The County Ball
Well, Heaven be thank’d my first-love fail’d,As, Heaven be thank’d, our first-loves do!Thought I, when Fanny past me sail’d,Loved once, for what I never knew,Unless for colouring in her talk,When cheeks and merry mouth would showThree roses on a single stalk,The middle wanting room to blow,And forward ways, that charm’d the boyWhose love-sick mind, misreading fate,Scarce hoped that any Queen of JoyCould ever stoop to be his mate.
But there danced she, who from the leavenOf ill preserv’d my heart and witAll unawares, for she was heaven,Others at best but fit for it.One of those lovely things she wasIn whose least action there can beNothing so transient but it hasAn air of immortality.I mark’d her step, with peace elate,Her brow more beautiful than morn,Her sometime look of girlish stateWhich sweetly waived its right to scorn;The giddy crowd, she grave the while,Although, as ’twere beyond her will,Around her mouth the baby smileThat she was born with linger’d still.Her ball-dress seem’d a breathing mist,From the fair form exhaled and shed,Raised in the dance with arm and wristAll warmth and light, unbraceleted.Her motion, feeling ’twas beloved,The pensive soul of tune express’d,And, oh, what perfume, as she moved,Came from the flowers in her breast!How sweet a tongue the music had!‘Beautiful Girl,’ it seem’d to say,‘Though all the world were vile and sad,Dance on; let innocence be gay.’Ah, none but I discern’d her looks,When in the throng she pass’d me by,For love is like a ghost, and brooksOnly the chosen seer’s eye;And who but she could e’er divineThe halo and the happy trance,When her bright arm reposed on mine,In all the pauses of the dance!
Whilst so her beauty fed my sight,And whilst I lived in what she said,Accordant airs, like all delightMost sweet when noted least, were play’d;And was it like the PhariseeIf I in secret bow’d my faceWith joyful thanks that I should be,Not as were many, but with graceAnd fortune of well-nurtured youth,And days no sordid pains defile,And thoughts accustom’d to the truth,Made capable of her fair smile?
Charles Barton follow’d down the stair,To talk with me about the Ball,And carp at all the people there.The Churchills chiefly stirr’d his gall:‘Such were the Kriemhilds and IsondesYou storm’d about at Trinity!Nothing at heart but handsome Blondes!‘Folk say that you and Fanny Fry—’‘They err! Good-night! Here lies my course,Through Wilton.’ Silence blest my ears,And, weak at heart with vague remorse,A passing poignancy of tearsAttack’d mine eyes. By pale and parkI rode, and ever seem’d to see,In the transparent starry dark,That splendid brow of chastity,That soft and yet subduing light,At which, as at the sudden moon,I held my breath, and thought ‘how bright!’That guileless beauty in its noon,Compelling tribute of desiresArdent as day when Sirius reigns,Pure as the permeating firesThat smoulder in the opal’s veins.
Words in this poem 18
- thank n.
- A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
- colouring n.
- The act of applying color to; also, that which produces color.
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- elate a.
- Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- sometime adv.
- At a past time indefinitely referred to; once; formerly.
- girlish a.
- Like, or characteristic of, a girl; of or pertaining to girlhood; innocent; artless; immature; weak; as, girlish ways; girlish grief.
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- reposed a.
- Composed; calm; tranquil; at rest.
- sordid a.
- Filthy; foul; dirty. [L. sordidus, fr. sordere to be filthy or dirty; probably akin to E. swart: cf. F. sordide. See Swart, a.]
- barton n.
- The demesne lands of a manor; also, the manor itself. [Eng.] [AS. beret courtyard, grange; bere barley + t an inclosure.]
- folk n.
- In Anglo-Saxon times, the people of a group of townships or villages; a community; a tribe. [AS. folc; akin to D. volk, OS. & OHG. folk, G. volk, Icel. f, Sw. & Dan. folk, Lith. pulkas crowd, and perh. to E. follow.]
