Binnorie

Arthur Quiller-Couch (1863–1944) · before 1800

iambic tetrameter · octosyllabic couplets · 60 lines · from The Oxford Book of Ballads

There were twa sisters sat in a bour;Binnorie, O Binnorie!There cam a knight to be their wooer,By the bonnie milldams o’ Binnorie.

He courted the eldest with glove and ring,But he lo’ed the youngest abune a’ thing.

The eldest she was vexèd sair,And sair envìed her sister fair.

Upon a morning fair and clear,She cried upon her sister dear:

‘O sister, sister, tak my hand,And we’ll see our father’s ships to land.’

She’s ta’en her by the lily hand,And led her down to the river-strand.

The youngest stood upon a stane,The eldest cam and push’d her in.

‘O sister, sister, reach your hand!And ye sall be heir o’ half my land:

‘O sister, reach me but your glove!And sweet William sall be your love.’--

‘Foul fa’ the hand that I should take;It twin’d me o’ my warldis make.

‘Your cherry cheeks and your yellow hairGar’d me gang maiden evermair.’

Sometimes she sank, sometimes she swam,Until she cam to the miller’s dam.

Out then cam the miller’s son,And saw the fair maid soummin’ in.

‘O father, father, draw your dam!There’s either a mermaid or a milk-white swan.’

The miller hasted and drew his dam,And there he found a drown’d woman.

You couldna see her middle sma’,Her gowden girdle was sae braw.

You couldna see her lily feet,Her gowden fringes were sae deep.

You couldna see her yellow hairFor the strings o’ pearls was twisted there.

You couldna see her fingers sma’,Wi’ diamond rings they were cover’d a’.

And by there cam a harper fine,That harpit to the king at dine.

And when he look’d that lady on,He sigh’d and made a heavy moan.

He’s made a harp of her breast-bane,Whose sound wad melt a heart of stane.

He’s ta’en three locks o’ her yellow hair,And wi’ them strung his harp sae rare.

He went into her father’s hall,And there was the court assembled all.

He laid his harp upon a stane,And straight it began to play by lane.

‘O yonder sits my father, the King,And yonder sits my mother, the Queen;

‘And yonder stands my brother Hugh,And by him my William, sweet and true.’

But the last tune that the harp play’d then--Binnorie, O Binnorie!Was, ‘Woe to my sister, false Helèn!’By the bonnie milldams o’ Binnorie.

Words in this poem

bour n.
A chamber or a cottage. [See Bower a chamber.]
wooer n.
One who wooes; one who courts or solicits in love; a suitor. [AS. wogere. See Woo, v. t.]
sall n.
An East Indian timber tree (Shorea robusta), much used for building purposes. It is of a light brown color, close-grained, and durable. [Hind. s\'bel, Skr. ç\'bela.]
mermaid n.
A fabled marine creature, typically represented as having the upper part like that of a woman, and the lower like a fish; a sea nymph, sea woman, or woman fish. [AS. mere lake, sea. See Mere lake, and maid.]
braw a.
Well-dressed; handsome; smart; brave; -- used of persons or their clothing, etc.; as, a braw lad.
harper n.
A player on the harp; a minstrel. [AS. hearpere.]
dine v. i.
To eat the principal regular meal of the day; to take dinner. [F. dîner, OF. disner, LL. disnare, contr. fr. an assumed disjunare; dis- + an assumed junare (OF. juner) to fast, for L. jejunare, fr. jejunus fasting. See Jeju]
bane v. t.
To be the bane of; to ruin. Fuller.
went n.
Course; way; path; journey; direction.
yonder adv.
At a distance, but within view. [OE. yonder, ýonder; cf. OD. ginder, Goth. jaindr there. Yond, adv.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Binnorie is in the public domain. This text is taken from The Oxford Book of Ballads, Project Gutenberg ebook #44593; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Arthur Quiller-Couch, Binnorie, in The Oxford Book of Ballads (before 1800), text of Project Gutenberg ebook #44593, Laurel, https://laurelpoetry.com/poem/oxford-ballads/binnorie.html, id L08372.

