Chapter II: Pilgrims and Wanderers
We know that in RussiaAre numbers of peopleWho wander at largeWithout kindred or home.They sow not, they reap not,They feed at the fountainThat's common to all,That nourishes likewiseThe tiniest mouseAnd the mightiest army:The sweat of the peasant.The peasants will tell youThat whole populationsOf villages sometimesTurn out in the autumnTo wander like pilgrims.They beg, and esteem itA paying profession.The people considerThat misery drives themMore often than cunning,And so to the pilgrimsContribute their mite.Of course, there are casesOf downright deception:One pilgrim's a thief,Or another may wheedleSome cloth from the wifeOf a peasant, exchangingSome "sanctified wafers"Or "tears of the Virgin"He's brought from Mount Athos,And then she'll discoverHe's been but as farAs a cloister near Moscow.One saintly old greybeardEnraptured the peopleBy wonderful singing,And offered to teachThe young girls of the villageThe songs of the churchWith their mothers' permission.And all through the winterHe locked himself upWith the girls in a stable.From thence, sometimes singingWas heard, but more oftenCame laughter and giggles.Well, what was the upshot?He taught them no singing,But ruined them all.
Some Masters so skilfulThere are, they will evenLay siege to the ladies.They first to the kitchensMake sure of admission,And then through the maidsGained access to the mistress.See, there he goes, struttingAlong through the courtyardAnd jingling the keysOf the house like a Barin.And soon he will spitIn the teeth of the peasants;The pious old women,Who always beforeAt the house have been welcome,He'll speedily banish.The people, however,Can see in these pilgrimsA good side as well.For, who begs the moneyFor building the churches?And who keeps the convent'sCollecting-box full?And many, though useless,Are perfectly harmless;But some are uncanny,One can't understand them:The people know Foma,With chains round his middleSome six stones in weight;How summer and winterHe walks about barefoot,And constantly muttersOf Heaven knows what.His life, though, is godly:A stone for his pillow,A crust for his dinner.
The people know alsoThe old man, Nikifor,Adherent, most strange,Of the sect called "The Hiders."One day he appearedIn Usolovo villageUpbraiding the peopleFor lack of religion,And calling them forthTo the great virgin forestTo seek for salvation.The chief of policeOf the district just happenedTo be in the villageAnd heard his oration:"Ho! Question the madman!"
"Thou foe of Christ Jesus!Thou Antichrist's herald!"Nikifor retorts.The Elders are nudging him:"Now, then, be silent!"He pays no attention.They drag him to prison.He stands in the waggon,Undauntedly chidingThe chief of police,And loudly he criesTo the people who follow him:
"Woe to you! Woe to you! Bondsmen, I mourn for you!Though you're in rags, e'en the rags shall be torn from you!Fiercely with knouts in the past did they mangle you:Clutches of iron in the future will strangle you!"
The people are crossingThemselves. The NachalnikIs striking the prophet:"Remember the JudgeOf Jerusalem, sinner!"The driver's so frightenedThe reins have escaped him,His hair stands on end....
And when will the peopleForget Yevressina,Miraculous widow?Let cholera onlyBreak out in a village:At once like an envoyOf God she appears.She nurses and fostersAnd buries the peasants.The women adore her,They pray to her almost.
It's evident, then,That the door of the peasantIs easily opened:Just knock, and be certainHe'll gladly admit you.He's never suspiciousLike wealthier people;The thought does not strike himAt sight of the humbleAnd destitute stranger,"Perhaps he's a thief!"And as to the women,They're simply delighted,They'll welcome you warmly.
At night, in the Winter,The family gatheredTo work in the cottageBy light of "luchina,"Are charmed by the pilgrim'sRemarkable stories.He's washed in the steam-bath,And dipped with his spoonIn the family platter,First blessing its contents.His veins have been thawedBy a streamlet of vodka,His words flow like water.The hut is as silentAs death. The old fatherWas mending the laputs,But now he has dropped them.
