Pastorals VII

George Meredith (1828–1909) · 1851–1862

iambic tetrameter · unrhymed · 79 lines · from Modern Love, and Other Poems

SUMMER glows warm on the meadows, and speedwell, and gold-cups, anddaisiesDarken ’mid deepening masses of sorrel, and shadowy grassesShow the ripe hue to the farmer, and summon the scythe and thehay-makersDown from the village; and now, even now, the air smells of themowing,And the sharp song of the scythe whistles daily; from dawn, till thegloamingWears its cool star, sweet and welcome to all flaming faces afieldnow;Heavily weighs the hot season, and drowses the darkening foliage,Drooping with languor; the white cloud floats, but sails not, forwindlessHeaven’s blue tents it; no lark singing up in its fleecy whitevalleys;Up in its fairy white valleys, once feathered with minstrels,melodiousWith the invisible joy that wakes dawn o’er the green fields ofEngland.Summer glows warm on the meadows; then come, let us roam thro’ themgaily,Heedless of heat, and the hot-kissing sun, and the fear of darkfreckles.Never one kiss will he give on a neck, or a lily-white forehead,Chin, hand, or bosom uncovered, all panting, to take the chancecoolness,But full sure the fiery pressure leaves seal of espousal.Heed him not; come, tho’ he kiss till the soft little upper-lip losesHalf its pure whiteness; just speck’d where the curve of the rosymouth reddens.

Come, let him kiss, let him kiss, and his kisses shall make thee thesweeter.Thou art no nun, veiled and vowed; doomed to nourish a witheringpallor!City exotics beside thee would show like bleached linen at mid-day,Hung upon hedges of eglantine! Thou in the freedom of nature,Full of her beauty and wisdom, gentleness, joyance, and kindness!Come, and like bees will we gather the rich golden honey of noontide;Deep in the sweet summer meadows, border’d by hillside and river,Lined with long trenches half-hidden, where smell of whitemeadow-sweet, sweetest,Blissfully hovers—O sweetest! but pluck it not! even in the tenderestGrasp it will lose breath and wither; like many, not made for a posy.

See, the sun slopes down the meadows, where all the flowers arefalling!Falling unhymned; for the nightingale scarce ever charms the longtwilight:Mute with the cares of the nest; only known by a ‘chuck, chuck,’ anddovelikeCall of content, but the finch and the linnet and blackcap pipeloudly.Round on the western hill-side warbles the rich-billed ouzel;And the shrill throstle is filling the tangled thickening copses;Singing o’er hyacinths hid, and most honey’d of flowers, whitefield-rose.Joy thus to revel all day in the grass of our own beloved country;Revel all day, till the lark mounts at eve with his sweet‘tirra-lirra’:Trilling delightfully. See, on the river the slow-rippled surfaceShining; the slow ripple broadens in circles; the bright surfacesmoothens;Now it is flat as the leaves of the yet unseen water-lily.There dart the lives of a day, ever-varying tactics fantastic.There, by the wet-mirrored osiers, the emerald wing of the kingfisherFlashes, the fish in his beak! there the dab-chick dived, and themotionLazily undulates all thro’ the tall standing army of rushes.

Joy thus to revel all day, till the twilight turns us homeward!Till all the lingering deep-blooming splendour of sunset is over,And the one star shines mildly in mellowing hues, like a spiritSent to assure us that light never dieth, tho’ day is now buried.Saying: to-morrow, to-morrow, few hours intervening, that intervalTuned by the woodlark in heaven, to-morrow my semblance, far eastward,Heralds the day ’tis my mission eternal to seal and to prophecy.Come then, and homeward; passing down the close path of the meadows.Home like the bees stored with sweetness; each with a lark in thebosom,Trilling for ever, and oh! will yon lark ever cease to sing up there?

