The Course of True Love

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 100 lines · from The Angel in the House

Oh, beating heart of sweet alarm,Which stays the lover’s step, when nearHis mistress and her awful charmOf grace and innocence sincere!I held the half-shut door, and heardThe voice of my betrothed wife,Who sang my verses, every wordBy music taught its latent life;With interludes of well-touch’d notes,That flash’d, surprising and serene,As meteor after meteor floatsThe soft, autumnal stars between.There was a passion in her tone,A tremor when she touch’d the keys,Which told me she was there alone,And uttering all her soul at ease.I enter’d; for I did not chooseTo learn how in her heart I throve,By chance or stealth; beyond her use,Her greeting flatter’d me with love.

With true love’s treacherous confidence,And ire, at last to laughter won,She spoke this speech, and mark’d its sense,By action, as her Aunt had done.

‘“You, with your looks and catching air,To think of Vaughan! You fool! You know,You might, with ordinary care,Ev’n yet be Lady Clitheroe.You’re sure he’ll do great things some day!Nonsense, he won’t; he’s dress’d too well.Dines with the Sterling Club, they say;Not commonly respectable!Half Puritan, half Cavalier!His curly hair I think’s a wig;And, for his fortune, why my Dear,’Tis not enough to keep a gig.Rich Aunts and Uncles never die;And what you bring won’t do for dress:And so you’ll live on By-and-by,Within oaten-cake and water-cress!”

‘I cried, but did not let her see.At last she soften’d her dispraise,On learning you had bought for meA carriage and a pair of bays.But here she comes! You take her inTo dinner. I impose this taskMake her approve my love; and winWhat thanks from me you choose to ask!’

‘My niece has told you every wordI said of you! What may I mean?Of course she has; but you’ve not heardHow I abused you to the Dean;—Yes, I’ll take wine; he’s mad, like her;And she will have you: there it ends!And, now I’ve done my duty, Sir,And you’ve shown common-sense, we’re friends!’

‘Go, child, and see him out yourself,’Aunt Maude said, after tea, ‘and showThe place, upon that upper shelf,Where Petrarch stands, lent long ago.’

‘These rose-leaves to my heart be press’d,Honoria, while it aches for you!’(The rose in ruin, from her breast,Fell, as I took a fond adieu.)‘You must go now, Love!’ ‘See, the airIs thick with starlight!’ ‘Let me tieThis scarf on. Oh, your Petrarch! There!I’m coming, Aunt!’ ‘Sweet, Sweet!’ ‘Good-bye!’‘Ah, Love, to me ’tis death to part,Yet you, my sever’d life, smile on!’These “Good-nights,” Felix, break my heart;I’m only gay till you are gone!’With love’s bright arrows from her eyes,And balm on her permissive lips,She pass’d, and night was a surprise,As when the sun at Quito dips.Her beauties were like sunlit snows,Flush’d but not warm’d with my desire.Oh, how I loved her! Fiercely glowsIn the pure air of frost the fire.Who for a year is sure of fate!I thought, dishearten’d as I went,Wroth with the Dean, who bade me wait,And vex’d with her, who seem’d content.Nay, could eternal life affordThat tyranny should thus deductFrom this fair land, which call’d me lord,A year of the sweet usufruct?It might not and it should not be!I’d go back now, and he must own,At once, my love’s compulsive plea.I turn’d, I found the Dean alone.‘Nonsense, my friend; go back to bed!It’s half-past twelve!’ ‘July, then, Sir!’‘Well, come to-morrow,’ at last he said,‘And you may talk of it with her.’A light gleam’d as I pass’d the stair.A pausing foot, a flash of dress,And a sweet voice. ‘Is Felix there?’‘July, Love!’ ‘Says Papa so?’ ‘Yes!’

