The Spooniad

Edgar Lee Masters (1868–1950) · 1915

iambic pentameter · 287 lines · from Spoon River Anthology

Of John Cabanis’ wrath and of the strifeOf hostile parties, and his dire defeatWho led the common people in the causeOf freedom for Spoon River, and the fallOf Rhodes, bank that brought unnumbered woesAnd loss to many, with engendered hateThat flamed into the torch in Anarch handsTo burn the court-house, on whose blackened wreckA fairer temple rose and Progress stood—Sing, muse, that lit the Chian’s face with smilesWho saw the ant-like Greeks and Trojans crawlAbout Scamander, over walls, pursuedOr else pursuing, and the funeral pyresAnd sacred hecatombs, and first becauseOf Helen who with Paris fled to TroyAs soul-mate; and the wrath of Peleus, son,Decreed to lose Chryseis, lovely spoilOf war, and dearest concubine.

Say first,Thou son of night, called Momus, from whose eyesNo secret hides, and Thalia, smiling one,What bred ’twixt Thomas Rhodes and John CabanisThe deadly strife? His daughter Flossie, she,Returning from her wandering with a troopOf strolling players, walked the village streets,Her bracelets tinkling and with sparkling ringsAnd words of serpent wisdom and a smileOf cunning in her eyes. Then Thomas Rhodes,Who ruled the church and ruled the bank as well,Made known his disapproval of the maid;And all Spoon River whispered and the eyesOf all the church frowned on her, till she knewThey feared her and condemned.

But them to floutShe gave a dance to viols and to flutes,Brought from Peoria, and many youths,But lately made regenerate through the prayersOf zealous preachers and of earnest souls,Danced merrily, and sought her in the dance,Who wore a dress so low of neck that eyesDown straying might survey the snowy swale’Till it was lost in whiteness.

With the danceThe village changed to merriment from gloom.The milliner, Mrs. Williams, could not fillHer orders for new hats, and every seamstressPlied busy needles making gowns; old trunksAnd chests were opened for their store of lacesAnd rings and trinkets were brought out of hidingAnd all the youths fastidious grew of dress;Notes passed, and many a fair one’s door at eveKnew a bouquet, and strolling lovers throngedAbout the hills that overlooked the river.Then, since the mercy seats more empty showed,One of God’s chosen lifted up his voice:“The woman of Babylon is among us; riseYe sons of light and drive the wanton forth!”So John Cabanis left the church and leftThe hosts of law and order with his eyesBy anger cleared, and him the liberal causeAcclaimed as nominee to the mayoraltyTo vanquish A. D. Blood.

But as the warWaged bitterly for votes and rumors flewAbout the bank, and of the heavy loansWhich Rhodes, son had made to prop his lossIn wheat, and many drew their coin and leftThe bank of Rhodes more hollow, with the talkAmong the liberals of another bankSoon to be chartered, lo, the bubble burst’Mid cries and curses; but the liberals laughedAnd in the hall of Nicholas Bindle heldWise converse and inspiriting debate.

High on a stage that overlooked the chairsWhere dozens sat, and where a pop-eyed daubOf Shakespeare, very like the hired manOf Christian Dallman, brow and pointed beard,Upon a drab proscenium outward stared,Sat Harmon Whitney, to that eminence,By merit raised in ribaldry and guile,And to the assembled rebels thus he spake:“Whether to lie supine and let a cliqueCold-blooded, scheming, hungry, singing psalms,Devour our substance, wreck our banks and drainOur little hoards for hazards on the priceOf wheat or pork, or yet to cower beneathThe shadow of a spire upreared to curbA breed of lackeys and to serve the bankCoadjutor in greed, that is the question.Shall we have music and the jocund dance,Or tolling bells? Or shall young romance roamThese hills about the river, flowering nowTo April’s tears, or shall they sit at home,Or play croquet where Thomas Rhodes may see,I ask you? If the blood of youth runs o’erAnd riots ’gainst this regimen of gloom,Shall we submit to have these youths and maidsBranded as libertines and wantons?”

EreHis words were done a woman’s voice called “No!”Then rose a sound of moving chairs, as whenThe numerous swine o’er-run the replenished troughs;And every head was turned, as when a flockOf geese back-turning to the hunter’s treadRise up with flapping wings; then rang the hallWith riotous laughter, for with battered hatTilted upon her saucy head, and fistRaised in defiance, Daisy Fraser stood.Headlong she had been hurled from out the hallSave Wendell Bloyd, who spoke for woman’s rights,Prevented, and the bellowing voice of Burchard.Then, mid applause she hastened toward the stageAnd flung both gold and silver to the causeAnd swiftly left the hall.Meantime upstoodA giant figure, bearded like the sonOf Alcmene, deep-chested, round of paunch,And spoke in thunder: “Over there beholdA man who for the truth withstood his wife—Such is our spirit—when that A. D. BloodCompelled me to remove Dom Pedro—”

QuickBefore Jim Brown could finish, Jefferson HowardObtained the floor and spake: “Ill suits the timeFor clownish words, and trivial is our causeIf naught’s at stake but John Cabanis, wrath,He who was erstwhile of the other sideAnd came to us for vengeance. More’s at stakeThan triumph for New England or Virginia.And whether rum be sold, or for two yearsAs in the past two years, this town be dryMatters but little— Oh yes, revenueFor sidewalks, sewers; that is well enough!I wish to God this fight were now inspiredBy other passion than to salve the prideOf John Cabanis or his daughter. WhyCan never contests of great moment springFrom worthy things, not little? Still, if menMust always act so, and if rum must beThe symbol and the medium to releaseFrom life’s denial and from slavery,Then give me rum!”

