hungD · flungD · viewE · tooE · thenF · menF
- 12 AABB beA · theeA · aboveB · loveB
- 13 AABB--CC--DDEE softA · aloftA · worldB · hurledB · apart · athwart · soarC · beforeC · thro · unto · hoursD · oursD · mirthE · earthE
- 14 AABBCCDDEEFFGGHH usA · discussA · belowB · goB · nodC · godC · unfurledD · worldD · eyesE · skiesE · beF · seaF · skyG · eyeG · menH · thenH
- 15 AABB awayA · dayA · impartsB · heartsB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| High on a mountain of enamelled head— | 10 | ···/˘·˘/˘· |
| Such as the drowsy shepherd on his bed | 10 | ···/˘/˘··· |
| Of giant pasturage lying at his ease, | 11 | ·/˘/˘˘/˘··· |
| Raising his heavy eyelid, starts and sees | 10 | /˘·/˘/···· |
| With many a muttered “hope to be forgiven” | 11 | ·/·/˘···˘/˘ |
| What time the moon is quadrated in heaven— | 10 | ·········/ |
| Of rosy head, that towering far away | 10 | ·/˘··/˘·˘/ |
| Into the sunlit ether, caught the ray | 10 | ···/·/˘··· |
| Of sunken suns at eve—at noon of night, | 10 | ·/˘······· |
| While the moon danced with the fair stranger light— | 10 | ·······/˘· |
| Upreared upon such height arose a pile | 10 | ······˘/·· |
| Of gorgeous columns on th’ unburthened air, | 10 | ·/˘/˘····· |
| Flashing from Parian marble that twin smile | 11 | /˘·/˘˘/˘··· |
| Far down upon the wave that sparkled there, | 10 | ·······/˘· |
| And nursled the young mountain in its lair. | 9 | ····/˘··· |
| Of molten stars their pavement, such as fall | 10 | ·/˘··/˘··· |
| Thro’ the ebon air, besilvering the pall | 11 | ··/˘······· |
| Of their own dissolution, while they die— | 10 | ····˘/˘··· |
| Adorning then the dwellings of the sky. | 10 | ˘/˘··/˘··· |
| A dome, by linked light from heaven let down, | 9 | ······/·· |
| Sat gently on these columns as a crown— | 10 | ·/˘··/˘··· |
| A window of one circular diamond, there, | 10 | ·/˘··/˘/˘· |
| Looked out above into the purple air, | 10 | ·······/˘· |
| And rays from God shot down that meteor chain | 10 | ·······/˘· |
| And hallowed all the beauty twice again, | 10 | ·/˘··/˘·˘/ |
| Save when, between th’ Empyrean and that ring, | 10 | ·········· |
| Some eager spirit flapped his dusky wing. | 9 | ·/˘/··/˘· |
| But on the pillars seraph eyes have seen | 10 | ···/˘/˘··· |
| The dimness of this world: that greyish green | 9 | ·/˘······ |
| That Nature loves the best for Beauty’s grave | 10 | ·/˘····/˘· |
| Lurked in each cornice, round each architrave— | 10 | ···/˘··/˘· |
| And every sculptured cherub thereabout, | 10 | ·/˘/˘/˘··· |
| That from his marble dwelling peerèd out, | 9 | ···/˘/˘·· |
| Seemed earthly in the shadow of his niche— | 10 | ·/˘··/···· |
| Achaian statues in a world so rich? | 9 | ··/······ |
| Friezes from Tadmor and Persepolis— | 9 | /˘····˘/˘ |
| From Balbec, and the stilly, clear abyss | 10 | ·····/˘·˘/ |
| Of beautiful Gomorrah! O, the wave | 9 | ·/˘˘/˘··· |
| Is now upon thee—but too late to save! | 10 | ·········· |
| Sound loves to revel in a summer night: | 10 | ···/˘··/˘· |
| Witness the murmur of the grey twilight | 10 | /˘·/˘···/· |
| That stole upon the ear, in Eyraco, | 10 | ·········· |
