Part I

Edgar Allan Poe (1809–1849) · 1827–1849

iambic pentameter · heroic couplets · 158 lines · from The Complete Poetical Works

O! nothing earthly save the ray(Thrown back from flowers) of Beauty’s eye,As in those gardens where the daySprings from the gems of Circassy—O! nothing earthly save the thrillOf melody in woodland rill—Or (music of the passion-hearted)Joy’s voice so peacefully departedThat, like the murmur in the shell,Its echo dwelleth and will dwell—Oh, nothing of the dross of ours—Yet all the beauty—all the flowersThat list our Love, and deck our bowers—Adorn yon world afar, afar—The wandering star.

’Twas a sweet time for Nesace—for thereHer world lay lolling on the golden air,Near four bright suns—a temporary rest—An oasis in desert of the blest.Away—away—’mid seas of rays that rollEmpyrean splendour o’er th’ unchained soul—The soul that scares (the billows are so dense)Can struggle to its destined eminence—To distant spheres, from time to time, she rode,And late to ours, the favoured one of God—But, now, the ruler of an anchored realm,She throws aside the sceptre—leaves the helm,And, amid incense and high spiritual hymns,Laves in quadruple light her angel limbs.

Now happiest, loveliest in yon lovely Earth,Whence sprang the “Idea of Beauty” into birth,(Falling in wreaths thro’ many a startled star,Like woman’s hair ’mid pearls, until, afar,It lit on hills Achaian, and there dwelt)She looked into Infinity—and knelt.Rich clouds, for canopies, about her curled—Fit emblems of the model of her world—Seen but in beauty—not impeding sightOf other beauty glittering thro’ the light—A wreath that twined each starry form around,And all the opaled air in colour bound.

All hurriedly she knelt upon a bedOf flowers: of lilies such as reared the headOn the fair Capo Deucato, and sprangSo eagerly around about to hangUpon the flying footsteps of——deep pride—Of her who loved a mortal—and so died.The Sephalica, budding with young bees,Upreared its purple stem around her knees:And gemmy flower, of Trebizond misnamed—Inmate of highest stars, where erst it shamedAll other loveliness: its honied dew(The fabled nectar that the heathen knew),

Deliriously sweet, was dropp’d from heaven,And fell on gardens of the unforgivenIn Trebizond—and on a sunny flowerSo like its own above that, to this hour,It still remaineth, torturing the beeWith madness, and unwonted reverie:In heaven, and all its environs, the leafAnd blossom of the fairy plant, in griefDisconsolate linger—grief that hangs her head,Repenting follies that full long have fled,Heaving her white breast to the balmy air,Like guilty beauty, chastened, and more fair:Nyctanthes too, as sacred as the lightShe fears to perfume, perfuming the night:And Clytia pondering between many a sun,While pettish tears adown her petals run:And that aspiring flower that sprang on Earth—And died, ere scarce exalted into birth,Bursting its odorous heart in spirit to wingIts way to heaven, from garden of a king:And Valisnerian lotus thither flownFrom struggling with the waters of the Rhone:And thy most lovely purple perfume, Zante!Isola d’oro!—Fior di Levante!And the Nelumbo bud that floats for ever;With Indian Cupid down the holy river—Fair flowers, and fairy! to whose care is givenTo bear the Goddess’ song, in odours, up to heaven:

Spirit! that dwellest where,In the deep sky,The terrible and fairIn beauty vie!Beyond the line of blue—The boundary of the starWhich turneth at the viewOf thy barrier and thy bar—Of the barrier overgoneBy the comets who were castFrom their pride, and from their throneTo be drudges till the last—To be carriers of fire(The red fire of their heart)With speed that may not tireAnd with pain that shall not part—Who livest—that we know—In Eternity—we feel—But the shadow of whose browWhat spirit shall reveal?Tho’ the beings whom thy Nesace,Thy messenger hath known,Have dreamed for thy InfinityA model of their own—Thy will is done, O God!The star hath ridden highThro’ many a tempest, but she rodeBeneath thy burning eye;And here, in thought, to thee—In thought that can aloneAscend thy empire and so beA partner of thy throne—By winged Fantasy,My embassy is given,Till secrecy shall knowledge beIn the environs of Heaven.”