The song of the shuttleIs hushed, and the womanWho sits at the wheelIs engrossed in the story.The daughter, Yevgenka,Her plump little fingerHas pricked with a needle.The blood has dried up,But she notices nothing;Her sewing has fallen,Her eyes are distended,Her arms hanging limp.The children, in bedOn the sleeping-planks, listen,Their heads hanging down.They lie on their stomachsLike snug little sealsUpon Archangel ice-blocks.Their hair, like a curtain,Is hiding their faces:It's yellow, of course!
But wait. Soon the pilgrimWill finish his story--(It's true)--from Mount Athos.It tells how that sinnerThe Turk had once drivenSome monks in rebellionRight into the sea,--Who meekly submitted,And perished in hundreds.
(What murmurs of horrorArise! Do you noticeThe eyes, full of tears?)And now conies the climax,The terrible moment,And even the motherHas loosened her holdOn the corpulent bobbin,It rolls to the ground....And see how cat VaskaAt once becomes activeAnd pounces upon it.At times less enthrallingThe antics of VaskaWould meet their deserts;But now he is pattingAnd touching the bobbinAnd leaping around itWith flexible movements,And no one has noticed.It rolls to a distance,The thread is unwound.
Whoever has witnessedThe peasant's delightAt the tales of the pilgrimsWill realise this:Though never so crushingHis labours and worries,Though never so pressingThe call of the tavern,Their weight will not deadenThe soul of the peasantAnd will not benumb it.The road that's before himIs broad and unending....When old fields, exhausted,Play false to the reaper,He'll seek near the forestFor soil more productive.The work may be hard,But the new plot repays him:It yields a rich harvestWithout being manured.A soil just as fertileLies hid in the soulOf the people of Russia:O Sower, then come!
The pilgrim IonaSince long is well knownIn the village of "Earthworms."The peasants contendFor the honour of givingThe holy man shelter.At last, to appease them,He'd say to the women,"Come, bring out your icons!"They'd hurry to fetch them.Iona, prostratingHimself to each icon,Would say to the people,"Dispute not! Be patient,And God will decide:The saint who looks kindestAt me I will follow."And often he'd followThe icon most poorTo the lowliest hovel.That hut would become thenA Cup overflowing;The women would run thereWith baskets and saucepans,All thanks to Iona.
And now, without hurryOr noise, he's beginningTo tell them a story,"Two Infamous Sinners,"But first, most devoutly,He crosses himself.
Words in this poem 29
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- downright adv.
- Straight down; perpendicularly.
- sanctified a.
- Made holy; also, made to have the air of sanctity; sanctimonious.
- discover v. i.
- To discover or show one's self.
- saintly a.
- Like a saint; becoming a holy person.
- upshot n.
- Final issue; conclusion; the sum and substance; the end; the result; the consummation. [Up + shot, equivalent to scot share, reckoning. Cf. the phrase to cast up an account.]
- jingling n.
- The act or process of producing a jingle; also, the sound itself; a chink.
- uncanny a.
- Not canny; unsafe; strange; weird; ghostly.
- barefoot a.
- With the feet bare; without shoes or stockings.
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sinner n.
- One who has sinned; especially, one who has sinned without repenting; hence, a persistent and incorrigible transgressor; one condemned by the law of God.
- adore v. t.
- To worship with profound reverence; to pay divine honors to; to honor as deity or as divine. [OE. aouren, anouren, adoren, OF. aorer, adorer, F. adorer, fr. L. adorare; ad + orare to speak, pray, os, oris, mouth. In OE. confused with honor, the French pr]
- gladly adv.
- Preferably; by choice. [From Glad, a.]
- delighted a.
- Endowed with delight.
- warmly adv.
- In a warm manner; ardently.
- platter n.
- One who plats or braids. [From Plat to braid.]
- streamlet n.
- A small stream; a rivulet; a rill.
- vodka n.
- A Russian drink distilled from rye. [Russ.]
- archangel n.
- A chief angel; one high in the celestial hierarchy. [L. archangelus, Gr. archangel, F. archange. See Arch-, pref., and Angel.]
- turk n.
- A member of any of numerous Tartar tribes of Central Asia, etc.; esp., one of the dominant race in Turkey. [Per. Turk; probably of Tartar origin: cf. F. Turc.]
- meekly adv.
- In a meek manner.
- whoever pron.
