Jamie Douglas
I was a lady of high renownAs ever lived in the north countrie;I was a lady of high renownWhen the Earl Douglas luvèd me.
And when we came through Glasgow toun,We were a comely sight to see;My gude lord in the black velvèt,And I mysel’ in cramasie.
But when we came to Douglas toun,We were a fine sight to behold:My gude lord in the cramasieAnd I mysel’ in the shining gold.
And when that my auld son was bornAnd set upon his nurse’s knee,I was happy a woman as e’er was born,And my gude lord he luvèd me.
But O an my young son was bornAnd set upon his nurse’s kneeAnd I mysel’ were dead and gane,For a maid again I’ll never be!
There cam’ a man into this house,And Jamie Lockhart was his name,And it was told to my gude lordThat I was owre in love wi’ him.
O wae be unto thee, Blackwòod,And ae an ill death may ye dee!For ye was the first and foremost manThat parted my gude lord and me.
I sent a word to my gude lord,‘Come down, and sit, and dine wi’ me,And I’ll set thee on a chair of gowd,And a siller towel on thy knee.’--
‘When cockle-shells turn silver bells,And mussell grow on every tree,When frost and snow turns fire to burn,Then I’ll sit down and dine wi’ thee.’
When that my father he had wordThat my gude lord had forsaken me,He sent a fifty brisk dragoonsTo fetch me home to my ain countrie.
‘Fare thee well, my Jamie Douglas!Fare thee well, ever dear to me!But O, an my young babe were bornAnd set upon some nourice’ knee!
‘And fare thee well, my pretty palace!And fare ye well, my children three!God grant your father grace to be kind,More kind to you than he was to me!’
Then slowly, slowly rase I up,But quickly, quickly he cam’ doun,And when he saw me sit in my coach,He made his drums and trumpets sound.
When we cam’ in by Edinbro’ town,My father and mother they met meWi’ trumpets soundin’ on every side;But it was nae music at a’ to me.
‘Now hau’d your comfort my father dear,And mother your weeping let abee!I’ll never lye in another man’s armsSince my dear lord has forsaken me.’
It’s very true, and it’s aft-times said,The hawk will flie far far frae her nest:And a’ the warld may plainly seeThey are far frae me that I luve best.
O waly, waly, up the bank,And waly, waly, doun the brae,And waly, waly, yon burn-side,Where I and my Love wont to gae!
I lean’d my back unto an aik,I thocht it was a trustie tree;But first it bow’d and syne it brak--Sae my true love did lichtlie me.
O waly, waly, gin love be bonnieA little time while it is new!But when ’tis auld it waxeth cauld,And fades awa’ like morning dew.
O wherefore should I busk my heid,Or wherefore should I kame my hair?For my true Love has me forsook,And says he’ll never lo’e me mair.
Now Arthur’s Seat sall be my bed,The sheets sall ne’er be ’filed by me;Saint Anton’s well sall be my drink;Since my true Love has forsaken me.
Marti’mas wind, when wilt thou blaw,And shake the green leaves aff the tree?O gentle Death, when wilt thou come?For of my life I am wearìe.
’Tis not the frost, that freezes fell,Nor blawing snaw’s inclemencie,’Tis not sic cauld that makes me cry;But my Love’s heart grown cauld to me.
When we cam’ in by Glasgow toun,We were a comely sicht to see;My Love was clad in the black velvèt,And I mysel’ in cramasie.
But had I wist, before I kist,That love had been sae ill to win,I had lock’d my heart in a case o’ gowd,And pinn’d it wi’ a siller pin.
And O! if my young babe were born,And set upon the nurse’s knee;And I mysel’ were dead and gane,And the green grass growing over me!
Words in this poem 16
- auld a.
- Old; as, Auld Reekie (old smoky), i. e., Edinburgh. [See Old.]
- gane v. i.
- To yawn; to gape. [See Yawn.]
- dine v. i.
- To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
- babe n.
- An infant; a young child of either sex; a baby. [Cf. Ir. bab, baban, W. baban, maban.]
- rase v. t.
- To rub along the surface of; to graze. [F. raser, LL. rasare to scrape often, v. freq. fr. L. radere, rasum, to scrape, shave; cf. Skr. rad to scratch, gnaw, L. rodere to gnaw. Cf. Raze, Razee, Razor,]
- trumpets n.
- A plant (Sarracenia flava) with long, hollow leaves.
- waly interj.
- An exclamation of grief. [Obs. or Prov. Eng. & Scot.] [Cf. Welaway.]
- brae n.
- A hillside; a slope; a bank; a hill. Burns. [See Bray a hill.]
- syne adv.
- Afterwards; since; ago. R. of Brunne. [See Since.]
- wherefore adv.
- For which reason; so; -- used relatively. [Where + for.]
- busk n.