She ceased—and buried then her burning cheekAbashed, amid the lilies there, to seekA shelter from the fervour of His eye;For the stars trembled at the Deity.She stirred not—breathed not—for a voice was thereHow solemnly pervading the calm air!A sound of silence on the startled earWhich dreamy poets name “the music of the sphere.”Ours is a world of words: Quiet we call“Silence”—which is the merest word of all.All Nature speaks, and e’en ideal thingsFlap shadowy sounds from visionary wings—But ah! not so when, thus, in realms on highThe eternal voice of God is passing by,And the red winds are withering in the sky!

“What tho’ in worlds which sightless cycles run,Linked to a little system, and one sun—Where all my love is folly, and the crowdStill think my terrors but the thunder-cloud,The storm, the earthquake, and the ocean-wrath—(Ah! will they cross me in my angrier path?)What tho’ in worlds which own a single sunThe sands of Time grow dimmer as they run,Yet thine is my resplendency, so givenTo bear my secrets thro’ the upper heaven.Leave tenantless thy crystal home, and fly,With all thy train, athwart the moony sky—Apart—like fire-flies in Sicilian night,And wing to other worlds another light!Divulge the secrets of thy embassyTo the proud orbs that twinkle—and so beTo ev’ry heart a barrier and a banLest the stars totter in the guilt of man!”

Up rose the maiden in the yellow night,The single-mooned eve!—on Earth we plightOur faith to one love—and one moon adore—The birth-place of young Beauty had no more.As sprang that yellow star from downy hours,Up rose the maiden from her shrine of flowers,And bent o’er sheeny mountain and dim plainHer way—but left not yet her Therasæan reign.

Words in this poem 43
rill n.
A very small brook; a streamlet. [Cf. LG. rille a small channel or brook, a furrow, a chamfer, OE. rigol a small brook, F. rigole a trench or furrow for water, W. rhill a row, rhigol a little di]
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
oasis n.
A fertile or green spot in a waste or desert, esp. in a sandy desert.
empyrean n.
The highest heaven, where the pure element of fire was supposed by the ancients to subsist. [See Empyreal.]
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]
rode n.
Redness; complexion. [See Rud.]
favoured a.
Countenanced; aided; regarded with kidness; as, a favored friend.
anchored a.
Held by an anchor; at anchor; held safely; as, an anchored bark; also, shaped like an anchor; forked; as, an anchored tongue.
sceptre n.
A staff or baton borne by a sovereign, as a ceremonial badge or emblem of authority; a royal mace. [F. sceptre, L. sceptrum, from Gr. shaft. See Shaft, and cf. Scape a stem, shaft.]
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
achaian a.
Of or pertaining to Achaia in Greece; also, Grecian.
starry a.
Abounding with stars; adorned with stars.
gemmy a.
Full of gems; bright; glittering like a gem. [From Gem, n.]
loveliness n.
The state or quality of being lovely. [From Lovely.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
unwonted a.
Not wonted; unaccustomed; unused; not made familiar by practice; as, a child unwonted to strangers.
reverie n.
A loose or irregular train of thought occurring in musing or mediation; deep musing; daydream. [F. réverie, fr. rêver to dream, rave, be light-headed. Cf. Rave.]
environs n.
The parts or places which surround another place, or lie in its neighborhood; suburbs; as, the environs of a city or town. [F.]
disconsolate n.
Disconsolateness. Barrow.
balmy a.
Having the qualities of balm; odoriferous; aromatic; assuaging; soothing; refreshing; mild.
chastened a.
Corrected; disciplined; refined; purified; toned down. Sir. W.
pettish a.
Fretful; peevish; moody; capricious; inclined to ill temper. [From Pet.]
adown adv.
From a higher to a lower situation; downward; down, to or on the ground. [OE. adun, adoun, adune. AS. of dune off the hill. See Down.]
aspiring a.
That aspires; as, an Aspiring mind.
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
flown a.
Flushed, inflated.
nelumbo n.
A genus of great water lilies. The North American species is Nelumbo lutea, the Asiatic is the sacred lotus, N. speciosa. [Written also Nelumbium.] [Ceylonese word.]
cupid
The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
fantasy n.
Fancy; imagination; especially, a whimsical or fanciful conception; a vagary of the imagination; whim; caprice; humor. [See Fancy.]
fervour n.
Heat; excessive warmth. [OF. fervor, fervour, F. ferveur, L. fervor, fr. fervere. See Fervent.]
dreamy a.
Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
withering a.
Tending to wither; causing to shrink or fade.
sightless a.
Wanting sight; without sight; blind.
resplendency n.
The quality or state of being resplendent; brilliant luster; vivid brightness; splendor. [L. resplendentia.]
tenantless a.
Having no tenants; unoccupied; as, a tenantless mansion.
moony a.
Of or pertaining to the moon.
sicilian a.
Of or pertaining to Sicily or its inhabitants. Sicilian vespers, the great massacre of the French in Sicily, in the year 1282, on the evening of Easter Monday, at the hour of vespers.
twinkle v. i.
To open and shut the eye rapidly; to blink; to wink. [OE. twinklen, AS. twinclian; akin to OE. twinken to blink, wink, G. zwinken, zwinkern, and perhaps to E. twitch.]
plight v. t.
To weave; to braid; to fold; to plait. [OE. pliten; probably through Old French, fr. LL. plectare, L. plectere. See Plait, Ply.]
adore v. t.
To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
sheeny a.
Bright; shining; radiant; sheen.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part I is in the public domain. This text is taken from The poetical works of Edgar Allan Poe, Project Gutenberg ebook #79019; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edgar Allan Poe, Part I, in The Complete Poetical Works (1827–1849), text of Project Gutenberg ebook #79019, Laurel, https://laurelpoetry.com/poem/poe-poems/part-i.html, id L04184.

