To Alex. Smith, the ‘Glasgow Poet,’ on His Sonnet to ‘Fame’

George Meredith (1828–1909) · 1851–1862

iambic tetrameter · 159 lines · from Poems, Volume I

NOT vainly doth the earnest voice of manCall for the thing that is his pure desire!Fame is the birthright of the living lyre!To noble impulse Nature puts no ban.Nor vainly to the Sphinx thy voice was raised!Tho’ all thy great emotions like a sea,Against her stony immortality,Shatter themselves unheeded and amazed.Time moves behind her in a blind eclipse:Yet if in her cold eyes the end of allBe visible, as on her large closed lipsHangs dumb the awful riddle of the earth;—She sees, and she might speak, since that wild call,The mighty warning of a Poet’s birth.

But soon it was known thro’ the house, and the house ran over for joy,That news, good news, great marvels, had come from the soldier boy;Young Tom, the luckless scapegrace, offshoot of Methodist John;His grandfather’s evening tale, whom the old man hailed as his son.And the old man’s shout of pride was a shout of his victory, too;For he called his affection a method: the neighbours’ opinions heknew.

Meantime, from the morning table removing the stout breakfast cheer,The drink of the three generations, the milk, the tea, and the beer(Alone in its generous reading of pints stood the Grandfather’s jug),The women for sight of the missive came pressing to coax and to hug.He scattered them quick, with a buss and a smack; thereupon he beganDiversions with John’s little Sarah: on Sunday, the naughty old man!

The day was a van-bird of summer: the robin still piped, but the blue,As a warm and dreamy palace with voices of larks ringing thro’,Looked down as if wistfully eyeing the blossoms that fell from itslap:A day to sweeten the juices: a day to quicken the sap.All round the shadowy orchard sloped meadows in gold, and the dearShy violets breathed their hearts out: the maiden breath of the year!

Full time there was before dinner to bring fifteen of his blood,To sit at the old man’s table: they found that the dinner was good.But who was she by the lilacs and pouring laburnums concealed,When under the blossoming apple the chair of the Grandfather wheeled?She heard one little child crying, ‘Dear brave Cousin Tom!’ as itleapt;Then murmured she: ‘Let me spare them!’ and passed round the walnuts,and wept.

Yet not from sight had she slipped ere feminine eyes could detectThe figure of Mary Charlworth. ‘It’s just what we all might expect,’Was uttered: and: ‘Didn’t I tell you?’ Of Mary the rumour resounds,That she is now her own mistress, and mistress of five thousandpounds.’Twas she, they say, who cruelly sent young Tom to the war.Miss Mary, we thank you now! If you knew what we’re thanking you for!

But, ‘Have her in: let her hear it,’ called Grandfather Bridgeman,elate,While Mary’s black-gloved fingers hung trembling with flight on thegate.Despite the women’s remonstrance, two little ones, lighter than deer,Were loosed, and Mary, imprisoned, her whole face white as a tear,Came forward with culprit footsteps. Her punishment was to commence:The pity in her pale visage they read in a different sense.

‘Why, that’s what I never look at in a letter,’ the farmer replied:‘Facts first! and now I’ll be parson.’ The Bridgeman women descriedA quiver on Mary’s eyebrows. One turned, and while shifting her comb,Said low to a sister: ‘I’m certain she knows more than we about Tom.She wants him now he’s a hero!’ The same, resuming her place,Begged Mary to check them the moment she found it a tedious case.

The old man sneered, and read forward. It was of that desperatefight;—The Muscovite stole thro’ the mist-wreaths that wrapped the chillInkermann height,Where stood our silent outposts: old England was in them that day!O sharp worked his ruddy wrinkles, as if to the breath of the frayThey moved! He sat bareheaded: his long hair over him slowSwung white as the silky bog-flowers in purple heath-hollows thatgrow.

And louder at Tom’s first person: acute and in thunder the ‘I’Invaded the ear with a whinny of triumph, that seem’d to defyThe hosts of the world. All heated, what wonder he little could brookTo catch the sight of Mary’s demure puritanical look?And still as he led the onslaught, his treacherous side-shots he sentAt her who was fighting a battle as fierce, and who sat there unbent.