- A thin, elastic strip of metal, whalebone, wood, or other material, worn in the front of a corset. [F. busc, perh. fr. the hypothetical older form of E. bois wood, because the first busks were made of wood. See Bush, and cf. OF. busche, F. bûche, a piece or lo]
- kame n.
- A low ridge. See Eschar.
- sall n.
- An East Indian timber tree (Shorea robusta), much used for building purposes. It is of a light brown color, close-grained, and durable. [Hind. s\'bel, Skr. ç\'bela.]
- clad v.
- To clothe. Holland.
- kist n.
- A chest; hence, a coffin. Jamieson. [See Chest.]
- pinn v. t.
- To inclose; to confine; to pen; to pound. [Cf. Pen to confine, or Pinfold.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Jamie Douglas is in the public domain. This text is taken from The Oxford Book of Ballads, Project Gutenberg ebook #44593; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Arthur Quiller-Couch, Jamie Douglas, in The Oxford Book of Ballads (before 1800), text of Project Gutenberg ebook #44593, Laurel, https://laurelpoetry.com/poem/oxford-ballads/jamie-douglas.html, id L08436.
Form and metre
Jamie Douglas is 104 lines in 26 stanzas of 4 lines each. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 84%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.3 syllables. 3 lines end on an unstressed syllable, a feminine ending. 14% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A- renownA · countrie · renownA · me
- 3 -A-A toun · beholdA · cramasie · goldA
- 4 ABAB bornA · kneeB · bornA · meB
- 5 -A-A born · kneeA · gane · beA
- 7 -A-A blackwòod · deeA · man · meA
- 8 -A-A lord · meA · gowd · kneeA
- 9 -A-A bells · treeA · burn · theeA
- 11 -A-A douglas · meA · born · kneeA
- 12 -A-A palace · threeA · kind · meA
- 14 -A-A town · meA · side · meA
- 15 -A-A dear · abeeA · arms · meA
- 16 -A-A said · nestA · see · bestA
- 18 -A-A aik · treeA · brak · meA
- 19 -A-A bonnie · newA · cauld · dewA
- 20 -A-A heid · hairA · forsook · mairA
- 21 -A-A bed · meA · drink · meA
- 23 --AA fell · inclemencie · cryA · meA
- 25 -A-A kist · winA · gowd · pinA
- 26 -A-A born · kneeA · gane · meA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| I was a lady of high renown | 9 | ···/˘··˘/ |
| As ever lived in the north countrie; | 8 | ·/······ |
| I was a lady of high renown | 9 | ···/˘··˘/ |
| When the Earl Douglas luvèd me. | 7 | ···/˘·· |
| And when we came through Glasgow toun, | 8 | ·····/·· |
| We were a comely sight to see; | 8 | ···/˘··· |
| My gude lord in the black velvèt, | 8 | ········ |
| And I mysel’ in cramasie. | 8 | ········ |
| But when we came to Douglas toun, | 8 | ·····/˘· |
| We were a fine sight to behold: | 8 | ······˘/ |
| My gude lord in the cramasie | 8 | ········ |
| And I mysel’ in the shining gold. | 9 | ······/˘· |
| And when that my auld son was born | 8 | ········ |
| And set upon his nurse’s knee, | 8 | ·····/˘· |
| I was happy a woman as e’er was born, | 11 | ··/˘·/˘···· |
| And my gude lord he luvèd me. | 7 | ······· |
| But O an my young son was born | 8 | ········ |
| And set upon his nurse’s knee | 8 | ·····/˘· |
| And I mysel’ were dead and gane, | 8 | ········ |
| For a maid again I’ll never be! | 8 | ···˘/·/· |
| There cam’ a man into this house, | 8 | ········ |
| And Jamie Lockhart was his name, | 8 | ·/˘/···· |
| And it was told to my gude lord | 8 | ········ |
| That I was owre in love wi’ him. | 8 | ········ |
| O wae be unto thee, Blackwòod, | 8 | ········ |
| And ae an ill death may ye dee! | 8 | ········ |
| For ye was the first and foremost man | 9 | ······/·· |
| That parted my gude lord and me. | 8 | ·/˘····· |
| I sent a word to my gude lord, | 8 | ········ |
| ‘Come down, and sit, and dine wi’ me, | 8 | ········ |
| And I’ll set thee on a chair of gowd, | 9 | ········· |
| And a siller towel on thy knee.’-- | 9 | ··/˘/˘··· |
| ‘When cockle-shells turn silver bells, | 8 | ·/˘··/˘· |
| And mussell grow on every tree, | 8 | ·/˘··/˘· |
| When frost and snow turns fire to burn, | 8 | ·····/·· |
