Fragments
Troy Town is covered up with weeds,The rabbits and the pismires broodOn broken gold, and shards, and beadsWhere Priam's ancient palace stood.
The floors of many a gallant houseAre matted with the roots of grass;The glow-worm and the nimble mouseAmong her ruins flit and pass.
And there, in orts of blackened bone,The widowed Trojan beauties lie,And Simois babbles over stoneAnd waps and gurgles to the sky.
Once there were merry days in Troy,Her chimneys smoked with cooking meals,The passing chariots did annoyThe sunning housewives at their wheels.
And many a lovely Trojan maidSet Trojan lads to lovely things;The game of life was nobly played,They played the game like Queens and Kings.
So that, when Troy had greatly passedIn one red roaring fiery coal,The courts the Grecians overcastBecame a city in the soul.
In some green island of the sea,Where now the shadowy coral growsIn pride and pomp and emperyThe courts of old Atlantis rose.
In many a glittering house of glassThe Atlanteans wandered there;The paleness of their faces wasLike ivory, so pale they were.
And hushed they were, no noise of wordsIn those bright cities ever rang;Only their thoughts, like golden birds,About their chambers thrilled and sang.
They knew all wisdom, for they knewThe souls of those Egyptian KingsWho learned, in ancient Babilu,The beauty of immortal things.
They knew all beauty--when they thoughtThe air chimed like a stricken lyre,The elemental birds were wrought,The golden birds became a fire.
And straight to busy camps and martsThe singing flames were swiftly gone;The trembling leaves of human heartsHid boughs for them to perch upon.
And men in desert places, menAbandoned, broken, sick with fears,Rose singing, swung their swords agen,And laughed and died among the spears.
The green and greedy seas have drownedThat city's glittering walls and towers,Her sunken minarets are crownedWith red and russet water-flowers.
In towers and rooms and golden courtsThe shadowy coral lifts her sprays;The scrawl hath gorged her broken orts,The shark doth haunt her hidden ways.
But, at the falling of the tide,The golden birds still sing and gleam,The Atlanteans have not died,Immortal things still give us dream.
The dream that fires man's heart to make,To build, to do, to sing or sayA beauty Death can never take,An Adam from the crumbled clay.
Words in this poem
- flit a.
- Nimble; quick; swift. See Fleet.
- nobly adv.
- Of noble extraction; as, nobly born or descended.
- overcast v. t.
- To cast or cover over; hence, to cloud; to darken.
- empery n.
- Empire; sovereignty; dominion. [L. imperium, influenced by OF. emperie, empire. See Empire.]
- stricken p. p.
- Struck; smitten; wounded; as, the stricken deer.
- scrawl v. t.
- To draw or mark awkwardly and irregularly; to write hastily and carelessly; to scratch; to scribble; as, to scrawl a letter. [Probably corrupted from scrabble.]
- gorged a.
- Having a gorge or throat.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Fragments is in the public domain. This text is taken from The Story of a Round-House, and Other Poems, Project Gutenberg ebook #40717; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: John Masefield, Fragments, in The Story of a Round-House, and Other Poems (1912), text of Project Gutenberg ebook #40717, Laurel, https://laurelpoetry.com/poem/masefield-round-house/fragments.html, id L25018.
Form and metre
Fragments is 68 lines in 17 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 11 of its 17 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 92%).