‘“Then I strove wild for his body: the beggars saw glittering rings,Which I vowed to send to his mother. I got some hard knocks and sharpstings,But felt them no more than angel, or devil, except in the wind.I know that I swore at a Russian for showing his teeth, and he grinnedThe harder: quick, as from heaven, a man on a horse rode between,And fired, and swung his bright sabre: I can’t write you more of thescene.

A curious look, half woeful, was seen on his face as he turnedHis eyes upon each of his children, like one who but faintly discernedHis old self in an old mirror. Then gathering sense in his fist,He sounded it hard on his knee-cap. ‘Your hand, Tom, the Frenchfellow kissed!He kissed my boy’s old pounder! I say he’s a gentleman!’ StraightThe letter he tossed to one daughter; bade her the remainder relate.

Tom properly stated his praises in facts, but the lady preferredTo deck the narration with brackets, and drop her additional word.What nobler Christian natures these women could boast, who, ’twasknown,Once spat at the name of their nephew, and now made his praises theirown!The letter at last was finished, the hearers breathed freely, and signWas given, ‘Tom’s health!’—Quoth the farmer: ‘Eh, Miss? are you weakin the spine?’

For Mary had sunk, and her body was shaking, as if in a fit.Tom’s letter she held, and her thumb-nail the month when the letterwas writFast-dinted, while she hung sobbing: ‘O, see, Sir, the letter is old!O, do not be too happy!’—‘If I understand you, I’m bowled!’Said Grandfather Bridgeman, ‘and down go my wickets!—not happy! whenhere,Here’s Tom like to marry his General’s daughter—or widow—I’ll swear!

‘I wager he knows how to strut, too! It’s all on the cards that theQueenWill ask him to Buckingham Palace, to say what he’s done and he’sseen.Victoria’s fond of her soldiers: and she’s got a nose for a fight.If Tom tells a cleverish story—there is such a thing as a knight!And don’t he look roguish and handsome!—To see a girl snivellingthere—By George, Miss, it’s clear that you’re jealous’—‘I love him!’ sheanswered his stare.

But when again she stammered in this bewildering way,The farmer no longer could bear it, and begged her to go, or to stay,But not to be whimpering nonsense at such a time. Pricked by a goad,’Twas you who sent him to glory:—you’ve come here to reap what yousowed.Is that it?’ he asked; and the silence the elders preserved plainlysaid,On Mary’s heaving bosom this begging-petition was read.

And that it was scarcely a bargain that she who had driven him wildShould share now the fruits of his valour, the women expressed, asthey smiled.The family pride of the Bridgemans was comforted; still, withcontempt,They looked on a monied damsel of modesty quite so exempt.‘O give me force to tell them!’ cried Mary, and even as she spoke,A shout and a hush of the children: a vision on all of them broke.

‘Each day I have come to tell him, and failed, with my hand on thegate.I bore the dreadful knowledge, and crushed my heart with its weight.The letter brought by your comrade—he has but just read it aloud!It only reached him this morning!’ Her head on his shoulder shebowed.Then Tom with pity’s tenderest lordliness patted her arm,And eyed the old white-head fondly, with something of doubt and alarm.

O, take to your fancy a sculptor whose fresh marble offspring appearsBefore him, shiningly perfect, the laurel-crown’d issue of years:Is heaven offended? for lightning behold from its bosom escape,And those are mocking fragments that made the harmonious shape!He cannot love the ruins, till, feeling that ruins aloneAre left, he loves them threefold. So passed the old grandfather’smoan.

Up lanes of the quiet village, and where the mill-waters rush redThro’ browning summer meadows to catch the sun’s crimsoning head,You meet an old man and a maiden who has the soft ways of a wifeWith one whom they wheel, alternate; whose delicate flush of new lifeIs prized like the early primrose. Then shake his right hand, in thechair—The old man fails never to tell you: ‘You’ve got the French General’sthere!’

