Lamkin
It’s Lamkin was a mason goodAs ever built wi’ stane;He built Lord Wearie’s castle,But payment got he nane.
‘O pay me, Lord Wearie,Come, pay to me my fee.’--‘I canna pay you, Lamkin,For I maun gang o’er the sea.’--
‘O pay me now, Lord Wearie,Come, pay me out o’ hand.’--‘I canna pay you, Lamkin,Unless I sell my land.’--
‘O gin ye winna pay me,I here sall mak’ a vowBefore that ye come hame again,Ye sall hae cause to rue.’
Lord Wearie got a bonny ship,To sail the saut sea faem;Bade his lady weel the castle keep,Ay till he should come hame.
‘Gae bar the doors,’ the lady said,‘Gae well the windows pin;And what care I for LamkinOr any of his gang?’
But the nourice was a fause limmerAs e’er hung on a tree;She laid a plot wi’ Lamkin,Whan her lord was o’er the sea.
She laid a plot wi’ Lamkin,When the servants were awa’,Loot him in at a little shot-window,And brought him to the ha’.
‘O whare’s a’ the men o’ this house,That ca’ me the Lamkin?’--‘They’re at the barn-well thrashing;’Twill be lang ere they come in.’--
‘And whare’s the women o’ this house,That ca’ me the Lamkin?’--‘They’re at the far well washing;’Twill be lang ere they come in.’--
‘And whare’s the bairns o’ this house,That ca’ me the Lamkin?’--‘They’re at the school reading;’Twill be night or they come hame.’--
‘O whare’s the lady o’ this house,That ca’s me the Lamkin?’--‘She’s up in her bower sewing,But we soon can bring her down.’
Then Lamkin’s tane a sharp knife,That hung down by his gare,And he has gi’en the bonny babeA deep wound and a sair.
Then Lamkin he rockèd,And the fause nourice sang,Till frae ilka bore o’ the cradleThe red blood out sprang.
Then out it spak’ the lady,As she stood on the stair:‘What ails my bairn, nourice,That he’s greeting sae sair?
‘O still my bairn, nourice,O still him wi’ the pap!’--‘He winna still, lady,For this nor for that.’--
‘O still my bairn, nourice,O still him wi’ the wand!’--‘He winna still, lady,For a’ his father’s land.’--
‘O still my bairn, nourice,O still him wi’ the bell!’--‘He winna still, lady,Till ye come down yoursel’.’--
O the firsten step she steppit,She steppit on a stane;But the neisten step she steppit,She met him Lamkin.
‘O mercy, mercy, Lamkin,Hae mercy upon me!Though you hae ta’en my young son’s life,Ye may let mysel’ be.’--
‘O sall I kill her, nourice,Or sall I lat her be?’--‘O kill her, kill her, Lamkin,For she ne’er was good to me.’--
‘O scour the bason, nourice,And mak’ it fair and clean,For to keep this lady’s heart’s blood,For she’s come o’ noble kin.’--
‘There need nae bason, Lamkin,Lat it run through the floor;What better is the heart’s bloodO’ the rich than o’ the poor?’
But ere three months were at an end,Lord Wearie came again;But dowie, dowie was his heartWhen first he came hame.
‘O wha’s blood is this,’ he says,‘That lies in the cham’er?’--‘It is your lady’s heart’s blood;’Tis as clear as the lamer.’--
‘And wha’s blood is this,’ he says,‘That lies in my ha’?’--‘It is your young son’s heart’s blood;’Tis the clearest ava’.’
O sweetly sang the black-birdThat sat upon the tree;But sairer grat Lamkin,When he was condemn’d to dee.
And bonny sang the mavisOut o’ the thorny brake;But sairer grat the nourice,When she was tied to the stake.
Words in this poem
- canna n.
- A measure of length in Italy, varying from six to seven feet. [It.]
- sall n.
- An East Indian timber tree (Shorea robusta), much used for building purposes. It is of a light brown color, close-grained, and durable. [Hind. s\'bel, Skr. ç\'bela.]
- bonny a.
- Handsome; beautiful; pretty; attractively lively and graceful. [OE. boni, prob. fr. F. bon, fem. bonne, good, fr. L. bonus good. See Bounty, and cf. Bonus, Boon.]
- bade
- A form of the pat tense of Bid.
- weel
- A kind of trap or snare for fish, made of twigs. Carew. [Prov. E. weel, weal, a wicker basket to catch eels; prob. akin to willow, and so called as made of willow twigs.]
- limmer a.
- Limber. Holland.
- loot n.
- The act of plundering. [Hind. l, Skr. l, l, booty, lup to break, spoil; prob. akin to E. rob.]
- twill v. i.
- To weave, as cloth, so as to produce the appearance of diagonal lines or ribs on the surface. [Scotch tweel; probably from LG. twillen to make double, from twi- two; akin to AS. twi-, E. twi- in twilight. See Twice, and cf. Tweed, Tweel.]
- gare n.
- Coarse wool on the legs of sheep. Blount. [Cf. Gear.]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- mavis n.
