The Escape of Simonides
Th' attention letters can engage,Ev'n from a base degen'rate age,I've shown before; and now shall showTheir lustre in another view,And tell a memorable tale,How much they can with heav'n prevail.Simonides, the very sameWe lately had a call to name,Agreed for such a sum to blazeA certain famous champion's praise.He therefore a retirement sought,But found the theme on which he wroteSo scanty, he was forced to useTh' accustom'd license of the muse,And introduced and praise bestow'dOn Leda's sons to raise his ode;With these the rather making free,As heroes in the same degree.He warranted his work, and yetCould but one third of payment get.Upon demanding all the due,"Let them," says he, "pay t'other two,Who take two places in the song;But lest you think I do you wrongAnd part in dudgeon--I inviteYour company to sup this night,For then my friends and kin I see,'Mongst which I choose to reckon thee."Choused and chagrined, yet shunning blame,He promised, set the hour, and came;As fearful lest a favour spurn'dShould to an open breach be turn'd.The splendid banquet shone with plate,And preparations full of stateMade the glad house with clamors roar--When on a sudden at the doorTwo youths, with sweat and dust besmear'd,Above the human form appear'd,And charged forthwith a little scoutTo bid Simonides come out,That 'twas his int'rest not to stay.--The slave, in trouble and dismay,Roused from his seat the feasting bard,Who scarce had stirr'd a single yardBefore the room at once fell in,And crush'd the champion and his kin.No youths before the door are found.--The thing soon spread the country round;And when each circumstance was weigh'd,They knew the gods that visit made,And saved the poet's life in lieuOf those two-thirds which yet were due.
Words in this poem
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- lustre n.
- A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
- memorable a.
- Worthy to be remembered; very important or remarkable. [L. memorabilis, fr. memorare to bring to remembrance, fr. memor mindful, remembering. See Memory, and cf. Memorabilia.]
- wrote v. i.
- To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
- dudgeon a.
- Homely; rude; coarse.
- favour n.
- Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
- forthwith adv.
- Immediately; without delay; directly.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Escape of Simonides is in the public domain. This text is taken from The Fables of Phædrus Literally translated into English prose with notes, Project Gutenberg ebook #25512; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Phaedrus, The Escape of Simonides, in The Fables of Phaedrus (1765), text of Project Gutenberg ebook #25512, Laurel, https://laurelpoetry.com/poem/phaedrus-fables/the-escape-of-simonides.html, id L21312.
Form and metre
The Escape of Simonides is 52 lines in a single stanza. It is in rhyming couplets, 88% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AA--BBCCDD----EEFFGGHHIIJJKKLLMMNNOOPPQQRRSSTTUUVVWW engageA · ageA · show · view · taleB · prevailB · sameC · nameC · blazeD · praiseD · sought · wrote · use · muse · bestow'dE · odeE · freeF · degreeF · yetG · getG · dueH · twoH · songI · wrongI · inviteJ · nightJ · seeK · theeK · blameL · cameL · spurn'dM · turn'dM · plateN · stateN · roarO · doorO · besmear'dP · appear'dP · scoutQ · outQ · stayR · dismayR · bardS · yardS · inT · kinT · foundU · roundU · weigh'dV · madeV · lieuW · dueW
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Th' attention letters can engage, | 8 | ˘/˘/˘·˘/ |
| Ev'n from a base degen'rate age, | 8 | ········ |
| I've shown before; and now shall show | 8 | ········ |
| Their lustre in another view, | 8 | ·/˘·˘/˘· |
| And tell a memorable tale, | 8 | ···/˘˘˘· |
| How much they can with heav'n prevail. | 8 | ······˘/ |
| Simonides, the very same | 8 | ·····/˘· |
| We lately had a call to name, | 8 | ·/˘····· |
| Agreed for such a sum to blaze | 8 | ˘/······ |
| A certain famous champion's praise. | 8 | ·/˘/˘/˘· |
| He therefore a retirement sought, | 8 | ····˘/˘· |
| But found the theme on which he wrote | 8 | ········ |
| So scanty, he was forced to use | 8 | ·/˘····· |
| Th' accustom'd license of the muse, | 8 | ˘/˘/˘··· |
| And introduced and praise bestow'd | 8 | ··˘/··˘/ |
| On Leda's sons to raise his ode; | 8 | ·/˘····· |
| With these the rather making free, | 8 | ···/˘/˘· |
| As heroes in the same degree. | 8 | ·/˘···˘/ |
| He warranted his work, and yet | 8 | ·/˘˘···· |
| Could but one third of payment get. | 8 | ·····/˘· |
| Upon demanding all the due, | 8 | ··˘/˘··· |
| "Let them," says he, "pay t'other two, | 9 | ·····˘/˘· |
| Who take two places in the song; | 8 | ···/˘··· |
| But lest you think I do you wrong | 8 | ········ |
| And part in dudgeon--I invite | 8 | ···/˘·˘/ |
| Your company to sup this night, | 8 | ·/˘˘···· |
| For then my friends and kin I see, | 8 | ········ |
| 'Mongst which I choose to reckon thee." | 8 | ·····/˘· |
| Choused and chagrined, yet shunning blame, | 8 | ··˘/·/˘· |
| He promised, set the hour, and came; | 8 | ·/˘··/·· |
| As fearful lest a favour spurn'd | 8 | ·/˘··/˘· |
| Should to an open breach be turn'd. | 8 | ···/˘··· |
| The splendid banquet shone with plate, | 8 | ·/˘/˘··· |
| And preparations full of state | 8 | ··˘/˘··· |
| Made the glad house with clamors roar-- | 8 | ·····/˘· |
| When on a sudden at the door | 8 | ···/˘··· |
| Two youths, with sweat and dust besmear'd, | 8 | ········ |
| Above the human form appear'd, | 8 | ···/˘·˘/ |
| And charged forthwith a little scout | 8 | ··//·/˘· |
| To bid Simonides come out, | 8 | ········ |
| That 'twas his int'rest not to stay.-- | 8 | ········ |
| The slave, in trouble and dismay, | 8 | ···/˘·˘/ |
| Roused from his seat the feasting bard, | 8 | ·····/˘· |
| Who scarce had stirr'd a single yard | 8 | ·····/˘· |
| Before the room at once fell in, | 8 | ········ |
| And crush'd the champion and his kin. | 8 | ···/˘··· |
| No youths before the door are found.-- | 8 | ········ |
| The thing soon spread the country round; | 8 | ·····/˘· |
| And when each circumstance was weigh'd, | 8 | ···/˘··· |
| They knew the gods that visit made, | 8 | ·····/˘· |
| And saved the poet's life in lieu | 8 | ···/˘··· |
| Of those two-thirds which yet were due. | 8 | ········ |
Notes from the edition 2
Henry T. Riley's notes to his prose translation of the Fables of Phaedrus (George Bell & Sons, 1887; Project Gutenberg #25512), aligned fable-by-fable, per book, against Christopher Smart's verse translation of the same fables, which is what the site carries.
- A certain Pugilist)--Ver. 5. "Pyctæ;" from the Greek +puktês+, a "boxer," or "pugilist," Latinized.
- Twin stars of Leda)--Ver. 9. Castor and Pollux, the twin sons of Leda.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.