Part I: The Splendid Secret
Now father stood engaged in talkWith mother on that narrow walkBetween the laurels (where we playAt Red-skins lurking for their prey)And the grey old wall of rosesWhere the Persian kitten dozesAnd the sunlight sleeps uponCrannies of the crumbling stone--So hot it is you scarce can bearYour naked hand upon it there,Though there luxuriating in heatWith a slow and gorgeous beatWhite-winged currant-moths displayTheir spots of black and gold all day.--
Well, since we greatly wished to knowWhether we too might some day goWhere little Peterkin had goneWithout one word and all alone,We crept up through the laurels thereHoping that we might overhearThe splendid secret, darkly great,Of Peterkin's mysterious fate;And on what high adventure boundHe left our pleasant garden-ground,Whether for old Japan once moreHe voyaged from the dim blue shore,Or whether he set out to runBy candle-light to Babylon.
We just missed something father saidAbout a young prince that was dead,A little warrior that had foughtAnd failed: how hopes were brought to noughtHe said, and mortals made to bowBefore the Juggernaut of Death,And all the world was darker now,For Time's grey lips and icy breathHad blown out all the enchanted lightsThat burned in Love's Arabian nights;And now he could not understandMother's mystic fairy-land,"Land of the dead, poor fairy-tale,"He murmured, and her face grew pale,And then with great soft shining eyesShe leant to him--she looked so wise--And, with her cheek against his cheek,We heard her, ah so softly, speak.
"Husband, there was a happy day,Long ago, in love's young May,When with a wild-flower in your handYou echoed that dead poet's cry--'Little flower, but if I could understand!'And you saw it had roots in the depths of the sky,And there in that smallest bud lay furledThe secret and meaning of all the world."
He shook his head and then he triedTo kiss her, but she only criedAnd turned her face away and said,"You come between me and my dead!His soul is near me, night and day,But you would drive it far away;And you shall never kiss me nowUntil you lift that brave old browOf faith I know so well; or elseRefute the tale the skylark tells,Tarnish the glory of that May,Explain the Smallest Flower away."And still he said, "Poor fairy-tales,How terribly their starlight palesBefore the solemn sun of truthThat rises o'er the grave of youth!"
"Is heaven a fairy-tale?" she said,--And once again he shook his head;And yet we ne'er could understandWhy heaven should not be fairy-land,A part of heaven at least, and whyThe thought of it made mother cry,And why they went away so sad,And father still quite unforgiven,For what could children be but gladTo find a fairy-land in heaven?
And as we talked it o'er we foundOur brains were really spinning round;But Dick, our eldest, late returnedFrom school, by all the lore he'd learnedDeclared that we should seek the lostSmallest Flower at any cost.For, since within its leaves lay furledThe secret of the whole wide world,He thought that we might learn thereinThe whereabouts of Peterkin;And, if we found the Flower, we knewFather would be forgiven, too;And mother's kiss atone for allThe quarrel by the rose-hung wall;We knew, not how we knew not why,But Dick it was who bade us try,Dick made it all seem plain and clear,And Dick it is who helps us hereTo tell this tale of fairy-landIn words we scarce can understand.For ere another golden hourHad passed, our anxious parents foundWe'd left the scented garden-groundTo seek--the Smallest Flower.
Words in this poem
- scarce a.
- Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
- gorgeous a.
- Imposing through splendid or various colors; showy; fine; magnificent. [OF. gorgias beautiful, glorious, vain, luxurious; cf. OF. gorgias ruff, neck handkerchief, and F. gorge throat, and se pengorger to assume airs. Cf. Gorge, n.]
- overhear v. t.
- To hear more of (anything) than was intended to be heard; to hear by accident or artifice. [AS. oferhiéran.]
- enchanted a.
- Under the power of enchantment; possessed or exercised by enchanters; as, an enchanted castle.
- shook v. t.
- To pack, as staves, in a shook.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- skylark n.
- A lark that mounts and sings as it files, especially the common species (Alauda arvensis) found in Europe and in some parts of Asia, and celebrated for its melodious song; -- called also sky laverock.
- starlight n.
- The light given by the stars.
- went n.
- Course; way; path; journey; direction.
- whereabouts adv.
- About where; near what or which place; -- used interrogatively and relatively; as, whereabouts did you meet him
- atone v. t.
- To set at one; to reduce to concord; to reconcile, as parties at variance; to appease.
