To the Life Eternal
Thou art my thought, my heart, my being's fortune,The search for thee my growth's first conscious date;For nought, for everything, I thee importune;Thou art my all, my origin and fate!
Words in this poem
- importune a.
- Inopportune; unseasonable. [F. importun, L. importunus; pref. im- not + a derivative from the root of portus harbor, importunus therefore orig. meaning, hard of access. See Port harbor, an]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
To the Life Eternal is in the public domain. This text is taken from The poetical works of George MacDonald in two volumes — Volume 2, Project Gutenberg ebook #9984; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: George MacDonald, To the Life Eternal, in A Microcosm in Terza Rima, and Other Poems (1893), text of Project Gutenberg ebook #9984, Laurel, https://laurelpoetry.com/poem/macdonald-poems/to-the-life-eternal.html, id L22326.
Form and metre
To the Life Eternal is 4 lines in a single stanza. It rhymes ABAB. This poem did not settle on a metre of its own; the book it comes from is in iambic tetrameter.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB fortuneA · dateB · importuneA · fateB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Thou art my thought, my heart, my being's fortune, | 11 | ·······/˘/˘ |
| The search for thee my growth's first conscious date; | 10 | ·······/˘· |
| For nought, for everything, I thee importune; | 11 | ···/˘······ |
| Thou art my all, my origin and fate! | 10 | ·····/˘˘·· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.