- Whatever person; any person who; be or she who; any one who; as, he shall be punished, whoever he may be.
- realise v. t.
- To make real; to convert from the imaginary or fictitious into the actual; to bring into concrete existence; to accomplish; as, to realize a scheme or project. [Cf. F. réaliser.]
- benumb v. t.
- To make torpid; to deprive of sensation or sensibility; to stupefy; as, a hand or foot benumbed by cold. [OE. binomen, p. p. of binimen to take away, AS. beniman; pref. be + niman to take. See Numb, a., and cf. Benim.]
- sower n.
- One who, or that which, sows.
- honour n.
- Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
- icon n.
- An image or representation; a portrait or pretended portrait.
- hovel n.
- An open shed for sheltering cattle, or protecting produce, etc., from the weather. Brande & C. [OE. hovel, hovil, prob. a dim. fr. AS. hof house; akin to D. & G. hof court, yard, Icel. hof temple; cf. Prov. E. hove to take shelter, heuf shelter, home.]
- devoutly adv.
- In a devout and reverent manner; with devout emotions; piously.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Chapter II: Pilgrims and Wanderers is in the public domain. This text is taken from Who Can Be Happy and Free in Russia?, Project Gutenberg ebook #9619; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Nikolai Nekrasov, Chapter II: Pilgrims and Wanderers, in Who Can Be Happy and Free in Russia? (1917), text of Project Gutenberg ebook #9619, Laurel, https://laurelpoetry.com/poem/nekrasov-who-can-be-happy/chapter-ii-pilgrims-and-wanderers.html, id L25517.
Form and metre
Chapter II: Pilgrims and Wanderers is 279 lines in 15 stanzas. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 78%).
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 -------------A-A----------------------------------- russia · people · large · home · not · fountain · all · likewise · mouse · army · peasant · you · populations · sometimesA · autumn · pilgrimsA · it · profession · consider · them · cunning · pilgrims · mite · cases · deception · thief · wheedle · wife · exchanging · wafers · virgin · athos · discover · far · moscow · greybeard · people · singing · teach · village · church · permission · winter · up · stable · singing · often · giggles · upshot · singing · all
- 3 -----A----B--ABB also · nikifor · strange · hiders · appeared · villageA · people · religion · forth · forest · salvationB · police · happened · villageA · orationB · madmanB
- 4 ---A-------A jesus · herald · retorts · himA · silent · attention · prison · waggon · chiding · police · cries · himA
- 5 AAAA youA · youA · youA · youA
- 6 -----A-A crossing · nachalnik · prophet · judge · sinner · frightenedA · him · endA
- 8 A--A---------- thenA · peasant · opened · certainA · you · suspicious · people · him · humble · stranger · thief · women · delighted · warmly
- 10 A-A---A---B-BCCD-DC-- shuttleA · woman · wheelA · story · yevgenka · finger · needleA · up · nothing · fallen · distendedB · limp · bedB · listenC · downC · stomachsD · seals · blocksD · curtainC · faces · course