| Of many a wild star-gazer long ago— | 10 | ·/···/˘·˘/ |
| That stealeth ever on the ear of him | 9 | ·/˘/····· |
| Who, musing, gazeth on the distance dim, | 10 | ·/˘····/˘· |
| And sees the darkness coming as a cloud— | 10 | ···/˘/˘··· |
| Is not its form—its voice—most palpable and loud? | 11 | ·······/˘·· |
| But what is this?—it cometh—and it brings | 10 | ·····/˘··· |
| A music with it—’tis the rush of wings— | 10 | ·/˘······· |
| A pause—and then a sweeping, falling strain, | 10 | ·····/˘/˘· |
| And Nesace is in her halls again. | 9 | ·······˘/ |
| From the wild energy of wanton haste | 9 | ···/˘·/˘· |
| Her cheeks were flushing, and her lips apart; | 10 | ···/˘···˘/ |
| And zone that clung around her gentle waist | 10 | ·······/˘· |
| Had burst beneath the heaving of her heart. | 10 | ·····/˘··· |
| Within the centre of that hall to breathe | 10 | ···/˘····· |
| She paused and panted, Zanthe! all beneath, | 9 | ···/˘···· |
| The fairy light that kissed her golden hair | 10 | ·/˘····/˘· |
| And longed to rest, yet could but sparkle there! | 10 | ·······/˘· |
| Young flowers were whispering in melody | 9 | ·/·/˘·/˘˘ |
| To happy flowers that night—and tree to tree; | 10 | ·/˘/······ |
| Fountains were gushing music as they fell | 10 | /˘·/˘/˘··· |
| In many a star-lit grove, or moon-lit dell; | 10 | ·/········ |
| Yet silence came upon material things— | 10 | ·/˘···˘/˘· |
| Fair flowers, bright waterfalls and angel wings— | 10 | ·/·/˘··/˘· |
| And sound alone that from the spirit sprang | 9 | ··˘/···/· |
| Bore burthen to the charm the maiden sang: | 10 | ·/˘····/˘· |
| “’Neath blue-bell or streamer— | 6 | ····/˘ |
| Or tufted wild spray | 5 | ·/˘·· |
| That keeps, from the dreamer, | 6 | ····/˘ |
| The moonbeam away— | 5 | ·/·˘/ |
| Bright beings! that ponder, | 6 | ·/˘·/˘ |
| With half-closing eyes, | 5 | ··/˘· |
| On the stars, which your wonder | 7 | ·····/˘ |
| Hath drawn from the skies, | 5 | ····· |
| Till they glance thro’ the shade, and | 7 | ······· |
| Come down to your brow | 5 | ····· |
| Like——eyes of the maiden | 6 | ····/˘ |
| Who calls on you now— | 5 | ····· |
| Arise! from your dreaming | 6 | ˘/··/˘ |
| In violet bowers, | 6 | ·/˘˘/˘ |
| To duty beseeming | 6 | ·/˘˘/˘ |
| These star-litten hours— | 6 | ··/˘/˘ |
| And shake from your tresses | 6 | ····/˘ |
| Encumbered with dew | 5 | ˘/˘·· |
| The breath of those kisses | 6 | ····/˘ |
| That cumber them too— | 5 | ·/˘·· |
| (O! how, without you, Love! | 6 | ······ |
| Could angels be blest?) | 5 | ·/˘·· |
| Those kisses of true love | 6 | ·/˘··· |
| That lulled ye to rest! | 5 | ····· |
| Up!—shake from your wing | 5 | ····· |
| Each hindering thing: | 5 | ·/˘˘· |
| The dew of the night— | 5 | ····· |
| It would weigh down your flight | 6 | ······ |
| And true love caresses— | 6 | ···˘/˘ |
| O! leave them apart! | 5 | ···˘/ |
| They are light on the tresses, | 7 | ·····/˘ |
| But lead on the heart. | 5 | ····· |
| “Ligeia! Ligeia! | 4 | ···· |
| My beautiful one! | 5 | ·/˘˘· |
| Whose harshest idea | 6 | ·/˘˘/˘ |
| Will to melody run, | 6 | ··/˘˘· |
| Oh! is it thy will | 5 | ····· |
