Posterity Will Accord to Him the Pity Which Laura Refuses

Petrarch (1304–1374), translated by various hands · 1859

iambic pentameter · Italian sonnet · 70 lines · from The Sonnets, Triumphs and Other Poems

Alas, with ardour past belief I glow!None doubt this truth, except one only fair,Who all excels, for whom alone I care;She plainly sees, yet disbelieves my woe.O rich in charms, but poor in faith! canst thouLook in these eyes, nor read my whole heart there?Were I not fated by my baleful star,For me from pity's fount might favour flow.My flame, of which thou tak'st so little heed,And thy high praises pour'd through all my song,O'er many a breast may future influence spread:These, my sweet fair, so warns prophetic thought,Closed thy bright eye, and mute thy poet's tongue,E'en after death shall still with sparks be fraught.

Alas! I burn, yet credence fail to gainAll others credit it save only sheAll others who excels, alone for me;She seems to doubt it still, yet sees it plainInfinite beauty, little faith and slow,Perceive ye not my whole heart in mine eyes?Well might I hope, save for my hostile skies,From mercy's fount some pitying balm to flow.Yet this my flame which scarcely moves your care,And your warm praises sung in these fond rhymes,May thousands yet inflame in after times;These I foresee in fancy, my sweet fair,Though your bright eyes be closed and cold my breath,Shall lighten other loves and live in death.

Soul! with such various faculties enduedTo think, write, speak, to read, to see, to hear;My doting eyes! and thou, my faithful ear!Where drinks my heart her counsels wise and good;Your fortune smiles; if after or before,The path were won so badly follow'd yet,Ye had not then her bright eyes' lustre met,Nor traced her light feet earth's green carpet o'er.Now with so clear a light, so sure a sign,'Twere shame to err or halt on the brief wayWhich makes thee worthy of a home divine.That better course, my weary will, essay!To pierce the cloud of her sweet scorn be thine,Pursuing her pure steps and heavenly ray.

Sweet scorn, sweet anger, and sweet misery,Forgiveness sweet, sweet burden, and sweet ill;Sweet accents that mine ear so sweetly thrill,That sweetly bland, now sweetly fierce can be.Mourn not, my soul, but suffer silently;And those embitter'd sweets thy cup that fillWith the sweet honour blend of loving stillHer whom I told: "Thou only pleasest me."Hereafter, moved with envy, some may say:"For that high-boasted beauty of his dayEnough the bard has borne!" then heave a sigh.Others: "Oh! why, most hostile Fortune, whyCould not these eyes that lovely form survey?Why was she early born, or wherefore late was I?"

Sweet anger, sweet disdain, and peace as sweet,Sweet ill, sweet pain, sweet burthen that I bear,Sweet speech as sweetly heard; sweet speech, my fair!That now enflames my soul, now cools its heat.Patient, my soul! endure the wrongs you meet;And all th' embitter'd sweets you're doomed to shareBlend with that sweetest bliss, the maid to greetIn these soft words, "Thou only art my care!"Haply some youth shall sighing envious say,"Enough has borne the bard so fond, so true,For that bright beauty, brightest of his day!"While others cry, "Sad eyes! how hard your fate,Why could I ne'er this matchless beauty view?Why was she born so soon, or I so late?"

Words in this poem

ardour n.
Heat, in a literal sense; as, the ardor of the sun's rays. [L. ardor, fr. ardere to burn: cf. OF. ardor, ardur, F. ardeur.]
favour n.
Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
fraught n.
A freight; a cargo. [OE.fraight, fraght; akin to Dan. fragt, Sw. frakt, D. vracht, G. fracht, cf. OHG. fr merit, reward; perh. from corresponding to E. for + The root of E. own. Cf.]
pitying a.
Expressing pity; as, a pitying eye, glance, or word.
foresee v. i.
To have or exercise foresight.
doting a.
That dotes; silly; excessively fond.
lustre n.
A period of five years; a lustrum. [L. lustrum: cf. F. lustre.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
hereafter adv.
In time to come; in some future time or state. [AS. hræfter.]
wherefore adv.
For which reason; so; -- used relatively. [Where + for.]
haply adv.
By hap, chance, luck, or accident; perhaps; it may be.
envious a.
Malignant; mischievous; spiteful. [OF. envios, F. envieux, fr. L. invidiosus, fr. invidia envy. See Envy, and cf. Invidious.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Posterity Will Accord to Him the Pity Which Laura Refuses is in the public domain. This text is taken from The Sonnets, Triumphs and Other Poems, Project Gutenberg ebook #17650, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Petrarch, Posterity Will Accord to Him the Pity Which Laura Refuses, in The Sonnets, Triumphs and Other Poems (1859), text of Project Gutenberg ebook #17650, Laurel, https://laurelpoetry.com/poem/petrarch-sonnets/posterity-will-accord-to-him-the-pity-which-laura-refuses.html, id L14753.

Form and metre

Posterity Will Accord to Him the Pity Which Laura Refuses is 70 lines in 5 stanzas of 14 lines each. Every stanza rhymes ABBAABBACDCDCD, the Italian sonnet. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 97% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.

