Sunrise
THE clouds are withdrawnAnd their thin-rippled mist,That stream’d o’er the lawnTo the drowsy-eyed west.Cold and greyThey slept in the way,And shrank from the rayOf the chariot East:But now they are gone,And the bounding lightLeaps thro’ the barsOf doubtful dawn;Blinding the stars,And blessing the sight;Shedding delightOn all below;Glimmering fields,And wakening wealds,And rising lark,And meadows dark,And idle rills,And labouring mills,And far-distant hillsOf the fawn and the doe.The sun is cheeredAnd his path is cleared,As he steps to the airFrom his emerald cave,His heel in the wave,Most bright and bare;In the tide of the skyHis radiant hairFrom his temples fairBlown back on high;As forward he bends,And upward ascends,Timely and true,To the breast of the blue;His warm red lipsKissing the dew,Which sweetened dripsOn his flower cupholders;Every hueFrom his gleaming shouldersShining anewWith colour sky-born,As it washes and dipsIn the pride of the morn.Robes of azure,Fringed with amber,Fold upon foldOf purple and gold,Vine-leaf bloom,And the grape’s ripe gloom,When season deepIn noontide leisure,With clustering heapThe tendrils clamberFull in the faceOf his hot embrace,Fill’d with the gleamsOf his firmest beams.Autumn flushes,Roseate blushes,Vermeil tinges,Violet fringes,Every hueOf his flower cupholders,O’er the clear etherMingled together,Shining anewFrom his gleaming shoulders!Circling aboutIn a coronal rout,And floating behind,The way of the wind,As forward he bends,And upward ascends,Timely and true,To the breast of the blue.His bright neck curved,His clear limbs nerved,Diamond keenOn his front serene,While each white arm strainsTo the racing reins,As plunging, eyes flashing,Dripping, and dashing,His steeds triple grownRear up to his throne,Ruffling the restOf the sea’s blue breast,From his flooding, flaming crimson crest!
Words in this poem
- wakening n.
- The act of one who wakens; esp., the act of ceasing to sleep; an awakening.
- labouring a.
- That labors; performing labor; esp., performing coarse, heavy work, not requiring skill also, set apart for labor; as, laboring days.
- morn n.
- The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
- noontide n.
- The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
- clamber v. i.
- To climb with difficulty, or with hands and feet; -- also used figuratively. [OE clambren, clameren, to heap together, climb; akin to Icel. klambra to clamp, G. klammern. Cf. Clamp, Climb.]
- roseate a.
- Full of roses; rosy; as, roseate bowers. [Cf. L. roseus, rosatus, prepared from roses. See Roseal, Rose.]
- vermeil n.
- Vermilion; also, the color of vermilion, a bright, beautiful red. [F., vermilion, fr. LL. vermiculus, fr. L. vermiculus a little worm, the coccus Indicus, from vermis a worm. See Worm, and cf. Vermicule.]
- coronal a.
- Of or pertaining to a corona (in any of the senses). [L. coronalis: cf. F. coronal.]
- dripping n.
- A falling in drops, or the sound so made.
- flooding n.
- The filling or covering with water or other fluid; overflow; inundation; the filling anything to excess.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sunrise is in the public domain. This text is taken from Poems — Volume 1, Project Gutenberg ebook #1381; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George Meredith, Sunrise, in Poems, Volume I (1851–1862), text of Project Gutenberg ebook #1381, Laurel, https://laurelpoetry.com/poem/meredith-poems/sunrise.html, id L13170.
Form and metre
Sunrise is 93 lines in a single stanza. The metre is iambic trimeter, measured from the stress the words themselves fix (confidence 85%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 4.8 syllables. 13 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.