Form and metre

Part I is 158 lines in 9 verse paragraphs. It is in rhyming couplets, 65% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 85%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 9.0 syllables. 18 lines end on an unstressed syllable, a feminine ending. 34% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A-BBCCDDEEEFF rayA · eye · dayA · circassy · thrillB · rillB · heartedC · departedC · shellD · dwellD · oursE · flowersE · bowersE · afarF · starF
  2. 2 AABBCCDD--EEFF thereA · airA · restB · blestB · rollC · soulC · denseD · eminenceD · rode · god · realmE · helmE · hymnsF · limbsF
  3. 3 AABBCCDDEEFF earthA · birthA · starB · afarB · dweltC · kneltC · curledD · worldD · sightE · lightE · aroundF · boundF
  4. 4 AABBCCDDEEFF bedA · headA · sprangB · hangB · prideC · diedC · beesD · kneesD · misnamedE · shamedE · dewF · knewF
  5. 5 ABCC--DDEEFFGGHHIIJJKKLL--BA heavenA · unforgivenB · flowerC · hourC · bee · reverie · leafD · griefD · headE · fledE · airF · fairF · lightG · nightG · sunH · runH · earthI · birthI · wingJ · kingJ · flownK · rhoneK · zanteL · levanteL · ever · river · givenB · heavenA
  6. 6 ABABCDCD-E-EFGFG-H-H-I-I-J-JJKJK-K-K whereA · skyB · fairA · vieB · blueC · starD · viewC · barD · overgone · castE · throne · lastE · fireF · heartG · tireF · partG · know · feelH · brow · revealH · nesace · knownI · infinity · ownI · god · highJ · rode · eyeJ · theeJ · aloneK · beJ · throneK · fantasy · givenK · be · heavenK
  7. 7 AAB-CCDDEEFFBBB cheekA · seekA · eyeB · deity · thereC · airC · earD · sphereD · callE · allE · thingsF · wingsF · highB · byB · skyB
  8. 8 AABBCCAAAADDEE-DFF runA · sunA · crowdB · cloudB · wrathC · pathC · sunA · runA · givenA · heavenA · flyD · skyD · nightE · lightE · embassy · beD · banF · manF
  9. 9 AABBCCDD nightA · plightA · adoreB · moreB · hoursC · flowersC · plainD · reignD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
O! nothing earthly save the ray8·/˘/˘···
(Thrown back from flowers) of Beauty’s eye,8···/·/˘·
As in those gardens where the day8···/˘···
Springs from the gems of Circassy—8········
O! nothing earthly save the thrill8·/˘/˘···
Of melody in woodland rill—8·/˘˘·/˘·
Or (music of the passion-hearted)9·/˘··/˘/˘
Joy’s voice so peacefully departed9···/˘˘˘/˘
That, like the murmur in the shell,8···/˘···
Its echo dwelleth and will dwell—8·/˘/˘···
Oh, nothing of the dross of ours—9·/˘····/˘
Yet all the beauty—all the flowers9···/˘··/˘
That list our Love, and deck our bowers—9··/···//˘
Adorn yon world afar, afar—8˘/··˘/˘/
The wandering star.5·/˘˘·
’Twas a sweet time for Nesace—for there9·········
Her world lay lolling on the golden air,10···/˘··/˘·
Near four bright suns—a temporary rest—10·····/˘·˘·
An oasis in desert of the blest.10·˘/˘·˘/···
Away—away—’mid seas of rays that roll10˘/˘/······
Empyrean splendour o’er th’ unchained soul—9···/˘····
The soul that scares (the billows are so dense)10·····/˘···
Can struggle to its destined eminence—9·/˘··/˘/˘
To distant spheres, from time to time, she rode,10·/˘·······
And late to ours, the favoured one of God—10···/·/˘···
But, now, the ruler of an anchored realm,10···/˘··/˘·
She throws aside the sceptre—leaves the helm,10··˘/·/˘···