- 12 -------ABC-D-C--AD---B horror · notice · tears · climax · moment · mother · hold · bobbinA · groundB · vaskaC · active · itD · enthralling · vaskaC · deserts · patting · bobbinA · itD · movements · noticed · distance · unwoundB
- 13 -----------A------A--BB-- witnessed · delight · pilgrims · this · crushing · worries · pressing · tavern · deaden · peasant · it · himA · unending · exhausted · reaper · forest · productive · hard · himA · harvest · manured · fertileB · soulB · russia · come
- 14 A-----B--B------CC------A ionaA · known · earthworms · contend · giving · shelter · themB · women · icons · themB · prostrating · icon · people · patient · decide · kindest · followC · followC · poor · hovel · then · overflowing · there · saucepans · ionaA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| We know that in Russia | 6 | ····/˘ |
| Are numbers of people | 6 | ·/˘·/˘ |
| Who wander at large | 5 | ·/˘·· |
| Without kindred or home. | 6 | ··/˘·· |
| They sow not, they reap not, | 6 | ······ |
| They feed at the fountain | 6 | ····/˘ |
| That's common to all, | 5 | ·/˘·· |
| That nourishes likewise | 6 | ·/˘˘/· |
| The tiniest mouse | 5 | ·/˘˘· |
| And the mightiest army: | 7 | ··/˘˘/˘ |
| The sweat of the peasant. | 6 | ····/˘ |
| The peasants will tell you | 6 | ·/˘··· |
| That whole populations | 6 | ···˘/˘ |
| Of villages sometimes | 6 | ·/˘˘˘/ |
| Turn out in the autumn | 6 | ····/˘ |
| To wander like pilgrims. | 6 | ·/˘·/˘ |
| They beg, and esteem it | 6 | ···˘/· |
| A paying profession. | 6 | ·/˘˘/˘ |
| The people consider | 6 | ·/˘˘/˘ |
| That misery drives them | 6 | ·/˘˘·· |
| More often than cunning, | 6 | ·/˘·/˘ |
| And so to the pilgrims | 6 | ····/˘ |
| Contribute their mite. | 5 | ˘/˘·· |
| Of course, there are cases | 6 | ····/˘ |
| Of downright deception: | 6 | ·/·˘/˘ |
| One pilgrim's a thief, | 5 | ·/˘·· |
| Or another may wheedle | 7 | ·˘/˘·/˘ |
| Some cloth from the wife | 5 | ····· |
| Of a peasant, exchanging | 7 | ··/˘˘/˘ |
| Some "sanctified wafers" | 6 | ·/˘˘/˘ |
| Or "tears of the Virgin" | 6 | ····/˘ |
| He's brought from Mount Athos, | 6 | ······ |
| And then she'll discover | 6 | ···˘/˘ |
| He's been but as far | 5 | ····· |
| As a cloister near Moscow. | 7 | ··/˘·/· |
| One saintly old greybeard | 6 | ·/˘··· |
| Enraptured the people | 6 | ˘/˘·/˘ |
| By wonderful singing, | 6 | ·/˘˘/˘ |
| And offered to teach | 6 | ·/˘˘·· |
| The young girls of the village | 7 | ·····/˘ |
| The songs of the church | 5 | ····· |
| With their mothers' permission. | 7 | ··/˘˘/˘ |
| And all through the winter | 6 | ····/˘ |
| He locked himself up | 6 | ··˘˘/· |
| With the girls in a stable. | 7 | ·····/˘ |
| From thence, sometimes singing | 6 | ··/·/˘ |
| Was heard, but more often | 6 | ····/˘ |
| Came laughter and giggles. | 6 | ·/˘·/˘ |
| Well, what was the upshot? | 6 | ····/· |
| He taught them no singing, | 6 | ····/˘ |
| But ruined them all. | 6 | ·/˘˘·· |
| Some Masters so skilful | 6 | ·/˘·/˘ |
| There are, they will even | 6 | ····/˘ |
| Lay siege to the ladies. | 6 | ····/˘ |
| They first to the kitchens | 6 | ····/˘ |
| Make sure of admission, | 6 | ···˘/˘ |
| And then through the maids | 5 | ····· |
| Gained access to the mistress. | 7 | ·/···/˘ |