Exultant cries arose.Then, as George Trimble had o’ercome his fearAnd vacillation and begun to speak,The door creaked and the idiot, Willie Metcalf,Breathless and hatless, whiter than a sheet,Entered and cried: “The marshal’s on his wayTo arrest you all. And if you only knewWho’s coming here to-morrow; I was listeningBeneath the window where the other sideAre making plans.”

So to a smaller roomTo hear the idiot’s secret some withdrewSelected by the Chair; the Chair himselfAnd Jefferson Howard, Benjamin Pantier,And Wendell Bloyd, George Trimble, Adam Weirauch,Imanuel Ehrenhardt, Seth Compton, Godwin JamesAnd Enoch Dunlap, Hiram Scates, Roy Butler,Carl Hamblin, Roger Heston, Ernest HydeAnd Penniwit, the artist, Kinsey Keene,And E. C. Culbertson and Franklin Jones,Benjamin Fraser, son of Benjamin PantierBy Daisy Fraser, some of lesser note,And secretly conferred.

But in the hallDisorder reigned and when the marshal cameAnd found it so, he marched the hoodlums outAnd locked them up.

Meanwhile within a roomBack in the basement of the church, with BloodCounseled the wisest heads. Judge Somers first,Deep learned in life, and next him, Elliott HawkinsAnd Lambert Hutchins; next him Thomas RhodesAnd Editor Whedon; next him Garrison Standard,A traitor to the liberals, who with lipUpcurled in scorn and with a bitter sneer:“Such strife about an insult to a woman—A girl of eighteen” —Christian Dallman too,And others unrecorded. Some there wereWho frowned not on the cup but loathed the ruleDemocracy achieved thereby, the freedomAnd lust of life it symbolized.

Now morn with snowy fingers up the skyFlung like an orange at a festivalThe ruddy sun, when from their hasty bedsPoured forth the hostile forces, and the streetsResounded to the rattle of the wheelsThat drove this way and that to gather inThe tardy voters, and the cries of chieftainsWho manned the battle. But at ten o’clockThe liberals bellowed fraud, and at the pollsThe rival candidates growled and came to blows.Then proved the idiot’s tale of yester-eveA word of warning. Suddenly on the streetsWalked hog-eyed Allen, terror of the hillsThat looked on Bernadotte ten miles removed.No man of this degenerate day could liftThe boulders which he threw, and when he spokeThe windows rattled, and beneath his browsThatched like a shed with bristling hair of black,His small eyes glistened like a maddened boar.And as he walked the boards creaked, as he walkedA song of menace rumbled. Thus he came,The champion of A. D. Blood, commissionedTo terrify the liberals. Many fledAs when a hawk soars o’er the chicken yard.He passed the polls and with a playful handTouched Brown, the giant, and he fell against,As though he were a child, the wall; so strongWas hog-eyed Allen. But the liberals smiled.For soon as hog-eyed Allen reached the walk,Close on his steps paced Bengal Mike, brought inBy Kinsey Keene, the subtle-witted one,To match the hog-eyed Allen. He was scarceThree-fourths the other’s bulk, but steel his arms,And with a tiger’s heart. Two men he killedAnd many wounded in the days before,And no one feared.

But when the hog-eyed oneSaw Bengal Mike his countenance grew dark,The bristles o’er his red eyes twitched with rage,The song he rumbled lowered. Round and roundThe court-house paced he, followed stealthilyBy Bengal Mike, who jeered him every step:“Come, elephant, and fight! Come, hog-eyed coward!Come, face about and fight me, lumbering sneak!Come, beefy bully, hit me, if you can!Take out your gun, you duffer, give me reasonTo draw and kill you. Take your billy out.I’ll crack your boar’s head with a piece of brick!”But never a word the hog-eyed one returnedBut trod about the court-house, followed bothBy troops of boys and watched by all the men.All day, they walked the square. But when ApolloStood with reluctant look above the hillsAs fain to see the end, and all the votesWere cast, and closed the polls, before the doorOf Trainor’s drug store Bengal Mike, in tonesThat echoed through the village, bawled the taunt:“Who was your mother, hog—eyed?” In a triceAs when a wild boar turns upon the houndThat through the brakes upon an August dayHas gashed him with its teeth, the hog-eyed oneRushed with his giant arms on Bengal MikeAnd grabbed him by the throat. Then rose to heavenThe frightened cries of boys, and yells of menForth rushing to the street. And Bengal MikeMoved this way and now that, drew in his headAs if his neck to shorten, and bent downTo break the death grip of the hog-eyed one;’Twixt guttural wrath and fast-expiring strengthStriking his fists against the invulnerable chestOf hog-eyed Allen. Then, when some came inTo part them, others stayed them, and the fightSpread among dozens; many valiant soulsWent down from clubs and bricks.