- The European throstle or song thrush (Turdus musicus). [F. mauvis, Arm. milvid, milfid, milc'hhouid, Corn. melhuez.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Lamkin is in the public domain. This text is taken from The Oxford Book of Ballads, Project Gutenberg ebook #44593; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Arthur Quiller-Couch, Lamkin, in The Oxford Book of Ballads (before 1800), text of Project Gutenberg ebook #44593, Laurel, https://laurelpoetry.com/poem/oxford-ballads/lamkin.html, id L08427.
Form and metre
Lamkin is 112 lines in 28 stanzas of 4 lines each. The metre is short measure, measured from the stress the words themselves fix (confidence 84%). 98% of its stressed syllables fall where the metre puts the beat. The lines average 6.7 syllables. 36 lines end on an unstressed syllable, a feminine ending. 9% of the lines run on without a stop at the line end.
See other poems in short measure.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -A-A good · staneA · castle · naneA
- 2 -A-A wearie · feeA · lamkin · seaA
- 3 -A-A wearie · handA · lamkin · landA
- 6 -AA- said · pinA · lamkinA · gang
- 7 -A-A limmer · treeA · lamkin · seaA
- 12 -A-A house · lamkinA · sewing · downA
- 13 -A-A knife · gareA · babe · sairA
- 14 -A-A rockèd · sangA · cradle · sprangA
- 15 -A-A lady · stairA · nourice · sairA
- 19 A-A- steppitA · stane · steppitA · lamkin
- 20 -A-A lamkin · meA · life · beA
- 21 -A-A nourice · beA · lamkin · meA
- 27 -A-A bird · treeA · lamkin · deeA
- 28 -A-A mavis · brakeA · nourice · stakeA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against short measure. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| It’s Lamkin was a mason good | 8 | ·/˘··/˘· |
| As ever built wi’ stane; | 6 | ·/˘··· |
| He built Lord Wearie’s castle, | 6 | ····/˘ |
| But payment got he nane. | 6 | ·/˘··· |
| ‘O pay me, Lord Wearie, | 6 | ······ |
| Come, pay to me my fee.’-- | 6 | ······ |
| ‘I canna pay you, Lamkin, | 7 | ·/˘··/˘ |
| For I maun gang o’er the sea.’-- | 7 | ······· |
| ‘O pay me now, Lord Wearie, | 7 | ······· |
| Come, pay me out o’ hand.’-- | 6 | ······ |
| ‘I canna pay you, Lamkin, | 7 | ·/˘··/˘ |
| Unless I sell my land.’-- | 6 | ······ |
| ‘O gin ye winna pay me, | 7 | ······· |
| I here sall mak’ a vow | 6 | ······ |
| Before that ye come hame again, | 8 | ······˘/ |
| Ye sall hae cause to rue.’ | 6 | ······ |
| Lord Wearie got a bonny ship, | 8 | ·····/˘· |
| To sail the saut sea faem; | 6 | ······ |
| Bade his lady weel the castle keep, | 9 | ··/˘··/˘· |
| Ay till he should come hame. | 6 | ······ |
| ‘Gae bar the doors,’ the lady said, | 8 | ·····/˘· |
| ‘Gae well the windows pin; | 6 | ···/˘· |
| And what care I for Lamkin | 7 | ·····/˘ |
| Or any of his gang?’ | 6 | ·/˘··· |
| But the nourice was a fause limmer | 9 | ··/˘···/˘ |
| As e’er hung on a tree; | 6 | ······ |
| She laid a plot wi’ Lamkin, | 7 | ·····/˘ |
| Whan her lord was o’er the sea. | 7 | ······· |
| She laid a plot wi’ Lamkin, | 7 | ·····/˘ |
| When the servants were awa’, | 7 | ··/˘··· |
| Loot him in at a little shot-window, | 10 | ·····/˘·/˘ |
| And brought him to the ha’. | 6 | ······ |
| ‘O whare’s a’ the men o’ this house, | 8 | ········ |
| That ca’ me the Lamkin?’-- | 6 | ····/˘ |
| ‘They’re at the barn-well thrashing; | 7 | ·····/˘ |
| ’Twill be lang ere they come in.’-- | 7 | ······· |
| ‘And whare’s the women o’ this house, | 8 | ···/˘··· |
| That ca’ me the Lamkin?’-- | 6 | ····/˘ |
| ‘They’re at the far well washing; | 7 | ·····/˘ |
| ’Twill be lang ere they come in.’-- | 7 | ······· |
| ‘And whare’s the bairns o’ this house, | 7 | ······· |
| That ca’ me the Lamkin?’-- | 6 | ····/˘ |
| ‘They’re at the school reading; | 6 | ····/˘ |
| ’Twill be night or they come hame.’-- | 7 | ······· |