And, amid incense and high spiritual hymns,10·˘/˘/··/˘·
Laves in quadruple light her angel limbs.10··˘/˘··/˘·
Now happiest, loveliest in yon lovely Earth,11·/˘·····/˘·
Whence sprang the “Idea of Beauty” into birth,11···˘/·/˘···
(Falling in wreaths thro’ many a startled star,10/˘···/·/˘·
Like woman’s hair ’mid pearls, until, afar,10·/˘·····˘/
It lit on hills Achaian, and there dwelt)9·········
She looked into Infinity—and knelt.9····˘/˘··
Rich clouds, for canopies, about her curled—9···/˘····
Fit emblems of the model of her world—10·/˘··/˘···
Seen but in beauty—not impeding sight10···/˘·˘/˘·
Of other beauty glittering thro’ the light—10·/˘/˘/˘···
A wreath that twined each starry form around,10·····/˘···
And all the opaled air in colour bound.10···/˘··/˘·
All hurriedly she knelt upon a bed9·/˘······
Of flowers: of lilies such as reared the head10·/·/˘·····
On the fair Capo Deucato, and sprang10···/˘·····
So eagerly around about to hang9·/˘······
Upon the flying footsteps of——deep pride—10···/˘/····
Of her who loved a mortal—and so died.10·····/˘···
The Sephalica, budding with young bees,10·····/˘···
Upreared its purple stem around her knees:10···/˘·····
And gemmy flower, of Trebizond misnamed—10·/˘/······
Inmate of highest stars, where erst it shamed10/··/˘·····
All other loveliness: its honied dew10·/˘/˘˘·/˘·
(The fabled nectar that the heathen knew),10·/˘/˘··/˘·
Deliriously sweet, was dropp’d from heaven,9········/
And fell on gardens of the unforgiven11···/˘···˘/˘
In Trebizond—and on a sunny flower10·······/˘/
So like its own above that, to this hour,10·········/
It still remaineth, torturing the bee9··˘/˘/˘··
With madness, and unwonted reverie:9·/˘·˘/˘/˘
In heaven, and all its environs, the leaf10·/···˘/˘··
And blossom of the fairy plant, in grief10·/˘··/˘···
Disconsolate linger—grief that hangs her head,11˘/˘˘/˘·····
Repenting follies that full long have fled,10˘/˘/˘·····
Heaving her white breast to the balmy air,10/˘·····/˘·
Like guilty beauty, chastened, and more fair:10·/˘/˘/˘···
Nyctanthes too, as sacred as the light9····/˘···
She fears to perfume, perfuming the night:10···˘/˘/˘··
And Clytia pondering between many a sun,10···/˘··/··
While pettish tears adown her petals run:10·/˘·˘/·/˘·
And that aspiring flower that sprang on Earth—10··˘/˘/····
And died, ere scarce exalted into birth,10····˘/˘···
Bursting its odorous heart in spirit to wing10/˘·/˘··/··
Its way to heaven, from garden of a king:10···/·/˘···
And Valisnerian lotus thither flown10·····/˘/˘·
From struggling with the waters of the Rhone:10·/˘··/˘···
And thy most lovely purple perfume, Zante!11···/˘/˘˘//˘
Isola d’oro!—Fior di Levante!9˘/˘/˘····
And the Nelumbo bud that floats for ever;10··˘/˘····/
With Indian Cupid down the holy river—11·/˘/˘··/˘/˘
Fair flowers, and fairy! to whose care is given10·/·/˘····/
To bear the Goddess’ song, in odours, up to heaven:12···/˘··/˘··/
Spirit! that dwellest where,6/˘·/˘·
In the deep sky,4····
The terrible and fair6·/˘˘··
In beauty vie!4·/˘·
Beyond the line of blue—6······
The boundary of the star7·/˘˘···
Which turneth at the view6·/˘···
Of thy barrier and thy bar—8··/˘˘···
Of the barrier overgone8··/˘˘···