- bade
- A form of the pat tense of Bid.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Part I: The Splendid Secret is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, Part I: The Splendid Secret, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/part-i-the-splendid-secret.html, id L21451.
Form and metre
Part I: The Splendid Secret is 104 lines in 7 verse paragraphs. It is in rhyming couplets, 77% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 90%).
See other poems in octosyllabic couplets, other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC--DDEEBB talkA · walkA · playB · preyB · rosesC · dozesC · upon · stone · bearD · thereD · heatE · beatE · displayB · dayB
- 2 AA--BBCCDDEE-- knowA · goA · gone · alone · thereB · overhearB · greatC · fateC · boundD · groundD · moreE · shoreE · run · babylon
- 3 AABBCDCDEEFFGGHHII saidA · deadA · foughtB · noughtB · bowC · deathD · nowC · breathD · lightsE · nightsE · understandF · landF · taleG · paleG · eyesH · wiseH · cheekI · speakI
- 4 AABCBCDD dayA · mayA · handB · cryC · understandB · skyC · furledD · worldD
- 5 AABBCCDD--CCEEFF triedA · criedA · saidB · deadB · dayC · awayC · nowD · browD · else · tells · mayC · awayC · talesE · palesE · truthF · youthF
- 6 AABBCCD-D- saidA · headA · understandB · landB · whyC · cryC · sadD · unforgiven · gladD · heaven
- 7 AABBCCDDEEFFGGHHIIJJKAAK foundA · roundA · returnedB · learnedB · lostC · costC · furledD · worldD · thereinE · peterkinE · knewF · tooF · allG · wallG · whyH · tryH · clearI · hereI · landJ · understandJ · hourK · foundA · groundA · flowerK
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Now father stood engaged in talk | 8 | ·/˘·˘/·· |
| With mother on that narrow walk | 8 | ·/˘··/˘· |
| Between the laurels (where we play | 8 | ···/˘··· |
| At Red-skins lurking for their prey) | 8 | ···/˘··· |
| And the grey old wall of roses | 8 | ······/˘ |
| Where the Persian kitten dozes | 8 | ··/˘/˘/˘ |
| And the sunlight sleeps upon | 7 | ··/···· |
| Crannies of the crumbling stone | 8 | /˘··/˘˘· |
| --So hot it is you scarce can bear | 8 | ········ |
| Your naked hand upon it there, | 8 | ·/˘····· |
| Though there luxuriating in heat | 8 | ········ |
| With a slow and gorgeous beat | 7 | ····/˘· |
| White-winged currant-moths display | 8 | ··˘/˘·˘/ |
| Their spots of black and gold all day.-- | 8 | ········ |
| Well, since we greatly wished to know | 8 | ···/˘··· |
| Whether we too might some day go | 8 | ········ |
| Where little Peterkin had gone | 8 | ·/˘˘/˘·· |
| Without one word and all alone, | 8 | ······˘/ |
| We crept up through the laurels there | 8 | ·····/˘· |
| Hoping that we might overhear | 8 | /˘···/˘/ |
| The splendid secret, darkly great, | 8 | ·/˘/˘/˘· |
| Of Peterkin's mysterious fate; | 8 | ·˘/˘˘/˘· |
| And on what high adventure bound | 8 | ····˘/˘· |
| He left our pleasant garden-ground, | 8 | ··//˘/˘· |
| Whether for old Japan once more | 8 | ····˘/·· |
| He voyaged from the dim blue shore, | 8 | ·/˘····· |
| Or whether he set out to run | 8 | ········ |
| By candle-light to Babylon. | 8 | ·/˘··/˘· |
| We just missed something father said | 8 | ···/˘/˘· |
| About a young prince that was dead, | 8 | ········ |
| A little warrior that had fought | 8 | ·/˘/˘··· |
| And failed: how hopes were brought to nought | 8 | ········ |
| He said, and mortals made to bow | 8 | ···/˘··· |
| Before the Juggernaut of Death, | 8 | ···/˘··· |
| And all the world was darker now, | 8 | ·····/˘· |
| For Time's grey lips and icy breath | 8 | ·····/˘· |
| Had blown out all the enchanted lights | 9 | ·····˘/˘· |
| That burned in Love's Arabian nights; | 8 | ····˘/˘· |