Words in this poem 43
luckless a.
Being without luck; unpropitious; unfortunate; unlucky; meeting with ill success or bad fortune; as, a luckless gamester; a luckless maid.
scapegrace n.
A graceless, unprincipled person; one who is wild and reckless.
generous a.
Of honorable birth or origin; highborn. [F. généreux, fr. L. generous of noble birth, noble, excellent, magnanimous, fr. genus birth, race: cf. It. generoso. See 2d Gender.]
missive a.
Specially sent; intended or prepared to be sent; as, a letter missive. Ayliffe. [See Missive, n.]
buss n.
A kiss; a rude or playful kiss; a smack. [OE. basse, fr. L. basium; cf. G. bus (Luther), Prov. G. busserl, dim. of bus kiss, bussen to kiss, Sw. puss kiss, pussa to kiss, W. & Gael. bus lip, mouth.]
thereupon adv.
Upon that or this; thereon.
naughty a.
Having little or nothing.
piped a.
Formed with a pipe; having pipe or pipes; tubular.
dreamy a.
Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
expect v. t.
To wait for; to await. [L. expectatum, to look out for, await, expect; ex + out spectare to look at. See Spectacle.]
rumour n.
A flying or popular report; the common talk; hence, public fame; notoriety. [F. rumeur, L. rumor; cf. rumificare, rumitare to rumor, Skr. ru to cry.]
thank n.
A expression of gratitude; an acknowledgment expressive of a sense of favor or kindness received; obligation, claim, or desert, or gratitude; -- now generally used in the plural. [AS. Þanc, Þonc, thanks, favor, thought; akin to OS. thank favor, pleasure, thanks, D. & G. dank thanks, Icel. Þ\'94kk, Dan. tak, Sw. tack, Goth. Þagks thanks; -]
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
remonstrance n.
The act of remonstrating; as: (a) A pointing out; manifestation; proof; demonstration. [Cf. OF. remonstrance, F. remonstrance. See Remonstrate.]
culprit n.
One accused of, or ar An author is in the condition of a culprit; the public are his judges. Prior. [Prob. corrupted for culpate, fr. Law Latin culpatus the accused, p. p. of L. culpare to blame. See Culpable.]
visage n.
The face, countenance, or look of a person or an animal; -- chiefly applied to the human face. [F. visage, from L. visus a seeing, a look, fr. videre, visum, to see. See Vision.]
desperate a.
Without hope; given to despair; hopeless. [L. desperatus, p. p. of desperare. See Despair, and cf. Desperado.]
stole n.
A long, loose garment reaching to the feet. [AS. stole, L. stola, Gr. stall. See Stall.]
bareheaded a.
Having the head uncovered; as, a bareheaded girl.
defy v. t.
To renounce or dissolve all bonds of affiance, faith, or obligation with; to reject, refuse, or renounce. [F. défier, OF. deffier, desfier, LL. disfidare to disown faith or fidelity, to dissolve the bond of allegiance, as between the vassal and his lord; hence, to ch]
demure v. i.
To look demurely.
puritanical a.
Of or pertaining to the Puritans, or to their doctrines and practice.
onslaught n.
An attack; an onset; esp., a furious or murderous attack or assault. [OE. on on + slaught, slaht, slaughter. See Slaughter.]