See other Italian sonnets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABBAABBACDCDCD glowA · fairB · careB · woeA · thouA · thereB · starB · flowA · heedC · songD · spreadC · thoughtD · tongueC · fraughtD
  2. 2 ABBAABBACDCDCD gainA · sheB · meB · plainA · slowA · eyesB · skiesB · flowA · careC · rhymesD · timesC · fairD · breathC · deathD
  3. 3 ABBAABBACDCDCD enduedA · hearB · earB · goodA · beforeA · yetB · metB · o'erA · signC · wayD · divineC · essayD · thineC · rayD
  4. 4 ABBAABBACDCDCD miseryA · illB · thrillB · beA · silentlyA · fillB · stillB · meA · sayC · dayD · sighC · whyD · surveyC · iD
  5. 5 ABBAABBACDCDCD sweetA · bearB · fairB · heatA · meetA · shareB · greetB · careA · sayC · trueD · dayC · fateD · viewC · lateD
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Alas, with ardour past belief I glow!10˘/·/˘·˘/··
None doubt this truth, except one only fair,10·······/˘·
Who all excels, for whom alone I care;10··˘/··˘/··
She plainly sees, yet disbelieves my woe.10·/˘··˘˘/··
O rich in charms, but poor in faith! canst thou10··········
Look in these eyes, nor read my whole heart there?10··········
Were I not fated by my baleful star,10···/˘··/˘·
For me from pity's fount might favour flow.10···/˘··/˘·
My flame, of which thou tak'st so little heed,10·······/˘·
And thy high praises pour'd through all my song,10···/˘·····
O'er many a breast may future influence spread:10·/···/˘/˘·
These, my sweet fair, so warns prophetic thought,10······˘/˘·
Closed thy bright eye, and mute thy poet's tongue,10·······/˘·
E'en after death shall still with sparks be fraught.10··········
Alas! I burn, yet credence fail to gain10˘/···/˘···
All others credit it save only she10·/˘/˘··/˘·
All others who excels, alone for me;10·/˘·˘/˘/··
She seems to doubt it still, yet sees it plain10··········
Infinite beauty, little faith and slow,10/˘˘/˘/˘···
Perceive ye not my whole heart in mine eyes?10˘/········
Well might I hope, save for my hostile skies,10·······/˘·
From mercy's fount some pitying balm to flow.10·/˘··/˘···
Yet this my flame which scarcely moves your care,10·····/˘···
And your warm praises sung in these fond rhymes,10···/˘·····
May thousands yet inflame in after times;10·/˘·˘/····
These I foresee in fancy, my sweet fair,10··˘/·/˘···
Though your bright eyes be closed and cold my breath,10··········
Shall lighten other loves and live in death.10·/˘/˘·····
Soul! with such various faculties endued10···/˘/˘˘˘/
To think, write, speak, to read, to see, to hear;10··········
My doting eyes! and thou, my faithful ear!10·/˘····/˘·
Where drinks my heart her counsels wise and good;10·····/˘···
Your fortune smiles; if after or before,10·/˘·······
The path were won so badly follow'd yet,10·····/˘/˘·
Ye had not then her bright eyes' lustre met,10·······/˘·
Nor traced her light feet earth's green carpet o'er.10·······/˘·
Now with so clear a light, so sure a sign,10··········
'Twere shame to err or halt on the brief way10··········
Which makes thee worthy of a home divine.10···/˘···˘/
That better course, my weary will, essay!10·/˘··/˘·˘/
To pierce the cloud of her sweet scorn be thine,10··········
Pursuing her pure steps and heavenly ray.10˘/˘····/˘·
Sweet scorn, sweet anger, and sweet misery,10···/˘··/˘˘
Forgiveness sweet, sweet burden, and sweet ill;10˘/˘··/˘···
Sweet accents that mine ear so sweetly thrill,10·/˘····/˘·
That sweetly bland, now sweetly fierce can be.10·/˘··/˘···
Mourn not, my soul, but suffer silently;10·····/˘/˘˘
And those embitter'd sweets thy cup that fill10··˘/˘·····
With the sweet honour blend of loving still10···/˘··/˘·
Her whom I told: "Thou only pleasest me."10·····/˘/˘·
Hereafter, moved with envy, some may say:10˘/˘··/˘···
"For that high-boasted beauty of his day10···/˘/˘···
Enough the bard has borne!" then heave a sigh.10˘/········
Others: "Oh! why, most hostile Fortune, why10/˘···/˘/˘·
Could not these eyes that lovely form survey?10·····/˘·˘/
Why was she early born, or wherefore late was I?"12···/˘··/˘···
Sweet anger, sweet disdain, and peace as sweet,10·/˘·˘/····
Sweet ill, sweet pain, sweet burthen that I bear,10·····/˘···
Sweet speech as sweetly heard; sweet speech, my fair!10···/˘·····
That now enflames my soul, now cools its heat.10··········
Patient, my soul! endure the wrongs you meet;10/˘··˘/····
And all th' embitter'd sweets you're doomed to share10··˘/˘·····
Blend with that sweetest bliss, the maid to greet10···/˘·····
In these soft words, "Thou only art my care!"10·····/˘···
Haply some youth shall sighing envious say,10/˘···/˘/˘·
"Enough has borne the bard so fond, so true,10˘/········
For that bright beauty, brightest of his day!"10···/˘/˘···
While others cry, "Sad eyes! how hard your fate,10·/˘·······
Why could I ne'er this matchless beauty view?10·····/˘/˘·
Why was she born so soon, or I so late?"10··········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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