But tell me, Muse,What god or goddess rescued Bengal Mike?With one last, mighty struggle did he graspThe murderous hands and turning kick his foe.Then, as if struck by lightning, vanished allThe strength from hog-eyed Allen, at his sideSank limp those giant arms and o’er his faceDread pallor and the sweat of anguish spread.And those great knees, invincible but late,Shook to his weight. And quickly as the lionLeaps on its wounded prey, did Bengal MikeSmite with a rock the temple of his foe,And down he sank and darkness o’er his eyesPassed like a cloud.

As when the woodman fellsSome giant oak upon a summer’s dayAnd all the songsters of the forest shrill,And one great hawk that has his nestling youngAmid the topmost branches croaks, as crashThe leafy branches through the tangled boughsOf brother oaks, so fell the hog-eyed oneAmid the lamentations of the friendsOf A. D. Blood.

Just then, four lusty menBore the town marshal, on whose iron faceThe purple pall of death already lay,To Trainor’s drug store, shot by Jack McGuire.And cries went up of “Lynch him!” and the soundOf running feet from every side was heardBent on the

Words in this poem 63
strife n.
The act of striving; earnest endeavor. [OF. estrif. See Strive.]
dire a.
Ill-boding; portentous; as, dire omens. [L. dirus; of uncertain origin.]
defeat v. t.
To undo; to disfigure; to destroy. [From F. défait, OF. desfait, p. p. ofe défaire, OF. desfaire, to undo; L. dis- + facere to do. See Feat, Fact, and cf. Disfashion.]
unnumbered a.
Not numbered; not counted or estimated; innumerable.
anarch n.
The author of anarchy; one who excites revolt.
crawl v. i.
To move slowly by drawing the body along the ground, as a worm; to move slowly on hands and kness; to creep. [Dan. kravle, or Icel. krafla, to paw, scrabble with the hands; akin to Sw. kr to crawl; cf. LG. krabbeln, D. krabbelen to scratch.]
momus n.
The god of mockery and censure.
disapproval n.
Disapprobation; dislike; censure; adverse judgment.
regenerate v. t.
To generate or produce anew; to reproduce; to give new life, strength, or vigor to.
snowy a.
White like snow.
swale n.
A valley or low place; a tract of low, and usually wet, land; a moor; a fen. [Cf. Icel. svalr cool, svala to cool.]
milliner n.
Formerly, a man who imported and dealt in small articles of a miscellaneous kind, especially such as please the fancy of women. [From Milaner an inhabitant of Milan, in Italy; hence, a man from Milan who imported women's finery.]
nominee n.
A person named, or designated, by another, to any office, duty, or position; one nominated, or proposed, by others for office or for election to office. [See Nominate, and -ee.]
mayoralty n.
The office, or the term of office, of a mayor.
bitterly adv.
In a bitter manner.
chartered a.
Granted or established by charter; having, or existing under, a charter; having a privilege by charter.
proscenium n.
The part where the actors performed; the stage. [L., fr. Gr. Scene.]
ribaldry n.
The talk of a ribald; low, vulgar language; indecency; obscenity; lewdness; -- now chiefly applied to indecent language, but formerly, as by Chaucer, also to indecent acts or conduct. [OE. ribaldrie, ribaudrie, OF. ribalderie, ribauderie.]
supine a.
Lying on the back, or with the face upward; -- opposed to prone. [L. supinus, akin to sub under, super above. Cf. Sub-, Super-.]
clique n.
A narrow circle of persons associated by common interests or for the accomplishment of a common purpose; -- generally used in a bad sense. [F., fr. OF. cliquer to click. See Click, v. i.]
scheming a.
Given to forming schemes; artful; intriguing.
coadjutor n.
One who aids another; an assistant; a coworker. [L. See Co-, and Aid.]
greed n.
An eager desire or longing; greediness; as, a greed of gain. [Akin to Goth. grdus hunger, Icel. graedhr. sq. root34. See Greedy.]
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
jocund
Merry; cheerful; gay; airy; lively; sportive. [L. jocundus, jucundus, orig., helpful, fr. juvare to help. See Aid.]
croquet n.
An open-air game in which two or more players endeavor to drive wooden balls, by means of mallets, through a series of hoops or arches set in the ground according to some pattern. [From French; cf. Walloon croque blow, fillip. F. croquet a crisp biscuit, croquer to crunch, fr. croc a crackling sound, of imitative origin. Croquet then prope]
regimen n.
Orderly government; system of order; adminisration. Hallam. [L. regimen, -inis, fr. regere to guide, to rule. See Right, and cf. Regal, Régime, Regiment.]
spoke n.
The radius or ray of a wheel; one of the small bars which are inserted in the hub, or nave, and which serve to support the rim or felly. [OE. spoke, spake, AS, spaca; akin to D. speek, LG. speke, OHG. speihha, G. speiche. sq. root170. Cf. Spike a nail.]
paunch n.