Words in this poem 15
stealth n.
The act of stealing; theft. [OE. staple. See Steal, v. t.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
cavalier n.
A military man serving on horseback; a knight. [F. cavalier, It. cavaliere, LL. caballarius, fr. L. caballus. See Cavalcade, and cf. Cavallier, Caballine.]
dispraise v. t.
To withdraw praise from; to notice with disapprobation or some degree of censure; to disparage; to blame. [OE. dispreisen, OF. desprisier, despreisier, F. dépriser; pref. des- (L. dis-) + prisier, F. priser, to prize, praise. See Praise, and cf. Disprize, Depreciate.]
niece n.
A relative, in general; especially, a descendant, whether male or female; a granddaughter or a grandson. B. Jonson. Wyclif. [OE. nece, F. nièce, LL. neptia, for L. neptis a granddaughter, niece, akin to nepos. See Nephew.]
starlight n.
The light given by the stars.
permissive a.
Permitting; granting leave or liberty.
sunlit a.
Lighted by the sun.
went n.
Course; way; path; journey; direction.
wroth a.
Full of wrath; angry; incensed; much exasperated; wrathful. [OE. wroth, wrap, AS. wraedh wroth, crooked, bad; akin to wriedhan to writhe, and to OS. wreedhangry, D. wreed cruel, OHG. reid twisted, Icel. reiedhr angry, Dan]
bade
A form of the pat tense of Bid.
deduct v. t.
To lead forth or out. [L. deductus, p. p. of deducere to deduct. See Deduce.]
usufruct n.
The right of using and enjoying the profits of an estate or other thing belonging to another, without impairing the substance. [L. usufructus, ususfructus, usus et fructus; usus use + fructus fruit.]
compulsive a.
Having power to compel; exercising or applying compulsion.
papa n.
A child's word for father. [F. papa, L. papa; cf. Gr. Pope.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Course of True Love is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, The Course of True Love, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-course-of-true-love.html, id L12282.

