The Merry Song
The "Merry Song" finished,They struck up a chorus,A song of their own,A wailing lament(For, as yet, they've no others).And is it not strangeThat in vast Holy Russia,With masses and massesOf people unnumbered,No song has been bornOverflowing with joyLike a bright summer morning?Yes, is it not striking,And is it not tragic?O times that are coming,You, too, will be paintedIn songs of the people,But how? In what colours?And will there be everA smile in their hearts?
"Eh, that's a fine song!'Tis a shame to forget it."Our peasants regretThat their memories trick them.And, meanwhile, the peasantsOf "Earthworms" are saying,"We lived but for 'barschin,'Pray, how would you like it?You see, we grew up'Neath the snout of the Barin,Our noses were gluedTo the earth. We'd forgottenThe faces of neighbours,Forgot how to speak.We got tipsy in silence,Gave kisses in silence,Fought silently, too."
"Eh, who speaks of silence?We'd more cause to hate itThan you," said a peasantWho came from a VolostNear by, with a waggonOf hay for the market.(Some heavy misfortuneHad forced him to sell it.)"For once our young lady,Miss Gertrude, decidedThat any one swearingMust soundly be flogged.Dear Lord, how they flogged usUntil we stopped swearing!Of course, not to swearFor the peasant means--silence.We suffered, God knows!Then freedom was granted,We feasted it finely,And then we made upFor our silence, believe me:We swore in such styleThat Pope John was ashamedFor the church-bells to hear us.(They rang all day long.)What stories we told then!We'd no need to seekFor the words. They were writtenAll over our backs."
"A funny thing happenedIn our parts,--a strange thing,"Remarked a tall fellowWith bushy black whiskers.(He wore a round hatWith a badge, a red waistcoatWith ten shining buttons,And stout homespun breeches.His legs, to contrastWith the smartness above them,Were tied up in rags!There are trees very like him,From which a small shepherdHas stripped all the bark offBelow, while aboveNot a scratch can be noticed!And surely no ravenWould scorn such a summitFor building a nest.)"Well, tell us about it."
"I'll first have a smoke."
And while he is smokingOur peasants are asking,"And who is this fellow?What sort of a goose?"
"An unfortunate footmanInscribed in our Volost,A martyr, a house-serfOf Count Sinegusin's.His name is Vikenti.He sprang from the foot-boardDirect to the ploughshare;We still call him 'Footman.'He's healthy enough,But his legs are not strong,And they're given to trembling.His lady would driveIn a carriage and fourTo go hunting for mushrooms.He'll tell you some stories:His memory's splendid;You'd think he had eatenThe eggs of a magpie."
Now, setting his hat straight,Vikenti commencesTo tell them the story.
Words in this poem
- unnumbered a.
- Not numbered; not counted or estimated; innumerable.
- meanwhile n.
- The intervening time; as, in the meantime (or mean time).
- volost n.
- In the greater part of Russia, a division for local government consisting of a group of mirs, or village communities; a canton.
- backs n.
- Among leather dealers, the thickest and stoutest tanned hides.
- funny a.
- Droll; comical; amusing; laughable. Funny bone. See crazy bone, under Crazy. [From Fun.]
- homespun a.
- Spun or wrought at home; of domestic manufacture; coarse; plain.
- smartness n.
- The quality or state of being smart.
- ploughshare n.
- The share of a plow, or that part which cuts the slice of earth or sod at the bottom of the furrow. Plowshare bone (Anat.), the pygostyle.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Merry Song is in the public domain. This text is taken from Who Can Be Happy and Free in Russia?, Project Gutenberg ebook #9619; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Nikolai Nekrasov, The Merry Song, in Who Can Be Happy and Free in Russia? (1917), text of Project Gutenberg ebook #9619, Laurel, https://laurelpoetry.com/poem/nekrasov-who-can-be-happy/the-merry-song.html, id L25515.
Form and metre
The Merry Song is 112 lines in 8 stanzas. The metre is anapaestic dimeter, measured from the stress the words themselves fix (confidence 82%).