Words in this poem 23
speedwell n.
Any plant of the genus Veronica, mostly low herbs with pale blue corollas, which quickly fall off.
gloaming n.
Twilight; dusk; the fall of the evening. [Scot. & North of Eng., and in poetry.] Hogg. [See Gloom.]
afield adv.
To, in, or on the field. [Pref. a- + field.]
windless a.
Having no wind; calm.
fleecy a.
Covered with, made of, or resembling, a fleece.
gaily adv.
Merrily; showily. See gaily. [From Gay.]
espousal n.
The act of espousing or betrothing; especially, in the plural, betrothal; plighting of the troths; a contract of marriage; sometimes, the marriage ceremony. [OF. espousailles, pl., F. épousailles, L. sponsalia, fr. sponsalis belonging to betrothal or espousal. See Espouse, and cf. Sponsal, Spousal.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
veiled a.
Covered by, or as by, a veil; hidden.
withering a.
Tending to wither; causing to shrink or fade.
pallor n.
Paleness; want of color; pallidity; as, pallor of the complexion. Jer. Taylor. [L., fr. pallere to be or look pale. See Pale, a.]
bleached a.
Whitened; make white.
joyance n.
Enjoyment; gayety; festivity; joyfulness. [OF. joiance.]
noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
posy n.
A brief poetical sentiment; hence, any brief sentiment, motto, or legend; especially, one inscribed on a ring. [Contr. fr. poesy.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
chuck v. i.
To make a noise resembling that of a hen when she calls her chickens; to cluck. [Imitative of the sound.]
dovelike a.
Mild as a dove; gentle; pure and lovable.
throstle n.
The song thrush. See under Song. [OE. throsel, AS. , ; akin to MHG. trostel, G. drossel, Icel. , Sw. trast, Lith. strazdas, L. turdus. *238. Cf. Thrush the bird.]
trilling n.
One of tree children born at the same birth. Wright. [Cf. G. drilling.]
unseen a.
Not seen or discovered.
homeward a.
Being in the direction of home; as, the homeward way.
splendour n.
Great brightness; brilliant luster; brilliancy; as, the splendor ot the sun. B. Jonson. [L. fr. splendere to shine: cf. F. splendeur.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Pastorals VII is in the public domain. This text is taken from Poems — Volume 1, Project Gutenberg ebook #1381; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: George Meredith, Pastorals VII, in Modern Love, and Other Poems (1851–1862), text of Project Gutenberg ebook #1381, Laurel, https://laurelpoetry.com/poem/meredith-poems/pastorals-vii.html, id L13157.

Form and metre

Pastorals VII is 79 lines in 4 verse paragraphs. It is unrhymed, as far as the pronouncing dictionary can tell. 80% of its stressed syllables fall where the metre puts the beat. The lines average 11.0 syllables. 49 lines end on an unstressed syllable, a feminine ending. 48% of the lines run on without a stop at the line end.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 3 -AAB-----CBC---DD------- are · fallingA · longA · twilightB · and · dovelike · pipe · loudly · ouzel · copsesC · whiteB · roseC · country · sweet · lirra · surfaceD · surfaceD · smoothens · lily · fantastic · kingfisher · the · motion · rushes
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. How this is done.