The belly and its contents; the abdomen; also, the first stomach, or rumen, of ruminants. See Rumen. [OF. panch, pance, F. panse, L. pantex, panticis.]
trivial a.
Found anywhere; common. [L. trivialis, properly, that is in, or belongs to, the crossroads or public streets; hence, that may be found everywhere, common, fr. trivium a place where thre]
erstwhile adv.
Till then or now; heretofore; formerly.
exultant a.
Inclined to exult; characterized by, or expressing, exultation; rejoicing triumphantly. [L. exsultans, exsultantis, p. pr. of exsultare. See Exult.]
vacillation n.
The act of vacillating; a moving one way and the other; a wavering. [L. vacillatio: cf. F. vacillation.]
idiot n.
A man in private station, as distinguished from one holding a public office. [F. idiot, L. idiota an uneducated, ignorant, ill- informed person, Gr. Idiom.]
breathless a.
Spent with labor or violent action; out of breath.
benjamin n.
A kind of upper coat for men.
carl n.
A rude, rustic man; a churl. [Icel, karl a male, a man; akin to AS. ceorl, OHG. charal, G. kerl fellow. See Churl.]
roger n.
A black flag with white skull and crossbones, formerly used by pirates; -- called also Jolly Roger.
artist n.
One who practices some mechanic art or craft; an artisan. [F. artiste, LL. artista, fr. L. ars. See Art, n., and cf. Artiste.]
franklin n.
An English freeholder, or substantial householder. [OE. frankelein; cf. LL. franchilanus. See Frank, a.]
meanwhile n.
The intervening time; as, in the meantime (or mean time).
lust v. i.
To list; to like. [AS. lystan. See Lust, n., and cf. List to choose.]
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
drove n.
A collection of cattle driven, or cattle collected for driving; a number of animals, as oxen, sheep, or swine, driven in a body. [AS. draf, fr. drifan to drive. See Drive.]
terrify v. t.
To make terrible. [L. terrere to frighten + -fy: cf. F. terrifier, L. terrificare. See Terrific, and -fy.]
scarce a.
Not plentiful or abundant; in small quantity in proportion to the demand; not easily to be procured; rare; uncommon. [OE. scars, OF. escars, eschars, LL. scarpsus, for L. excerptus, p. p. of excerpere to pick out, and hence to contract, to shorten; ex (see Ex-) + carpere. See C]
lumbering n.
The business of cutting or getting timber or logs from the forest for lumber. [U.S.]
beefy a.
Having much beef; of the nature of beef; resembling beef; fleshy.
duffer n.
A peddler or hawker, especially of cheap, flashy articles, as sham jewelry; hence, a sham or cheat. Halliwell.
billy n.
A club; esp., a policeman's club.
fain v. t.
To be glad ; to wish or desire.
trice v. t.
To pull; to haul; to drag; to pull away. [OE. trisen; of Scand. or Low German origin; cf. Sw. trissa a sheave, pulley, triss a spritsail brace, Dan. tridse a pulley, tridse to haul by means of a pulley,]
rushed a.
Abounding or covered with rushes.
invulnerable a.
Incapable of being wounded, or of receiving injury. [L. invulnerabilis: cf. F. invulnérable. See In- not, and Vulnerable.]
stayed a.
Staid; fixed; settled; sober; -- now written staid. See Staid.
valiant a.
Vigorous in body; strong; powerful; as, a valiant fencer. [OE. valiant, F. vaillant, OF. vaillant, valant, originally p. pr. of OF. & F. valoir to be worth, L. valere to be strong. See Wield, and cf. Avail, Convalesce, ]
went n.
Course; way; path; journey; direction.
pallor n.
Paleness; want of color; pallidity; as, pallor of the complexion. Jer. Taylor. [L., fr. pallere to be or look pale. See Pale, a.]
shook v. t.
To pack, as staves, in a shook.
woodman n.
A forest officer appointed to take care of the king's woods; a forester. [Eng.]
nestling n.
A young bird which has not abandoned the nest. Piers Plowman.
amid prep.
In the midst or middle of; surrounded or encompassed by; among. [OE. amidde, amiddes, on midden, AS. on middan, in the middle, fr. midde the middle. The s is an adverbial ending, originally marking the genitive; the t is a la]
lynch v. t.
To inflict punishment upon, especially death, without the forms of law, as when a mob captures and hangs a suspected person. See Lynch law. [See Note under Lynch law.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Spooniad is in the public domain. This text is taken from Spoon River Anthology, Project Gutenberg ebook #1280; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Edgar Lee Masters, The Spooniad, in Spoon River Anthology (1915), text of Project Gutenberg ebook #1280, Laurel, https://laurelpoetry.com/poem/masters-spoon-river/the-spooniad.html, id L07968.

Form and metre

The Spooniad is 287 lines in 17 stanzas. The metre is iambic pentameter, measured from the stress the words themselves fix (confidence 87%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 9.6 syllables. 30 lines end on an unstressed syllable, a feminine ending. 63% of the lines run on without a stop at the line end.