rode n.
Redness; complexion. [See Rud.]
sabre n.
A sword with a broad and heavy blade, thick at the back, and usually more or less curved like a scimiter; a cavalry sword. Saber fish, or Sabre fish (Zoöl.), the cutlass fish.
curious a.
Difficult to please or satisfy; solicitous to be correct; careful; scrupulous; nice; exact. [OF. curios, curius, F. curieux, L. curiosus careful, inquisitive, fr. cura care. See Cure.]
pounder n.
One who, or that which, pounds, as a stamp in an ore mill.
bade
A form of the pat tense of Bid.
spat n.
A young oyster or other bivalve mollusk, both before and after it first becomes adherent, or such young, collectively. [From the root of spit; hence, literally, that which is ejected.]
nephew n.
A grandson or grandchild, or remoter lineal descendant. [OE. neveu, nevou, nevu, fr. F. neveu, OF. also, nevou, L. nepos; akin to AS. nefa, D. neef, G. neffe, OHG. nevo, Icel. nefi a kinsman, gr. nepat grandson, desce]
quoth v. t.
Said; spoke; uttered; -- used only in the first and third persons in the past tenses, and always followed by its nominative, the word or words said being the object; as, quoth I. quoth he. [AS.cweedhan, imp cwæedh, pl. cwædon; akin to OS. queedhan, OHG. quethan, quedan, Icel. kveedha, Goth. qiþan. sq. root22. Cf. Bequeath.]
sobbing n.
A series of short, convulsive inspirations, the glottis being suddenly closed so that little or no air enters into the lungs.
cleverish a.
Somewhat clever.
bewildering a.
Causing bewilderment or great perplexity; as, bewildering difficulties.
reap n.
A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
damsel n.
A young person, either male or female, of noble or gentle extraction; as, Damsel Pepin; Damsel Richard, Prince of Wales. [OE. damosel, damesel, damisel, damsel, fr. OF. damoisele, damisele, gentlewoman, F. demoiselle young lady; cf. OF. damoisel young nobleman, F. damoiseau; fr. LL]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
broke v. i.
To transact business for another. Brome. [See Broker, and cf. Brook.]
dreadful a.
Full of dread or terror; fearful.
aloud adv.
With a loud voice, or great noise; loudly; audibly. [Pref. a- + loud.]
lordliness n.
The state or quality of being lordly. [From Lordly.]
fondly adv.
Foolishly. Verstegan (1673).
sculptor n.
One who sculptures; one whose occupation is to carve statues, or works of sculpture. [L. sculptor, fr. sculpere, sculptum, to carve; cf. scalpere to cut, carve, scratch, and Gr. sculpteur.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Alex. Smith, the ‘Glasgow Poet,’ on His Sonnet to ‘Fame’ is in the public domain. This text is taken from Poems — Volume 1, Project Gutenberg ebook #1381; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: George Meredith, To Alex. Smith, the ‘Glasgow Poet,’ on His Sonnet to ‘Fame’, in Poems, Volume I (1851–1862), text of Project Gutenberg ebook #1381, Laurel, https://laurelpoetry.com/poem/meredith-poems/to-alex-smith-the-glasgow-poet-on-his-sonnet-to-fame.html, id L13191.