See other poems in anapaestic dimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 -A----BA-B----CC- song · itA · regret · them · peasants · saying · barschinB · itA · up · barinB · glued · forgotten · neighbours · speak · silenceC · silenceC · too
- 3 AB---B-B--C-DC-A-------D-E-E- silenceA · itB · peasant · volost · waggon · marketB · misfortune · itB · lady · decided · swearingC · flogged · usD · swearingC · swear · silenceA · knows · granted · finely · up · me · style · ashamed · usD · long · thenE · seek · writtenE · backs
- 4 ---------------A-BAB happened · thing · fellow · whiskers · hat · waistcoat · buttons · breeches · contrast · them · rags · him · shepherd · off · above · noticedA · raven · summitB · nestA · itB
- 7 A------A-BB------- footmanA · volost · serf · sinegusin's · vikenti · board · ploughshare · footmanA · enough · strongB · tremblingB · drive · four · mushrooms · stories · splendid · eaten · magpie
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against anapaestic dimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| The "Merry Song" finished, | 6 | ·/˘·/˘ |
| They struck up a chorus, | 6 | ····/˘ |
| A song of their own, | 5 | ····· |
| A wailing lament | 5 | ·/˘˘/ |
| (For, as yet, they've no others). | 7 | ·····/˘ |
| And is it not strange | 5 | ····· |
| That in vast Holy Russia, | 7 | ···/˘/˘ |
| With masses and masses | 6 | ·/˘·/˘ |
| Of people unnumbered, | 6 | ·/˘˘/˘ |
| No song has been born | 5 | ····· |
| Overflowing with joy | 6 | /˘·˘·· |
| Like a bright summer morning? | 7 | ···/˘/˘ |
| Yes, is it not striking, | 6 | ····/˘ |
| And is it not tragic? | 6 | ····/˘ |
| O times that are coming, | 6 | ····/˘ |
| You, too, will be painted | 6 | ····/˘ |
| In songs of the people, | 6 | ····/˘ |
| But how? In what colours? | 6 | ····/˘ |
| And will there be ever | 6 | ····/˘ |
| A smile in their hearts? | 5 | ····· |
| "Eh, that's a fine song! | 5 | ····· |
| 'Tis a shame to forget it." | 7 | ····˘/· |
| Our peasants regret | 6 | /˘/˘˘/ |
| That their memories trick them. | 6 | ··/˘·· |
| And, meanwhile, the peasants | 6 | ·/··/˘ |
| Of "Earthworms" are saying, | 6 | ·/··/˘ |
| "We lived but for 'barschin,' | 6 | ······ |
| Pray, how would you like it? | 6 | ······ |
| You see, we grew up | 5 | ····· |
| 'Neath the snout of the Barin, | 7 | ······· |
| Our noses were glued | 6 | /˘/˘·· |
| To the earth. We'd forgotten | 7 | ····˘/˘ |
| The faces of neighbours, | 6 | ·/˘·/˘ |
| Forgot how to speak. | 5 | ˘/··· |
| We got tipsy in silence, | 7 | ··/˘·/˘ |
| Gave kisses in silence, | 6 | ·/˘·/˘ |
| Fought silently, too." | 5 | ·/˘˘· |
| "Eh, who speaks of silence? | 6 | ····/˘ |
| We'd more cause to hate it | 6 | ······ |
| Than you," said a peasant | 6 | ····/˘ |
| Who came from a Volost | 6 | ····/˘ |
| Near by, with a waggon | 6 | ······ |
| Of hay for the market. | 6 | ····/˘ |
| (Some heavy misfortune | 6 | ·/˘˘/˘ |
| Had forced him to sell it.) | 6 | ······ |
| "For once our young lady, | 7 | ··/˘·/˘ |
| Miss Gertrude, decided | 6 | ·/˘˘/˘ |
