Winter World
How came from heaven the prismy rainbow hither?Whither are fled the lovely field-flowers, whither?Where the streams music, where the birds' sweet singing?Where are the spring and summer's glance and glory?All—all departed,—but their memory ringingLike a funereal bell—records their story:Shades of the tomb—the snows—the clouds are left,Winter has beggared earth—the earth of all bereft.
Yes! earth is but a beggar—a white garmentHalf covering its frame—a mortal cerement!With icicles down-hanging, but so jagged,That through the crevices the corpse is peeping,With chattering teeth—limbs frozen—girdle ragged,A shivering coldness o'er the body creeping:Why should man midst the desolation roam,If he find warmth and welcome in his home?
Blessed be God then! blessed be kind Heaven!Who a bright fire—a family hearth has given;A family hearth, to warm in winter's chilling,And many friends around; and wood not wantingTo feed the fire—'tis like a palace thrillingWith joy and music—fairy-like, enchanting;Where all the friendly words outspoken enterThe opening hearts, and make those hearts their centre.
Sweetest of all at eve—then most rejoicesThe listening soul to hear affection's voices;At the large table head, the father hoaryPresides—the pipes are smoking——from the cellarThe best old wine goes round, and many a storyIs told, while loud laughs hail the story-teller:New tales, new laughter, greet the circling cupFilled up and emptied and again filled up.
And the good housewife everywhere is busy,Somewhat o'ercumbered, and a little dizzy;Fearful of this or that to be forgetful;Somewhat too anxious for her house's honour;Yet all her fidgets will not make her fretful,Tho' a neglect might bring a shame upon her.For every guest she has a smile—a greeting—And a kind word of welcome to the meeting.
Then comes the news—more laughter, and more joking;Cleansing the pipes, or stopping them, or smoking;And as the smoke in cloudy wreaths is mounting,Memory brings back the tales of days departed;And while the old stories of their youth recounting,Youth dawns again, and buoyant and lighthearted;Spring seems renewed in all its early truth,For age rejoices in the thoughts of youth.
Look at that youth and maiden on the settle,All the old babblings interest them little;Little care they for all the tales and tattle,Life is before them—with its dear illusions;Sweeter their whisperings than the rout and rattle,Why should misgivings come with their intrusions?Let them be blest—enjoy their stolen kisses;Love has its blisses—and these are love's blisses.
There round the stove the little ones are humming,Leaping and laughing, whistling, shouting, drumming;Small children and great children there are pilingOr blowing down card houses—far from sorrow;Like butterflies they hail the present smiling,For yesterday they care not, nor to-morrow.How so much room can such small space allow,The Future and the Past, how crowd into a Now?
'Tis baking-day to-morrow, the maiden singing brightly,The yielding dough she kneads, so gaily and so lightly;Within the yard the bucket chain above the well is grating,The horses gathered round the trough the sparkling water drinking;The gypsies, offering dance and song, are for the answer waiting—While from the distance feebly-heard the sheepfold bells are clinking;But every sound and every sight ascending or descending,From earth to heaven, or heaven to earth, in harmony is blending.
The snow is falling fast, the earth is mantled over,Mists darken—and 'tis hard the house-path to discover:There's work to do—there's hardly time for greetings and farewellings,—Away! away! for long ere now the homely lamps are lighted,—We must be gone—'tis late, 'tis late—how shall we find our dwellings?The lamps are all gone out, the guests are all benighted,And still they counsel, still they talk, their purpose scarcely knowing,And many ask, "Who's going?"—none will answer, "I am going."
Words in this poem 19
- prismy a.
- Pertaining to a prism.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- corpse n.
- A human body in general, whether living or dead; -- sometimes contemptuosly. [OF. cors (sometimes written corps), F. corps, L. corpus; akin to AS. hrif womb. See Midriff, and cf. Corse, Corselet, Corps, Cuerpo.]
- chattering n.
- The act or habit of talking idly or rapidly, or of making inarticulate sounds; the sounds so made; noise made by the collision of the teeth; chatter.
- desolation n.
- The act of desolating or laying waste; destruction of inhabitants; depopulation. [F. désolation, L. desolatio.]
- thrilling a.
- Causing a thrill; causing tremulous excitement; deeply moving; as, a thrilling romance.
- outspoken a.
- Speaking, or spoken, freely, openly, or boldly; as, an outspoken man; an outspoken rebuke.
- centre v. i.
- To be placed in a center; to be central.
- hoary a.
- White or whitish."The hoary willows."
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- tattle v. i.
- To prate; to talk idly; to use many words with little meaning; to chat. [Akin to OE. tateren, LG. tateln, D. tateren to stammer, and perhaps to E. titter.]
- drumming n.