Form and metre

To Alex. Smith, the ‘Glasgow Poet,’ on His Sonnet to ‘Fame’ is 159 lines in 20 stanzas. 80% of its stressed syllables fall where the metre puts the beat. The lines average 12.1 syllables. 9 lines end on an unstressed syllable, a feminine ending. 35% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A--AB--BCDCEDE manA · desire · lyre · banA · raisedB · sea · immortality · amazedB · eclipseC · allD · lipsC · earthE · callD · birthE
  2. 2 AA--B-B joyA · boyA · john · son · tooB · he · knewB
  3. 3 AABBCC cheerA · beerA · jugB · hugB · beganC · manC
  4. 4 ---AABB blue · thro · its · lapA · sapA · dearB · yearB
  5. 5 AABB-C-C bloodA · goodA · concealedB · wheeledB · it · leaptC · walnuts · weptC
  6. 6 AAB-BCC detectA · expectA · resoundsB · thousand · poundsB · warC · forC
  7. 7 -A-ABBCC bridgeman · elateA · the · gateA · deerB · tearB · commenceC · senseC
  8. 8 AA--BB repliedA · descriedA · comb · tom · placeB · caseB
  9. 9 AA-ABBC-C desperateA · fightA · chill · heightA · dayB · frayB · slowC · that · growC
  10. 10 AABBCC iA · defyA · brookB · lookB · sentC · unbentC
  11. 11 A-ABBC-C ringsA · sharp · stingsA · windB · grinnedB · betweenC · the · sceneC
  12. 12 AAB-BCC turnedA · discernedA · fistB · french · kissedB · straightC · relateC
  13. 13 AA-B-BC-C preferredA · wordA · twas · knownB · their · ownB · signC · weak · spineC
  14. 14 A-ABB-CC fitA · letter · writA · oldB · bowledB · when · hereC · swearC
  15. 15 AB-BCC-DAD theA · queenB · he's · seenB · fightC · knightC · snivelling · thereD · sheA · stareD
  16. 16 AAB-B-CC wayA · stayA · goadB · you · sowedB · plainly · saidC · readC
  17. 17 A-A-BBCC wildA · as · smiledA · with · contemptB · exemptB · spokeC · brokeC
  18. 18 ABBCACDD theA · gateB · weightB · aloudC · sheA · bowedC · armD · alarmD
  19. 19 AABBC-C appearsA · yearsA · escapeB · shapeB · aloneC · grandfather's · moanC
  20. 20 AABB-C-C redA · headA · wifeB · lifeB · the · chairC · general's · thereC
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
NOT vainly doth the earnest voice of man10·/˘··/˘···
Call for the thing that is his pure desire!11········˘/˘
Fame is the birthright of the living lyre!10···/···/˘·
To noble impulse Nature puts no ban.10·/˘/˘/˘···
Nor vainly to the Sphinx thy voice was raised!10·/˘·······
Tho’ all thy great emotions like a sea,10····˘/˘···
Against her stony immortality,10···/˘·˘/˘˘
Shatter themselves unheeded and amazed.10/˘˘/˘/˘·˘/
Time moves behind her in a blind eclipse:10········˘/
Yet if in her cold eyes the end of all10··········
Be visible, as on her large closed lips10·/˘˘······
Hangs dumb the awful riddle of the earth;—10···/˘/˘···
She sees, and she might speak, since that wild call,10··········
The mighty warning of a Poet’s birth.10·/˘/˘··/˘·
But soon it was known thro’ the house, and the house ran over for joy,15···············
That news, good news, great marvels, had come from the soldier boy;14·····/˘····/˘·
Young Tom, the luckless scapegrace, offshoot of Methodist John;13···/˘/˘/··/˘·
His grandfather’s evening tale, whom the old man hailed as his son.15·/·˘/˘·········
And the old man’s shout of pride was a shout of his victory, too;15············/˘·
For he called his affection a method: the neighbours’ opinions he17····˘/˘·/˘···˘/˘·
knew.1·
Meantime, from the morning table removing the stout breakfast cheer,16/···/˘/˘˘/˘··/˘·
The drink of the three generations, the milk, the tea, and the beer16······˘/˘·······
(Alone in its generous reading of pints stood the Grandfather’s jug),16˘/··/˘/˘····/·˘·
The women for sight of the missive came pressing to coax and to hug.17·/˘····/˘·/˘·····
He scattered them quick, with a buss and a smack; thereupon he began17·/˘·········˘/·˘/
Diversions with John’s little Sarah: on Sunday, the naughty old man!17˘/˘··/˘/˘·/··/˘··
The day was a van-bird of summer: the robin still piped, but the blue,17·······/˘·/˘·····
As a warm and dreamy palace with voices of larks ringing thro’,16····/˘/˘·/˘··/˘·
Looked down as if wistfully eyeing the blossoms that fell from its15····/˘/˘·/˘····
lap:1·
A day to sweeten the juices: a day to quicken the sap.15···/˘·/˘···/˘··
All round the shadowy orchard sloped meadows in gold, and the dear15···/˘/˘·/······
