Night Brings Repose to Others, but Not to Him
In that still season, when the rapid sunDrives down the west, and daylight flies to greetNations that haply wait his kindling flame;In some strange land, alone, her weary feetThe time-worn pilgrim finds, with toil fordone,Yet but the more speeds on her languid frame;Her solitude the same,When night has closed around;Yet has the wanderer foundA deep though short forgetfulness at lastOf every woe, and every labour past.But ah! my grief, that with each moment grows,As fast, and yet more fast,Day urges on, is heaviest at its close.
When Phoebus rolls his everlasting wheelsTo give night room; and from encircling wood,Broader and broader yet descends the shade;The labourer arms him for his evening trade,And all the weight his burthen'd heart concealsLightens with glad discourse or descant rude;Then spreads his board with food,Such as the forest hoarTo our first fathers bore,By us disdain'd, yet praised in hall and bower,But, let who will the cup of joyance pour,I never knew, I will not say of mirth,But of repose, an hour,When Phoebus leaves, and stars salute the earth.
Yon shepherd, when the mighty star of dayHe sees descending to its western bed,And the wide Orient all with shade embrown'd,Takes his old crook, and from the fountain head,Green mead, and beechen bower, pursues his way,Calling, with welcome voice, his flocks around;Then far from human sound,Some desert cave he strowsWith leaves and verdant boughs,And lays him down, without a thought, to sleep.Ah, cruel Love!--then dost thou bid me keepMy idle chase, the airy steps pursuingOf her I ever weep,Who flies me still, my endless toil renewing.
E'en the rude seaman, in some cave confined,Pillows his head, as daylight quits the scene,On the hard deck, with vilest mat o'erspread;And when the Sun in orient wave sereneBathes his resplendent front, and leaves behindThose antique pillars of his boundless bed;Forgetfulness has shedO'er man, and beast, and flower,Her mild restoring power:But my determined grief finds no repose;And every day but aggravates the woesOf that remorseless flood, that, ten long years,Flowing, yet ever flows,Nor know I what can check its ceaseless tears.
Words in this poem
- daylight n.
- The light of day as opposed to the darkness of night; the light of the sun, as opposed to that of the moon or to artificial light.
- haply adv.
- By hap, chance, luck, or accident; perhaps; it may be.
- fordone a.
- Undone; ruined. [See Fordo.]
- phoebus n.
- Apollo; the sun god.
- descant v. i.
- To sing a variation or accomplishment. [From descant; n.; or directly fr. OF. descanter, deschanter; L. dis- + cantare to sing.]
- hoar v. t.
- To become moldy or musty. [AS. harian to grow gray.]
- joyance n.
- Enjoyment; gayety; festivity; joyfulness. [OF. joiance.]
- beechen a.
- Consisting, or made, of the wood or bark of the beech; belonging to the beech. [AS. b.]
- remorseless a.
- Being without remorse; having no pity; hence, destitute of sensibility; cruel; insensible to distress; merciless.
- ceaseless a.
- Without pause or end; incessant.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Night Brings Repose to Others, but Not to Him is in the public domain. This text is taken from The Sonnets, Triumphs and Other Poems, Project Gutenberg ebook #17650, the various hands translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Petrarch, Night Brings Repose to Others, but Not to Him, in The Sonnets, Triumphs and Other Poems (1859), text of Project Gutenberg ebook #17650, Laurel, https://laurelpoetry.com/poem/petrarch-sonnets/night-brings-repose-to-others-but-not-to-him.html, id L14540.
Form and metre
Night Brings Repose to Others, but Not to Him is 56 lines in 4 stanzas of 14 lines each. Every stanza rhymes ABBAABBACDCDCD, the Italian sonnet. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 90%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 9.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 29% of the lines run on without a stop at the line end.
