The Cry of the Mad Moonshee

Alfred Noyes (1880–1958) · 1913

iambic pentameter · 58 lines · from Collected Poems, Volume One

If the blossoms were beans,I should know what it means--This blaze, which I certainly cannot endure;It is evil, too,For its colour is blue,And the sense of the matter is quite obscure.Celestial truthIs the food of youth;But the music was dark as a moonless night.The facts in the songWere all of them wrong,

And there was not a single sum done right;Tho' a metaphysician amongst the crowd,In a voice that was notably deep and loud,Repeated, as fast as he was able,The whole of the multiplication table.

So the cry flapped off as a wild goose flies,And the stars came out in the trembling skies,And ever the mystic glory grewIn the garden of blue chrysanthemums,Till there came a rumble of distant drums;And the multitude suddenly turned and flew.... A dead ape lay where their feet had been ...And we called for the yellow palankeen,And the flowers divided and let us through.

The black-barred moon was large and lowWhen we came to the Forest of Ancient Woe;And over our heads the stars were bright.But through the forest the path we travelledIts phosphorescent aisle unravelledIn one thin ribbon of dwindling light:And twice and thrice on the fainting trackWe paused to listen. The moon grew black,But the coolies' faces glimmered white,As the wild woods echoed in dreadful chorusA laugh that came horribly hopping o'er usLike monstrous frogs thro' the murky night.

Then the tall thin man as we swung alongSang us an old enchanted songThat lightened our hearts of their fearful load.But, e'en as the moonlit air grew sweet,We heard the pad of stealthy feetDogging us down the thin white road;And the song grew weary again and harsh,And the black trees dripped like the fringe of a marsh,And a laugh crept out like a shadowy toad;And we knew it was neither ghoul nor djinn:It was Creeping Sin! It was Creeping Sin!

But we came to a bend, and the white moon glowedLike a gate at the end of the narrowing roadFar away; and on either hand,As guards of a path to the heart's desire,The strange tall blossoms of soft blue fireStretched away thro' that unknown land,League on league with their dwindling laneDown to the large low moon; and againThere shimmered around us that mystical strain,In a tongue that it seemed we could understand.

Words in this poem

moonless a.
Being without a moon or moonlight.
metaphysician n.
One who is versed in metaphysics. [Cf. F. métaphysicien.]
amongst prep.
Mixed or mingled; surrounded by. [OE. amongist, amonges, amonge, among, AS. onmang, ongemang, gemang, in a crowd or mixture. For the ending -st see Amidst. See Mingle.]
notably adv.
In a notable manner.
dreadful a.
Full of dread or terror; fearful.
horribly adv.
In a manner to excite horror; dreadfully; terribly.
enchanted a.
Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
moonlit a.
Illumined by the moon.
ghoul n.
An imaginary evil being among Eastern nations, which was supposed to feed upon human bodies. Moore. [Per. gh an imaginary sylvan demon, supposed to devour men and animals: cf. Ar. gh, F. goule.]
narrowing n.
The act of contracting, or of making or becoming less in breadth or extent.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Cry of the Mad Moonshee is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, The Cry of the Mad Moonshee, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/the-cry-of-the-mad-moonshee.html, id L21405.

Form and metre

The Cry of the Mad Moonshee is 58 lines in 6 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 74%).

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCBDD-EE beansA · meansA · endureB · tooC · blueC · obscureB · truthD · youthD · night · songE · wrongE
  2. 2 -AABB right · crowdA · loudA · ableB · tableB
  3. 3 AABCCBDDB fliesA · skiesA · grewB · chrysanthemumsC · drumsC · flewB · beenD · palankeenD · throughB
  4. 4 AABCCBDDBEEB lowA · woeA · brightB · travelledC · unravelledC · lightB · trackD · blackD · whiteB · chorusE · usE · nightB
  5. 5 AABCCBDDBEE alongA · songA · loadB · sweetC · feetC · roadB · harshD · marshD · toadB · djinnE · sinE
  6. 6 AABCCBDDDB glowedA · roadA · handB · desireC · fireC · landB · laneD · againD · strainD · understandB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
If the blossoms were beans,6··/˘··
I should know what it means--6······
This blaze, which I certainly cannot endure;10····/˘/˘˘/
It is evil, too,5··/˘·
For its colour is blue,6··/˘··
And the sense of the matter is quite obscure.11·····/˘··˘/
Celestial truth4˘/˘·
Is the food of youth;5·····
But the music was dark as a moonless night.11··/˘····/˘·
The facts in the song5·····
Were all of them wrong,5·····
And there was not a single sum done right;10·····/˘···
Tho' a metaphysician amongst the crowd,11···········
In a voice that was notably deep and loud,10·····/˘···
Repeated, as fast as he was able,10˘/˘·····/˘
The whole of the multiplication table.11·····˘˘/˘/˘
So the cry flapped off as a wild goose flies,10··········
And the stars came out in the trembling skies,10·······/˘·
And ever the mystic glory grew9·/˘·/˘/˘·
In the garden of blue chrysanthemums,10··/˘··˘/˘˘
Till there came a rumble of distant drums;10····/˘·/˘·
And the multitude suddenly turned and flew.10··/˘·/˘···
... A dead ape lay where their feet had been ...9·········
And we called for the yellow palankeen,10·····/˘···
And the flowers divided and let us through.10··/˘/˘····
The black-barred moon was large and low9···˘·····
When we came to the Forest of Ancient Woe;11·····/˘·/˘·
And over our heads the stars were bright.10···/˘·····
But through the forest the path we travelled10···/˘···/˘
Its phosphorescent aisle unravelled10······˘/˘˘
In one thin ribbon of dwindling light:10···/˘·/˘˘·
And twice and thrice on the fainting track9······/˘·
We paused to listen. The moon grew black,10··˘·/˘····
But the coolies' faces glimmered white,9···/˘/˘˘·
As the wild woods echoed in dreadful chorus11····/˘·/˘/˘
A laugh that came horribly hopping o'er us10····/˘/˘··
Like monstrous frogs thro' the murky night.9·/˘···/˘·
Then the tall thin man as we swung along10········˘/
Sang us an old enchanted song8····˘/˘·
That lightened our hearts of their fearful load.10·/˘/···/˘·
But, e'en as the moonlit air grew sweet,9····/····
We heard the pad of stealthy feet8·····/˘·
Dogging us down the thin white road;8/˘······
And the song grew weary again and harsh,10····/˘˘/··
And the black trees dripped like the fringe of a marsh,11···········
And a laugh crept out like a shadowy toad;10·······/˘·
And we knew it was neither ghoul nor djinn:10·····/˘···
It was Creeping Sin! It was Creeping Sin!10··/˘···/˘·
But we came to a bend, and the white moon glowed11···········
Like a gate at the end of the narrowing road11········/˘·
Far away; and on either hand,8·˘/··/˘·
As guards of a path to the heart's desire,11········˘/˘
The strange tall blossoms of soft blue fire10···/˘···/˘
Stretched away thro' that unknown land,9·˘˘/··˘/·
League on league with their dwindling lane9·····/˘˘·
Down to the large low moon; and again9·······˘/
There shimmered around us that mystical strain,10·/˘····/˘·
In a tongue that it seemed we could understand.11·········˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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