| On the breezes to toss? | 6 | ··/˘·· |
| Or, capriciously still, | 6 | ·˘/˘˘· |
| Like the lone Albatross, | 6 | ···/˘· |
| Incumbent on night | 5 | ˘/˘·· |
| (As she on the air) | 5 | ····· |
| To keep watch with delight | 6 | ····˘/ |
| On the harmony there? | 6 | ··/˘˘· |
| “Ligeia! wherever | 5 | ··˘/˘ |
| Thy image may be, | 5 | ·/˘·· |
| No magic shall sever | 6 | ·/˘·/˘ |
| Thy music from thee. | 5 | ·/˘·· |
| Thou hast bound many eyes | 6 | ···/˘· |
| In a dreamy sleep— | 5 | ··/˘· |
| But the strains still arise | 6 | ····˘/ |
| Which thy vigilance keep— | 6 | ··/˘˘· |
| The sound of the rain | 5 | ····· |
| Which leaps down to the flower, | 7 | ·····/˘ |
| And dances again | 5 | ·/˘˘/ |
| In the rhythm of the shower— | 8 | ··/˘··/˘ |
| The murmur that springs | 5 | ·/˘·· |
| From the growing of grass | 6 | ··/˘·· |
| Are the music of things— | 6 | ··/˘·· |
| But are modelled, alas!— | 7 | ··˘/˘˘/ |
| Away, then, my dearest, | 6 | ˘/··/˘ |
| Oh! hie thee away | 5 | ···˘/ |
| To springs that lie clearest | 6 | ····/˘ |
| Beneath the moon-ray— | 5 | ····· |
| To lone lake that smiles, | 5 | ····· |
| In its dream of deep rest, | 6 | ······ |
| At the many star-isles | 6 | ··/˘·· |
| That enjewel its breast— | 6 | ······ |
| Where wild flowers, creeping, | 6 | ··/˘/˘ |
| Have mingled their shade, | 5 | ·/˘·· |
| On its margin is sleeping | 7 | ··/˘·/˘ |
| Full many a maid— | 5 | ·/˘·· |
| Some have left the cool glade, and | 7 | ······· |
| Have slept with the bee— | 5 | ····· |
| Arouse them, my maiden, | 6 | ˘/··/˘ |
| On moorland and lea— | 5 | ·/··· |
| Go! breathe on their slumber, | 6 | ····/˘ |
| All softly in ear, | 5 | ·/˘·· |
| The musical number | 6 | ·/˘˘/˘ |
| They slumbered to hear— | 5 | ·/˘·· |
| For what can awaken | 6 | ···˘/˘ |
| An angel so soon | 5 | ·/˘·· |
| Whose sleep hath been taken | 6 | ····/˘ |
| Beneath the cold moon, | 5 | ····· |
| As the spell which no slumber | 7 | ·····/˘ |
| Of witchery may test, | 6 | ·/˘˘·· |
| The rhythmical number | 6 | ····/˘ |
| Which lulled him to rest?” | 5 | ····· |
| Spirits in wing, and angels to the view, | 10 | /˘···/˘··· |
| A thousand seraphs burst th’ Empyrean thro’, | 10 | ·/˘······· |
| Young dreams still hovering on their drowsy flight— | 10 | ···/˘··/˘· |
| Seraphs in all but “Knowledge,” the keen light | 10 | ·····/˘··· |
| That fell, refracted, thro’ thy bounds, afar, | 10 | ··˘/˘···˘/ |
| O Death! from eye of God upon that star: | 10 | ·········· |
| Sweet was that error—sweeter still that death— | 10 | ···/˘/˘··· |
| Sweet was that error—e’en with us the breath | 10 | ···/˘····· |
| Of Science dims the mirror of our joy— | 10 | ·/˘··/˘·/· |
| To them ’twere the Simoom, and would destroy— | 10 | ········˘/ |
| For what (to them) availeth it to know | 10 | ····˘/˘··· |
| That Truth is Falsehood—or that Bliss is Woe? | 10 | ···/······ |
| Sweet was their death—with them to die was rife | 10 | ·········· |
| With the last ecstasy of satiate life— | 10 | ···/˘·/˘˘· |
| Beyond that death no immortality— | 9 | ······˘/˘ |
| But sleep that pondereth and is not “to be”— | 10 | ···/˘····· |