Shy violets breathed their hearts out: the maiden breath of the year!14·/˘·····/˘····
Full time there was before dinner to bring fifteen of his blood,15······/˘··//···
To sit at the old man’s table: they found that the dinner was good.16······/˘····/˘··
But who was she by the lilacs and pouring laburnums concealed,16······/··/˘···˘/
When under the blossoming apple the chair of the Grandfather wheeled?16····/˘/˘····/·˘·
She heard one little child crying, ‘Dear brave Cousin Tom!’ as it15···/˘·/˘··/˘···
leapt;1·
Then murmured she: ‘Let me spare them!’ and passed round the walnuts,14·/˘·········/·
and wept.2··
Yet not from sight had she slipped ere feminine eyes could detect14········/˘··˘/
The figure of Mary Charlworth. ‘It’s just what we all might expect,’16·/˘·/˘········˘/
Was uttered: and: ‘Didn’t I tell you?’ Of Mary the rumour resounds,17·/˘·/˘····/˘··˘·/
That she is now her own mistress, and mistress of five thousand15······/˘·/˘··/˘
pounds.1·
’Twas she, they say, who cruelly sent young Tom to the war.13·····/˘······
Miss Mary, we thank you now! If you knew what we’re thanking you for!16·/˘·········/˘··
But, ‘Have her in: let her hear it,’ called Grandfather Bridgeman,14·········/·˘/˘
elate,2˘/
While Mary’s black-gloved fingers hung trembling with flight on the14·/˘··/˘·/˘····
gate.1·
Despite the women’s remonstrance, two little ones, lighter than deer,15˘/·/˘˘/˘·/˘·/··
Were loosed, and Mary, imprisoned, her whole face white as a tear,15···/˘˘/˘·······
Came forward with culprit footsteps. Her punishment was to commence:15·/˘·/˘/··/˘··˘/
The pity in her pale visage they read in a different sense.15·/˘···/˘····/˘·
‘Why, that’s what I never look at in a letter,’ the farmer replied:16····/····/˘·/˘˘/
‘Facts first! and now I’ll be parson.’ The Bridgeman women descried14······/˘·/˘/˘·
A quiver on Mary’s eyebrows. One turned, and while shifting her comb,16·/˘·/˘/·····/˘··
Said low to a sister: ‘I’m certain she knows more than we about Tom.17····/˘·/˘········
She wants him now he’s a hero!’ The same, resuming her place,15······/˘··˘/˘··
Begged Mary to check them the moment she found it a tedious case.16·/˘····/˘····/˘·
The old man sneered, and read forward. It was of that desperate14······/˘····/˘
fight;—1·
The Muscovite stole thro’ the mist-wreaths that wrapped the chill13·/˘··········
Inkermann height,4····
Where stood our silent outposts: old England was in them that day!15··//˘/··/˘·····
O sharp worked his ruddy wrinkles, as if to the breath of the fray16····/˘/˘········
They moved! He sat bareheaded: his long hair over him slow14··············
Swung white as the silky bog-flowers in purple heath-hollows that15····/˘·/·/˘·/˘·
grow.1·
And louder at Tom’s first person: acute and in thunder the ‘I’15·/···/˘˘/··/˘··
Invaded the ear with a whinny of triumph, that seem’d to defy17˘/˘····/˘·/˘···˘/
The hosts of the world. All heated, what wonder he little could brook16······/˘·/˘·/˘··
To catch the sight of Mary’s demure puritanical look?14·····/˘˘/·˘/˘·
And still as he led the onslaught, his treacherous side-shots he sent15······/··/˘····
At her who was fighting a battle as fierce, and who sat there unbent.17····/˘·/˘········
‘“Then I strove wild for his body: the beggars saw glittering rings,15······/˘·/˘·/˘·
Which I vowed to send to his mother. I got some hard knocks and sharp16·······/˘·······
stings,1·
But felt them no more than angel, or devil, except in the wind.15······/˘·/·····
I know that I swore at a Russian for showing his teeth, and he grinned17·······/˘·/˘·····
The harder: quick, as from heaven, a man on a horse rode between,15·/˘···/········
And fired, and swung his bright sabre: I can’t write you more of the15·/····/˘·······
scene.1·
A curious look, half woeful, was seen on his face as he turned15·/˘··/˘········
His eyes upon each of his children, like one who but faintly discerned17·······/˘····/˘˘/
His old self in an old mirror. Then gathering sense in his fist,15······/˘·/˘····
He sounded it hard on his knee-cap. ‘Your hand, Tom, the French14·/˘···········
fellow kissed!3/˘·
He kissed my boy’s old pounder! I say he’s a gentleman!’ Straight13·····/····/˘·
The letter he tossed to one daughter; bade her the remainder relate.17·/˘····/˘···˘/˘˘/
Tom properly stated his praises in facts, but the lady preferred16·/˘/˘·/˘····/˘˘/
