Rachel

Coventry Patmore (1823–1896) · 1854–1862

iambic tetrameter · 16 lines · from The Angel in the House

You loved her, and would lie all nightThinking how beautiful she was,And what to do for her delight.Now both are bound with alien laws!Be patient; put your heart to school;Weep if you will, but not despair;The trust that nought goes wrong by ruleShould ease this load the many bear.Love, if there’s heav’n, shall meet his dues,Though here unmatch’d, or match’d amiss;Meanwhile, the gentle cannot chooseBut learn to love the lips they kiss.Ne’er hurt the homely sister’s earsWith Rachel’s beauties; secret beThe lofty mind whose lonely tearsProtest against mortality.

Words in this poem

shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
homely a.
Belonging to, or having the characteristics of, home; domestic; familiar; intimate. [From Home, n.]
mortality n.
The condition or quality of being mortal; subjection to death or to the necessity of dying. [L. mortalitas: cf. F. mortalité.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Rachel is in the public domain. This text is taken from The Angel in the House, Project Gutenberg ebook #4099; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Coventry Patmore, Rachel, in The Angel in the House (1854–1862), text of Project Gutenberg ebook #4099, Laurel, https://laurelpoetry.com/poem/patmore-angel/rachel.html, id L12292.

Form and metre

Rachel is 16 lines in a single stanza. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%). 95% of its stressed syllables fall where the metre puts the beat. The lines average 8.0 syllables. 1 line ends on an unstressed syllable, a feminine ending. 38% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 ABABCDCDEFEFG-G- nightA · wasB · delightA · lawsB · schoolC · despairD · ruleC · bearD · duesE · amissF · chooseE · kissF · earsG · be · tearsG · mortality
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
You loved her, and would lie all night8········
Thinking how beautiful she was,8/˘·/˘˘··
And what to do for her delight.8······˘/
Now both are bound with alien laws!8·····/˘·
Be patient; put your heart to school;8·/˘·····
Weep if you will, but not despair;8······˘/
The trust that nought goes wrong by rule8········
Should ease this load the many bear.8·····/˘·
Love, if there’s heav’n, shall meet his dues,8········
Though here unmatch’d, or match’d amiss;8··˘/··˘/
Meanwhile, the gentle cannot choose8/··/˘/˘·
But learn to love the lips they kiss.8········
Ne’er hurt the homely sister’s ears8···/˘/˘·
With Rachel’s beauties; secret be8·/˘/˘/˘·
The lofty mind whose lonely tears8·/˘··/˘·
Protest against mortality.8˘/··˘/˘˘

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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