Pirates

Alfred Noyes (1880–1958) · 1913

anapaestic pentameter · AABB · 42 lines · from Collected Poems, Volume One

Come to me, you with the laughing face, in the night as I lieDreaming of days that are dead and of joys gone by;Come to me, comrade, come through the slow-dropping rain,Come from your grave in the darkness and let us be pirates again.

Let us be boys together to-night, and pretend as of oldWe are pirates at rest in a cave among huge heaps of gold,Red Spanish doubloons and great pieces of eight, and musketsand swords,And a smoky red camp-fire to glint, you know how, on ourill-gotten hoards.

The old cave in the fir-wood that slopes down the hills to the seaStill is haunted, perhaps, by young pirates as wicked as we:Though the fir with the magpie's big mud-plastered nest used to hideit so well,And the boys in the gang had to swear that they never would tell.

Ah, that tree; I have sat in its boughs and looked seaward for hours.I remember the creak of its branches, the scent of the flowersThat climbed round the mouth of the cave. It is odd I recallThose little things best, that I scarcely took heed of at all.

I remember how brightly the brass on the butt of my spy-glass gleamedAs I climbed through the purple heather and thyme to our eyrieand dreamed;I remember the smooth glossy sun-burn that darkened our facesand handsAs we gazed at the merchantmen sailing away to those wonderful lands.

I remember the long, slow sigh of the sea as we raced in the sun,To dry ourselves after our swimming; and how we would runWith a cry and a crash through the foam as it creamed on the shore,Then back to bask in the warm dry gold of the sand once more.

Come to me, you with the laughing face, in the gloom as I lieDreaming of days that are dead and of joys gone by;Let us be boys together to-night and pretend as of oldWe are pirates at rest in a cave among great heaps of gold.

Come; you shall be chief. We'll not quarrel, the time flies so fast.There are ships to be grappled, there's blood to be shed, ere ourplaytime be past.No; perhaps we will quarrel, just once, or it scarcely will seemSo like the old days that have flown from us both like a dream.

Still; you shall be chief in the end; and then we'll go homeTo the hearth and the tea and the books that we loved: ah, but come,Come to me, come through the night and the slow-dropping rain;Come, old friend, come thro' the darkness and let us be playmates again.

Words in this poem

glint n.
A glimpse, glance, or gleam. [OE. glent.]
haunted a.
Inhabited by, or subject to the visits of, apparitions; frequented by a ghost.
seaward a.
Directed or situated toward the sea. Donne.
creak v. i.
To make a prolonged sharp grating or ssqueaking sound, as by the friction of hard substances; as, shoes creak. [OE. creken, prob. of imitative origin; cf. E. crack, and. D. kreiken to crackle, chirp.]
eyrie n.
The nest of a bird of prey or other large bird that builds in a lofty place; aerie. [See Aerie]
bask v. i.
To lie in warmth; to be exposed to genial heat. [OScand. ba to bathe one's self, or perh. bakask to bake one's self, sk being reflexive. See Bath, n., Bake, v. t.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
playtime n.
Time for play or diversion.
flown a.
Flushed, inflated.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Pirates is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Alfred Noyes, Pirates, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/pirates.html, id L21414.

Form and metre

Pirates is 42 lines in 9 stanzas. The rhyme scheme is AABB, complete in 5 of its 9 stanzas. The metre is anapaestic pentameter, measured from the stress the words themselves fix (confidence 84%).

See other poems in anapaestic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABB lieA · byA · rainB · againB
  2. 2 AA-B-B oldA · goldA · muskets · swordsB · our · hoardsB
  3. 3 AA-BB seaA · weA · hide · wellB · tellB
  4. 4 AABB hoursA · flowersA · recallB · allB
  5. 5 A-A-BB gleamedA · eyrie · dreamedA · faces · handsB · landsB
  6. 6 AABB sunA · runA · shoreB · moreB
  7. 7 AABB lieA · byA · oldB · goldB
  8. 8 A-ABB fastA · our · pastA · seemB · dreamB
  9. 9 AABB homeA · comeA · rainB · againB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic pentameter. How this is done.

LineSyl.Stress
Come to me, you with the laughing face, in the night as I lie15······/˘·······
Dreaming of days that are dead and of joys gone by;12/˘··········
Come to me, comrade, come through the slow-dropping rain,12···/·····/˘·
Come from your grave in the darkness and let us be pirates again.16······/˘····/˘˘/
Let us be boys together to-night, and pretend as of old15····˘/˘···˘/···
We are pirates at rest in a cave among huge heaps of gold,15··/˘···········
Red Spanish doubloons and great pieces of eight, and muskets14·/˘····/˘···/˘
and swords,2··
And a smoky red camp-fire to glint, you know how, on our14··/˘··/······/
ill-gotten hoards.4·/˘·
The old cave in the fir-wood that slopes down the hills to the sea15···············
Still is haunted, perhaps, by young pirates as wicked as we:15··/˘˘/··/˘·/˘··
Though the fir with the magpie's big mud-plastered nest used to hide15·····/···/˘····
it so well,3···
And the boys in the gang had to swear that they never would tell.14···········/··
Ah, that tree; I have sat in its boughs and looked seaward for hours.15···········/˘·/
I remember the creak of its branches, the scent of the flowers15·˘/˘····/˘····/
That climbed round the mouth of the cave. It is odd I recall14············/·
Those little things best, that I scarcely took heed of at all.14·/˘····/˘·····
I remember how brightly the brass on the butt of my spy-glass gleamed17·˘/˘·/˘··········
As I climbed through the purple heather and thyme to our eyrie15·····/˘/˘···//˘
and dreamed;2··
I remember the smooth glossy sun-burn that darkened our faces16·˘/˘··/˘···/˘//˘
and hands2··
As we gazed at the merchantmen sailing away to those wonderful lands.16·····/˘/˘˘/··/˘·
I remember the long, slow sigh of the sea as we raced in the sun,17·˘/˘·············
To dry ourselves after our swimming; and how we would run14··˘/··//˘·····
With a cry and a crash through the foam as it creamed on the shore,15···············
Then back to bask in the warm dry gold of the sand once more.14··············
Come to me, you with the laughing face, in the gloom as I lie15······/˘·······
Dreaming of days that are dead and of joys gone by;12/˘··········
Let us be boys together to-night and pretend as of old15····˘/˘···˘/···
We are pirates at rest in a cave among great heaps of gold.15··/˘···········
Come; you shall be chief. We'll not quarrel, the time flies so fast.14·······/˘·····
There are ships to be grappled, there's blood to be shed, ere our14·····/˘······/
playtime be past.4/˘··
No; perhaps we will quarrel, just once, or it scarcely will seem15·˘/··/˘····/˘··
So like the old days that have flown from us both like a dream.14··············
Still; you shall be chief in the end; and then we'll go home13·············
To the hearth and the tea and the books that we loved: ah, but come,15···············
Come to me, come through the night and the slow-dropping rain;13··········/˘·
Come, old friend, come thro' the darkness and let us be playmates again.16······/˘····/·˘/

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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