See other poems in iambic pentameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 --AB------B-AA---- strife · defeat · causeA · fallB · woes · hate · hands · wreck · stood · smiles · crawlB · pursued · pyresA · becauseA · troy · son · spoil · concubine
  2. 2 -A----------A-- first · eyesA · one · cabanis · she · troop · streets · rings · smile · rhodes · well · maid · eyesA · knew · condemned
  3. 4 ---A---A-----B--B--- dance · gloom · fill · seamstressA · trunks · laces · hiding · dressA · eve · thronged · river · showed · voice · riseB · forth · left · eyesB · cause · mayoralty · blood
  4. 6 -----------------A-A----- chairs · daub · man · beard · stared · eminence · guile · spake · clique · psalms · drain · price · beneath · curb · bank · question · dance · roamA · now · homeA · see · o'er · gloom · maids · wantons
  5. 7 ------A--BA----AB------ ere · no · when · troughs · flock · tread · hallA · hat · fist · stoodB · hallA · rights · burchard · stage · cause · hallA · upstoodB · son · paunch · behold · wife · blood · pedro
  6. 8 -A---A---B--AAB--B--- quick · howardA · time · cause · wrath · sideA · stake · virginia · years · dryB · revenue · enough · inspiredA · prideA · whyB · spring · men · beB · release · slavery · rum
  7. 10 ---A------A-- room · withdrew · himself · pantierA · weirauch · james · butler · hyde · keene · jones · pantierA · note · conferred
  8. 12 -A---A-------- room · bloodA · first · hawkins · rhodes · standardA · lip · sneer · woman · too · were · rule · freedom · symbolized
  9. 13 ---------------------A--A----BB----- sky · festival · beds · streets · wheels · in · chieftains · o'clock · polls · blows · eve · streets · hills · removed · lift · spoke · brows · black · boar · walked · came · commissionedA · fled · yard · handA · against · strong · smiled · walk · inB · oneB · scarce · arms · killed · before · feared
  10. 14 --------AA--------------B-BB--BB--B--- one · dark · rage · round · stealthily · step · coward · sneak · canA · reasonA · out · brick · returned · both · men · apollo · hills · votes · door · tones · taunt · trice · hound · day · oneB · mike · heavenB · menB · mike · head · downB · oneB · strength · chest · inB · fight · souls · bricks
  11. 15 -A-B------AB-- muse · mikeA · grasp · foeB · all · side · face · spread · late · lion · mikeA · foeB · eyes · cloud
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic pentameter. How this is done.