Form and metre

The Course of True Love is 100 lines in 7 stanzas. The commonest rhyme scheme is ABAB, in 2 of the 7 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 88%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 6 lines end on an unstressed syllable, a feminine ending. 18% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDEFEFGHGHI-I- alarmA · nearB · charmA · sincereB · heardC · wifeD · wordC · lifeD · notesE · sereneF · floatsE · betweenF · toneG · keysH · aloneG · easeH · chooseI · throve · useI · love
  2. 2 ABAB confidenceA · wonB · senseA · doneB
  3. 3 ABABCDCDEFEFGHGH airA · knowB · careA · clitheroeB · dayC · wellD · sayC · respectableD · cavalierE · wigF · dearE · gigF · dieG · dressH · byG · cressH
  4. 4 ABABCDCD seeA · dispraiseB · meA · baysB · inC · taskD · winC · askD
  5. 5 ABABCDCD wordA · meanB · heardA · deanB · herC · endsD · sirC · friendsD
  6. 6 ABAB yourselfA · showB · shelfA · agoB
  7. 7 ABABCDCDE-E-FGFGHIHIJKJKLMLMNONOPQPQRSRS press'dA · youB · breastA · adieuB · airC · tieD · thereC · byeD · partE · on · heartE · gone · eyesF · lipsG · surpriseF · dipsG · snowsH · desireI · glowsH · fireI · fateJ · wentK · waitJ · contentK · affordL · deductM · lordL · usufructM · beN · ownO · pleaN · aloneO · bedP · sirQ · saidP · herQ · stairR · dressS · thereR · yesS
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Oh, beating heart of sweet alarm,8·/˘···˘/
Which stays the lover’s step, when near8···/˘···
His mistress and her awful charm8·/˘··/˘·
Of grace and innocence sincere!8···/˘˘˘/
I held the half-shut door, and heard8········
The voice of my betrothed wife,8······˘·
Who sang my verses, every word8···/˘/˘·
By music taught its latent life;8·/˘··/˘·
With interludes of well-touch’d notes,8·/˘·····
That flash’d, surprising and serene,8··˘/˘·˘/
As meteor after meteor floats8·/˘··/˘·
The soft, autumnal stars between.8··˘/˘···
There was a passion in her tone,8···/˘···
A tremor when she touch’d the keys,8·/˘·····
Which told me she was there alone,8······˘/
And uttering all her soul at ease.8·/˘·····
I enter’d; for I did not choose8·/˘·····
To learn how in her heart I throve,8········
By chance or stealth; beyond her use,8········
Her greeting flatter’d me with love.8·/˘/˘···
With true love’s treacherous confidence,9···/˘˘/˘˘
And ire, at last to laughter won,8·····/˘·
She spoke this speech, and mark’d its sense,8········
By action, as her Aunt had done.8·/˘·····
‘“You, with your looks and catching air,8·····/˘·
To think of Vaughan! You fool! You know,8········
You might, with ordinary care,8···/˘·˘·
Ev’n yet be Lady Clitheroe.8···/˘···
You’re sure he’ll do great things some day!8········
Nonsense, he won’t; he’s dress’d too well.8/˘······
Dines with the Sterling Club, they say;8···/˘···
Not commonly respectable!8·/˘˘˘/˘˘
Half Puritan, half Cavalier!8·/˘˘··˘/
His curly hair I think’s a wig;8·/˘·····
And, for his fortune, why my Dear,8···/˘···
’Tis not enough to keep a gig.8··˘/····
Rich Aunts and Uncles never die;8···/˘/˘·
And what you bring won’t do for dress:8········
And so you’ll live on By-and-by,8········
Within oaten-cake and water-cress!”9··/˘··/˘·
‘I cried, but did not let her see.8········
At last she soften’d her dispraise,8···/˘·˘/
On learning you had bought for me8·/˘·····
A carriage and a pair of bays.8·/˘·····
But here she comes! You take her in8········
To dinner. I impose this task8·/˘·˘/··
Make her approve my love; and win8··˘/····
What thanks from me you choose to ask!’8········
‘My niece has told you every word8·····/˘·
I said of you! What may I mean?8········
Of course she has; but you’ve not heard8········
How I abused you to the Dean;—8··˘/····
Yes, I’ll take wine; he’s mad, like her;8········
And she will have you: there it ends!8········
And, now I’ve done my duty, Sir,8·····/˘·
And you’ve shown common-sense, we’re friends!’8···/˘···
‘Go, child, and see him out yourself,’8······˘/
Aunt Maude said, after tea, ‘and show8········
The place, upon that upper shelf,8·····/˘·
Where Petrarch stands, lent long ago.’8······˘/
‘These rose-leaves to my heart be press’d,8········
Honoria, while it aches for you!’8˘/˘·····
(The rose in ruin, from her breast,8···/˘···
Fell, as I took a fond adieu.)8······˘/
‘You must go now, Love!’ ‘See, the air8········
Is thick with starlight!’ ‘Let me tie8···/····
This scarf on. Oh, your Petrarch! There!8········
I’m coming, Aunt!’ ‘Sweet, Sweet!’ ‘Good-bye!’8·/˘·····
‘Ah, Love, to me ’tis death to part,8········
Yet you, my sever’d life, smile on!’8···/˘···
These “Good-nights,” Felix, break my heart;8···/˘···
I’m only gay till you are gone!’8·/˘·····
With love’s bright arrows from her eyes,8···/˘···
And balm on her permissive lips,8····˘/˘·
She pass’d, and night was a surprise,8······˘/
As when the sun at Quito dips.8·····/˘·
Her beauties were like sunlit snows,8·/˘··/··
Flush’d but not warm’d with my desire.9······˘/˘
Oh, how I loved her! Fiercely glows8·····/˘·
In the pure air of frost the fire.9·······/˘
Who for a year is sure of fate!8········
I thought, dishearten’d as I went,8··˘/˘···
Wroth with the Dean, who bade me wait,8········
And vex’d with her, who seem’d content.8······/˘
Nay, could eternal life afford8··˘/˘·˘/
That tyranny should thus deduct8·/˘˘··˘/
From this fair land, which call’d me lord,8········
A year of the sweet usufruct?8·····/˘˘
It might not and it should not be!8········
I’d go back now, and he must own,8········
At once, my love’s compulsive plea.8····˘/˘·
I turn’d, I found the Dean alone.8······˘/
‘Nonsense, my friend; go back to bed!8/˘······
It’s half-past twelve!’ ‘July, then, Sir!’8·····/··
‘Well, come to-morrow,’ at last he said,9···/˘····
‘And you may talk of it with her.’8········
A light gleam’d as I pass’d the stair.8········
A pausing foot, a flash of dress,8·/˘·····
And a sweet voice. ‘Is Felix there?’8·····/˘·
‘July, Love!’ ‘Says Papa so?’ ‘Yes!’8·/··/˘··

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