| See, there he goes, strutting | 6 | ····/˘ |
| Along through the courtyard | 6 | ˘/··/· |
| And jingling the keys | 6 | ·/˘˘·· |
| Of the house like a Barin. | 7 | ······· |
| And soon he will spit | 5 | ····· |
| In the teeth of the peasants; | 7 | ·····/˘ |
| The pious old women, | 6 | ·/˘·/˘ |
| Who always before | 5 | ·/··· |
| At the house have been welcome, | 7 | ·····/˘ |
| He'll speedily banish. | 6 | ·/˘˘/˘ |
| The people, however, | 6 | ·/˘·/˘ |
| Can see in these pilgrims | 6 | ····/˘ |
| A good side as well. | 5 | ····· |
| For, who begs the money | 6 | ····/˘ |
| For building the churches? | 6 | ·/˘·/˘ |
| And who keeps the convent's | 6 | ····/˘ |
| Collecting-box full? | 5 | ˘/˘·· |
| And many, though useless, | 6 | ·/˘·/˘ |
| Are perfectly harmless; | 6 | ·/˘˘/˘ |
| But some are uncanny, | 6 | ···˘/˘ |
| One can't understand them: | 6 | ···˘/· |
| The people know Foma, | 6 | ·/˘··· |
| With chains round his middle | 6 | ····/˘ |
| Some six stones in weight; | 5 | ····· |
| How summer and winter | 6 | ·/˘·/˘ |
| He walks about barefoot, | 6 | ····/· |
| And constantly mutters | 6 | ·/˘˘/˘ |
| Of Heaven knows what. | 5 | ·/˘·· |
| His life, though, is godly: | 6 | ····/˘ |
| A stone for his pillow, | 6 | ····/˘ |
| A crust for his dinner. | 6 | ····/˘ |
| The people know also | 6 | ·/˘·/˘ |
| The old man, Nikifor, | 6 | ······ |
| Adherent, most strange, | 5 | ˘/˘·· |
| Of the sect called "The Hiders." | 7 | ·····/˘ |
| One day he appeared | 6 | ···˘/˘ |
| In Usolovo village | 7 | ·····/˘ |
| Upbraiding the people | 6 | /·˘·/˘ |
| For lack of religion, | 6 | ···˘/˘ |
| And calling them forth | 5 | ·/˘·· |
| To the great virgin forest | 7 | ···/˘/˘ |
| To seek for salvation. | 6 | ···˘/˘ |
| The chief of police | 5 | ···˘/ |
| Of the district just happened | 7 | ··/˘·/˘ |
| To be in the village | 6 | ····/˘ |
| And heard his oration: | 6 | ···˘/˘ |
| "Ho! Question the madman!" | 6 | ·/˘·/· |
| "Thou foe of Christ Jesus! | 6 | ····/˘ |
| Thou Antichrist's herald!" | 6 | ····/˘ |
| Nikifor retorts. | 5 | ···˘/ |
| The Elders are nudging him: | 7 | ·/˘·/˘· |
| "Now, then, be silent!" | 5 | ···/˘ |
| He pays no attention. | 6 | ···˘/˘ |
| They drag him to prison. | 6 | ····/˘ |
| He stands in the waggon, | 6 | ······ |
| Undauntedly chiding | 6 | ····/˘ |
| The chief of police, | 5 | ···˘/ |
| And loudly he cries | 5 | ·/˘·· |
| To the people who follow him: | 8 | ··/˘·/˘· |
| "Woe to you! Woe to you! Bondsmen, I mourn for you! | 12 | ············ |
| Though you're in rags, e'en the rags shall be torn from you! | 12 | ············ |
| Fiercely with knouts in the past did they mangle you: | 12 | /˘·······/˘· |
| Clutches of iron in the future will strangle you!" | 12 | /˘·/··/˘·/˘· |
| The people are crossing | 6 | ·/˘·/˘ |
| Themselves. The Nachalnik | 6 | ˘/···· |
| Is striking the prophet: | 6 | ·/˘·/˘ |
| "Remember the Judge | 5 | ˘/˘·· |
| Of Jerusalem, sinner!" | 7 | ·˘/˘˘/˘ |
| The driver's so frightened | 6 | ·/˘·/˘ |
| The reins have escaped him, | 6 | ···˘/· |
| His hair stands on end.... | 5 | ····· |
| And when will the people | 6 | ····/˘ |
| Forget Yevressina, | 6 | ˘/···· |
| Miraculous widow? | 6 | ˘/˘˘/˘ |