| And there—oh! may my weary spirit dwell— | 9 | ·····/˘/· |
| Apart from Heaven’s Eternity—and yet how far from Hell! | 14 | ˘/·/˘˘/˘······ |
| What guilty spirit, in what shrubbery dim, | 9 | ·/˘/··/˘· |
| Heard not the stirring summons of that hymn? | 10 | ···/˘/˘··· |
| But two: they fell: for Heaven no grace imparts | 10 | ·····/··˘/ |
| To those who hear not for their beating hearts. | 10 | ·······/˘· |
| A maiden-angel and her seraph-lover— | 11 | ·/˘/˘··/˘/˘ |
| O! where (and ye may seek the wide skies over) | 10 | ·········· |
| Was Love, the blind, near sober Duty known? | 10 | ·····/˘/˘· |
| Unguided Love hath fallen—’mid “tears of perfect moan.” | 13 | ·····/˘···˘/· |
| He was a goodly spirit—he who fell: | 9 | ···/˘/··· |
| A wanderer by mossy-mantled well— | 9 | ·/˘·/˘/˘· |
| A gazer on the lights that shine above— | 10 | ·/˘······· |
| A dreamer in the moonbeam by his love: | 10 | ·/˘··/···· |
| What wonder? for each star is eye-like there, | 10 | ·/˘······· |
| And looks so sweetly down on Beauty’s hair— | 10 | ···/˘··/˘· |
| And they and ev’ry mossy spring were holy | 11 | ·····/˘··/˘ |
| To his love-haunted heart and melancholy. | 11 | ···/˘··/˘·˘ |
| The night had found (to him a night of woe) | 10 | ·········· |
| Upon a mountain crag, young Angelo— | 10 | ···/˘··/˘· |
| Beetling it bends athwart the solemn sky, | 10 | /˘··˘/·/˘· |
| And scowls on starry worlds that down beneath it lie. | 12 | ···/˘······· |
| Here sat he with his love—his dark eye bent | 10 | ·········· |
| With eagle gaze along the firmament: | 10 | ·/˘·˘/·/˘˘ |
| Now turned it upon her—but ever then | 9 | ·······/· |
| It trembled to the orb of Earth again. | 10 | ·/˘·····˘/ |
| “Ianthe, dearest, see! how dim that ray! | 10 | ˘/˘/˘····· |
| How lovely ’tis to look so far away! | 10 | ·/˘·····˘/ |
| She seemed not thus upon that autumn eve | 10 | ·······/˘· |
| I left her gorgeous halls—nor mourned to leave. | 10 | ···/˘····· |
| That eve—that eve—I should remember well— | 10 | ······˘/˘· |
| The sun-ray dropped, in Lemnos, with a spell | 10 | ·········· |
| On th’ arabesque carving of a gilded hall | 11 | ····/˘··/˘· |
| Wherein I sat, and on the draperied wall— | 11 | ·······/˘˘· |
| And on my eyelids—O the heavy light! | 10 | ···/···/˘· |
| How drowsily it weighed them into night! | 10 | ·/˘˘······ |
| On flowers, before, and mist, and love they ran | 10 | ·/········ |
| With Persian Saadi in his Gulistan: | 10 | ·/˘······· |
| But O that light!—I slumber’d—Death, the while, | 10 | ·········· |
| Stole o’er my senses in that lovely isle, | 10 | ···/˘··/˘· |
| So softly that no single silken hair | 10 | ·/˘··/˘/˘· |
| Awoke that slept—or knew that he was there. | 10 | ˘/········ |
| “The last spot of Earth’s orb I trod upon | 10 | ·········· |
| Was a proud temple called the Parthenon— | 10 | ···/˘··/˘· |
| More beauty clung around her column’d wall | 10 | ·/˘····/˘· |
| Than e’en thy glowing bosom beats withal;” | 10 | ···/˘/˘·˘/ |
| And when old Time my wing did disenthral, | 10 | ·········· |
| Thence sprang I—as the eagle from his tower, | 10 | ·····/˘··/ |
| And years I left behind me in an hour. | 10 | ·········/ |
