Webster Ford
Do you remember, O Delphic Apollo,The sunset hour by the river, when Mickey M’GrewCried, “There’s a ghost,” and I, “It’s Delphic Apollo”;And the son of the banker derided us, saying, “It’s lightBy the flags at the water’s edge, you half-witted fools.”And from thence, as the wearisome years rolled on, long afterPoor Mickey fell down in the water tower to his deathDown, down, through bellowing darkness, I carriedThe vision which perished with him like a rocket which fallsAnd quenches its light in earth, and hid it for fearOf the son of the banker, calling on Plutus to save me?Avenged were you for the shame of a fearful heartWho left me alone till I saw you again in an hourWhen I seemed to be turned to a tree with trunk and branchesGrowing indurate, turning to stone, yet burgeoningIn laurel leaves, in hosts of lambent laurel,Quivering, fluttering, shrinking, fighting the numbnessCreeping into their veins from the dying trunk and branches!’Tis vain, O youth, to fly the call of Apollo.Fling yourselves in the fire, die with a song of spring,If die you must in the spring. For none shall lookOn the face of Apollo and live, and choose you must’Twixt death in the flame and death after years of sorrow,Rooted fast in the earth, feeling the grisly hand,Not so much in the trunk as in the terrible numbnessCreeping up to the laurel leaves that never ceaseTo flourish until you fall. O leaves of meToo sere for coronal wreaths, and fit aloneFor urns of memory, treasured, perhaps, as themesFor hearts heroic, fearless singers and livers—Delphic Apollo!
Words in this poem
- delphic a.
- Of or relating to Delphi, or to the famous oracle of that place. [L. Delphicus, fr. Gr. Delphi, a town of Phocis, in Greece, now Kastri.]
- ghost n.
- The spirit; the soul of man. [OE. gast, gost, soul, spirit, AS. gast breath, spirit, soul; akin to OS. g spirit, soul, D. geest, G. geist, and prob. to E. gaze, ghastly.]
- plutus n.
- The son of Jason and Ceres, and the god of wealth. He was represented as bearing a cornucopia, and as blind, because his gifts were bestowed without discrimination of merit.
- indurate a.
- Hardened; not soft; indurated. Tyndale. [L. induratus, p. p. of indurare to harden. See Endure.]
- lambent a.
- Playing on the surface; touching lightly; gliding over. [L. lambens, -enlis, p. pr. of lambere to lick; akin to lap. See Lap to drink by licking.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- sere n.
- Claw; talon. Chapman. [F. serre.]
- coronal a.
- Of or pertaining to a corona (in any of the senses). [L. coronalis: cf. F. coronal.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Webster Ford is in the public domain. This text is taken from Spoon River Anthology, Project Gutenberg ebook #1280; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Edgar Lee Masters, Webster Ford, in Spoon River Anthology (1915), text of Project Gutenberg ebook #1280, Laurel, https://laurelpoetry.com/poem/masters-spoon-river/webster-ford.html, id L07967.
Form and metre
Webster Ford is 31 lines in a single verse paragraph. It is unrhymed, as far as the pronouncing dictionary can tell. The metre is iambic hexameter, measured from the stress the words themselves fix (confidence 72%). 76% of its stressed syllables fall where the metre puts the beat. The lines average 12.5 syllables. 14 lines end on an unstressed syllable, a feminine ending. 61% of the lines run on without a stop at the line end.
See other poems in iambic hexameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ------------------------AA----- apollo · m'grew · apollo · light · fools · after · death · carried · falls · fear · me · heart · hour · branches · burgeoning · laurel · numbness · branches · apollo · spring · look · must · sorrow · hand · numbnessA · ceaseA · me · alone · themes · livers · apollo
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic hexameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Do you remember, O Delphic Apollo, | 11 | ··˘/˘·/˘˘/˘ |
| The sunset hour by the river, when Mickey M’Grew | 13 | ·/·/˘··/˘·/˘· |
| Cried, “There’s a ghost,” and I, “It’s Delphic Apollo”; | 12 | ·······/˘˘/˘ |
| And the son of the banker derided us, saying, “It’s light | 15 | ·····/˘˘/˘·/˘·· |
| By the flags at the water’s edge, you half-witted fools.” | 13 | ·····/˘···/˘· |
| And from thence, as the wearisome years rolled on, long after | 14 | ·····/˘˘······ |
| Poor Mickey fell down in the water tower to his death | 14 | ·/˘····/˘/˘··· |
| Down, down, through bellowing darkness, I carried | 11 | ···/˘˘/˘·/˘ |
| The vision which perished with him like a rocket which falls | 14 | ·/˘·/˘····/˘·· |
| And quenches its light in earth, and hid it for fear | 12 | ·/˘········· |
| Of the son of the banker, calling on Plutus to save me? | 15 | ·····/˘/˘·/˘··· |
| Avenged were you for the shame of a fearful heart | 12 | ˘/·······/˘· |
| Who left me alone till I saw you again in an hour | 15 | ···˘/····˘/··/˘ |
| When I seemed to be turned to a tree with trunk and branches | 14 | ············/˘ |
| Growing indurate, turning to stone, yet burgeoning | 13 | /˘/˘˘/˘···/˘˘ |
| In laurel leaves, in hosts of lambent laurel, | 11 | ·/˘····/˘/˘ |
| Quivering, fluttering, shrinking, fighting the numbness | 13 | /˘˘/˘˘/˘/˘·/˘ |
| Creeping into their veins from the dying trunk and branches! | 14 | /˘······/˘··/˘ |
| ’Tis vain, O youth, to fly the call of Apollo. | 12 | ·········˘/˘ |
| Fling yourselves in the fire, die with a song of spring, | 13 | ·˘/··/˘······ |
| If die you must in the spring. For none shall look | 11 | ··········· |
| On the face of Apollo and live, and choose you must | 13 | ····˘/˘······ |
| ’Twixt death in the flame and death after years of sorrow, | 13 | ···········/˘ |
| Rooted fast in the earth, feeling the grisly hand, | 12 | /˘····/˘·/˘· |
| Not so much in the trunk as in the terrible numbness | 14 | ·········/˘˘/˘ |
| Creeping up to the laurel leaves that never cease | 12 | /˘···/˘··/˘· |
| To flourish until you fall. O leaves of me | 11 | ·/˘········ |
| Too sere for coronal wreaths, and fit alone | 11 | ···/˘˘···˘/ |
| For urns of memory, treasured, perhaps, as themes | 12 | ···/˘˘/˘˘/·· |
| For hearts heroic, fearless singers and livers— | 12 | ··˘/˘/˘/˘·/˘ |
| Delphic Apollo! | 5 | /˘˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.