A Triple Ballad of Old Japan
In old Japan, by creek and bay,The blue plum-blossoms blow,Where birds with sea-blue plumage gayThro' sea-blue branches go:Dragons are coiling down belowLike dragons on a fan;And pig-tailed sailors lurching slowThro' streets of old Japan.
There, in the dim blue death of dayWhere white tea-roses grow,Petals and scents are strewn astrayTill night be sweet enow,Then lovers wander whispering lowAs lovers only can,Where rosy paper lanterns glowThro' streets of old Japan.
From Wonderland to Yea-or-NayThe junks of Weal-and-WoeDream on the purple water-wayNor ever meet a foe;Though still, with stiff mustachioAnd crookéd ataghan,Their pirates guard with pomp and showThe ships of old Japan.
That land is very far away,We lost it long ago!No fairies ride the cherry spray,No witches mop and mow,The violet wells have ceased to flow;And O, how faint and wanThe dawn on Fusiyama's snow,The peak of old Japan.
Half smilingly, our hearts delay,Half mournfully foregoThe blue fantastic twisted dayWhen faithful Konojo,For small white Lily Hasu-koKnelt in the Butsudan,And her tomb opened to bestrowLilies thro' old Japan.
There was a game they used to playI' the San-ju-san-jen Do,They filled a little lacquer trayWith powders in a row,Dry dust of flowers from TashiroTo Mount Daimugenzan,Dry little heaps of dust, but OThey breathed of old Japan.
Then knights in blue and gold arrayWould on their thumbs bestowA pinch from every heap and say,With many a hum and ho,What blossoms, nodding to and froFor joy of maid or man,Conceived the scents that puzzled soThe brains of old Japan.
The hundred ghosts have ceased to affrayThe dust of Kyotó,Ah yet, what phantom blooms a-swayMurmur, a-loft, a-low,In dells no scythe of death can mow,No power of reason scan,O, what Samúrai singers knowThe Flower of old Japan?
Dry dust of blossoms, dim and gray,Lost on the wind? Ah, no,Hark, from yon clump of English may,A cherub's mocking crow,A sudden twang, a sweet, swift throe,As Daisy trips by Dan,And careless Cupid drops his bowAnd laughs--from old Japan.
There, in the dim blue death of dayWhere white tea-roses grow,Petals and scents are strewn astrayTill night be sweet enow,Then lovers wander, whispering low,As lovers only can,Where rosy paper lanterns glowThro' streets of old Japan.
Words in this poem
- enow
- A form of Enough.
- wonderland n.
- A land full of wonders, or marvels. M. Arnold.
- smilingly adv.
- In a smiling manner.
- forego v. t.
- To quit; to relinquish; to leave. [See Forgo.]
- scan v. t.
- To mount by steps; to go through with step by step. [L. scandere, scansum, to climb, to scan, akin to Skr. skand to spring, leap: cf. F. scander. Cf. Ascend, Descend, Scale a ladder.]
- throe n.
- Extreme pain; violent pang; anguish; agony; especially, one of the pangs of travail in childbirth, or purturition. [OE. , , AS. a threatening, oppression, suffering, perhaps influenced by Icel. a throe, a pang, a longing; cf. AS. to suffer.]
- cupid
- The god of love, son of Venus; usually represented as a naked, winged boy with bow and arrow. [L.Cupido, fr. cupido desire, desire of love, fr. cupidus. See Cupidity.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
A Triple Ballad of Old Japan is in the public domain. This text is taken from Collected Poems: Volume One, Project Gutenberg ebook #30501; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Alfred Noyes, A Triple Ballad of Old Japan, in Collected Poems, Volume One (1913), text of Project Gutenberg ebook #30501, Laurel, https://laurelpoetry.com/poem/noyes-collected/a-triple-ballad-of-old-japan.html, id L21395.