- The act of beating upon, or as if upon, a drum; also, the noise which the male of the ruffed grouse makes in spring, by beating his wings upon his sides.
- gaily adv.
- Merrily; showily. See gaily. [From Gay.]
- sheepfold n.
- A fold or pen for sheep; a place where sheep are collected or confined.
- blending n.
- The act of mingling.
- discover v. i.
- To discover or show one's self.
- homely a.
- Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Winter World is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Sándor Petőfi, Winter World, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/winter-world.html, id L29822.
Form and metre
Winter World is 80 lines in 10 stanzas of 8 lines each. Every stanza rhymes AABCBCDD. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 84%).
See other poems in iambic pentameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABCBCDD hitherA · whitherA · singingB · gloryC · ringingB · storyC · leftD · bereftD
- 2 AABCBCDD garmentA · cerementA · jaggedB · peepingC · raggedB · creepingC · roamD · homeD
- 3 AABCBCDD heavenA · givenA · chillingB · wantingC · thrillingB · enchantingC · enterD · centreD
- 4 AABCBCDD rejoicesA · voicesA · hoaryB · cellarC · storyB · tellerC · cupD · upD
- 5 AABCBCDD busyA · dizzyA · forgetfulB · honourC · fretfulB · herC · greetingD · meetingD
- 6 AABCBCDD jokingA · smokingA · mountingB · departedC · recountingB · lightheartedC · truthD · youthD
- 7 AABCBCDD settleA · littleA · tattleB · illusionsC · rattleB · intrusionsC · kissesD · blissesD
- 8 AABCBCDD hummingA · drummingA · pilingB · sorrowC · smilingB · morrowC · allowD · nowD
- 9 AABCBCDD brightlyA · lightlyA · gratingB · drinkingC · waitingB · clinkingC · descendingD · blendingD
- 10 AABCBCDD overA · discoverA · farewellingsB · lightedC · dwellingsB · benightedC · knowingD · goingD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| How came from heaven the prismy rainbow hither? | 12 | ···/˘·/˘/·/˘ |
| Whither are fled the lovely field-flowers, whither? | 12 | /˘···/˘·/˘/˘ |
| Where the streams music, where the birds' sweet singing? | 11 | ···/˘····/˘ |
| Where are the spring and summer's glance and glory? | 11 | ·····/˘··/˘ |
| All—all departed,—but their memory ringing | 12 | ··˘/˘··/˘˘/˘ |
| Like a funereal bell—records their story: | 12 | ··˘/˘˘·˘/·/˘ |
| Shades of the tomb—the snows—the clouds are left, | 10 | ·········· |
| Winter has beggared earth—the earth of all bereft. | 12 | /˘·/˘·····˘/ |
| Yes! earth is but a beggar—a white garment | 11 | ·····/˘··/˘ |
| Half covering its frame—a mortal cerement! | 11 | ·/˘˘···/˘/˘ |
| With icicles down-hanging, but so jagged, | 11 | ·/˘˘·/˘···˘ |
| That through the crevices the corpse is peeping, | 11 | ···/˘˘···/˘ |
| With chattering teeth—limbs frozen—girdle ragged, | 12 | ·/˘˘··/˘/˘/˘ |
| A shivering coldness o'er the body creeping: | 12 | ·/˘˘/˘··/˘/˘ |
| Why should man midst the desolation roam, | 10 | ······˘/˘· |
| If he find warmth and welcome in his home? | 10 | ·····/˘··· |
| Blessed be God then! blessed be kind Heaven! | 11 | ·˘····˘··/˘ |
| Who a bright fire—a family hearth has given; | 12 | ···/·/˘˘··/˘ |
| A family hearth, to warm in winter's chilling, | 12 | ·/˘˘····/˘/˘ |
| And many friends around; and wood not wanting | 11 | ·/˘······/˘ |
| To feed the fire—'tis like a palace thrilling | 12 | ···/˘···/˘/˘ |
| With joy and music—fairy-like, enchanting; | 11 | ···/˘/˘·˘/˘ |
| Where all the friendly words outspoken enter | 11 | ···/˘·//˘/˘ |
| The opening hearts, and make those hearts their centre. | 12 | ·/˘˘······/˘ |
| Sweetest of all at eve—then most rejoices | 11 | /˘······˘/˘ |
| The listening soul to hear affection's voices; | 12 | ·/˘˘···˘/˘/˘ |
| At the large table head, the father hoary | 11 | ···/˘··/˘/˘ |
| Presides—the pipes are smoking——from the cellar | 11 | ˘/···/˘··/˘ |
| The best old wine goes round, and many a story | 12 | ·······/˘·/˘ |