LineSyl.Stress
SUMMER glows warm on the meadows, and speedwell, and gold-cups, and15/˘····/··/˘····
daisies2/˘
Darken ’mid deepening masses of sorrel, and shadowy grasses15/˘·/˘/˘·/˘·/˘/˘
Show the ripe hue to the farmer, and summon the scythe and the15······/˘·/˘····
hay-makers3·/˘
Down from the village; and now, even now, the air smells of the14···/˘··/······
mowing,2/˘
And the sharp song of the scythe whistles daily; from dawn, till the15·······/˘/˘····
gloaming2/˘
Wears its cool star, sweet and welcome to all flaming faces afield16······/˘··/˘/˘˘/
now;1·
Heavily weighs the hot season, and drowses the darkening foliage,15/˘···/˘····/˘/˘
Drooping with languor; the white cloud floats, but sails not, for13/˘·/˘········
windless2/˘
Heaven’s blue tents it; no lark singing up in its fleecy white15/˘·····/˘···/˘·
valleys;2/˘
Up in its fairy white valleys, once feathered with minstrels,14···/˘·/˘·/˘·/˘
melodious4˘/˘˘
With the invisible joy that wakes dawn o’er the green fields of14··˘/˘·········
England.2/˘
Summer glows warm on the meadows; then come, let us roam thro’ them15/˘····/········
gaily,2/˘
Heedless of heat, and the hot-kissing sun, and the fear of dark15/˘·····/˘······
freckles.2/˘
Never one kiss will he give on a neck, or a lily-white forehead,16/··········/˘·/˘
Chin, hand, or bosom uncovered, all panting, to take the chance15···/˘˘/˘·/˘····
coolness,2/˘
But full sure the fiery pressure leaves seal of espousal.14····/˘/˘···˘/˘
Heed him not; come, tho’ he kiss till the soft little upper-lip loses17··········/˘/˘·/˘
Half its pure whiteness; just speck’d where the curve of the rosy14···/˘·······/˘
mouth reddens.3·/˘
Come, let him kiss, let him kiss, and his kisses shall make thee the15·········/˘····
sweeter.2/˘
Thou art no nun, veiled and vowed; doomed to nourish a withering14·········/˘·/˘
pallor!2/˘
City exotics beside thee would show like bleached linen at mid-day,17/˘˘/˘˘/·····/˘···
Hung upon hedges of eglantine! Thou in the freedom of nature,17···/˘·/˘····/˘·/˘
Full of her beauty and wisdom, gentleness, joyance, and kindness!15···/˘·/˘/˘/˘·/˘
Come, and like bees will we gather the rich golden honey of noontide;17······/˘··/˘/˘·/˘
Deep in the sweet summer meadows, border’d by hillside and river,16····/˘/·/˘·/··/˘
Lined with long trenches half-hidden, where smell of white12···/˘·/˘····
meadow-sweet, sweetest,5/··/˘
Blissfully hovers—O sweetest! but pluck it not! even in the tenderest16/˘/˘·/˘····/··/˘
Grasp it will lose breath and wither; like many, not made for a posy.16······/˘·/····/˘
See, the sun slopes down the meadows, where all the flowers are13······/····/·
falling!2/˘
Falling unhymned; for the nightingale scarce ever charms the long13/˘····/˘·/···
twilight:2/·
Mute with the cares of the nest; only known by a ‘chuck, chuck,’ and15·······/˘······
dovelike2/˘
Call of content, but the finch and the linnet and blackcap pipe15··/˘·····/˘·/˘·
loudly.2/˘
Round on the western hill-side warbles the rich-billed ouzel;14···/˘··/˘···/˘
And the shrill throstle is filling the tangled thickening copses;15···/˘·/˘·/˘/˘/˘
Singing o’er hyacinths hid, and most honey’d of flowers, white13/˘·/˘······/·
field-rose.2··
Joy thus to revel all day in the grass of our own beloved country;17···/˘······/·˘//˘
Revel all day, till the lark mounts at eve with his sweet13/˘···········
‘tirra-lirra’:4····
Trilling delightfully. See, on the river the slow-rippled surface16/˘˘/˘···/˘··/˘/˘
Shining; the slow ripple broadens in circles; the bright surface15/˘··/˘/˘·/˘··/˘
smoothens;2/˘
Now it is flat as the leaves of the yet unseen water-lily.16··········˘//˘/˘
There dart the lives of a day, ever-varying tactics fantastic.15·······//˘/˘˘/˘
There, by the wet-mirrored osiers, the emerald wing of the kingfisher17····/˘···/˘···/·˘
Flashes, the fish in his beak! there the dab-chick dived, and the14/˘············
motion2/˘
Lazily undulates all thro’ the tall standing army of rushes.16/˘/˘·····/˘/˘·/˘
Joy thus to revel all day, till the twilight turns us homeward!15···/˘····/···/˘
Till all the lingering deep-blooming splendour of sunset is over,15···/˘·/˘/˘·/···
And the one star shines mildly in mellowing hues, like a spirit14·····/˘·/˘···/
Sent to assure us that light never dieth, tho’ day is now buried.15··˘/···/·····/˘
Saying: to-morrow, to-morrow, few hours intervening, that interval17/˘·/˘·/˘·/·˘/˘·/˘
Tuned by the woodlark in heaven, to-morrow my semblance, far eastward,16······/·/˘·/˘·/˘
Heralds the day ’tis my mission eternal to seal and to prophecy.17/˘····/˘˘/˘····/˘
Come then, and homeward; passing down the close path of the meadows.15···/˘/˘······/·
Home like the bees stored with sweetness; each with a lark in the14······/˘······
bosom,2/˘
Trilling for ever, and oh! will yon lark ever cease to sing up there?15/˘·/·····/·····

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by George Meredith