| Let cholera only | 6 | ·/˘˘/˘ |
| Break out in a village: | 6 | ····/˘ |
| At once like an envoy | 6 | ····/˘ |
| Of God she appears. | 5 | ···˘/ |
| She nurses and fosters | 6 | ·/˘·/˘ |
| And buries the peasants. | 6 | ·/˘·/˘ |
| The women adore her, | 6 | ·/˘˘/· |
| They pray to her almost. | 6 | ····/· |
| It's evident, then, | 5 | ·/˘˘· |
| That the door of the peasant | 7 | ·····/˘ |
| Is easily opened: | 6 | ·/˘˘/˘ |
| Just knock, and be certain | 6 | ····/˘ |
| He'll gladly admit you. | 6 | ·/˘˘/· |
| He's never suspicious | 6 | ·/˘˘/˘ |
| Like wealthier people; | 6 | ·/˘˘/˘ |
| The thought does not strike him | 6 | ······ |
| At sight of the humble | 6 | ····/˘ |
| And destitute stranger, | 6 | ·/˘·/˘ |
| "Perhaps he's a thief!" | 5 | ˘/··· |
| And as to the women, | 6 | ····/˘ |
| They're simply delighted, | 6 | ·/˘˘/˘ |
| They'll welcome you warmly. | 6 | ·/˘·/˘ |
| At night, in the Winter, | 6 | ····/˘ |
| The family gathered | 6 | ·/˘˘/˘ |
| To work in the cottage | 6 | ····/˘ |
| By light of "luchina," | 6 | ······ |
| Are charmed by the pilgrim's | 6 | ····/˘ |
| Remarkable stories. | 6 | ˘/˘˘/˘ |
| He's washed in the steam-bath, | 6 | ······ |
| And dipped with his spoon | 6 | ··˘··· |
| In the family platter, | 7 | ··/˘˘/˘ |
| First blessing its contents. | 6 | ·/˘·˘/ |
| His veins have been thawed | 6 | ·····˘ |
| By a streamlet of vodka, | 7 | ··/˘·/˘ |
| His words flow like water. | 6 | ····/˘ |
| The hut is as silent | 6 | ····/˘ |
| As death. The old father | 6 | ····/˘ |
| Was mending the laputs, | 6 | ·/˘··· |
| But now he has dropped them. | 6 | ······ |
| The song of the shuttle | 6 | ····/˘ |
| Is hushed, and the woman | 6 | ····/˘ |
| Who sits at the wheel | 5 | ····· |
| Is engrossed in the story. | 7 | ·˘/··/˘ |
| The daughter, Yevgenka, | 6 | ·/˘··· |
| Her plump little finger | 6 | ··/˘/˘ |
| Has pricked with a needle. | 6 | ····/˘ |
| The blood has dried up, | 5 | ····· |
| But she notices nothing; | 7 | ··/˘˘/˘ |
| Her sewing has fallen, | 6 | ·/˘·/˘ |
| Her eyes are distended, | 6 | ···˘/˘ |
| Her arms hanging limp. | 5 | ··/˘· |
| The children, in bed | 5 | ·/˘·· |
| On the sleeping-planks, listen, | 7 | ··/˘·/˘ |
| Their heads hanging down. | 5 | ··/˘· |
| They lie on their stomachs | 6 | ····/˘ |
| Like snug little seals | 5 | ··/˘· |
| Upon Archangel ice-blocks. | 7 | ···/˘·· |
| Their hair, like a curtain, | 6 | ····/˘ |
| Is hiding their faces: | 6 | ·/˘·/˘ |
| It's yellow, of course! | 5 | ·/˘·· |
| But wait. Soon the pilgrim | 6 | ····/˘ |
| Will finish his story-- | 6 | ·/˘·/˘ |
| (It's true)--from Mount Athos. | 6 | ······ |
| It tells how that sinner | 6 | ····/˘ |
| The Turk had once driven | 6 | ····/˘ |
| Some monks in rebellion | 6 | ···˘/˘ |
| Right into the sea,-- | 5 | ····· |
| Who meekly submitted, | 6 | ·/˘˘/˘ |
| And perished in hundreds. | 6 | ·/˘·/˘ |
| (What murmurs of horror | 6 | ·/˘·/˘ |
| Arise! Do you notice | 6 | ˘/··/˘ |
| The eyes, full of tears?) | 5 | ····· |
| And now conies the climax, | 6 | ····/· |
| The terrible moment, | 6 | ·/˘˘/˘ |
| And even the mother | 6 | ·/˘·/˘ |
| Has loosened her hold | 6 | ·/˘˘·· |
| On the corpulent bobbin, | 7 | ··/˘˘/˘ |