| Is told, while loud laughs hail the story-teller: | 11 | ·······/˘/˘ |
| New tales, new laughter, greet the circling cup | 11 | ···/˘··/˘˘· |
| Filled up and emptied and again filled up. | 11 | ·˘··/˘·˘/·· |
| And the good housewife everywhere is busy, | 11 | ···/·/˘··/˘ |
| Somewhat o'ercumbered, and a little dizzy; | 11 | //·····/˘/˘ |
| Fearful of this or that to be forgetful; | 11 | /˘······˘/˘ |
| Somewhat too anxious for her house's honour; | 11 | //·/˘··/˘/˘ |
| Yet all her fidgets will not make her fretful, | 11 | ···/˘····/˘ |
| Tho' a neglect might bring a shame upon her. | 11 | ··˘/······· |
| For every guest she has a smile—a greeting— | 12 | ·/˘˘······/˘ |
| And a kind word of welcome to the meeting. | 11 | ·····/˘··/˘ |
| Then comes the news—more laughter, and more joking; | 11 | ·····/˘··/˘ |
| Cleansing the pipes, or stopping them, or smoking; | 11 | /˘···/˘··/˘ |
| And as the smoke in cloudy wreaths is mounting, | 11 | ·····/˘··/˘ |
| Memory brings back the tales of days departed; | 12 | /˘˘······˘/˘ |
| And while the old stories of their youth recounting, | 12 | ····/˘···˘/˘ |
| Youth dawns again, and buoyant and lighthearted; | 11 | ··˘/·/˘·/·˘ |
| Spring seems renewed in all its early truth, | 11 | ··˘/˘···/˘· |
| For age rejoices in the thoughts of youth. | 10 | ··˘/˘····· |
| Look at that youth and maiden on the settle, | 11 | ·····/˘··/˘ |
| All the old babblings interest them little; | 11 | ···/˘˘/˘·/˘ |
| Little care they for all the tales and tattle, | 11 | /˘·······/˘ |
| Life is before them—with its dear illusions; | 11 | ········˘/˘ |
| Sweeter their whisperings than the rout and rattle, | 12 | /˘·/˘˘····/˘ |
| Why should misgivings come with their intrusions? | 11 | ··˘/˘···˘/˘ |
| Let them be blest—enjoy their stolen kisses; | 11 | ····˘/·/˘/˘ |
| Love has its blisses—and these are love's blisses. | 11 | ···/˘····/˘ |
| There round the stove the little ones are humming, | 11 | ·····/˘··/˘ |
| Leaping and laughing, whistling, shouting, drumming; | 11 | /˘·/˘/˘/˘/˘ |
| Small children and great children there are piling | 11 | ·/˘··/˘··/˘ |
| Or blowing down card houses—far from sorrow; | 11 | ·/˘··/˘··/˘ |
| Like butterflies they hail the present smiling, | 11 | ·/˘····/˘/˘ |
| For yesterday they care not, nor to-morrow. | 11 | ·/˘······/˘ |
| How so much room can such small space allow, | 10 | ········˘/ |
| The Future and the Past, how crowd into a Now? | 12 | ·/˘········· |
| 'Tis baking-day to-morrow, the maiden singing brightly, | 14 | ·/˘··/˘·/˘/˘/˘ |
| The yielding dough she kneads, so gaily and so lightly; | 13 | ·/˘····/˘··/˘ |
| Within the yard the bucket chain above the well is grating, | 15 | ·····/˘······/˘ |
| The horses gathered round the trough the sparkling water drinking; | 15 | ·/˘/˘····/˘/˘/˘ |
| The gypsies, offering dance and song, are for the answer waiting— | 15 | ·/˘/˘······/˘/˘ |
| While from the distance feebly-heard the sheepfold bells are clinking; | 15 | ···/˘/˘··/˘··/˘ |
| But every sound and every sight ascending or descending, | 15 | ·/˘··/˘·˘/˘·˘/˘ |
| From earth to heaven, or heaven to earth, in harmony is blending. | 14 | ···/·/···/˘·/˘ |
| The snow is falling fast, the earth is mantled over, | 12 | ···/˘····/˘· |
| Mists darken—and 'tis hard the house-path to discover: | 13 | ·/˘·······˘/˘ |
| There's work to do—there's hardly time for greetings and farewellings,— | 16 | ·····/˘··/˘····· |
| Away! away! for long ere now the homely lamps are lighted,— | 15 | ˘/˘/·····/˘··/˘ |
| We must be gone—'tis late, 'tis late—how shall we find our dwellings? | 15 | ············//˘ |
| The lamps are all gone out, the guests are all benighted, | 13 | ··········˘/˘ |
| And still they counsel, still they talk, their purpose scarcely knowing, | 14 | ···/˘····/˘/˘/ |
| And many ask, "Who's going?"—none will answer, "I am going." | 12 | ·/··/··/˘··/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.