| ‘O whare’s the lady o’ this house, | 8 | ···/˘··· |
| That ca’s me the Lamkin?’-- | 6 | ····/˘ |
| ‘She’s up in her bower sewing, | 8 | ····/˘/˘ |
| But we soon can bring her down.’ | 7 | ······· |
| Then Lamkin’s tane a sharp knife, | 7 | ·/˘···· |
| That hung down by his gare, | 6 | ······ |
| And he has gi’en the bonny babe | 8 | ·····/˘· |
| A deep wound and a sair. | 6 | ······ |
| Then Lamkin he rockèd, | 5 | ·/˘·· |
| And the fause nourice sang, | 6 | ···/˘· |
| Till frae ilka bore o’ the cradle | 9 | ··/˘···/˘ |
| The red blood out sprang. | 5 | ····· |
| Then out it spak’ the lady, | 7 | ·····/˘ |
| As she stood on the stair: | 6 | ······ |
| ‘What ails my bairn, nourice, | 6 | ····/˘ |
| That he’s greeting sae sair? | 6 | ··/˘·· |
| ‘O still my bairn, nourice, | 6 | ····/˘ |
| O still him wi’ the pap!’-- | 6 | ······ |
| ‘He winna still, lady, | 6 | ····/˘ |
| For this nor for that.’-- | 5 | ····· |
| ‘O still my bairn, nourice, | 6 | ····/˘ |
| O still him wi’ the wand!’-- | 6 | ······ |
| ‘He winna still, lady, | 6 | ····/˘ |
| For a’ his father’s land.’-- | 6 | ···/˘· |
| ‘O still my bairn, nourice, | 6 | ····/˘ |
| O still him wi’ the bell!’-- | 6 | ······ |
| ‘He winna still, lady, | 6 | ····/˘ |
| Till ye come down yoursel’.’-- | 6 | ······ |
| O the firsten step she steppit, | 8 | ········ |
| She steppit on a stane; | 6 | ······ |
| But the neisten step she steppit, | 8 | ········ |
| She met him Lamkin. | 5 | ···/˘ |
| ‘O mercy, mercy, Lamkin, | 7 | ·/˘/˘/˘ |
| Hae mercy upon me! | 6 | ·/˘··· |
| Though you hae ta’en my young son’s life, | 8 | ········ |
| Ye may let mysel’ be.’-- | 6 | ······ |
| ‘O sall I kill her, nourice, | 7 | ·····/˘ |
| Or sall I lat her be?’-- | 6 | ······ |
| ‘O kill her, kill her, Lamkin, | 7 | ·····/˘ |
| For she ne’er was good to me.’-- | 7 | ······· |
| ‘O scour the bason, nourice, | 8 | ·/˘·/˘/˘ |
| And mak’ it fair and clean, | 6 | ······ |
| For to keep this lady’s heart’s blood, | 8 | ····/˘·· |
| For she’s come o’ noble kin.’-- | 7 | ····/˘· |
| ‘There need nae bason, Lamkin, | 7 | ···/˘/˘ |
| Lat it run through the floor; | 6 | ······ |
| What better is the heart’s blood | 7 | ·/˘···· |
| O’ the rich than o’ the poor?’ | 7 | ······· |
| But ere three months were at an end, | 8 | ········ |
| Lord Wearie came again; | 6 | ····˘/ |
| But dowie, dowie was his heart | 8 | ·/˘/˘··· |
| When first he came hame. | 5 | ····· |
| ‘O wha’s blood is this,’ he says, | 7 | ······· |
| ‘That lies in the cham’er?’-- | 6 | ······ |
| ‘It is your lady’s heart’s blood; | 7 | ···/˘·· |
| ’Tis as clear as the lamer.’-- | 7 | ·····/˘ |
| ‘And wha’s blood is this,’ he says, | 7 | ······· |
| ‘That lies in my ha’?’-- | 5 | ····· |
| ‘It is your young son’s heart’s blood; | 7 | ······· |
| ’Tis the clearest ava’.’ | 6 | ··/˘/˘ |
| O sweetly sang the black-bird | 7 | ·/˘···· |
| That sat upon the tree; | 6 | ······ |
| But sairer grat Lamkin, | 6 | ····/˘ |
| When he was condemn’d to dee. | 7 | ···˘/·· |
| And bonny sang the mavis | 7 | ·/˘··/˘ |
| Out o’ the thorny brake; | 6 | ···/˘· |
| But sairer grat the nourice, | 7 | ·····/˘ |
| When she was tied to the stake. | 7 | ······· |
Notes from the edition 9
Arthur Quiller-Couch's notes to The Oxford Book of Ballads (1910; Project Gutenberg #44593).
- Stanza 7, line 1 limmer = wretch, jade.
- Stanza 8, line 3 shot-window = a window opening on a hinge.
- Stanza 13, line 2 gare = a seam of the skirt.
- Stanza 14, line 3 bore = hole, crevice.
- Stanza 15, line 4 greeting = wailing, crying.
- Stanza 24, line 3 dowie = heavy, sorrowful.
- Stanza 25, line 2 cham’er = chamber.
- Stanza 25, line 4 lamer = amber.
- Stanza 26, line 4 ava’ = of all.
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