| That any one swearing | 6 | ·/˘·/˘ |
| Must soundly be flogged. | 6 | ·/˘··˘ |
| Dear Lord, how they flogged us | 6 | ······ |
| Until we stopped swearing! | 6 | ····/˘ |
| Of course, not to swear | 5 | ····· |
| For the peasant means--silence. | 7 | ··/˘·/˘ |
| We suffered, God knows! | 6 | ·/˘˘·· |
| Then freedom was granted, | 6 | ·/˘·/˘ |
| We feasted it finely, | 6 | ·/˘·/˘ |
| And then we made up | 5 | ····· |
| For our silence, believe me: | 7 | ·//˘˘/· |
| We swore in such style | 5 | ····· |
| That Pope John was ashamed | 6 | ····˘/ |
| For the church-bells to hear us. | 7 | ······· |
| (They rang all day long.) | 5 | ····· |
| What stories we told then! | 6 | ·/˘··· |
| We'd no need to seek | 5 | ····· |
| For the words. They were written | 7 | ·····/˘ |
| All over our backs." | 6 | ···/˘· |
| "A funny thing happened | 6 | ·/˘·/˘ |
| In our parts,--a strange thing," | 6 | ·/···· |
| Remarked a tall fellow | 6 | ˘/··/˘ |
| With bushy black whiskers. | 6 | ·/˘·/˘ |
| (He wore a round hat | 5 | ····· |
| With a badge, a red waistcoat | 7 | ·····/˘ |
| With ten shining buttons, | 6 | ··/˘/˘ |
| And stout homespun breeches. | 6 | ··/·/˘ |
| His legs, to contrast | 5 | ···/˘ |
| With the smartness above them, | 7 | ··/˘··· |
| Were tied up in rags! | 5 | ····· |
| There are trees very like him, | 7 | ···/˘·· |
| From which a small shepherd | 6 | ····/˘ |
| Has stripped all the bark off | 6 | ······ |
| Below, while above | 5 | ····· |
| Not a scratch can be noticed! | 7 | ·····/˘ |
| And surely no raven | 6 | ·/˘·/˘ |
| Would scorn such a summit | 6 | ····/˘ |
| For building a nest.) | 5 | ·/˘·· |
| "Well, tell us about it." | 6 | ······ |
| "I'll first have a smoke." | 5 | ····· |
| And while he is smoking | 6 | ····/˘ |
| Our peasants are asking, | 7 | /˘/˘·/˘ |
| "And who is this fellow? | 6 | ····/˘ |
| What sort of a goose?" | 5 | ····· |
| "An unfortunate footman | 7 | ·˘/˘˘/˘ |
| Inscribed in our Volost, | 7 | ˘/·/˘/˘ |
| A martyr, a house-serf | 6 | ·/˘··· |
| Of Count Sinegusin's. | 6 | ······ |
| His name is Vikenti. | 6 | ······ |
| He sprang from the foot-board | 6 | ······ |
| Direct to the ploughshare; | 6 | ˘/··/˘ |
| We still call him 'Footman.' | 6 | ····/˘ |
| He's healthy enough, | 5 | ·/˘˘/ |
| But his legs are not strong, | 6 | ······ |
| And they're given to trembling. | 7 | ··/·/˘˘ |
| His lady would drive | 5 | ·/˘·· |
| In a carriage and four | 6 | ··/˘·· |
| To go hunting for mushrooms. | 7 | ··/˘·/˘ |
| He'll tell you some stories: | 6 | ····/˘ |
| His memory's splendid; | 6 | ·/˘˘/˘ |
| You'd think he had eaten | 6 | ····/˘ |
| The eggs of a magpie." | 6 | ····/· |
| Now, setting his hat straight, | 6 | ·/˘··· |
| Vikenti commences | 6 | ···˘/˘ |
| To tell them the story. | 6 | ····/˘ |
Notes from the edition 1
The translator's own notes to Who Can Be Happy and Free in Russia? (Project Gutenberg #9619).
- Stanza 7, line 18 There is a Russian superstition that a good memory is gained by eating magpies' eggs.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.