Part IV

Petrarch (1304–1374), translated by various hands · 1859

iambic pentameter · heroic couplets · 162 lines · from The Sonnets, Triumphs and Other Poems

When once my will was captive by my fate,And I had lost the liberty, which lateMade my life happy; I, who used beforeTo flee from Love (as fearful deer abhorThe following huntsman), suddenly became(Like all my fellow-servants) calm and tame;And view'd the travails, wrestlings, and the smart,The crooked by-paths, and the cozening artThat guides the amorous flock: then whilst mine eyeI cast in every corner, to espySome ancient or modern who had provedFamous, I saw him, who had only lovedEurydice, and found out hell, to callHer dear ghost back; he named her in his fallFor whom he died. Aleaeus there was known,Skilful in love and verse: Anacreon,Whose muse sung nought but love: Pindarus, heWas also there: there I might Virgil see:Many brave wits I found, some looser rhymes,By others writ, hath pleased the ancient times:Ovid was one: after Catullus came:Propertius next, his elegies the nameOf Cynthia bear: Tibullus, and the youngGreek poetess, who is received amongThe noble troop for her rare Sapphic muse.Thus looking here and there (as oft I use),I spied much people on a flowery plain,Amongst themselves disputes of love maintain.Behold Beatrice with Dante; Selvaggia, sheBrought her Pistoian Cino; Guitton may beOffended that he is the latter named:Behold both Guidos for their learning famed:Th' honest Bolognian: the Sicilians firstWrote love in rhymes, but wrote their rhymes the worst.Franceschin and Sennuccio (whom all know)Were worthy and humane: after did goA squadron of another garb and phrase,Of whom Arnaldo Daniel hath most praise,Great master in Love's art, his style, as newAs sweet, honours his country: next, a fewWhom Love did lightly wound: both Peters madeTwo: one, the less Arnaldo: some have hadA harder war; both the Rimbaldos, th' oneSung Beatrice, though her quality was knownToo much above his reach in Montferrat.Alvernia's old Piero, and Girault:Folchetto, who from Genoa was estrangedAnd call'd Marsilian, he wisely changedHis name, his state, his country, and did gainIn all: Jeffray made haste to catch his baneWith sails and oars: Guilliam, too, sweetly sungThat pleasing art, was cause he died so young.Amarig, Bernard, Hugo, and AnselmWere there, with thousands more, whose tongues were helm,Shield, sword, and spear, all their offensive arms,And their defensive to prevent their harms.From those I turn'd, comparing my own woe,To view my country-folks; and there might knowThe good Tomasso, who did once adornBologna, now Messina holds his urn.Ah, vanish'd joys! Ah, life too full of bane!How wert thou from mine eyes so quickly ta'en!Since without thee nothing is in my powerTo do, where art thou from me at this hour?What is our life? If aught it bring of ease,A sick man's dream, a fable told to please.Some few there from the common road did stray;Laelius and Socrates, with whom I mayA longer progress take: Oh, what a pairOf dear esteemed friends to me they were!'Tis not my verse, nor prose, may reach thieir praise;Neither of these can naked virtue raiseAbove her own true place: with them I haveReach'd many heights; one yoke of learning gaveLaws to our steps, to them my fester'd woundI oft have show'd; no time or place I foundTo part from them; and hope, and wish we mayBe undivided till my breath decay:With them I used (too early) to adornMy head with th' honour'd branches, only wornFor her dear sake I did so deeply love,Who fill'd my thoughts; but ah! I daily prove,No fruit nor leaves from thence can gather'd be:The root hath sharp and bitter been to me.For this I was accustomed much to vex,But I have seen that which my anger checks:(A theme for buskins, not a comic stage)She took the God, adored by the rageOf such dull fools as he had captive led:But first, I'll tell you what of us he made;Then, from her hand what was his own sad fate,Which Orpheus or Homer might relate.His winged coursers o'er the ditches leapt,And we their way as desperately kept,Till he had reached where his mother reigns,Nor would he ever pull or turn the reins;But scour'd o'er woods and mountains; none did careNor could discern in what strange world they were.Beyond the place, where old AEgeus mourns,An island lies, Phoebus none sweeter burns,Nor Neptune ever bathed a better shore:About the midst a beauteous hill, with storeOf shades and pleasing smells, so fresh a springAs drowns all manly thoughts: this place doth bringVenus much joy; 't was given her deity,Ere blind man knew a truer god than she:Of which original it yet retainsToo much, so little goodness