The Abdication

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 68 lines · from The Angel in the House

From little signs, like little stars,Whose faint impression on the senseThe very looking straight at mars,Or only seen by confluence;From instinct of a mutual thought,Whence sanctity of manners flow’d;From chance unconscious, and from whatConcealment, overconscious, show’d;Her hand’s less weight upon my arm,Her lowlier mien; that match’d with this;I found, and felt with strange alarmI stood committed to my bliss.

I grew assured, before I ask’d,That she’d be mine without reserve,And in her unclaim’d graces bask’d,At leisure, till the time should serve,With just enough of dread to thrillThe hope, and make it trebly dear;Thus loth to speak the word to killEither the hope or happy fear.

Till once, through lanes returning late,Her laughing sisters lagg’d behind;And, ere we reach’d her father’s gate,We paused with one presentient mind;And, in the dim and perfumed mist,Their coming stay’d, who, friends to me,And very women, loved to assistLove’s timid opportunity.

Twice rose, twice died my trembling word;The faint and frail Cathedral chimesSpake time in music, and we heardThe chafers rustling in the limes.Her dress, that touch’d me where I stood,The warmth of her confided arm,Her bosom’s gentle neighbourhood,Her pleasure in her power to charm;Her look, her love, her form, her touch,The least seem’d most by blissful turn,Blissful but that it pleased too much,And taught the wayward soul to yearn.It was as if a harp with wiresWas traversed by the breath I drew;And, oh, sweet meeting of desires,She, answering, own’d that she loved too.

Honoria was to be my bride!The hopeless heights of hope were scaledThe summit won, I paused and sigh’d,As if success itself had fail’d.It seem’d as if my lips approach’dTo touch at Tantalus’ reward,And rashly on Eden life encroach’d,Half-blinded by the flaming sword.The whole world’s wealthiest and its best,So fiercely sought, appear’d when found,Poor in its need to be possess’d,Poor from its very want of bound.My queen was crouching at my side,By love unsceptred and brought low,Her awful garb of maiden prideAll melted into tears like snow;The mistress of my reverent thought,Whose praise was all I ask’d of fame,In my close-watch’d approval soughtProtection as from danger and blame;Her soul, which late I loved to investWith pity for my poor desert,Buried its face within my breast,Like a pet fawn by hunters hurt.

Words in this poem

confluence n.
The act of flowing together; the meeting or junction of two or more streams; the place of meeting.
bask v. i.
To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
trebly adv.
In a treble manner; with a threefold number or quantity; triply.
presentient a.
Feeling or perceiving beforehand. [L. praesentiens, p. pr. of praesentire to perceive beforehand; prae before + sentire to feel.]
blissful a.
Full of, characterized by, or causing, joy and felicity; happy in the highest degree.
wayward a.
Taking one's own way; disobedient; froward; perverse; willful. [OE. weiward, for aweiward, i. e., turned away. See Away, and -ward.]
yearn v. t.
To pain; to grieve; to vex. [Also earn, ern; probably a corruption of OE. ermen to grieve, AS. ierman, yrman, or geierman, geyrman, fr. earm wretched, poor; akin to D. & G. arm, Icel. armr,]
scaled a.
Covered with scales, or scalelike structures; -- said of a fish, a reptile, a moth, etc.
eden n.
The garden where Adam and Eve first dwelt; hence, a delightful region or residence. [Heb. eden delight, pleasure; also, a place of pleasure, Eden.]
unsceptred a.
Etym: [Pref. un- not + sceptered.]
garb n.
External appearance, as expressive of the feelings or character; looks; fashion or manner, as of speech. [OF. garbe looks, countenance, grace, ornament, fr. OHG. garawi, garwi, ornament, dress. akin to E. gear. See Gear, n.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Abdication is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, The Abdication, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/the-abdication.html, id L12271.

