Fragments

John Masefield (1878–1967) · 1912

iambic tetrameter · ABAB · 68 lines · from The Story of a Round-House, and Other Poems

Troy Town is covered up with weeds,The rabbits and the pismires broodOn broken gold, and shards, and beadsWhere Priam's ancient palace stood.

The floors of many a gallant houseAre matted with the roots of grass;The glow-worm and the nimble mouseAmong her ruins flit and pass.

And there, in orts of blackened bone,The widowed Trojan beauties lie,And Simois babbles over stoneAnd waps and gurgles to the sky.

Once there were merry days in Troy,Her chimneys smoked with cooking meals,The passing chariots did annoyThe sunning housewives at their wheels.

And many a lovely Trojan maidSet Trojan lads to lovely things;The game of life was nobly played,They played the game like Queens and Kings.

So that, when Troy had greatly passedIn one red roaring fiery coal,The courts the Grecians overcastBecame a city in the soul.

In some green island of the sea,Where now the shadowy coral growsIn pride and pomp and emperyThe courts of old Atlantis rose.

In many a glittering house of glassThe Atlanteans wandered there;The paleness of their faces wasLike ivory, so pale they were.

And hushed they were, no noise of wordsIn those bright cities ever rang;Only their thoughts, like golden birds,About their chambers thrilled and sang.

They knew all wisdom, for they knewThe souls of those Egyptian KingsWho learned, in ancient Babilu,The beauty of immortal things.

They knew all beauty--when they thoughtThe air chimed like a stricken lyre,The elemental birds were wrought,The golden birds became a fire.

And straight to busy camps and martsThe singing flames were swiftly gone;The trembling leaves of human heartsHid boughs for them to perch upon.

And men in desert places, menAbandoned, broken, sick with fears,Rose singing, swung their swords agen,And laughed and died among the spears.

The green and greedy seas have drownedThat city's glittering walls and towers,Her sunken minarets are crownedWith red and russet water-flowers.

In towers and rooms and golden courtsThe shadowy coral lifts her sprays;The scrawl hath gorged her broken orts,The shark doth haunt her hidden ways.

But, at the falling of the tide,The golden birds still sing and gleam,The Atlanteans have not died,Immortal things still give us dream.

The dream that fires man's heart to make,To build, to do, to sing or sayA beauty Death can never take,An Adam from the crumbled clay.

Words in this poem

flit a.
Nimble; quick; swift. See Fleet.
nobly adv.
Of noble extraction; as, nobly born or descended.
overcast v. t.
To cast or cover over; hence, to cloud; to darken.
empery n.
Empire; sovereignty; dominion. [L. imperium, influenced by OF. emperie, empire. See Empire.]
stricken p. p.
Struck; smitten; wounded; as, the stricken deer.
scrawl v. t.
To draw or mark awkwardly and irregularly; to write hastily and carelessly; to scratch; to scribble; as, to scrawl a letter. [Probably corrupted from scrabble.]
gorged a.
Having a gorge or throat.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

Fragments is in the public domain. This text is taken from The Story of a Round-House, and Other Poems, Project Gutenberg ebook #40717; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: John Masefield, Fragments, in The Story of a Round-House, and Other Poems (1912), text of Project Gutenberg ebook #40717, Laurel, https://laurelpoetry.com/poem/masefield-round-house/fragments.html, id L25018.