| Then I’ll sit down and dine wi’ thee.’ | 8 | ········ |
| When that my father he had word | 8 | ···/˘··· |
| That my gude lord had forsaken me, | 9 | ·····˘/˘· |
| He sent a fifty brisk dragoons | 8 | ···/˘··· |
| To fetch me home to my ain countrie. | 9 | ········· |
| ‘Fare thee well, my Jamie Douglas! | 8 | ····/˘/˘ |
| Fare thee well, ever dear to me! | 8 | ···/˘··· |
| But O, an my young babe were born | 8 | ········ |
| And set upon some nourice’ knee! | 8 | ·····/˘· |
| ‘And fare thee well, my pretty palace! | 9 | ·····/˘/˘ |
| And fare ye well, my children three! | 8 | ·····/˘· |
| God grant your father grace to be kind, | 9 | ···/˘···· |
| More kind to you than he was to me!’ | 9 | ········· |
| Then slowly, slowly rase I up, | 8 | ·/˘/˘··· |
| But quickly, quickly he cam’ doun, | 8 | ·/˘/˘··· |
| And when he saw me sit in my coach, | 9 | ········· |
| He made his drums and trumpets sound. | 8 | ·····/˘· |
| When we cam’ in by Edinbro’ town, | 9 | ········· |
| My father and mother they met me | 9 | ·/˘·/˘··· |
| Wi’ trumpets soundin’ on every side; | 9 | ·/˘···/˘· |
| But it was nae music at a’ to me. | 10 | ····/˘···· |
| ‘Now hau’d your comfort my father dear, | 9 | ···/˘·/˘· |
| And mother your weeping let abee! | 9 | ·/˘·/˘·˘/ |
| I’ll never lye in another man’s arms | 9 | ·/··˘/˘·· |
| Since my dear lord has forsaken me.’ | 9 | ·····˘/˘· |
| It’s very true, and it’s aft-times said, | 9 | ·/˘······ |
| The hawk will flie far far frae her nest: | 9 | ········· |
| And a’ the warld may plainly see | 8 | ·····/˘· |
| They are far frae me that I luve best. | 9 | ········· |
| O waly, waly, up the bank, | 8 | ·/˘/˘··· |
| And waly, waly, doun the brae, | 8 | ·/˘/˘··· |
| And waly, waly, yon burn-side, | 8 | ·/˘/˘··· |
| Where I and my Love wont to gae! | 8 | ········ |
| I lean’d my back unto an aik, | 8 | ········ |
| I thocht it was a trustie tree; | 8 | ········ |
| But first it bow’d and syne it brak-- | 8 | ········ |
| Sae my true love did lichtlie me. | 8 | ········ |
| O waly, waly, gin love be bonnie | 10 | ·/˘/˘···/˘ |
| A little time while it is new! | 8 | ·/˘····· |
| But when ’tis auld it waxeth cauld, | 8 | ········ |
| And fades awa’ like morning dew. | 8 | ·····/˘· |
| O wherefore should I busk my heid, | 8 | ·/˘····· |
| Or wherefore should I kame my hair? | 8 | ·/˘····· |
| For my true Love has me forsook, | 8 | ······˘/ |
| And says he’ll never lo’e me mair. | 8 | ···/˘··· |
| Now Arthur’s Seat sall be my bed, | 8 | ·/˘····· |
| The sheets sall ne’er be ’filed by me; | 8 | ········ |
| Saint Anton’s well sall be my drink; | 8 | ·/······ |
| Since my true Love has forsaken me. | 9 | ·····˘/˘· |
| Marti’mas wind, when wilt thou blaw, | 8 | ········ |
| And shake the green leaves aff the tree? | 8 | ········ |
| O gentle Death, when wilt thou come? | 8 | ·/˘····· |
| For of my life I am wearìe. | 8 | ········ |
| ’Tis not the frost, that freezes fell, | 8 | ·····/˘· |
| Nor blawing snaw’s inclemencie, | 8 | ········ |
| ’Tis not sic cauld that makes me cry; | 8 | ········ |
| But my Love’s heart grown cauld to me. | 8 | ········ |
| When we cam’ in by Glasgow toun, | 8 | ·····/·· |
| We were a comely sicht to see; | 8 | ···/˘··· |
| My Love was clad in the black velvèt, | 9 | ········· |
| And I mysel’ in cramasie. | 8 | ········ |
| But had I wist, before I kist, | 8 | ········ |
| That love had been sae ill to win, | 8 | ········ |
| I had lock’d my heart in a case o’ gowd, | 10 | ·········· |
| And pinn’d it wi’ a siller pin. | 8 | ·····/˘· |
| And O! if my young babe were born, | 8 | ········ |
| And set upon the nurse’s knee; | 8 | ·····/˘· |
| And I mysel’ were dead and gane, | 8 | ········ |
| And the green grass growing over me! | 8 | ····/··· |
Notes from the edition 3
Arthur Quiller-Couch's notes to The Oxford Book of Ballads (1910; Project Gutenberg #44593).
- Stanza 2, line 4 cramasie = crimson.
- Stanza 4, line 1 auld = eldest.
- Stanza 18, line 4 lichtlie = slight, treat with disrespect.
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