Form and metre
A Triple Ballad of Old Japan is 80 lines in 10 stanzas of 8 lines each. The commonest rhyme scheme is ABABBCBC, in 3 of the 10 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABABBCBC bayA · blowB · gayA · goB · belowB · fanC · slowB · japanC
- 2 ABA-BCBC dayA · growB · astrayA · enow · lowB · canC · glowB · japanC
- 3 ABABB-B- nayA · woeB · wayA · foeB · mustachioB · ataghan · showB · japan
- 4 ABABB-B- awayA · agoB · sprayA · mowB · flowB · wan · snowB · japan
- 5 ABA-B--- delayA · foregoB · dayA · konojo · koB · butsudan · bestrow · japan
- 6 A-AB--B- playA · do · trayA · rowB · tashiro · daimugenzan · oB · japan
- 7 ABABBCBC arrayA · bestowB · sayA · hoB · froB · manC · soB · japanC
- 8 ---AABAB affray · kyotó · sway · lowA · mowA · scanB · knowA · japanB
- 9 ABABBCBC grayA · noB · mayA · crowB · throeB · danC · bowB · japanC
- 10 ABA-BCBC dayA · growB · astrayA · enow · lowB · canC · glowB · japanC
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| In old Japan, by creek and bay, | 8 | ··˘/···· |
| The blue plum-blossoms blow, | 6 | ···/˘· |
| Where birds with sea-blue plumage gay | 8 | ·····/˘· |
| Thro' sea-blue branches go: | 6 | ···/˘· |
| Dragons are coiling down below | 8 | /˘·/˘··· |
| Like dragons on a fan; | 6 | ·/˘··· |
| And pig-tailed sailors lurching slow | 8 | ···/˘/˘· |
| Thro' streets of old Japan. | 6 | ····˘/ |
| There, in the dim blue death of day | 8 | ········ |
| Where white tea-roses grow, | 6 | ···/˘· |
| Petals and scents are strewn astray | 8 | /˘····˘/ |
| Till night be sweet enow, | 6 | ····˘/ |
| Then lovers wander whispering low | 9 | ·/˘/˘/˘˘· |
| As lovers only can, | 6 | ·/˘/˘· |
| Where rosy paper lanterns glow | 8 | ·/˘/˘/˘· |
| Thro' streets of old Japan. | 6 | ····˘/ |
| From Wonderland to Yea-or-Nay | 8 | ·/˘····· |
| The junks of Weal-and-Woe | 6 | ······ |
| Dream on the purple water-way | 8 | ···/˘/˘· |
| Nor ever meet a foe; | 6 | ·/˘··· |
| Though still, with stiff mustachio | 8 | ····˘/˘· |
| And crookéd ataghan, | 5 | ··/˘˘ |
| Their pirates guard with pomp and show | 8 | ·/˘····· |
| The ships of old Japan. | 6 | ····˘/ |
| That land is very far away, | 8 | ···/˘·˘/ |
| We lost it long ago! | 6 | ····˘/ |
| No fairies ride the cherry spray, | 8 | ·/˘··/˘· |
| No witches mop and mow, | 6 | ·/˘··· |
| The violet wells have ceased to flow; | 9 | ·/˘˘····· |
| And O, how faint and wan | 6 | ······ |
| The dawn on Fusiyama's snow, | 7 | ······· |
| The peak of old Japan. | 6 | ····˘/ |
| Half smilingly, our hearts delay, | 9 | ·/˘˘/˘·˘/ |
| Half mournfully forego | 6 | ····˘/ |
| The blue fantastic twisted day | 8 | ··˘/˘/˘· |
| When faithful Konojo, | 6 | ·/˘··· |
| For small white Lily Hasu-ko | 8 | ···/˘··· |
| Knelt in the Butsudan, | 6 | ······ |
| And her tomb opened to bestrow | 8 | ···/˘··· |
| Lilies thro' old Japan. | 6 | /˘··˘/ |
| There was a game they used to play | 8 | ········ |
| I' the San-ju-san-jen Do, | 7 | ······· |
| They filled a little lacquer tray | 8 | ···/˘/˘· |
| With powders in a row, | 6 | ·/˘··· |
| Dry dust of flowers from Tashiro | 9 | ···/˘·˘/˘ |
| To Mount Daimugenzan, | 6 | ······ |
| Dry little heaps of dust, but O | 8 | ·/˘····· |
| They breathed of old Japan. | 6 | ····˘/ |
| Then knights in blue and gold array | 8 | ······˘/ |
| Would on their thumbs bestow | 6 | ····˘/ |
| A pinch from every heap and say, | 9 | ···/˘˘··· |
| With many a hum and ho, | 7 | ·/˘···· |
| What blossoms, nodding to and fro | 8 | ·/˘/˘··· |
| For joy of maid or man, | 6 | ······ |
| Conceived the scents that puzzled so | 8 | ˘/···/˘· |
| The brains of old Japan. | 6 | ····˘/ |
| The hundred ghosts have ceased to affray | 9 | ·/˘····˘/ |
| The dust of Kyotó, | 4 | ···· |
| Ah yet, what phantom blooms a-sway | 8 | ···/˘··· |
| Murmur, a-loft, a-low, | 6 | /˘···· |
| In dells no scythe of death can mow, | 8 | ········ |
| No power of reason scan, | 7 | ·/˘·/˘· |
| O, what Samúrai singers know | 8 | ·····/˘· |
| The Flower of old Japan? | 7 | ·/˘··˘/ |
| Dry dust of blossoms, dim and gray, | 8 | ···/˘··· |
| Lost on the wind? Ah, no, | 6 | ······ |
| Hark, from yon clump of English may, | 8 | ·····/˘· |
| A cherub's mocking crow, | 6 | ·/˘/˘· |
| A sudden twang, a sweet, swift throe, | 8 | ·/˘····· |
| As Daisy trips by Dan, | 6 | ·/˘··· |
| And careless Cupid drops his bow | 8 | ·/˘/˘··· |
| And laughs--from old Japan. | 6 | ····˘/ |
| There, in the dim blue death of day | 8 | ········ |
| Where white tea-roses grow, | 6 | ···/˘· |
| Petals and scents are strewn astray | 8 | /˘····˘/ |
| Till night be sweet enow, | 6 | ····˘/ |
| Then lovers wander, whispering low, | 9 | ·/˘/˘/˘˘· |
| As lovers only can, | 6 | ·/˘/˘· |
| Where rosy paper lanterns glow | 8 | ·/˘/˘/˘· |
| Thro' streets of old Japan. | 6 | ····˘/ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.