| It rolls to the ground.... | 5 | ····· |
| And see how cat Vaska | 6 | ······ |
| At once becomes active | 6 | ··˘//˘ |
| And pounces upon it. | 6 | ·/˘··· |
| At times less enthralling | 6 | ···˘/˘ |
| The antics of Vaska | 6 | ·/˘··· |
| Would meet their deserts; | 5 | ···/˘ |
| But now he is patting | 6 | ····/˘ |
| And touching the bobbin | 6 | ·/˘·/˘ |
| And leaping around it | 6 | ·/˘··· |
| With flexible movements, | 6 | ·/˘˘/˘ |
| And no one has noticed. | 6 | ····/˘ |
| It rolls to a distance, | 6 | ····/˘ |
| The thread is unwound. | 5 | ···˘/ |
| Whoever has witnessed | 6 | ˘/˘·/˘ |
| The peasant's delight | 5 | ·/˘˘/ |
| At the tales of the pilgrims | 7 | ·····/˘ |
| Will realise this: | 4 | ·/·· |
| Though never so crushing | 6 | ·/˘·/˘ |
| His labours and worries, | 6 | ·/˘·/˘ |
| Though never so pressing | 6 | ·/˘·/˘ |
| The call of the tavern, | 6 | ····/˘ |
| Their weight will not deaden | 6 | ····/˘ |
| The soul of the peasant | 6 | ····/˘ |
| And will not benumb it. | 6 | ···˘/· |
| The road that's before him | 6 | ······ |
| Is broad and unending.... | 6 | ···˘/˘ |
| When old fields, exhausted, | 6 | ···˘/˘ |
| Play false to the reaper, | 6 | ····/˘ |
| He'll seek near the forest | 6 | ····/˘ |
| For soil more productive. | 6 | ···˘/˘ |
| The work may be hard, | 5 | ····· |
| But the new plot repays him: | 7 | ·····/· |
| It yields a rich harvest | 6 | ····/˘ |
| Without being manured. | 6 | ··/˘˘/ |
| A soil just as fertile | 6 | ····/˘ |
| Lies hid in the soul | 5 | ····· |
| Of the people of Russia: | 7 | ··/˘·/˘ |
| O Sower, then come! | 5 | ·/˘·· |
| The pilgrim Iona | 6 | ·/˘˘/˘ |
| Since long is well known | 5 | ····· |
| In the village of "Earthworms." | 7 | ··/˘·/· |
| The peasants contend | 5 | ·/˘˘/ |
| For the honour of giving | 7 | ··/˘·/˘ |
| The holy man shelter. | 6 | ·/˘·/˘ |
| At last, to appease them, | 6 | ···˘/· |
| He'd say to the women, | 6 | ····/˘ |
| "Come, bring out your icons!" | 6 | ····/· |
| They'd hurry to fetch them. | 6 | ·/˘··· |
| Iona, prostrating | 6 | ˘/˘/˘˘ |
| Himself to each icon, | 6 | ˘/··/˘ |
| Would say to the people, | 6 | ····/˘ |
| "Dispute not! Be patient, | 6 | ˘/··/˘ |
| And God will decide: | 5 | ···˘/ |
| The saint who looks kindest | 6 | ····/˘ |
| At me I will follow." | 6 | ····/˘ |
| And often he'd follow | 6 | ·/˘·/˘ |
| The icon most poor | 5 | ·/˘·· |
| To the lowliest hovel. | 6 | ····/˘ |
| That hut would become then | 6 | ···˘/· |
| A Cup overflowing; | 6 | ··/˘·˘ |
| The women would run there | 6 | ·/˘··· |
| With baskets and saucepans, | 6 | ·/˘·/· |
| All thanks to Iona. | 6 | ···˘/˘ |
| And now, without hurry | 6 | ····/˘ |
| Or noise, he's beginning | 6 | ···˘/˘ |
| To tell them a story, | 6 | ····/˘ |
| "Two Infamous Sinners," | 6 | ·/˘˘/˘ |
| But first, most devoutly, | 6 | ···˘/˘ |
| He crosses himself. | 5 | ·/˘˘/ |
Notes from the edition 2
The translator's own notes to Who Can Be Happy and Free in Russia? (Project Gutenberg #9619).
- Stanza 6, line 2 Chief of Police.
- Stanza 9, line 4 A wooden splinter prepared and used for lighting purposes.
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.