LineSyl.Stress
Of John Cabanis’ wrath and of the strife10··········
Of hostile parties, and his dire defeat10·/˘/˘···˘/
Who led the common people in the cause10···/˘/˘···
Of freedom for Spoon River, and the fall10·/˘··/˘···
Of Rhodes, bank that brought unnumbered woes10·····˘/˘˘·
And loss to many, with engendered hate10···/˘·˘/˘·
That flamed into the torch in Anarch hands10·······/˘·
To burn the court-house, on whose blackened wreck10·······/˘·
A fairer temple rose and Progress stood—10·/˘/˘··/··
Sing, muse, that lit the Chian’s face with smiles9·········
Who saw the ant-like Greeks and Trojans crawl10·······/˘·
About Scamander, over walls, pursued10········˘/
Or else pursuing, and the funeral pyres10··˘/˘··/˘/
And sacred hecatombs, and first because10·/˘·······
Of Helen who with Paris fled to Troy10·/˘··/˘···
As soul-mate; and the wrath of Peleus, son,10··········
Decreed to lose Chryseis, lovely spoil9˘/··/˘/˘·
Of war, and dearest concubine.8···/˘/˘·
Say first,2··
Thou son of night, called Momus, from whose eyes10·····/˘···
No secret hides, and Thalia, smiling one,10·/˘··/˘/˘·
What bred ’twixt Thomas Rhodes and John Cabanis11···/˘······
The deadly strife? His daughter Flossie, she,10·/˘··/˘/˘·
Returning from her wandering with a troop10˘/˘··/˘···
Of strolling players, walked the village streets,10·/˘/˘··/˘·
Her bracelets tinkling and with sparkling rings10·/˘/˘··/˘·
And words of serpent wisdom and a smile10···/˘/˘···
Of cunning in her eyes. Then Thomas Rhodes,10·/˘····/˘·
Who ruled the church and ruled the bank as well,10··········
Made known his disapproval of the maid;10···˘˘/˘···
And all Spoon River whispered and the eyes10···/˘/˘···
Of all the church frowned on her, till she knew10··········
They feared her and condemned.6····˘/
But them to flout4····
She gave a dance to viols and to flutes,9·········
Brought from Peoria, and many youths,10··˘/˘˘·/˘·
But lately made regenerate through the prayers11·/˘·˘/˘····
Of zealous preachers and of earnest souls,10·/˘/˘··/˘·
Danced merrily, and sought her in the dance,10·/˘˘······
Who wore a dress so low of neck that eyes10··········
Down straying might survey the snowy swale11·/˘·˘/·/˘··
’Till it was lost in whiteness.7·····/˘
With the dance3···
The village changed to merriment from gloom.10·/˘··/˘˘··
The milliner, Mrs. Williams, could not fill10·/˘/˘/˘···
Her orders for new hats, and every seamstress11·/˘····/˘/˘
Plied busy needles making gowns; old trunks10·/˘/˘/˘···
And chests were opened for their store of laces11···/˘····/˘
And rings and trinkets were brought out of hiding11···/˘····/˘
And all the youths fastidious grew of dress;10····˘/˘···
Notes passed, and many a fair one’s door at eve10···/······
Knew a bouquet, and strolling lovers thronged10··˘/·/˘/˘·
About the hills that overlooked the river.11·····/˘··/˘
Then, since the mercy seats more empty showed,10···/˘··/˘·
One of God’s chosen lifted up his voice:10···/˘/˘···
“The woman of Babylon is among us; rise12·/˘·/˘······
Ye sons of light and drive the wanton forth!”10·······/˘·
So John Cabanis left the church and left10··········
The hosts of law and order with his eyes10·····/˘···
By anger cleared, and him the liberal cause10·/˘····/˘·
Acclaimed as nominee to the mayoralty11˘/··˘/··/˘˘
To vanquish A. D. Blood.6·/˘···
But as the war4····
Waged bitterly for votes and rumors flew10·/˘˘···/˘·
About the bank, and of the heavy loans10·······/˘·
Which Rhodes, son had made to prop his loss9·········
In wheat, and many drew their coin and left10···/˘·····
The bank of Rhodes more hollow, with the talk10·····/˘···
Among the liberals of another bank10···/˘·˘/˘·
Soon to be chartered, lo, the bubble burst10···/˘··/˘·
’Mid cries and curses; but the liberals laughed10···/˘··/˘·
And in the hall of Nicholas Bindle held10·····/˘/˘·
Wise converse and inspiriting debate.10·/˘·····˘/
High on a stage that overlooked the chairs10·····/˘···
Where dozens sat, and where a pop-eyed daub10·/˘·······
Of Shakespeare, very like the hired man10·/·/˘··/˘·
Of Christian Dallman, brow and pointed beard,10·/˘/˘··/˘·
Upon a drab proscenium outward stared,10····˘/˘˘/·
Sat Harmon Whitney, to that eminence,10·/˘/˘··/˘˘
By merit raised in ribaldry and guile,10·/˘··/˘˘··
And to the assembled rebels thus he spake:11···˘/˘/˘···
“Whether to lie supine and let a clique10····˘/····
Cold-blooded, scheming, hungry, singing psalms,10·/˘/˘/˘/˘·
Devour our substance, wreck our banks and drain10˘///˘·/···
Our little hoards for hazards on the price10//˘··/˘···
Of wheat or pork, or yet to cower beneath10·······/··
The shadow of a spire upreared to curb10·/········
A breed of lackeys and to serve the bank10···/˘·····
Coadjutor in greed, that is the question.10········/˘
Shall we have music and the jocund dance,10···/˘··/˘·
Or tolling bells? Or shall young romance roam10·/˘····/˘·
These hills about the river, flowering now10·····/˘/˘·
To April’s tears, or shall they sit at home,10·/˘·······
Or play croquet where Thomas Rhodes may see,10··˘/·/˘···
I ask you? If the blood of youth runs o’er10··········
And riots ’gainst this regimen of gloom,10·/˘··/˘˘··