| What time upon her airy bounds I hung | 10 | ·····/˘··· |
| One half the garden of her globe was flung, | 10 | ···/˘····· |
| Unrolling as a chart unto my view— | 10 | ·········· |
| Tenantless cities of the desert too! | 10 | /˘˘/˘··/˘· |
| Ianthe, beauty crowded on me then, | 10 | ˘/˘/˘/˘··· |
| And half I wished to be again of men.” | 10 | ······˘/·· |
| “My Angelo! and why of them to be? | 10 | ·/˘······· |
| A brighter dwelling-place is here for thee— | 9 | ·//˘····· |
| And greener fields than in yon world above, | 10 | ·/˘······· |
| And woman’s loveliness—and passionate love.” | 10 | ·/˘/˘˘·/˘· |
| “But, list, Ianthe! when the air so soft | 10 | ··˘/˘····· |
| Failed, as my pennon’d spirit leapt aloft, | 9 | ·····/·˘/ |
| Perhaps my brain grew dizzy—but the world | 10 | ˘/···/˘··· |
| I left so late was into chaos hurled— | 10 | ·······/˘· |
| Sprang from her station, on the winds apart, | 10 | ···/˘···˘/ |
| And rolled, a flame, the fiery heaven athwart. | 10 | ·····/˘/˘/ |
| Methought, my sweet one, then I ceased to soar, | 10 | ˘/········ |
| And fell—not swiftly as I rose before, | 10 | ···/˘····· |
| But with a downward, tremulous motion thro’ | 9 | ···//˘/˘· |
| Light, brazen rays, this golden star unto! | 10 | ·/˘··/˘··· |
| Nor long the measure of my falling hours, | 10 | ···/˘··/˘/ |
| For nearest of all stars was thine to ours— | 10 | ·/˘······/ |
| Dread star! that came, amid a night of mirth, | 10 | ····˘/···· |
| A red Dædalion on the timid Earth. | 10 | ·······/˘· |
| “We came—and to thy Earth—but not to us | 10 | ·········· |
| Be given our lady’s bidding to discuss: | 10 | ·///˘/˘·˘/ |
| We came, my love; around, above, below, | 10 | ·········· |
| Gay fire-fly of the night we come and go, | 10 | ·/········ |
| Nor ask a reason save the angel-nod | 10 | ···/˘··/˘· |
| She grants to us, as granted by her God— | 10 | ·····/˘··· |
| But, Angelo, than thine grey Time unfurled | 10 | ·/˘·····˘/ |
| Never his fairy wing o’er fairier world! | 9 | /·/˘····· |
| Dim was its little disk, and angel eyes | 10 | ···/˘··/˘· |
| Alone could see the phantom in the skies, | 10 | ˘/···/˘··· |
| When first Al Aaraaf knew her course to be | 10 | ·········· |
| Headlong thitherward o’er the starry sea— | 10 | /·/˘˘··/˘· |
| But when its glory swelled upon the sky, | 10 | ···/˘····· |
| As glowing Beauty’s bust beneath man’s eye, | 10 | ·/˘/˘····· |
| We paused before the heritage of men, | 9 | ·····/˘·· |
| And thy star trembled—as doth Beauty then!” | 10 | ···/˘··/˘· |
| Thus, in discourse, the lovers whiled away | 10 | ··/˘·/˘·˘/ |
| The night that waned and waned and brought no day. | 10 | ·········· |
| They fell: for Heaven to them no hope imparts | 10 | ···/····˘/ |
| Who hear not for the beating of their hearts. | 10 | ·····/˘··· |
Notes from the edition 15
Notes from The Complete Poetical Works of Edgar Allan Poe, ed. J. H. Ingram (Project Gutenberg #79019).
- Stanza 1, line 16 P. 160. Of molten stars their pavement, such as fall Thro’ the ebon air. Some star which, from the ruin’d roof Of shaked Olympus, by mischance, did fall.—Milton.