See other Italian sonnets, other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABBAABBACDCDCD sunA · greetB · flameB · feetA · fordoneA · frameB · sameB · aroundA · foundC · lastD · pastC · growsD · fastC · closeD
- 2 ABBAABBACDCDCD wheelsA · woodB · shadeB · tradeA · concealsA · rudeB · foodB · hoarA · boreC · bowerD · pourC · mirthD · hourC · earthD
- 3 ABBAABBACDCDCD dayA · bedB · embrown'dB · headA · wayA · aroundB · soundB · strowsA · boughsC · sleepD · keepC · pursuingD · weepC · renewingD
- 4 ABBAABBACDCDCD confinedA · sceneB · o'erspreadB · sereneA · behindA · bedB · shedB · flowerA · powerC · reposeD · woesC · yearsD · flowsC · tearsD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In that still season, when the rapid sun | 10 | ···/˘··/˘· |
| Drives down the west, and daylight flies to greet | 10 | ·····/···· |
| Nations that haply wait his kindling flame; | 10 | /˘·/˘··/˘· |
| In some strange land, alone, her weary feet | 10 | ····˘/·/˘· |
| The time-worn pilgrim finds, with toil fordone, | 10 | ···/˘···˘/ |
| Yet but the more speeds on her languid frame; | 10 | ·······/˘· |
| Her solitude the same, | 6 | ·/˘··· |
| When night has closed around; | 6 | ······ |
| Yet has the wanderer found | 7 | ···/˘˘· |
| A deep though short forgetfulness at last | 10 | ····˘/˘˘·· |
| Of every woe, and every labour past. | 10 | ·/˘··/˘/·· |
| But ah! my grief, that with each moment grows, | 10 | ·······/˘· |
| As fast, and yet more fast, | 6 | ······ |
| Day urges on, is heaviest at its close. | 10 | ·/˘··/˘··· |
| When Phoebus rolls his everlasting wheels | 10 | ·/˘···˘/˘· |
| To give night room; and from encircling wood, | 10 | ······˘/˘· |
| Broader and broader yet descends the shade; | 10 | /˘·/˘·˘/·· |
| The labourer arms him for his evening trade, | 11 | ········/˘· |
| And all the weight his burthen'd heart conceals | 10 | ········˘/ |
| Lightens with glad discourse or descant rude; | 10 | /˘··/˘·/˘· |
| Then spreads his board with food, | 6 | ······ |
| Such as the forest hoar | 6 | ···/˘· |
| To our first fathers bore, | 7 | ·/˘·/˘· |
| By us disdain'd, yet praised in hall and bower, | 11 | ··˘/·····/˘ |
| But, let who will the cup of joyance pour, | 10 | ·······/˘· |
| I never knew, I will not say of mirth, | 10 | ·/˘······· |
| But of repose, an hour, | 7 | ··˘/·/˘ |
| When Phoebus leaves, and stars salute the earth. | 10 | ·/˘···˘/·· |
| Yon shepherd, when the mighty star of day | 10 | ·/˘··/˘··· |
| He sees descending to its western bed, | 10 | ··˘/˘··/˘· |
| And the wide Orient all with shade embrown'd, | 11 | ···/˘······ |
| Takes his old crook, and from the fountain head, | 10 | ·······/˘· |
| Green mead, and beechen bower, pursues his way, | 10 | ···/˘/˘/·· |
| Calling, with welcome voice, his flocks around; | 10 | /˘·/˘····· |
| Then far from human sound, | 6 | ···/˘· |
| Some desert cave he strows | 6 | ·/˘··· |
| With leaves and verdant boughs, | 6 | ···/˘· |
| And lays him down, without a thought, to sleep. | 10 | ·········· |
| Ah, cruel Love!--then dost thou bid me keep | 10 | ·/˘······· |
| My idle chase, the airy steps pursuing | 11 | ·/˘··/˘·˘/˘ |
| Of her I ever weep, | 6 | ···/˘· |
| Who flies me still, my endless toil renewing. | 11 | ·····/˘·˘/˘ |
| E'en the rude seaman, in some cave confined, | 10 | ···/˘···˘/ |
| Pillows his head, as daylight quits the scene, | 10 | /˘···/···· |
| On the hard deck, with vilest mat o'erspread; | 10 | ·········· |
| And when the Sun in orient wave serene | 11 | ·····/˘··˘/ |
| Bathes his resplendent front, and leaves behind | 10 | ··˘/˘····· |
| Those antique pillars of his boundless bed; | 10 | ·˘//˘··/˘· |
| Forgetfulness has shed | 6 | ˘/˘˘·· |
| O'er man, and beast, and flower, | 7 | ·····/˘ |
| Her mild restoring power: | 7 | ··˘/˘/˘ |
| But my determined grief finds no repose; | 10 | ··˘/˘···˘/ |
| And every day but aggravates the woes | 10 | ·/˘··/˘··· |
| Of that remorseless flood, that, ten long years, | 10 | ··˘/˘····· |
| Flowing, yet ever flows, | 6 | /˘·/˘· |
| Nor know I what can check its ceaseless tears. | 10 | ·······/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.