The Rose of the World

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 52 lines · from The Angel in the House

LO, when the Lord made North and SouthAnd sun and moon ordained, He,Forthbringing each by word of mouthIn order of its dignity,Did man from the crude clay expressBy sequence, and, all else decreed,He form’d the woman; nor might lessThan Sabbath such a work succeed.And still with favour singled out,Marr’d less than man by mortal fall,Her disposition is devout,Her countenance angelical;The best things that the best believeAre in her face so kindly writThe faithless, seeing her, conceiveNot only heaven, but hope of it;No idle thought her instinct shrouds,But fancy chequers settled sense,Like alteration of the cloudsOn noonday’s azure permanence;Pure dignity, composure, easeDeclare affections nobly fix’d,And impulse sprung from due degreesOf sense and spirit sweetly mix’d.Her modesty, her chiefest grace,The cestus clasping Venus’ side,How potent to deject the faceOf him who would affront its pride!Wrong dares not in her presence speak,Nor spotted thought its taint discloseUnder the protest of a cheekOutbragging Nature’s boast the rose.In mind and manners how discreet;How artless in her very art;How candid in discourse; how sweetThe concord of her lips and heart;How simple and how circumspect;How subtle and how fancy-free;Though sacred to her love, how deck’dWith unexclusive courtesy;How quick in talk to see from farThe way to vanquish or evade;How able her persuasions areTo prove, her reasons to persuade;How (not to call true instinct’s bentAnd woman’s very nature, harm),How amiable and innocentHer pleasure in her power to charm;How humbly careful to attract,Though crown’d with all the soul desires,Connubial aptitude exact,Diversity that never tires.

Words in this poem

favour n.
Kind regard; propitious aspect; countenance; friendly disposition; kindness; good will. [Written also favour.]
angelical a.
Belonging to, or proceeding from, angels; resembling, characteristic of, or partaking of the nature of, an angel; heavenly; divine. [L. angelicus, Gr. angélique.]
composure n.
The act of composing, or that which is composed; a composition. [From Compose.]
nobly adv.
Of noble extraction; as, nobly born or descended.
chiefest a.
First or foremost; chief; principal. [Superl. of Chief.]
cestus n.
A girdle; particularly that of Aphrodite (or Venus) which gave the wearer the power of exciting love.
discreet a.
Possessed of discernment, especially in avoiding error or evil, and in the adaptation of means to ends; prudent; sagacious; judicious; not rash or heedless; cautious. [F. discret, L. discretus separated (whence the meaning reserved, prudent), p. p. of discernere. See Discern, and cf. Discrete.]
amiable a.
Lovable; lovely; pleasing. [F. amiable, L. amicabilis friendly, fr. amicus friend, fr. amare to love. The meaning has been influenced by F. aimable, L. amabilis lovable, fr. amare to love.]
humbly adv.
With humility; lowly.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Rose of the World is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, The Rose of the World, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-rose-of-the-world.html, id L12234.

Form and metre

The Rose of the World is 52 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A-BCBCD-D-EFEFGHGHIJIJKLKLMNMNOPOPQ-Q-RSRSTUTUVWVW southA · he · mouthA · dignity · expressB · decreedC · lessB · succeedC · outD · fall · devoutD · angelical · believeE · writF · conceiveE · itF · shroudsG · senseH · cloudsG · permanenceH · easeI · fix'dJ · degreesI · mix'dJ · graceK · sideL · faceK · prideL · speakM · discloseN · cheekM · roseN · discreetO · artP · sweetO · heartP · circumspectQ · free · deck'dQ · courtesy · farR · evadeS · areR · persuadeS · bentT · harmU · innocentT · charmU · attractV · desiresW · exactV · tiresW
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
LO, when the Lord made North and South8········
And sun and moon ordained, He,8····˘/˘·
Forthbringing each by word of mouth8········
In order of its dignity,8·/˘··/˘˘
Did man from the crude clay express8······˘/
By sequence, and, all else decreed,8·/˘···˘/
He form’d the woman; nor might less8···/˘···
Than Sabbath such a work succeed.8·/˘···˘/
And still with favour singled out,8···/˘/˘·
Marr’d less than man by mortal fall,8·····/˘·
Her disposition is devout,8··˘/˘·˘/
Her countenance angelical;8·/˘˘····
The best things that the best believe8······˘/
Are in her face so kindly writ8·····/˘·
The faithless, seeing her, conceive8·/˘/˘·˘/
Not only heaven, but hope of it;8·/˘/····
No idle thought her instinct shrouds,8·/˘··/˘·
But fancy chequers settled sense,8·/˘··/˘·
Like alteration of the clouds8··˘/˘···
On noonday’s azure permanence;8···/˘/˘˘
Pure dignity, composure, ease8·/˘˘˘/˘·
Declare affections nobly fix’d,8˘/˘/˘/˘·
And impulse sprung from due degrees8·/˘···˘/
Of sense and spirit sweetly mix’d.8···/˘/˘·
Her modesty, her chiefest grace,8·/˘˘·/˘·
The cestus clasping Venus’ side,8·/˘/˘/˘·
How potent to deject the face8·/˘·˘/··
Of him who would affront its pride!8····˘/··
Wrong dares not in her presence speak,8·····/˘·
Nor spotted thought its taint disclose8·/˘···˘/
Under the protest of a cheek8···/····
Outbragging Nature’s boast the rose.8···/˘···
In mind and manners how discreet;8···/˘·˘/
How artless in her very art;8·/˘··/˘·
How candid in discourse; how sweet8·/˘·/˘··
The concord of her lips and heart;8·/······
How simple and how circumspect;8·/˘··/˘·
How subtle and how fancy-free;8·/˘··/˘·
Though sacred to her love, how deck’d8·/˘·····
With unexclusive courtesy;8·····/˘˘
How quick in talk to see from far8········
The way to vanquish or evade;8···/˘·˘/
How able her persuasions are8·/˘·˘/˘·
To prove, her reasons to persuade;8···/˘·˘/
How (not to call true instinct’s bent8·····/˘·
And woman’s very nature, harm),8·/˘/˘/˘·
How amiable and innocent9·/˘˘˘·/˘˘
Her pleasure in her power to charm;8·/˘··/··
How humbly careful to attract,8·/˘/˘·˘/
Though crown’d with all the soul desires,9······˘/˘
Connubial aptitude exact,9˘/˘˘/˘·˘/
Diversity that never tires.9˘/˘˘·/˘/˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Coventry Patmore