By the comets who were cast7··/˘···
From their pride, and from their throne7·······
To be drudges till the last—7··/˘···
To be carriers of fire8··/˘˘·/˘
(The red fire of their heart)7··/˘···
With speed that may not tire7·····/˘
And with pain that shall not part—7·······
Who livest—that we know—6······
In Eternity—we feel—7·˘/˘˘··
But the shadow of whose brow7··/····
What spirit shall reveal?6·/˘·˘/
Tho’ the beings whom thy Nesace,8··/˘····
Thy messenger hath known,6·/˘˘··
Have dreamed for thy Infinity8····˘/˘˘
A model of their own—6·/˘···
Thy will is done, O God!6······
The star hath ridden high6···/˘·
Thro’ many a tempest, but she rode8·/·/˘···
Beneath thy burning eye;6···/˘·
And here, in thought, to thee—6······
In thought that can alone6····˘/
Ascend thy empire and so be8˘/·/˘···
A partner of thy throne—6·/˘···
By winged Fantasy,5··/˘˘
My embassy is given,7·/˘˘·/˘
Till secrecy shall knowledge be8·/˘˘·/˘·
In the environs of Heaven.”8··˘/˘·/˘
She ceased—and buried then her burning cheek10···/˘··/˘·
Abashed, amid the lilies there, to seek10˘/˘/·/˘···
A shelter from the fervour of His eye;10·/˘··/˘···
For the stars trembled at the Deity.9···/˘··/˘
She stirred not—breathed not—for a voice was there10··········
How solemnly pervading the calm air!9·/˘˘/˘···
A sound of silence on the startled ear10···/˘··/˘·
Which dreamy poets name “the music of the sphere.”12·/˘/˘··/˘···
Ours is a world of words: Quiet we call9/·····/··
“Silence”—which is the merest word of all.10/˘···/˘···
All Nature speaks, and e’en ideal things9·/˘···˘/·
Flap shadowy sounds from visionary wings—10·/˘··/˘·˘·
But ah! not so when, thus, in realms on high10··········
The eternal voice of God is passing by,11·˘/˘····/˘·
And the red winds are withering in the sky!10·····/˘···
“What tho’ in worlds which sightless cycles run,10·····/˘/˘·
Linked to a little system, and one sun—10···/˘/˘···
Where all my love is folly, and the crowd10·····/˘···
Still think my terrors but the thunder-cloud,10···/˘··/˘·
The storm, the earthquake, and the ocean-wrath—9···/···/·
(Ah! will they cross me in my angrier path?)10·······/˘·
What tho’ in worlds which own a single sun10·······/˘·
The sands of Time grow dimmer as they run,10·····/˘···
Yet thine is my resplendency, so given10·········/
To bear my secrets thro’ the upper heaven.10···/˘··/˘/
Leave tenantless thy crystal home, and fly,10·/˘˘·/˘···
With all thy train, athwart the moony sky—10····˘/·/˘·
Apart—like fire-flies in Sicilian night,10˘/·/··˘/˘·
And wing to other worlds another light!10···/˘·˘/˘·
Divulge the secrets of thy embassy9˘/·/˘··/˘
To the proud orbs that twinkle—and so be10·····/˘···
To ev’ry heart a barrier and a ban10·····/˘···
Lest the stars totter in the guilt of man!”10···/˘·····
Up rose the maiden in the yellow night,10···/˘··/˘·
The single-mooned eve!—on Earth we plight9·/˘······
Our faith to one love—and one moon adore—10/·······˘/
The birth-place of young Beauty had no more.10·····/˘···
As sprang that yellow star from downy hours,10···/˘··/˘/
Up rose the maiden from her shrine of flowers,10···/˘····/
And bent o’er sheeny mountain and dim plain10···/˘/˘···
Her way—but left not yet her Therasæan reign.11···········
Notes from the edition 14