| And now he could not understand | 8 | ······˘/ |
| Mother's mystic fairy-land, | 7 | /˘/˘/˘· |
| "Land of the dead, poor fairy-tale," | 8 | ·····/˘· |
| He murmured, and her face grew pale, | 8 | ·/˘····· |
| And then with great soft shining eyes | 8 | ·····/˘· |
| She leant to him--she looked so wise-- | 9 | ·/˘······ |
| And, with her cheek against his cheek, | 8 | ········ |
| We heard her, ah so softly, speak. | 8 | ·····/˘· |
| "Husband, there was a happy day, | 8 | /˘···/˘· |
| Long ago, in love's young May, | 7 | ·˘/···· |
| When with a wild-flower in your hand | 8 | ····/··· |
| You echoed that dead poet's cry-- | 8 | ·/˘··/˘· |
| 'Little flower, but if I could understand!' | 10 | /˘/·····˘/ |
| And you saw it had roots in the depths of the sky, | 12 | ············ |
| And there in that smallest bud lay furled | 9 | ····/˘··· |
| The secret and meaning of all the world." | 10 | ·/˘·/˘···· |
| He shook his head and then he tried | 8 | ········ |
| To kiss her, but she only cried | 8 | ·····/˘· |
| And turned her face away and said, | 8 | ····˘/·· |
| "You come between me and my dead! | 8 | ········ |
| His soul is near me, night and day, | 8 | ········ |
| But you would drive it far away; | 8 | ······˘/ |
| And you shall never kiss me now | 8 | ···/˘··· |
| Until you lift that brave old brow | 8 | ········ |
| Of faith I know so well; or else | 8 | ········ |
| Refute the tale the skylark tells, | 8 | ˘/···/·· |
| Tarnish the glory of that May, | 8 | /˘·/˘··· |
| Explain the Smallest Flower away." | 8 | ˘/·/˘/˘/ |
| And still he said, "Poor fairy-tales, | 8 | ·····/˘· |
| How terribly their starlight pales | 8 | ·/˘˘·/·· |
| Before the solemn sun of truth | 8 | ···/˘··· |
| That rises o'er the grave of youth!" | 8 | ·/˘····· |
| "Is heaven a fairy-tale?" she said,-- | 8 | ·/·/˘··· |
| And once again he shook his head; | 8 | ··˘/···· |
| And yet we ne'er could understand | 8 | ······˘/ |
| Why heaven should not be fairy-land, | 8 | ·/···/˘· |
| A part of heaven at least, and why | 8 | ···/···· |
| The thought of it made mother cry, | 8 | ·····/˘· |
| And why they went away so sad, | 8 | ····˘/·· |
| And father still quite unforgiven, | 9 | ·/˘···˘/˘ |
| For what could children be but glad | 8 | ···/˘··· |
| To find a fairy-land in heaven? | 9 | ···/˘··/˘ |
| And as we talked it o'er we found | 8 | ········ |
| Our brains were really spinning round; | 8 | /··/˘/˘· |
| But Dick, our eldest, late returned | 8 | ··//˘·˘/ |
| From school, by all the lore he'd learned | 8 | ········ |
| Declared that we should seek the lost | 8 | ˘/······ |
| Smallest Flower at any cost. | 8 | /˘/˘·/˘· |
| For, since within its leaves lay furled | 8 | ········ |
| The secret of the whole wide world, | 8 | ·/˘····· |
| He thought that we might learn therein | 8 | ········ |
| The whereabouts of Peterkin; | 8 | ·/˘··˘/˘ |
| And, if we found the Flower, we knew | 8 | ·····/·· |
| Father would be forgiven, too; | 8 | /˘··˘/˘· |
| And mother's kiss atone for all | 8 | ·/˘·˘/·· |
| The quarrel by the rose-hung wall; | 8 | ·/˘····· |
| We knew, not how we knew not why, | 8 | ········ |
| But Dick it was who bade us try, | 8 | ········ |
| Dick made it all seem plain and clear, | 8 | ········ |
| And Dick it is who helps us here | 8 | ········ |
| To tell this tale of fairy-land | 8 | ·····/˘· |
| In words we scarce can understand. | 8 | ······˘/ |
| For ere another golden hour | 9 | ··˘/˘/˘/˘ |
| Had passed, our anxious parents found | 8 | ··//˘/˘· |
| We'd left the scented garden-ground | 8 | ···/˘/˘· |
| To seek--the Smallest Flower. | 7 | ···/˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.