there remains,That it the vicious doth only please,Is by the virtuous shunn'd as a disease.Here this fine Lord insulteth o'er us allTied in a chain, from Thule to Ganges' fall.Griefs in our breasts, vanity in our arms;Fleeting delights are there, and weighty harms:Repentance swiftly following to annoy:(Such Tarquin found it, and the bane of Troy)All that whole valley with the echoes rungOf running brooks, and birds that gently sung:The banks were clothed in yellow, purple, green,Scarlet and white, their pleasing springs were seen;And gliding streams amongst the tender grass,Thickets and soft winds to refresh the place.After when winter maketh sharp the air,Warm leaves, and leisure, sports, and gallant cheerEnthrall low minds. Now th' equinox hath madeThe day t' equal the night; and Progne hadWith her sweet sister, each their old task ta'en:(Ah! how the faith in fortune placed is vain!)Just in the time, and place, and in the hourWhen humble tears should earthly joys devour,It pleased him, whom th' vulgar honour so,To triumph over me; and now I knowWhat miserable servitude they prove,What ruin, and what death, that fall in love.Errors, dreams, paleness waiteth on his chair,False fancies o'er the door, and on the stairAre slippery hopes, unprofitable gain,And gainful loss; such steps it doth contain,As who descend, may boast their fortune best;Who most ascend, most fall: a wearied rest,And resting trouble, glorious disgrace;A duskish and obscure illustriousness;Unfaithful loyalty, and cozening faith,That nimble fury, lazy reason hath:A prison, whose wide ways do all receive,Whose narrow paths a hard retiring leave:A steep descent, by which we slide with ease,But find no hold our crawling steps to raise:Within confusion, turbulence, annoyAre mix'd; undoubted woe, and doubtful joy:Vulcano, where the sooty Cyclops dwell;Liparis, Stromboli, nor Mongibel,Nor Ischia, have more horrid noise and smoke:He hates himself that stoops to such a yoke.Thus were we all throng'd in so strait a cage,I changed my looks and hair, before my age,Dreaming on liberty (by strong desireMy soul made apt to hope), and did admireThose gallant minds, enslaved to such a woe(My heart within my breast dissolved like snowBefore the sun), as one would side-ways castHis eye on pictures, which his feet hath pass'd.

Words in this poem 28
abhor v. i.
To shrink back with horror, disgust, or dislike; to be contrary or averse; -- with from.
huntsman n.
One who hunts, or who practices hunting.
ghost n.
The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
sapphic a.
Of or pertaining to Sappho, the Grecian poetess; as, Sapphic odes; Sapphic verse.
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
bolognian a.
Bolognese. Bolognian stone. See Bologna stone, under Bologna.
wrote v. i.
To root with the snout. See 1st Root. [OE. wroten. See 1st Root.]
humane a.
Pertaining to man; human. Jer. Taylor. [L. humanus: cf. F. humain. See Human.]
squadron n.
Primarily, a square; hence, a square body of troops; a body of troops drawn up in a square. [F. escadron, formerly also esquadron, or It. squadrone. See Squad.]
garb n.
External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]
bane v. t.
To be the bane of; to ruin. Fuller.
bologna n.
A city of Italy which has given its name to various objects.
aught n.
Property; possession. [AS. , fr. agan to own, p. p. ahte.]
orpheus n.
The famous mythic Thracian poet, son of the Muse Calliope, and husband of Eurydice. He is reputed to have had power to entrance beasts and inanimate objects by the music of his lyre.
desperately adv.
In a desperate manner; without regard to danger or safety; recklessly; extremely; as, the troops fought desperately.
phoebus n.
Apollo; the sun god.
beauteous a.
Full of beauty; beautiful; very handsome. [Mostly poetic] -- Beau"te*ous*ly, adv. --
virtuous a.
Possessing or exhibiting virtue. Specifically: -- (a) Exhibiting manly courage and strength; valorous; valiant; brave. [OE. vertuous, OF. vertuos, vertuous, F. vertueux, fr. L. Virtuous. See Virtue, and cf. Virtuoso.]
rung n.
A floor timber in a ship. [OE. ronge, AS. hrung, a staff, rod, pole; akin to G. runge a short, thick piece of iron or wood, OD. ronghe a prop, support, Icel. röng a rib in a ship, Goth. H]
enthrall v. t.
To hold in thrall; to enslave. See Inthrall. [Pref. en- + thrall. Cf. Inthrall.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
glorious a.
Exhibiting attributes, qualities, or acts that are worthy of or receive glory; noble; praiseworthy; excellent; splendid; illustrious; inspiring admiration; as, glorious deeds. [OF. glorios, glorious, F. glorieux, fr. L. gloriosus. See Glory, n.]
duskish a.