- Stanza 1, line 36 P. 161. Friezes from Tadmor and Persepolis. Voltaire, in speaking of Persepolis, says, “Je connois bien l’admiration qu’inspirent ces ruines—mais un palais érigé au pied d’une chaine des rochers sterils—peut-il être un chef-d’œuvre des arts?”
- Stanza 1, line 38 P. 161. Of beautiful Gomorrah! O, the wave. “Oh! the wave”—Ula Deguisi is the Turkish appellation; but, on its own shores, it is called Bahar Loth, or Almotanah. There were undoubtedly more than two cities engulfed in the “Dead Sea.” In the valley of Siddim were five—Adrah, Zeboin, Zoar, Sodom and Gomorrah. Stephen of Byzantium mentions eight, and Strabo thirteen (engulfed)—but the last is out of all reason. It is said, [Tacitus, Strabo, Josephus, Daniel of St. Saba, Nau, Maundrell, Troilo, D’Arvieux] that after an excessive drought, the vestiges of columns, walls, &c. are seen above the surface. At any season, such remains may be discovered by looking down into the transparent lake, and at such distances as would argue the existence of many settlements in the space now usurped by the “Asphaltites.”
- Stanza 2, line 3 P. 161. That stole upon the ear, in Eyraco.}—Eyraco—Chaldæa.
- Stanza 2, line 8 P. 161. Is not its form—its voice—most palpable and loud? I have often thought I could distinctly hear the sound of the darkness as it stole over the horizon.
- Stanza 4, line 1 P. 162. Young flowers were whispering in melody. Fairies use flowers for their charactery.—Merry Wives of Windsor.
- Stanza 5, line 4 P. 163. The moonbeam away. In Scripture is this passage—“The sun shall not harm thee by day, nor the moon by night.” It is perhaps not generally known that the moon, in Egypt, has the effect of producing blindness to those who sleep with the face exposed to its rays, to which circumstance the passage evidently alludes.
- Stanza 6, line 8 P. 164. Like the lone Albatross. The Albatross is said to sleep on the wing.
- Stanza 7, line 13 PP. 165. The murmur that springs. I met with this idea in an old English tale, which I am now unable to obtain, and quote from memory:—“The verie essence and, as it were, springe-heade and origine of all musiche is the verie pleasaunte sounde which the trees of the forest do make when they growe.”
- Stanza 7, line 30 P. 165. Have slept with the bee. The wild bee will not sleep in the shade if there be moonlight. The rhyme in this verse, as in one about sixty lines before, has an appearance of affectation. It is, however, imitated from Sir W. Scott, or rather from Claud Halcro—in whose mouth I admired its effect: O! were there an island, Tho’ ever so wild, Where woman might smile, and No man be beguiled, &c.
- Stanza 8, line 18 P. 168. Apart from Heaven’s Eternity—and yet how far from Hell! With the Arabians there is a medium between Heaven and Hell, where men suffer no punishment, but yet do not attain that tranquil and even happiness which they suppose to be characteristic of heavenly enjoyment. Un no rompido sueno— Un dia puro—allegre—libre Quiera— Libre de amor—de zelo— De odio—de esperanza—de rezelo.—Luis Ponce de Leon. Sorrow is not excluded from “Al Aaraaf,” but it is that sorrow which the living love to cherish for the dead, and which, in some minds, resembles the delirium of opium. The passionate excitement of Love and the buoyancy of spirit attendant upon intoxication are its less holy pleasures—the price of which, to those souls who make choice of “Al Aaraaf” as their residence after life, is final death and annihilation.
- Stanza 8, line 26 P. 168. Unguided Love hath fallen—’mid “tears of perfect moan.” There be tears of perfect moan Wept for thee in Helicon.—Milton.
- Stanza 11, line 2 P. 169. Was a proud temple called the Parthenon. It was entire in 1687—the most elevated spot in Athens.
- Stanza 11, line 4 P. 170. Than e’en thy glowing bosom beats withal. Shadowing more beauty in their airy brows Than have the white breasts of the Queen of Love.—Marlowe.
- Stanza 13, line 2 P. 171. Failed, as my pennoned spirit leapt aloft. Pennon—for pinion.—Milton.
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