- poignancy n.
- The quality or state of being poignant; as, the poignancy of satire; the poignancy of grief.
- rode n.
- Redness; complexion. [See Rud.]
- starry a.
- Abounding with stars; adorned with stars.
- guileless a.
- Free from guile; artless.
- sirius n.
- The Dog Star. See Dog Star.
- smoulder v. t.
- To smother; to suffocate; to choke. Holinshed.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The County Ball is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Coventry Patmore, The County Ball, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-county-ball.html, id L12286.
Form and metre
The County Ball is 84 lines in 4 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 94% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 8 lines end on an unstressed syllable, a feminine ending. 26% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABCDCDEFEF fail'dA · doB · sail'dA · knewB · talkC · showD · stalkC · blowD · boyE · fateF · joyE · mateF
- 2 ABAB----CDCDEFEFG-G--H-HIJIJKLKLMNMN leavenA · witB · heavenA · itB · was · be · has · immortality · elateC · mornD · stateC · scornD · whileE · willF · smileE · stillF · mistG · shed · wristG · unbraceleted · beloved · express'dH · moved · breastH · hadI · sayJ · sadI · gayJ · looksK · byL · brooksK · eyeL · divineM · tranceN · mineM · danceN
- 3 A-A-BCBCDEDE sightA · said · delightA · play'd · phariseeB · faceC · beB · graceC · youthD · defileE · truthD · smileE
- 4 ABABC-C-DEDEF-F-GHGHIJIJ stairA · ballB · thereA · gallB · isondesC · trinity · blondesC · fry · courseD · earsE · remorseD · tearsE · parkF · see · darkF · chastity · lightG · moonH · brightG · noonH · desiresI · reignsJ · firesI · veinsJ
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Well, Heaven be thank’d my first-love fail’d, | 8 | ·/······ |
| As, Heaven be thank’d, our first-loves do! | 8 | ·/··/··· |
| Thought I, when Fanny past me sail’d, | 8 | ···/˘··· |
| Loved once, for what I never knew, | 8 | ·····/˘· |
| Unless for colouring in her talk, | 8 | ···/˘··· |
| When cheeks and merry mouth would show | 8 | ···/˘··· |
| Three roses on a single stalk, | 8 | ·/˘··/˘· |
| The middle wanting room to blow, | 8 | ·/˘/˘··· |
| And forward ways, that charm’d the boy | 8 | ·/˘····· |
| Whose love-sick mind, misreading fate, | 8 | ····˘/˘· |
| Scarce hoped that any Queen of Joy | 8 | ···/˘··· |
| Could ever stoop to be his mate. | 8 | ·/˘····· |
| But there danced she, who from the leaven | 9 | ·······/˘ |
| Of ill preserv’d my heart and wit | 8 | ··˘/···· |
| All unawares, for she was heaven, | 9 | ··˘/···/˘ |
| Others at best but fit for it. | 8 | /˘······ |
| One of those lovely things she was | 8 | ···/˘··· |
| In whose least action there can be | 8 | ···/˘··· |
| Nothing so transient but it has | 8 | /˘·/˘··· |
| An air of immortality. | 8 | ····˘/˘˘ |
| I mark’d her step, with peace elate, | 8 | ······˘/ |
| Her brow more beautiful than morn, | 8 | ···/˘˘·· |
| Her sometime look of girlish state | 8 | ·/···/˘· |
| Which sweetly waived its right to scorn; | 8 | ·/˘····· |
| The giddy crowd, she grave the while, | 8 | ·/˘····· |
| Although, as ’twere beyond her will, | 8 | ········ |