Shall we submit to have these youths and maids10··˘/······
Branded as libertines and wantons?”9/˘·/˘··/˘
Ere1·
His words were done a woman’s voice called “No!”10·····/˘···
Then rose a sound of moving chairs, as when10·····/˘···
The numerous swine o’er-run the replenished troughs;11·/˘····˘/˘·
And every head was turned, as when a flock10·/˘·······
Of geese back-turning to the hunter’s tread10···/˘··/˘·
Rise up with flapping wings; then rang the hall10···/˘·····
With riotous laughter, for with battered hat10·/˘/˘··/˘·
Tilted upon her saucy head, and fist10/˘···/˘···
Raised in defiance, Daisy Fraser stood.10··˘/˘/˘/˘·
Headlong she had been hurled from out the hall10/·········
Save Wendell Bloyd, who spoke for woman’s rights,10·/˘····/˘·
Prevented, and the bellowing voice of Burchard.11˘/˘··/˘··˘/
Then, mid applause she hastened toward the stage11··˘/·/˘····
And flung both gold and silver to the cause10·····/˘···
And swiftly left the hall.6·/˘···
Meantime upstood4/···
A giant figure, bearded like the son10·/˘/˘/˘···
Of Alcmene, deep-chested, round of paunch,9····/˘···
And spoke in thunder: “Over there behold10···/˘···˘/
A man who for the truth withstood his wife—10······˘/··
Such is our spirit—when that A. D. Blood10··//˘·····
Compelled me to remove Dom Pedro—”10˘/˘··˘/·/˘
Quick1·
Before Jim Brown could finish, Jefferson Howard10·····/˘/˘/
Obtained the floor and spake: “Ill suits the time10˘/········
For clownish words, and trivial is our cause10·/˘··/˘·/·
If naught’s at stake but John Cabanis, wrath,10··········
He who was erstwhile of the other side10···/···/˘·
And came to us for vengeance. More’s at stake11·····/˘/···
Than triumph for New England or Virginia.11·/˘··/˘·˘/˘
And whether rum be sold, or for two years10··········
As in the past two years, this town be dry10··········
Matters but little— Oh yes, revenue10/˘·/˘··/˘·
For sidewalks, sewers; that is well enough!10·/·/˘···˘/
I wish to God this fight were now inspired11········˘/˘
By other passion than to salve the pride10·/˘/˘·····
Of John Cabanis or his daughter. Why10·······/˘·
Can never contests of great moment spring10·/˘/˘··/˘·
From worthy things, not little? Still, if men10·/˘··/˘···
Must always act so, and if rum must be10·/········
The symbol and the medium to release10·/˘··/˘·˘/
From life’s denial and from slavery,10··˘/˘··/˘˘
Then give me rum!”4····
Exultant cries arose.6˘/˘·˘/
Then, as George Trimble had o’ercome his fear10···/˘·····
And vacillation and begun to speak,10··˘/˘·˘/··
The door creaked and the idiot, Willie Metcalf,11·····/˘/˘/·
Breathless and hatless, whiter than a sheet,10/˘·/˘/˘···
Entered and cried: “The marshal’s on his way10/˘···/˘···
To arrest you all. And if you only knew11·˘/·····/˘·
Who’s coming here to-morrow; I was listening11·/˘··/˘··/˘
Beneath the window where the other side10···/˘··/˘·
Are making plans.”4·/˘·
So to a smaller room6···/˘·
To hear the idiot’s secret some withdrew10···/˘/˘·˘/
Selected by the Chair; the Chair himself10˘/˘·····˘/
And Jefferson Howard, Benjamin Pantier,10·/˘˘//˘˘··
And Wendell Bloyd, George Trimble, Adam Weirauch,11·/˘··/˘/˘/˘
Imanuel Ehrenhardt, Seth Compton, Godwin James12·······/˘/˘·
And Enoch Dunlap, Hiram Scates, Roy Butler,11·/˘/˘/˘··/˘
Carl Hamblin, Roger Heston, Ernest Hyde10·/˘/˘/˘/˘·
And Penniwit, the artist, Kinsey Keene,10·····/˘/˘·
And E. C. Culbertson and Franklin Jones,10···/˘˘·/˘·
Benjamin Fraser, son of Benjamin Pantier10/˘/˘··/˘··
By Daisy Fraser, some of lesser note,10·/˘/˘··/˘·
And secretly conferred.6·/˘˘˘/
But in the hall4····
Disorder reigned and when the marshal came10˘/˘····/˘·
And found it so, he marched the hoodlums out10·······/˘·
And locked them up.4····
Meanwhile within a room6/·····
Back in the basement of the church, with Blood10···/˘·····
Counseled the wisest heads. Judge Somers first,10/˘·/˘··/˘·
Deep learned in life, and next him, Elliott Hawkins11·······/˘/˘
And Lambert Hutchins; next him Thomas Rhodes10·/˘/···/˘·
And Editor Whedon; next him Garrison Standard,11·/˘/˘··/˘/˘
A traitor to the liberals, who with lip10·/˘··/˘···
Upcurled in scorn and with a bitter sneer:10·······/˘·
“Such strife about an insult to a woman—11·····/···/˘
A girl of eighteen” —Christian Dallman too,10···///˘/˘·
And others unrecorded. Some there were10·/˘·˘/˘···
Who frowned not on the cup but loathed the rule10··········
Democracy achieved thereby, the freedom11˘/˘˘˘/···/˘
And lust of life it symbolized.9·····/˘·˘
Now morn with snowy fingers up the sky10···/˘/˘···
Flung like an orange at a festival10···/˘··/˘˘
The ruddy sun, when from their hasty beds10·/˘····/˘·
Poured forth the hostile forces, and the streets10···/˘/˘···
Resounded to the rattle of the wheels10·/˘··/˘···
That drove this way and that to gather in10·······/˘·
The tardy voters, and the cries of chieftains11·/˘/˘····/˘
Who manned the battle. But at ten o’clock10···/˘···˘/
The liberals bellowed fraud, and at the polls10·/˘/˘·····
The rival candidates growled and came to blows.10·/˘/˘·····
Then proved the idiot’s tale of yester-eve10···/˘··/˘·