Form and metre

The Abdication is 68 lines in 5 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.1 syllables. 4 lines end on an unstressed syllable, a feminine ending. 21% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABAB-C-CDEDE starsA · senseB · marsA · confluenceB · thought · flow'dC · what · show'dC · armD · thisE · alarmD · blissE
  2. 2 ABABCDCD ask'dA · reserveB · bask'dA · serveB · thrillC · dearD · killC · fearD
  3. 3 ABABC-C- lateA · behindB · gateA · mindB · mistC · me · assistC · opportunity
  4. 4 ABABCDCDEFEFGHGH wordA · chimesB · heardA · limesB · stoodC · armD · neighbourhoodC · charmD · touchE · turnF · muchE · yearnF · wiresG · drewH · desiresG · tooH
  5. 5 ABABCDCDEFEFAGAGHIHIEJEJ brideA · scaledB · sigh'dA · fail'dB · approach'dC · rewardD · encroach'dC · swordD · bestE · foundF · possess'dE · boundF · sideA · lowG · prideA · snowG · thoughtH · fameI · soughtH · blameI · investE · desertJ · breastE · hurtJ
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
From little signs, like little stars,8·/˘··/˘·
Whose faint impression on the sense8··˘/˘···
The very looking straight at mars,8·/˘/˘···
Or only seen by confluence;8·/˘··/˘˘
From instinct of a mutual thought,8·/˘··/˘·
Whence sanctity of manners flow’d;8·/˘˘·/˘·
From chance unconscious, and from what8···/˘···
Concealment, overconscious, show’d;8˘/˘·····
Her hand’s less weight upon my arm,8········
Her lowlier mien; that match’d with this;8········
I found, and felt with strange alarm8······˘/
I stood committed to my bliss.8··˘/˘···
I grew assured, before I ask’d,8··˘/····
That she’d be mine without reserve,8······˘/
And in her unclaim’d graces bask’d,8···˘//˘·
At leisure, till the time should serve,8·/˘·····
With just enough of dread to thrill8··˘/····
The hope, and make it trebly dear;8·····/˘·
Thus loth to speak the word to kill8········
Either the hope or happy fear.8/˘···/˘·
Till once, through lanes returning late,8····˘/˘·
Her laughing sisters lagg’d behind;8·/˘/˘···
And, ere we reach’d her father’s gate,8·····/˘·
We paused with one presentient mind;8····˘/˘·
And, in the dim and perfumed mist,8·····˘/·
Their coming stay’d, who, friends to me,8·/˘·····
And very women, loved to assist9·/˘/˘··˘/
Love’s timid opportunity.8·/˘·˘/˘˘
Twice rose, twice died my trembling word;8·····/˘·
The faint and frail Cathedral chimes8····˘/˘·
Spake time in music, and we heard8···/˘···
The chafers rustling in the limes.8···/˘···
Her dress, that touch’d me where I stood,8········
The warmth of her confided arm,8····˘/˘·
Her bosom’s gentle neighbourhood,8·/˘/˘···
Her pleasure in her power to charm;8·/˘··/··
Her look, her love, her form, her touch,8········
The least seem’d most by blissful turn,8·····/˘·
Blissful but that it pleased too much,8/˘······
And taught the wayward soul to yearn.8···/˘···
It was as if a harp with wires9·······/˘
Was traversed by the breath I drew;8·/˘·····
And, oh, sweet meeting of desires,9···/˘·˘/˘
She, answering, own’d that she loved too.8·/˘·····
Honoria was to be my bride!8˘/˘·····
The hopeless heights of hope were scaled8·/˘·····
The summit won, I paused and sigh’d,8·/˘·····
As if success itself had fail’d.8··˘/˘/··
It seem’d as if my lips approach’d8······˘/
To touch at Tantalus’ reward,8···/˘˘˘/
And rashly on Eden life encroach’d,9·/˘·/˘·˘/
Half-blinded by the flaming sword.8·/˘··/˘·
The whole world’s wealthiest and its best,8···/˘···
So fiercely sought, appear’d when found,8·/˘·˘/··
Poor in its need to be possess’d,8······˘/
Poor from its very want of bound.8···/˘···
My queen was crouching at my side,8···/˘···
By love unsceptred and brought low,8····˘···
Her awful garb of maiden pride8·/˘··/˘·
All melted into tears like snow;8·/˘·····
The mistress of my reverent thought,8·/˘··/˘·
Whose praise was all I ask’d of fame,8········
In my close-watch’d approval sought8····˘/˘·
Protection as from danger and blame;9˘/˘··/˘··
Her soul, which late I loved to invest9·······˘/
With pity for my poor desert,8·/˘···˘/
Buried its face within my breast,8/˘······
Like a pet fawn by hunters hurt.8·····/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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