Somewhat dusky.
illustriousness n.
The state or quality of being eminent; greatness; grandeur; glory; fame.
undoubted a.
Not doubted; not called in question; indubitable; indisputable; as, undoubted proof; undoubted hero.
dwell v. i.
To delay; to linger. [OE. dwellen, dwelien, to err, linger, AS. dwellan to deceive, hinder, delay, dwelian to err; akin to Icel. dvelja to delay, tarry, Sw. dväljas to dwell, Dan. dv]
horrid a.
Rough; rugged; bristling. [L. horridus. See Horror, and cf. Ordure.]
admire v. t.
To regard with wonder or astonishment; to view with surprise; to marvel at. [F. admirer, fr. L. admirari; ad + mirari to wonder, for smirari, akin to Gr. smi, and E. smile.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Part IV is in the public domain. This text is taken from The Sonnets, Triumphs and Other Poems, Project Gutenberg ebook #17650, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Petrarch, Part IV, in The Sonnets, Triumphs and Other Poems (1859), text of Project Gutenberg ebook #17650, Laurel, https://laurelpoetry.com/poem/petrarch-sonnets/part-iv.html, id L15002.

Form and metre

Part IV is 162 lines in a single stanza. It is in rhyming couplets, 73% of the lines: heroic couplets. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 10.0 syllables. 11 lines end on an unstressed syllable, a feminine ending. 40% of the lines run on without a stop at the line end.

See other poems in heroic couplets, other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCCDD----EE--FFGGHHII--JJKKLLMMNNOOPP------QQRRSSTTUUVV----WWXXYY--ZZaabbccddeeffgghh--iijjkk----llmm--nnooppqqrrsstt--uu----vvwwxxyyzzAA----BB--CC--DDEE--FFGG fateA · lateA · beforeB · abhorB · becameC · tameC · smartD · artD · eye · espy · proved · loved · callE · fallE · known · anacreon · heF · seeF · rhymesG · timesG · cameH · nameH · youngI · amongI · muse · use · plainJ · maintainJ · sheK · beK · namedL · famedL · firstM · worstM · knowN · goN · phraseO · praiseO · newP · fewP · made · had · one · known · montferrat · girault · estrangedQ · changedQ · gainR · baneR · sungS · youngS · anselmT · helmT · armsU · harmsU · woeV · knowV · adorn · urn · bane · ta'en · powerW · hourW · easeX · pleaseX · strayY · mayY · pair · were · praiseZ · raiseZ · havea · gavea · woundb · foundb · mayc · decayc · adornd · wornd · lovee · provee · bef · mef · vexg · checksg · stageh · rageh · led · made · fatei · relatei · leaptj · keptj · reignsk · reinsk · care · were · mourns · burns · shorel · storel · springm · bringm · deity · she · retainsn · remainsn · pleaseo · diseaseo · allp · fallp · armsq · harmsq · annoyr · troyr · rungs · sungs · greent · seent · grass · place · airu · cheeru · made · had · ta'en · vain · hourv · devourv · sow · knoww · provex · lovex · chairy · stairy · gainz · containz · bestA · restA · disgrace · illustriousness · faith · hath · receiveB · leaveB · ease · raise · annoyC · joyC · dwell · mongibel · smokeD · yokeD · cageE · ageE · desire · admire · woeF · snowF · castG · pass'dG
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
When once my will was captive by my fate,10·····/˘···
And I had lost the liberty, which late10·····/˘˘··
Made my life happy; I, who used before10···/˘·····
To flee from Love (as fearful deer abhor10·····/˘·˘/
The following huntsman), suddenly became10·/˘/˘/˘˘˘/
(Like all my fellow-servants) calm and tame;10···/˘/˘···
And view'd the travails, wrestlings, and the smart,10···˘//˘···
The crooked by-paths, and the cozening art11·/˘········
That guides the amorous flock: then whilst mine eye10···/˘·····
I cast in every corner, to espy11···/˘˘/˘·/˘
Some ancient or modern who had proved10·/˘·/˘···˘
Famous, I saw him, who had only loved10/˘·····/˘·
Eurydice, and found out hell, to call9·········
Her dear ghost back; he named her in his fall10··········
For whom he died. Aleaeus there was known,9·········
Skilful in love and verse: Anacreon,9/˘·······
Whose muse sung nought but love: Pindarus, he10··········
Was also there: there I might Virgil see:10·/˘····/˘·