| Around her mouth the baby smile | 8 | ·····/˘· |
| That she was born with linger’d still. | 8 | ·····/˘· |
| Her ball-dress seem’d a breathing mist, | 8 | ·····/˘· |
| From the fair form exhaled and shed, | 8 | ····˘/·· |
| Raised in the dance with arm and wrist | 8 | ········ |
| All warmth and light, unbraceleted. | 9 | ········· |
| Her motion, feeling ’twas beloved, | 8 | ·/˘/˘·˘/ |
| The pensive soul of tune express’d, | 8 | ·/˘···˘/ |
| And, oh, what perfume, as she moved, | 8 | ···˘/··· |
| Came from the flowers in her breast! | 8 | ···/˘··· |
| How sweet a tongue the music had! | 8 | ·····/˘· |
| ‘Beautiful Girl,’ it seem’d to say, | 8 | /˘˘····· |
| ‘Though all the world were vile and sad, | 8 | ········ |
| Dance on; let innocence be gay.’ | 8 | ···/˘˘·· |
| Ah, none but I discern’d her looks, | 8 | ····˘/·· |
| When in the throng she pass’d me by, | 8 | ········ |
| For love is like a ghost, and brooks | 8 | ········ |
| Only the chosen seer’s eye; | 7 | /˘·/˘·· |
| And who but she could e’er divine | 8 | ······˘/ |
| The halo and the happy trance, | 8 | ·/˘··/˘· |
| When her bright arm reposed on mine, | 8 | ····/··· |
| In all the pauses of the dance! | 8 | ···/˘··· |
| Whilst so her beauty fed my sight, | 8 | ···/˘··· |
| And whilst I lived in what she said, | 8 | ········ |
| Accordant airs, like all delight | 8 | ˘/˘···˘/ |
| Most sweet when noted least, were play’d; | 8 | ···/˘··· |
| And was it like the Pharisee | 8 | ·····/˘˘ |
| If I in secret bow’d my face | 8 | ···/˘··· |
| With joyful thanks that I should be, | 8 | ·/˘····· |
| Not as were many, but with grace | 8 | ···/˘··· |
| And fortune of well-nurtured youth, | 8 | ·/˘··/˘· |
| And days no sordid pains defile, | 8 | ···/˘·˘/ |
| And thoughts accustom’d to the truth, | 8 | ··˘/˘··· |
| Made capable of her fair smile? | 8 | ·/˘˘···· |
| Charles Barton follow’d down the stair, | 8 | ·/˘/˘··· |
| To talk with me about the Ball, | 8 | ········ |
| And carp at all the people there. | 8 | ·····/˘· |
| The Churchills chiefly stirr’d his gall: | 8 | ·/˘/˘··· |
| ‘Such were the Kriemhilds and Isondes | 8 | ········ |
| You storm’d about at Trinity! | 8 | ·····/˘˘ |
| Nothing at heart but handsome Blondes! | 8 | /˘···/˘· |
| ‘Folk say that you and Fanny Fry—’ | 8 | ·····/˘· |
| ‘They err! Good-night! Here lies my course, | 8 | ········ |
| Through Wilton.’ Silence blest my ears, | 8 | ·/˘/˘··· |
| And, weak at heart with vague remorse, | 8 | ······˘/ |
| A passing poignancy of tears | 8 | ·/˘/˘˘·· |
| Attack’d mine eyes. By pale and park | 8 | ˘/······ |
| I rode, and ever seem’d to see, | 8 | ···/˘··· |
| In the transparent starry dark, | 8 | ··˘/˘/˘· |
| That splendid brow of chastity, | 8 | ·/˘··/˘˘ |
| That soft and yet subduing light, | 8 | ····˘/˘· |
| At which, as at the sudden moon, | 8 | ·····/˘· |
| I held my breath, and thought ‘how bright!’ | 8 | ········ |
| That guileless beauty in its noon, | 8 | ·/˘/˘··· |
| Compelling tribute of desires | 9 | ˘/˘/˘·˘/˘ |
| Ardent as day when Sirius reigns, | 9 | /˘···/˘˘· |
| Pure as the permeating fires | 9 | ···/˘·˘/˘ |
| That smoulder in the opal’s veins. | 8 | ·/˘··/˘· |
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