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 A-A- weedsA · brood · beadsA · stood
- 2 ABAB houseA · grassB · mouseA · passB
- 3 ABAB boneA · lieB · stoneA · skyB
- 4 ABAB troyA · mealsB · annoyA · wheelsB
- 5 ABAB maidA · thingsB · playedA · kingsB
- 6 ABAB passedA · coalB · overcastA · soulB
- 7 -A-A sea · growsA · empery · roseA
- 9 ABAB wordsA · rangB · birdsA · sangB
- 10 -A-A knew · kingsA · babilu · thingsA
- 11 ABAB thoughtA · lyreB · wroughtA · fireB
- 12 A-A- martsA · gone · heartsA · upon
- 13 -A-A men · fearsA · agen · spearsA
- 14 ABAB drownedA · towersB · crownedA · flowersB
- 15 ABAB courtsA · spraysB · ortsA · waysB
- 16 ABAB tideA · gleamB · diedA · dreamB
- 17 ABAB makeA · sayB · takeA · clayB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Troy Town is covered up with weeds, | 8 | ···/˘··· |
| The rabbits and the pismires brood | 8 | ·/˘····· |
| On broken gold, and shards, and beads | 8 | ·/˘····· |
| Where Priam's ancient palace stood. | 8 | ·/·/˘/˘· |
| The floors of many a gallant house | 8 | ···/·/˘· |
| Are matted with the roots of grass; | 8 | ·/˘····· |
| The glow-worm and the nimble mouse | 8 | ·····/˘· |
| Among her ruins flit and pass. | 8 | ···/˘··· |
| And there, in orts of blackened bone, | 8 | ·····/˘· |
| The widowed Trojan beauties lie, | 8 | ·/˘/˘/˘· |
| And Simois babbles over stone | 8 | ···/˘··· |
| And waps and gurgles to the sky. | 8 | ···/˘··· |
| Once there were merry days in Troy, | 8 | ···/˘··· |
| Her chimneys smoked with cooking meals, | 8 | ·/˘··/˘· |
| The passing chariots did annoy | 8 | ·/˘/˘·˘/ |
| The sunning housewives at their wheels. | 8 | ·/˘/···· |
| And many a lovely Trojan maid | 8 | ·/·/˘/˘· |
| Set Trojan lads to lovely things; | 8 | ·/˘··/˘· |
| The game of life was nobly played, | 8 | ·····/˘· |
| They played the game like Queens and Kings. | 8 | ········ |
| So that, when Troy had greatly passed | 8 | ·····/˘· |
| In one red roaring fiery coal, | 8 | ···/˘/˘· |
| The courts the Grecians overcast | 8 | ···/˘/˘· |
| Became a city in the soul. | 8 | ˘/·/˘··· |
| In some green island of the sea, | 8 | ···/˘··· |
| Where now the shadowy coral grows | 8 | ···/˘/˘· |
| In pride and pomp and empery | 8 | ·····/˘˘ |
| The courts of old Atlantis rose. | 8 | ····˘/˘· |
| In many a glittering house of glass | 8 | ·/·/˘··· |
| The Atlanteans wandered there; | 8 | ····/˘˘· |
| The paleness of their faces was | 8 | ·/˘··/˘· |
| Like ivory, so pale they were. | 8 | ·/˘˘···· |
| And hushed they were, no noise of words | 8 | ········ |
| In those bright cities ever rang; | 8 | ···/˘/˘· |
| Only their thoughts, like golden birds, | 8 | /˘···/˘· |
| About their chambers thrilled and sang. | 8 | ···/˘··· |
| They knew all wisdom, for they knew | 8 | ···/˘··· |
| The souls of those Egyptian Kings | 8 | ····˘/˘· |
| Who learned, in ancient Babilu, | 8 | ···/˘··· |
| The beauty of immortal things. | 8 | ·/˘·˘/˘· |
| They knew all beauty--when they thought | 8 | ···/˘··· |
| The air chimed like a stricken lyre, | 8 | ·····/˘· |
| The elemental birds were wrought, | 8 | ··˘/˘··· |
| The golden birds became a fire. | 9 | ·/˘·˘/·/˘ |
| And straight to busy camps and marts | 8 | ···/˘··· |
| The singing flames were swiftly gone; | 8 | ·/˘··/˘· |
| The trembling leaves of human hearts | 8 | ·/˘··/˘· |
| Hid boughs for them to perch upon. | 8 | ········ |
| And men in desert places, men | 8 | ···/˘/˘· |
| Abandoned, broken, sick with fears, | 8 | ˘/˘/˘··· |
| Rose singing, swung their swords agen, | 8 | ·/˘···˘/ |
| And laughed and died among the spears. | 8 | ········ |
| The green and greedy seas have drowned | 8 | ···/˘··· |
| That city's glittering walls and towers, | 8 | ·/˘/˘··/ |
| Her sunken minarets are crowned | 8 | ·/˘·˘/·· |
| With red and russet water-flowers. | 9 | ···/˘/˘/˘ |
| In towers and rooms and golden courts | 8 | ·/···/˘· |
| The shadowy coral lifts her sprays; | 8 | ·/˘/˘··· |
| The scrawl hath gorged her broken orts, | 8 | ·····/˘· |
| The shark doth haunt her hidden ways. | 8 | ·····/˘· |
| But, at the falling of the tide, | 8 | ···/˘··· |
| The golden birds still sing and gleam, | 8 | ·/˘····· |
| The Atlanteans have not died, | 7 | ······· |
| Immortal things still give us dream. | 8 | ˘/˘····· |
| The dream that fires man's heart to make, | 8 | ···/···· |
| To build, to do, to sing or say | 8 | ········ |
| A beauty Death can never take, | 8 | ·/˘··/˘· |
| An Adam from the crumbled clay. | 8 | ·/˘··/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.