Notes from The Complete Poetical Works of Edgar Allan Poe, ed. J. H. Ingram (Project Gutenberg #79019).

  1. Stanza 4, line 3 P. 151. On the fair Capo Deucato. On Santa Maura—olim Deucadia.
  2. Stanza 4, line 6 P. 151. Of her who loved a mortal—and so died.}—Sappho.
  3. Stanza 4, line 9 P. 152. And gemmy flower, of Trebizond misnamed. This flower is much noticed by Leuwenhoek and Tournefort. The bee, feeding upon its blossom, becomes intoxicated.
  4. Stanza 5, line 15 P. 153. And Clytia pondering between many a sun. Clytia—The Chrysanthemum Peruvianum, or, to employ a better-known term, the turnsol—which turns continually towards the sun, covers itself, like Peru, the country from which it comes, with dewy clouds which cool and refresh its flowers during the most violent heat of the day.—B. de St. Pierre.
  5. Stanza 5, line 17 P. 153. And that aspiring flower that sprang on Earth. There is cultivated in the king’s garden at Paris, a species of serpentine aloes without prickles, whose large and beautiful flower exhales a strong odour of the vanilla, during the time of its expansion, which is very short. It does not blow till towards the month of July—you then perceive it gradually open its petals—expand them—fade and die.—St. Pierre.
  6. Stanza 5, line 21 P. 153. And Valisnerian lotus thither flown. There is found, in the Rhone, a beautiful lily of the Valisnerian kind. Its stem will stretch to the length of three or four feet—thus preserving its head above water in the swellings of the river.
  7. Stanza 5, line 23 P. 153. And thy most lovely purple perfume, Zante!}—The Hyacinth.
  8. Stanza 5, line 26 P. 154. And the Nelumbo bud that floats for ever; With Indian Cupid down the holy river. It is a fiction of the Indians, that Cupid was first seen floating in one of these down the river Ganges—and that he still loves the cradle of his childhood.
  9. Stanza 5, line 28 P. 154. To bear the Goddess’ song, in odours, up to heaven. And golden vials full of odours which are the prayers of the saints.—Rev. St. John.
  10. Stanza 6, line 24 P. 155. A model of their own. The Humanitarians held that God was to be understood as having really a human form.—Vide Clarke’s Sermons, vol. i. page 26, fol. edit. The drift of Milton’s argument leads him to employ language which would appear, at first sight, to verge upon their doctrine; but it will be seen immediately, that he guards himself against the charge of having adopted one of the most ignorant errors of the dark ages of the Church.—Dr. Sumner’s Notes on Milton’s Christian Doctrine. This opinion, in spite of many testimonies to the contrary, could never have been very general. Andeus, a Syrian of Mesopotamia, was condemned for the opinion, as heretical. He lived in the beginning of the fourth century. His disciples were called Anthropomorphites.—Vide Du Pin. Among Milton’s minor poems are these lines:— “Dicite sacrorum præsides nemorum Deæ, &c. Quis ille primus cujus ex imagine Natura solers finxit humanum genus? Eternus, incorruptus, æquævus polo, Unusque et universus exemplar Dei.” And afterwards,— “Non cui profundum Cæcitas lumen dedit Dircæus augur vidit hunc alto sinu,” &c.
  11. Stanza 6, line 33 P. 155. By winged Fantasy. Seltsamen Tochter Jovis Seinem Schosskinde Der Phantasie.—Göthe.
  12. Stanza 8, line 1 P. 156. What tho’ in worlds which sightless cycles run. Sightless—too small to be seen.—Legge.
  13. Stanza 8, line 13 P. 156. Apart—like fire-flies in Sicilian night. I have often noticed a peculiar movement of the fire-flies;—they will collect in a body and fly off, from a common centre, into innumerable radii.
  14. Stanza 9, line 8 P. 158. Her way—but left not yet her Therasæan reign. Therassea, or Therasea, the island mentioned by Seneca, which, in a moment, arose from the sea to the eyes of astonished mariners.

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