Form and metre

Binnorie is 60 lines in 28 verse paragraphs. It is in rhyming couplets, 60% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 2 lines end on an unstressed syllable, a feminine ending.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 -A-A bour · binnorieA · wooer · binnorieA
  2. 2 AA ringA · thingA
  3. 3 AA sairA · fairA
  4. 4 AA clearA · dearA
  5. 5 AA handA · landA
  6. 6 AA handA · strandA
  7. 8 AA handA · landA
  8. 9 AA gloveA · loveA
  9. 10 AA takeA · makeA
  10. 11 AA hairA · evermairA
  11. 12 AA swamA · damA
  12. 13 AA sonA · inA
  13. 18 AA hairA · thereA
  14. 20 AA fineA · dineA
  15. 22 AA baneA · staneA
  16. 23 AA hairA · rareA
  17. 24 AA hallA · allA
  18. 25 AA staneA · laneA
  19. 27 AA hughA · trueA
  20. 28 -A-A then · binnorieA · helèn · binnorieA
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
There were twa sisters sat in a bour;9···/˘····
Binnorie, O Binnorie!7·······
There cam a knight to be their wooer,9·······/˘
By the bonnie milldams o’ Binnorie.10··/˘······
He courted the eldest with glove and ring,10·/˘·/˘····
But he lo’ed the youngest abune a’ thing.10····/˘····
The eldest she was vexèd sair,7·/˘····
And sair envìed her sister fair.8···˘·/˘·
Upon a morning fair and clear,8···/˘···
She cried upon her sister dear:8·····/˘·
‘O sister, sister, tak my hand,8·/˘/˘···
And we’ll see our father’s ships to land.’9···//˘···
She’s ta’en her by the lily hand,8·····/˘·
And led her down to the river-strand.9······/˘·
The youngest stood upon a stane,8·/˘·····
The eldest cam and push’d her in.8·/˘·····
‘O sister, sister, reach your hand!8·/˘/˘···
And ye sall be heir o’ half my land:9·········
‘O sister, reach me but your glove!8·/˘·····
And sweet William sall be your love.’--8··/˘····
‘Foul fa’ the hand that I should take;8········
It twin’d me o’ my warldis make.8········
‘Your cherry cheeks and your yellow hair9·/˘···/˘·
Gar’d me gang maiden evermair.’9/˘··/˘···
Sometimes she sank, sometimes she swam,8˘/··˘/··
Until she cam to the miller’s dam.9······/˘·
Out then cam the miller’s son,7····/˘·
And saw the fair maid soummin’ in.8········
‘O father, father, draw your dam!8·/˘/˘···
There’s either a mermaid or a milk-white swan.’11·/˘·/······
The miller hasted and drew his dam,9·/˘/˘····
And there he found a drown’d woman.8······/˘
You couldna see her middle sma’,8·····/˘·
Her gowden girdle was sae braw.8·/˘/˘···
You couldna see her lily feet,8·····/˘·
Her gowden fringes were sae deep.8·/˘/˘···
You couldna see her yellow hair8·····/˘·
For the strings o’ pearls was twisted there.9······/˘·
You couldna see her fingers sma’,8·····/˘·
Wi’ diamond rings they were cover’d a’.9·/˘···/˘·
And by there cam a harper fine,8·····/˘·
That harpit to the king at dine.8········
And when he look’d that lady on,8·····/˘·
He sigh’d and made a heavy moan.8·····/˘·
He’s made a harp of her breast-bane,8········
Whose sound wad melt a heart of stane.8········
He’s ta’en three locks o’ her yellow hair,9······/˘·
And wi’ them strung his harp sae rare.8········
He went into her father’s hall,8·····/˘·
And there was the court assembled all.9·····˘/˘·
He laid his harp upon a stane,8········
And straight it began to play by lane.9···˘/····
‘O yonder sits my father, the King,9·/˘··/˘··
And yonder sits my mother, the Queen;9·/˘··/˘··
‘And yonder stands my brother Hugh,8·/˘··/˘·
And by him my William, sweet and true.’9····/˘···
But the last tune that the harp play’d then--9·········
Binnorie, O Binnorie!7·······
Was, ‘Woe to my sister, false Helèn!’9····/˘···
By the bonnie milldams o’ Binnorie.10··/˘······
Notes from the edition 4

Arthur Quiller-Couch's notes to The Oxford Book of Ballads (1910; Project Gutenberg #44593).

  1. Stanza 10, line 2 twin’d = robbed, deprived.
  2. Stanza 10, line 2 my warldis make = my one mate in the world.
  3. Stanza 13, line 2 soummin’ = swimming.
  4. Stanza 25, line 2 by lane = alone, of itself.

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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