Form and metre

Fragments is 68 lines in 17 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 11 of its 17 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 A-A- weedsA · brood · beadsA · stood
  2. 2 ABAB houseA · grassB · mouseA · passB
  3. 3 ABAB boneA · lieB · stoneA · skyB
  4. 4 ABAB troyA · mealsB · annoyA · wheelsB
  5. 5 ABAB maidA · thingsB · playedA · kingsB
  6. 6 ABAB passedA · coalB · overcastA · soulB
  7. 7 -A-A sea · growsA · empery · roseA
  8. 9 ABAB wordsA · rangB · birdsA · sangB
  9. 10 -A-A knew · kingsA · babilu · thingsA
  10. 11 ABAB thoughtA · lyreB · wroughtA · fireB
  11. 12 A-A- martsA · gone · heartsA · upon
  12. 13 -A-A men · fearsA · agen · spearsA
  13. 14 ABAB drownedA · towersB · crownedA · flowersB
  14. 15 ABAB courtsA · spraysB · ortsA · waysB
  15. 16 ABAB tideA · gleamB · diedA · dreamB
  16. 17 ABAB makeA · sayB · takeA · clayB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
Troy Town is covered up with weeds,8···/˘···
The rabbits and the pismires brood8·/˘·····
On broken gold, and shards, and beads8·/˘·····
Where Priam's ancient palace stood.8·/·/˘/˘·
The floors of many a gallant house8···/·/˘·
Are matted with the roots of grass;8·/˘·····
The glow-worm and the nimble mouse8·····/˘·
Among her ruins flit and pass.8···/˘···
And there, in orts of blackened bone,8·····/˘·
The widowed Trojan beauties lie,8·/˘/˘/˘·
And Simois babbles over stone8···/˘···
And waps and gurgles to the sky.8···/˘···
Once there were merry days in Troy,8···/˘···
Her chimneys smoked with cooking meals,8·/˘··/˘·
The passing chariots did annoy8·/˘/˘·˘/
The sunning housewives at their wheels.8·/˘/····
And many a lovely Trojan maid8·/·/˘/˘·
Set Trojan lads to lovely things;8·/˘··/˘·
The game of life was nobly played,8·····/˘·
They played the game like Queens and Kings.8········
So that, when Troy had greatly passed8·····/˘·
In one red roaring fiery coal,8···/˘/˘·
The courts the Grecians overcast8···/˘/˘·
Became a city in the soul.8˘/·/˘···
In some green island of the sea,8···/˘···
Where now the shadowy coral grows8···/˘/˘·
In pride and pomp and empery8·····/˘˘
The courts of old Atlantis rose.8····˘/˘·
In many a glittering house of glass8·/·/˘···
The Atlanteans wandered there;8····/˘˘·
The paleness of their faces was8·/˘··/˘·
Like ivory, so pale they were.8·/˘˘····
And hushed they were, no noise of words8········
In those bright cities ever rang;8···/˘/˘·
Only their thoughts, like golden birds,8/˘···/˘·
About their chambers thrilled and sang.8···/˘···
They knew all wisdom, for they knew8···/˘···
The souls of those Egyptian Kings8····˘/˘·
Who learned, in ancient Babilu,8···/˘···
The beauty of immortal things.8·/˘·˘/˘·
They knew all beauty--when they thought8···/˘···
The air chimed like a stricken lyre,8·····/˘·
The elemental birds were wrought,8··˘/˘···
The golden birds became a fire.9·/˘·˘/·/˘
And straight to busy camps and marts8···/˘···
The singing flames were swiftly gone;8·/˘··/˘·
The trembling leaves of human hearts8·/˘··/˘·
Hid boughs for them to perch upon.8········
And men in desert places, men8···/˘/˘·
Abandoned, broken, sick with fears,8˘/˘/˘···
Rose singing, swung their swords agen,8·/˘···˘/
And laughed and died among the spears.8········
The green and greedy seas have drowned8···/˘···
That city's glittering walls and towers,8·/˘/˘··/
Her sunken minarets are crowned8·/˘·˘/··
With red and russet water-flowers.9···/˘/˘/˘
In towers and rooms and golden courts8·/···/˘·
The shadowy coral lifts her sprays;8·/˘/˘···
The scrawl hath gorged her broken orts,8·····/˘·
The shark doth haunt her hidden ways.8·····/˘·
But, at the falling of the tide,8···/˘···
The golden birds still sing and gleam,8·/˘·····
The Atlanteans have not died,7·······
Immortal things still give us dream.8˘/˘·····
The dream that fires man's heart to make,8···/····
To build, to do, to sing or say8········
A beauty Death can never take,8·/˘··/˘·
An Adam from the crumbled clay.8·/˘··/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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