A word of warning. Suddenly on the streets10···/˘/˘···
Walked hog-eyed Allen, terror of the hills10···/˘/˘···
That looked on Bernadotte ten miles removed.10········˘/
No man of this degenerate day could lift10····˘/˘···
The boulders which he threw, and when he spoke10·/˘·······
The windows rattled, and beneath his brows10·/˘/˘·····
Thatched like a shed with bristling hair of black,10·····/˘···
His small eyes glistened like a maddened boar.10···/˘··/˘·
And as he walked the boards creaked, as he walked10··········
A song of menace rumbled. Thus he came,10···/˘/˘···
The champion of A. D. Blood, commissioned11·/˘˘····˘/˘
To terrify the liberals. Many fled10·/˘··/˘˘/·
As when a hawk soars o’er the chicken yard.10·······/˘·
He passed the polls and with a playful hand10·······/˘·
Touched Brown, the giant, and he fell against,10···/˘·····
As though he were a child, the wall; so strong10··········
Was hog-eyed Allen. But the liberals smiled.10···/˘··/˘·
For soon as hog-eyed Allen reached the walk,10·····/˘···
Close on his steps paced Bengal Mike, brought in10·····/˘···
By Kinsey Keene, the subtle-witted one,10·/˘··/˘/˘·
To match the hog-eyed Allen. He was scarce10·····/˘···
Three-fourths the other’s bulk, but steel his arms,10···/˘·····
And with a tiger’s heart. Two men he killed10···/˘·····
And many wounded in the days before,10·/˘/˘·····
And no one feared.4····
But when the hog-eyed one6······
Saw Bengal Mike his countenance grew dark,10·/˘··/˘˘··
The bristles o’er his red eyes twitched with rage,10·/˘·······
The song he rumbled lowered. Round and round10···/˘/˘···
The court-house paced he, followed stealthily10·····/˘/˘˘
By Bengal Mike, who jeered him every step:10·/˘····/˘·
“Come, elephant, and fight! Come, hog-eyed coward!11·/˘˘·····/˘
Come, face about and fight me, lumbering sneak!10·······/˘·
Come, beefy bully, hit me, if you can!10·/˘/˘·····
Take out your gun, you duffer, give me reason11·····/˘··/˘
To draw and kill you. Take your billy out.10·······/˘·
I’ll crack your boar’s head with a piece of brick!”10··········
But never a word the hog-eyed one returned10·/······˘/
But trod about the court-house, followed both10·······/˘·
By troops of boys and watched by all the men.10··········
All day, they walked the square. But when Apollo11········˘/˘
Stood with reluctant look above the hills10··˘/˘·····
As fain to see the end, and all the votes10··········
Were cast, and closed the polls, before the door10··········
Of Trainor’s drug store Bengal Mike, in tones10·/˘··/˘···
That echoed through the village, bawled the taunt:10·/˘··/˘···
“Who was your mother, hog—eyed?” In a trice10···/˘·····
As when a wild boar turns upon the hound10··········
That through the brakes upon an August day10·······/˘·
Has gashed him with its teeth, the hog-eyed one10··········
Rushed with his giant arms on Bengal Mike10···/˘··/˘·
And grabbed him by the throat. Then rose to heaven11·········/˘
The frightened cries of boys, and yells of men10·/˘·······
Forth rushing to the street. And Bengal Mike10·/˘····/˘·
Moved this way and now that, drew in his head10··········
As if his neck to shorten, and bent down10·····/˘···
To break the death grip of the hog-eyed one;10··········
’Twixt guttural wrath and fast-expiring strength10·/˘···˘/˘·
Striking his fists against the invulnerable chest11/˘·····˘/˘·
Of hog-eyed Allen. Then, when some came in10···/˘·····
To part them, others stayed them, and the fight10···/˘·····
Spread among dozens; many valiant souls10···/˘/˘/˘·
Went down from clubs and bricks.6······
But tell me, Muse,4····
What god or goddess rescued Bengal Mike?10···/˘/˘/˘·
With one last, mighty struggle did he grasp10···/˘/˘···
The murderous hands and turning kick his foe.10·/˘··/˘···
Then, as if struck by lightning, vanished all10·····/˘/˘·
The strength from hog-eyed Allen, at his side10·····/˘···
Sank limp those giant arms and o’er his face10···/˘·····
Dread pallor and the sweat of anguish spread.10·/˘····/˘·
And those great knees, invincible but late,10····˘/˘˘··
Shook to his weight. And quickly as the lion11·····/˘··/˘
Leaps on its wounded prey, did Bengal Mike10···/˘··/˘·
Smite with a rock the temple of his foe,10·····/˘···
And down he sank and darkness o’er his eyes10·····/˘···
Passed like a cloud.4····
As when the woodman fells6···/˘·
Some giant oak upon a summer’s day10·/˘····/˘·
And all the songsters of the forest shrill,10·······/˘·
And one great hawk that has his nestling young10·······/˘·
Amid the topmost branches croaks, as crash10˘/·/˘/˘···
The leafy branches through the tangled boughs10·/˘/˘··/˘·
Of brother oaks, so fell the hog-eyed one10·/˘·······
Amid the lamentations of the friends10˘/········
Of A. D. Blood.4····
Just then, four lusty men6···/˘·
Bore the town marshal, on whose iron face10···/˘··/˘·
The purple pall of death already lay,10·/˘···˘/˘·
To Trainor’s drug store, shot by Jack McGuire.10·/˘·····˘/
And cries went up of “Lynch him!” and the sound10··········
Of running feet from every side was heard10·/˘··/˘···
Bent on the3···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

More by Edgar Lee Masters