Many brave wits I found, some looser rhymes,10/˘·····/˘·
By others writ, hath pleased the ancient times:10·/˘····/˘·
Ovid was one: after Catullus came:10··········
Propertius next, his elegies the name10·····/˘˘··
Of Cynthia bear: Tibullus, and the young10·/˘·······
Greek poetess, who is received among10·/˘˘··˘/··
The noble troop for her rare Sapphic muse.10·/˘····/˘·
Thus looking here and there (as oft I use),10·/˘·······
I spied much people on a flowery plain,10···/˘··/˘·
Amongst themselves disputes of love maintain.10··˘/˘/··˘/
Behold Beatrice with Dante; Selvaggia, she11˘//˘·/˘····
Brought her Pistoian Cino; Guitton may be10····/˘····
Offended that he is the latter named:10˘/˘····/˘·
Behold both Guidos for their learning famed:10˘/·/˘··/˘·
Th' honest Bolognian: the Sicilians first10/˘˘/˘·˘/˘·
Wrote love in rhymes, but wrote their rhymes the worst.10··········
Franceschin and Sennuccio (whom all know)10··········
Were worthy and humane: after did go10·/˘·˘/····
A squadron of another garb and phrase,10·/˘·˘/˘···
Of whom Arnaldo Daniel hath most praise,10··˘/˘/˘···
Great master in Love's art, his style, as new10·/˘·······
As sweet, honours his country: next, a few10··/˘·/˘···
Whom Love did lightly wound: both Peters made10···/˘··/˘·
Two: one, the less Arnaldo: some have had10····˘/˘···
A harder war; both the Rimbaldos, th' one10·/˘·······
Sung Beatrice, though her quality was known10·/˘··/˘˘··
Too much above his reach in Montferrat.10··········
Alvernia's old Piero, and Girault:9····/˘···
Folchetto, who from Genoa was estranged10·····/˘·˘/
And call'd Marsilian, he wisely changed10······/˘·˘
His name, his state, his country, and did gain10·····/˘···
In all: Jeffray made haste to catch his bane10··········
With sails and oars: Guilliam, too, sweetly sung10·······/˘·
That pleasing art, was cause he died so young.10·/˘·······
Amarig, Bernard, Hugo, and Anselm10···˘//˘·/˘
Were there, with thousands more, whose tongues were helm,10···/˘·····
Shield, sword, and spear, all their offensive arms,10······˘/˘·
And their defensive to prevent their harms.10··˘/˘·˘/··
From those I turn'd, comparing my own woe,10····˘/˘···
To view my country-folks; and there might know10···/˘·····
The good Tomasso, who did once adorn10··˘/˘···˘/
Bologna, now Messina holds his urn.10˘/˘·˘/˘···
Ah, vanish'd joys! Ah, life too full of bane!10·/˘·······
How wert thou from mine eyes so quickly ta'en!10·······/˘·
Since without thee nothing is in my power11····/˘···/˘
To do, where art thou from me at this hour?11·········/˘
What is our life? If aught it bring of ease,10··/·······
A sick man's dream, a fable told to please.10·····/˘···
Some few there from the common road did stray;10·····/˘···
Laelius and Socrates, with whom I may10···/˘·····
A longer progress take: Oh, what a pair10·/˘/······
Of dear esteemed friends to me they were!10··˘/˘·····
'Tis not my verse, nor prose, may reach thieir praise;10··········
Neither of these can naked virtue raise10/˘···/˘/˘·
Above her own true place: with them I have10··········
Reach'd many heights; one yoke of learning gave10·/˘····/˘·
Laws to our steps, to them my fester'd wound10··/····/˘·
I oft have show'd; no time or place I found10··········
To part from them; and hope, and wish we may10··········
Be undivided till my breath decay:10··˘/˘···˘/
With them I used (too early) to adorn10·····/˘·˘/
My head with th' honour'd branches, only worn10·····/˘/˘·
For her dear sake I did so deeply love,10·······/˘·
Who fill'd my thoughts; but ah! I daily prove,10·······/˘·
No fruit nor leaves from thence can gather'd be:10·······/˘·
The root hath sharp and bitter been to me.10·····/˘···
For this I was accustomed much to vex,10····˘/˘···
But I have seen that which my anger checks:10·······/˘·
(A theme for buskins, not a comic stage)10·······/˘·
She took the God, adored by the rage10····˘/˘···
Of such dull fools as he had captive led:10·······/˘·
But first, I'll tell you what of us he made;10··········
Then, from her hand what was his own sad fate,10··········