To deck the narration with brackets, and drop her additional word.16···˘/˘·/˘···˘/˘·
What nobler Christian natures these women could boast, who, ’twas14·/˘/˘/˘·/˘····
known,1·
Once spat at the name of their nephew, and now made his praises their16·······/˘····/˘·
own!1·
The letter at last was finished, the hearers breathed freely, and sign16·/˘···/˘·/˘·/˘··
Was given, ‘Tom’s health!’—Quoth the farmer: ‘Eh, Miss? are you weak13·/····/˘·····
in the spine?’3···
For Mary had sunk, and her body was shaking, as if in a fit.17·/˘····/˘·/˘·····
Tom’s letter she held, and her thumb-nail the month when the letter15·/˘··········/˘
was writ2··
Fast-dinted, while she hung sobbing: ‘O, see, Sir, the letter is old!16·/˘···/˘····/˘··
O, do not be too happy!’—‘If I understand you, I’m bowled!’15·····/˘···˘/···
Said Grandfather Bridgeman, ‘and down go my wickets!—not happy! when16·/·˘/˘····/˘·/˘·
here,1·
Here’s Tom like to marry his General’s daughter—or widow—I’ll swear!16····/˘·/˘/˘·/˘··
‘I wager he knows how to strut, too! It’s all on the cards that the16·/˘·············
Queen1·
Will ask him to Buckingham Palace, to say what he’s done and he’s16····/˘·/˘·······
seen.1·
Victoria’s fond of her soldiers: and she’s got a nose for a fight.16˘/˘···/˘········
If Tom tells a cleverish story—there is such a thing as a knight!17····/˘˘/˘········
And don’t he look roguish and handsome!—To see a girl snivelling16····/˘·/˘·······
there—1·
By George, Miss, it’s clear that you’re jealous’—‘I love him!’ she13·······/˘····
answered his stare.4/˘··
But when again she stammered in this bewildering way,13··˘/·/˘··˘/˘·
The farmer no longer could bear it, and begged her to go, or to stay,17·/˘·/˘···········
But not to be whimpering nonsense at such a time. Pricked by a goad,16····/˘/˘········
’Twas you who sent him to glory:—you’ve come here to reap what you15······/˘·······
sowed.1·
Is that it?’ he asked; and the silence the elders preserved plainly16·······/˘·/˘˘//˘
said,1·
On Mary’s heaving bosom this begging-petition was read.15·/˘/˘/˘·/˘˘/˘··
And that it was scarcely a bargain that she who had driven him wild16····/˘·/˘····/··
Should share now the fruits of his valour, the women expressed, as15·······/˘·/˘˘/·
they smiled.2··
The family pride of the Bridgemans was comforted; still, with13·/˘···/˘·/˘··
contempt,2˘/
They looked on a monied damsel of modesty quite so exempt.15····/˘/˘·/˘··˘/
‘O give me force to tell them!’ cried Mary, and even as she spoke,15········/˘·/···
A shout and a hush of the children: a vision on all of them broke.17·······/˘·/˘·····
‘Each day I have come to tell him, and failed, with my hand on the15···············
gate.1·
I bore the dreadful knowledge, and crushed my heart with its weight.14···/˘/˘·······
The letter brought by your comrade—he has but just read it aloud!16·/˘···/·······˘/
It only reached him this morning!’ Her head on his shoulder she15·/˘···/˘····/˘·
bowed.1·
Then Tom with pity’s tenderest lordliness patted her arm,14···/˘/˘/˘˘/˘··
And eyed the old white-head fondly, with something of doubt and alarm.16······/˘·/˘···˘/
O, take to your fancy a sculptor whose fresh marble offspring appears17····/˘·/˘··/˘/·˘/
Before him, shiningly perfect, the laurel-crown’d issue of years:16······˘/·/˘·/˘··
Is heaven offended? for lightning behold from its bosom escape,16·/˘/˘·/˘˘/··/˘˘/
And those are mocking fragments that made the harmonious shape!14···/˘/˘···˘/˘·
He cannot love the ruins, till, feeling that ruins alone15·/˘··/˘·/˘·/˘˘/
Are left, he loves them threefold. So passed the old grandfather’s14·····/·····/·˘
moan.1·
Up lanes of the quiet village, and where the mill-waters rush red15····//˘····/˘··
Thro’ browning summer meadows to catch the sun’s crimsoning head,14·/˘/˘/·····/˘·
You meet an old man and a maiden who has the soft ways of a wife17·······/˘········
With one whom they wheel, alternate; whose delicate flush of new life14·····/˘·/˘····
Is prized like the early primrose. Then shake his right hand, in the15····/˘/········
chair—1·
The old man fails never to tell you: ‘You’ve got the French General’s14····/·······/˘
there!’1·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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