See other poems in iambic trimeter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A-BBB-CDECEDD-FFGGHHH-IIJKKJLJJLMMNNONOPNPNQ-Q--RRSST-T-UUVV----WX--WXYYZZaabbccddeeffgghhh withdrawnA · mist · lawnA · west · greyB · wayB · rayB · east · goneC · lightD · barsE · dawnC · starsE · sightD · delightD · below · fieldsF · wealdsF · larkG · darkG · rillsH · millsH · hillsH · doe · cheeredI · clearedI · airJ · caveK · waveK · bareJ · skyL · hairJ · fairJ · highL · bendsM · ascendsM · trueN · blueN · lipsO · dewN · dripsO · cupholdersP · hueN · shouldersP · anewN · bornQ · dips · mornQ · azure · amber · foldR · goldR · bloomS · gloomS · deepT · leisure · heapT · clamber · faceU · embraceU · gleamsV · beamsV · flushes · blushes · tinges · fringes · hueW · cupholdersX · ether · together · anewW · shouldersX · aboutY · routY · behindZ · windZ · bendsa · ascendsa · trueb · blueb · curvedc · nervedc · keend · serened · strainse · reinse · flashingf · dashingf · growng · throneg · resth · breasth · cresth
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic trimeter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| THE clouds are withdrawn | 5 | ···˘/ |
| And their thin-rippled mist, | 6 | ···/˘· |
| That stream’d o’er the lawn | 5 | ····· |
| To the drowsy-eyed west. | 6 | ··/˘·· |
| Cold and grey | 3 | ··· |
| They slept in the way, | 5 | ····· |
| And shrank from the ray | 5 | ····· |
| Of the chariot East: | 6 | ··/˘˘· |
| But now they are gone, | 5 | ····· |
| And the bounding light | 5 | ··/˘· |
| Leaps thro’ the bars | 4 | ···· |
| Of doubtful dawn; | 4 | ·/˘· |
| Blinding the stars, | 4 | /˘·· |
| And blessing the sight; | 5 | ·/˘·· |
| Shedding delight | 4 | /˘˘/ |
| On all below; | 4 | ···· |
| Glimmering fields, | 4 | /˘˘· |
| And wakening wealds, | 5 | ·/˘˘· |
| And rising lark, | 4 | ·/˘· |
| And meadows dark, | 4 | ·/·· |
| And idle rills, | 4 | ·/˘· |
| And labouring mills, | 5 | ·/˘˘· |
| And far-distant hills | 5 | ··/˘· |
| Of the fawn and the doe. | 6 | ······ |
| The sun is cheered | 4 | ···· |
| And his path is cleared, | 5 | ····· |
| As he steps to the air | 6 | ······ |
| From his emerald cave, | 5 | ··/˘· |
| His heel in the wave, | 5 | ····· |
| Most bright and bare; | 4 | ···· |
| In the tide of the sky | 6 | ······ |
| His radiant hair | 5 | ·/˘˘· |
| From his temples fair | 5 | ··/˘· |
| Blown back on high; | 4 | ···· |
| As forward he bends, | 5 | ·/˘·· |
| And upward ascends, | 5 | ·/˘˘/ |
| Timely and true, | 4 | /˘·· |
| To the breast of the blue; | 6 | ······ |
| His warm red lips | 4 | ···· |
| Kissing the dew, | 4 | /˘·· |
| Which sweetened drips | 4 | ·/˘· |
| On his flower cupholders; | 7 | ··/˘··· |
| Every hue | 4 | /˘˘· |
| From his gleaming shoulders | 6 | ··/˘/˘ |
| Shining anew | 4 | /˘˘/ |
| With colour sky-born, | 5 | ·/˘·· |
| As it washes and dips | 6 | ··/˘·· |
| In the pride of the morn. | 6 | ······ |
| Robes of azure, | 4 | ··/˘ |
| Fringed with amber, | 4 | ··/˘ |
| Fold upon fold | 4 | ···· |
| Of purple and gold, | 5 | ·/˘·· |
| Vine-leaf bloom, | 3 | ··· |
| And the grape’s ripe gloom, | 5 | ····· |
| When season deep | 4 | ·/˘· |
| In noontide leisure, | 5 | ·/˘/˘ |
| With clustering heap | 5 | ·/˘˘· |
| The tendrils clamber | 5 | ···/˘ |
| Full in the face | 4 | ···· |
| Of his hot embrace, | 5 | ···˘/ |
| Fill’d with the gleams | 4 | ···· |
| Of his firmest beams. | 5 | ··/˘· |
| Autumn flushes, | 4 | /˘/˘ |
| Roseate blushes, | 5 | /˘˘/˘ |
| Vermeil tinges, | 3 | /˘· |
| Violet fringes, | 5 | /˘˘/˘ |
| Every hue | 4 | /˘˘· |
| Of his flower cupholders, | 7 | ··/˘··· |
| O’er the clear ether | 5 | ···/˘ |
| Mingled together, | 5 | /˘˘/˘ |
| Shining anew | 4 | /˘˘/ |
| From his gleaming shoulders! | 6 | ··/˘/˘ |
| Circling about | 5 | /˘˘·· |
| In a coronal rout, | 6 | ··/˘˘· |
| And floating behind, | 5 | ·/˘·· |
| The way of the wind, | 5 | ····· |
| As forward he bends, | 5 | ·/˘·· |
| And upward ascends, | 5 | ·/˘˘/ |
| Timely and true, | 4 | /˘·· |
| To the breast of the blue. | 6 | ······ |
| His bright neck curved, | 4 | ···· |
| His clear limbs nerved, | 4 | ···· |
| Diamond keen | 3 | /˘· |
| On his front serene, | 5 | ···˘/ |
| While each white arm strains | 5 | ····· |
| To the racing reins, | 5 | ··/˘· |
| As plunging, eyes flashing, | 6 | ·/˘·/˘ |
| Dripping, and dashing, | 5 | /˘·/˘ |
| His steeds triple grown | 5 | ··/˘· |
| Rear up to his throne, | 5 | ····· |
| Ruffling the rest | 5 | /˘˘·· |
| Of the sea’s blue breast, | 5 | ····· |
| From his flooding, flaming crimson crest! | 9 | ··/˘/˘/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.