Evening at Home

Sándor Petőfi (1823–1849), translated by John Bowring · 1866

trochaic tetrameter · 56 lines · from Translations from Alexander Petofi, the Magyar Poet

Red wine drank I with my father,Which the old man poured like rain;Full of kindness, full of loving,Once I blessed him—and again.

Long, too long had I been absent,Years since I my sire had seen;Age the old man's brow had furrowed,And we talked of what had been.

Talked of all my strange adventures—Weather-beatings, wanderings—Theatres and men and music,And a thousand different things.

Then he sets my "work" before me,"Chop the logs!" good man! the pastWas so blended with the present—Earliest habits linger last.

"Well! it was a vile existence,You were shamefully misused"—So I sit and hear in silenceMy poor theatre abused.

"You were ragged—you were hungry—Ah! I see it on your brow;Tell me—tell me how you bore it,So much suffering—tell me how."

Then I laughed and joked—my languageHiding half my thoughts the while,Smiled upon his inexperience—He did not return the smile.

Then I sang a jolly ditty,Sang a ditty of mine own,And he set my heart a-dancingWhen he cried, "Well done! well done!"

Then I said, "And will you listen,Verse of mine while I rehearse!"But the old man shrugged his shoulders—"I don't know the use of verse."

Should I wonder? his the trainingTo toil on from day to day;'Twas not learning, but hard labourThat had made his tresses grey.

When the flask of wine was emptied,I snatched up a pen to keepRecord of a passing fancy,And the old man—fell asleep.

Then my mother entered, askingHundred, thousand questions then;"This and that and t'other tell me—Fling away that dirty pen."

And I listened to my mother'sHundred, thousand questionings,Asking, answering one another'sTalk of women, men, and things.

And I thought—the thought was dearerThan the loudest sounds of mirth;Oh! I have the dearest mother—Dearest mother on the earth!

Words in this poem

drank n.
Wild oats, or darnel grass. See Drake a plant. [Cf. 3d Drake.]
sire n.
A lord, master, or other person in authority. See Sir. [F. sire, originally, an older person. See Sir.]
theatre n.
An edifice in which dramatic performances or spectacles are exhibited for the amusement of spectators; anciently uncovered, except the stage, but in modern times roofed. [F. thé\'83tre, L. theatrum, Gr. dhya to meditate, think. Cf. Theory.]
inexperience n.
Absence or want of experience; lack of personal and experimental knowledge; as, the inexperience of youth. [L. inexperientia, cf. F. inexpérience. See In- not, and Experience.]
ditty n.
A saying or utterance; especially, one that is short and frequently repeated; a theme. [OE. dite, OF. ditié, fr. L. dictatum, p. p. neut. of dictare to say often, dictate, compose. See Dictate, v. t.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Evening at Home is in the public domain. This text is taken from Translations from Alexander Petofi, the Magyar Poet, by Sir John Bowring (London: Trübner & Co., 1866), Internet Archive, the John Bowring translation; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Sándor Petőfi, Evening at Home, in Translations from Alexander Petofi, the Magyar Poet (1866), text of Internet Archive, Laurel, https://laurelpoetry.com/poem/petofi-poems-bowring/evening-at-home.html, id L29842.

Form and metre

Evening at Home is 56 lines in 14 stanzas of 4 lines each. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 89%).

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A father · rainA · loving · againA
  2. 3 -A-A adventures · wanderingsA · music · thingsA
  3. 4 -A-A me · pastA · present · lastA
  4. 5 -A-A existence · misusedA · silence · abusedA
  5. 6 -A-A hungry · browA · it · howA
  6. 7 -A-A language · whileA · inexperience · smileA
  7. 9 -A-A listen · rehearseA · shoulders · verseA
  8. 10 -A-A training · dayA · labour · greyA
  9. 11 -A-A emptied · keepA · fancy · asleepA
  10. 12 -A-A asking · thenA · me · penA
  11. 13 ABAB mother'sA · questioningsB · another'sA · thingsB
  12. 14 -A-A dearer · mirthA · mother · earthA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
Red wine drank I with my father,8······/˘
Which the old man poured like rain;8·····˘··
Full of kindness, full of loving,8··/˘··/˘
Once I blessed him—and again.8···˘··˘/
Long, too long had I been absent,8······/˘
Years since I my sire had seen;8····/˘··
Age the old man's brow had furrowed,8······/˘
And we talked of what had been.8···˘····
Talked of all my strange adventures—8·····˘/˘
Weather-beatings, wanderings—7/˘/˘/˘˘
Theatres and men and music,8/˘˘···/˘
And a thousand different things.8··/˘/˘˘·
Then he sets my "work" before me,8········
"Chop the logs!" good man! the past7·······
Was so blended with the present—8··/˘··/˘
Earliest habits linger last.8/˘˘/˘/˘·
"Well! it was a vile existence,8·····˘/˘
You were shamefully misused"—8······˘/
So I sit and hear in silence8······/˘
My poor theatre abused.8··/˘˘˘/˘
"You were ragged—you were hungry—8··/˘··/˘
Ah! I see it on your brow;7·······
Tell me—tell me how you bore it,8········
So much suffering—tell me how."8··/˘˘···
Then I laughed and joked—my language8······/˘
Hiding half my thoughts the while,7/˘·····
Smiled upon his inexperience—9·····˘/˘˘
He did not return the smile.7···˘/··
Then I sang a jolly ditty,8····/˘/˘
Sang a ditty of mine own,7··/˘···
And he set my heart a-dancing8······/˘
When he cried, "Well done! well done!"7·······
Then I said, "And will you listen,8······/˘
Verse of mine while I rehearse!"7·····˘/
But the old man shrugged his shoulders—8······/˘
"I don't know the use of verse."7·······
Should I wonder? his the training8··/˘··/˘
To toil on from day to day;7·······
'Twas not learning, but hard labour8··/˘··/·
That had made his tresses grey.7····/˘·
When the flask of wine was emptied,8······/˘
I snatched up a pen to keep8··˘·····
Record of a passing fancy,8/˘··/˘/˘
And the old man—fell asleep.7·····˘/
Then my mother entered, asking8··/˘/˘/˘
Hundred, thousand questions then;8/˘˘/˘/˘·
"This and that and t'other tell me—9····˘/˘··
Fling away that dirty pen."7·˘/·/˘·
And I listened to my mother's8··/˘··/˘
Hundred, thousand questionings,8/˘˘/˘/˘˘
Asking, answering one another's9/˘/˘˘·˘/˘
Talk of women, men, and things.7··/˘···
And I thought—the thought was dearer8······/˘
Than the loudest sounds of mirth;7··/˘···
Oh! I have the dearest mother—8····/˘/˘
Dearest mother on the earth!7/˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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