Which Orpheus or Homer might relate.10·/˘˘·/˘·˘/
His winged coursers o'er the ditches leapt,10··˘/˘··/˘·
And we their way as desperately kept,10·····/˘˘˘·
Till he had reached where his mother reigns,10····˘··/˘·
Nor would he ever pull or turn the reins;10···/˘·····
But scour'd o'er woods and mountains; none did care10·/···/˘···
Nor could discern in what strange world they were.10··˘/······
Beyond the place, where old AEgeus mourns,9·········
An island lies, Phoebus none sweeter burns,10·/˘·/˘·/˘·
Nor Neptune ever bathed a better shore:10·/˘/˘··/˘·
About the midst a beauteous hill, with store11·····/˘˘···
Of shades and pleasing smells, so fresh a spring10···/˘·····
As drowns all manly thoughts: this place doth bring10···/˘·····
Venus much joy; 't was given her deity,11/˘····/·/˘˘
Ere blind man knew a truer god than she:10·····/˘···
Of which original it yet retains10··˘/˘˘··˘/
Too much, so little goodness there remains,10···/˘/˘·˘/
That it the vicious doth only please,9···/˘·/˘·
Is by the virtuous shunn'd as a disease.10···/˘···˘/
Here this fine Lord insulteth o'er us all10····˘/˘···
Tied in a chain, from Thule to Ganges' fall.11·····/˘·/˘·
Griefs in our breasts, vanity in our arms;10··/·/˘˘·/·
Fleeting delights are there, and weighty harms:10/˘˘/···/˘·
Repentance swiftly following to annoy:10˘/˘/˘/˘·˘/
(Such Tarquin found it, and the bane of Troy)10··········
All that whole valley with the echoes rung10···/˘··/˘·
Of running brooks, and birds that gently sung:10·/˘····/˘·
The banks were clothed in yellow, purple, green,10·····/˘/˘·
Scarlet and white, their pleasing springs were seen;10/˘···/˘···
And gliding streams amongst the tender grass,10·/˘····/˘·
Thickets and soft winds to refresh the place.10/˘····˘/··
After when winter maketh sharp the air,10···/˘·····
Warm leaves, and leisure, sports, and gallant cheer10···/˘··/˘·
Enthrall low minds. Now th' equinox hath made10˘/···/˘···
The day t' equal the night; and Progne had11···/˘···/˘·
With her sweet sister, each their old task ta'en:10···/˘·····
(Ah! how the faith in fortune placed is vain!)10·····/˘···
Just in the time, and place, and in the hour11·········/˘
When humble tears should earthly joys devour,11·/˘··/˘·˘/˘
It pleased him, whom th' vulgar honour so,10··˘··/˘/˘·
To triumph over me; and now I know10·/˘·······
What miserable servitude they prove,10·/˘˘˘/˘···
What ruin, and what death, that fall in love.10·/˘·······
Errors, dreams, paleness waiteth on his chair,10/˘·/˘/˘···
False fancies o'er the door, and on the stair10·/˘·······
Are slippery hopes, unprofitable gain,10·/˘·˘/˘˘˘·
And gainful loss; such steps it doth contain,10·/˘·····˘/
As who descend, may boast their fortune best;10··˘/···/˘·
Who most ascend, most fall: a wearied rest,10··˘/···/˘·
And resting trouble, glorious disgrace;10·/˘/˘/˘˘˘/
A duskish and obscure illustriousness;11·/˘·˘/˘/˘˘˘
Unfaithful loyalty, and cozening faith,10˘/˘/˘·····
That nimble fury, lazy reason hath:10·/˘/˘/˘/˘·
A prison, whose wide ways do all receive,10·/˘·····˘/
Whose narrow paths a hard retiring leave:10·/˘···˘/˘·
A steep descent, by which we slide with ease,10··˘/······
But find no hold our crawling steps to raise:10····//˘···
Within confusion, turbulence, annoy10··˘/˘/˘˘˘/
Are mix'd; undoubted woe, and doubtful joy:10··˘/˘··/˘·
Vulcano, where the sooty Cyclops dwell;10˘/˘··/˘/··
Liparis, Stromboli, nor Mongibel,10˘/˘·/˘····
Nor Ischia, have more horrid noise and smoke:10·····/˘···
He hates himself that stoops to such a yoke.10··˘/······
Thus were we all throng'd in so strait a cage,10··········
I changed my looks and hair, before my age,10··········
Dreaming on liberty (by strong desire11/˘·/˘˘··˘/˘
My soul made apt to hope), and did admire10········˘/
Those gallant minds, enslaved to such a woe10·/˘·˘/····
(My heart within my breast dissolved like snow10······˘/··
Before the sun), as one would side-ways cast10··········
His eye on pictures, which his feet hath pass'd.10···/˘·····

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