The Shepherd of King Admetus
There came a youth upon the earth,Some thousand years ago,Whose slender hands were nothing worth,Whether to plough, or reap, or sow.
Upon an empty tortoise-shellHe stretched some chords, and drewMusic that made men's bosoms swellFearless, or brimmed their eyes with dew.
Then King Admetus, one who hadPure taste by right divine,Decreed his singing not too badTo hear between the cups of wine:
And so, well-pleased with being soothedInto a sweet half-sleep,Three times his kingly beard he smoothed,And made him viceroy o'er his sheep.
His words were simple words enough,And yet he used them so,That what in other mouths was roughIn his seemed musical and low.
Men called him but a shiftless youth,In whom no good they saw;And yet, unwittingly, in truth,They made his careless words their law.
They knew not how he learned at all,For idly, hour by hour,He sat and watched the dead leaves fall,Or mused upon a common flower.
It seemed the loveliness of thingsDid teach him all their use,For, in mere weeds, and stones, and springs,He found a healing power profuse.
Men granted that his speech was wise,But, when a glance they caughtOf his slim grace and woman's eyes,They laughed, and called him good-for-naught.
Yet after he was dead and gone,And e'en his memory dim,Earth seemed more sweet to live upon,More full of love, because of him.
And day by day more holy grewEach spot where he had trod,Till after-poets only knewTheir first-born brother as a god.
Words in this poem
- reap n.
- A bundle of grain; a handful of grain laid down by the reaper as it is cut. Wright. [Cf. AS. rip harvest. See Reap, v.]
- loveliness n.
- The state or quality of being lovely. [From Lovely.]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Shepherd of King Admetus is in the public domain. This text is taken from Poems of James Russell Lowell With biographical sketch by Nathan Haskell Dole, Project Gutenberg ebook #38520; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: James Russell Lowell, The Shepherd of King Admetus, in Poems (1844–1888), text of Project Gutenberg ebook #38520, Laurel, https://laurelpoetry.com/poem/lowell-james-russell-poems/the-shepherd-of-king-admetus.html, id L13682.
Form and metre
The Shepherd of King Admetus is 44 lines in 11 stanzas of 4 lines each. The rhyme scheme is ABAB, complete in 10 of its 11 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 4 lines end on an unstressed syllable, a feminine ending. 25% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ABAB earthA · agoB · worthA · sowB
- 2 ABAB shellA · drewB · swellA · dewB
- 3 ABAB hadA · divineB · badA · wineB
- 4 ABAB soothedA · sleepB · smoothedA · sheepB
- 5 ABAB enoughA · soB · roughA · lowB
- 6 ABAB youthA · sawB · truthA · lawB
- 7 ABAB allA · hourB · fallA · flowerB
- 8 ABAB thingsA · useB · springsA · profuseB
- 9 ABAB wiseA · caughtB · eyesA · naughtB
- 10 -A-A gone · dimA · upon · himA
- 11 ABAB grewA · trodB · knewA · godB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| There came a youth upon the earth, | 8 | ········ |
| Some thousand years ago, | 6 | ·/˘·˘/ |
| Whose slender hands were nothing worth, | 8 | ·/˘··/˘· |
| Whether to plough, or reap, or sow. | 8 | ········ |
| Upon an empty tortoise-shell | 8 | ···/˘/˘· |
| He stretched some chords, and drew | 6 | ······ |
| Music that made men's bosoms swell | 8 | /˘···/˘· |
| Fearless, or brimmed their eyes with dew. | 9 | /˘··˘···· |
| Then King Admetus, one who had | 8 | ········ |
| Pure taste by right divine, | 6 | ····˘/ |
| Decreed his singing not too bad | 8 | ˘/·/˘··· |
| To hear between the cups of wine: | 8 | ········ |
| And so, well-pleased with being soothed | 10 | ····˘·/˘·˘ |
| Into a sweet half-sleep, | 6 | ······ |
| Three times his kingly beard he smoothed, | 9 | ···/˘···˘ |
| And made him viceroy o'er his sheep. | 8 | ···/˘··· |
| His words were simple words enough, | 8 | ···/˘·˘/ |
| And yet he used them so, | 6 | ······ |
| That what in other mouths was rough | 8 | ···/˘··· |
| In his seemed musical and low. | 9 | ···˘/˘˘·· |
| Men called him but a shiftless youth, | 9 | ··˘···/˘· |
| In whom no good they saw; | 6 | ······ |
| And yet, unwittingly, in truth, | 8 | ··˘/˘˘·· |
| They made his careless words their law. | 8 | ···/˘··· |
| They knew not how he learned at all, | 9 | ······˘·· |
| For idly, hour by hour, | 8 | ·/˘/˘·/˘ |
| He sat and watched the dead leaves fall, | 9 | ····˘···· |
| Or mused upon a common flower. | 10 | ··˘···/˘/˘ |
| It seemed the loveliness of things | 9 | ··˘·/˘˘·· |
| Did teach him all their use, | 6 | ······ |
| For, in mere weeds, and stones, and springs, | 8 | ········ |
| He found a healing power profuse. | 9 | ···/˘/˘˘/ |
| Men granted that his speech was wise, | 8 | ·/˘····· |
| But, when a glance they caught | 6 | ······ |
| Of his slim grace and woman's eyes, | 8 | ·····/˘· |
| They laughed, and called him good-for-naught. | 10 | ··˘··˘···· |
| Yet after he was dead and gone, | 8 | ········ |
| And e'en his memory dim, | 7 | ···/˘˘· |
| Earth seemed more sweet to live upon, | 9 | ··˘······ |
| More full of love, because of him. | 8 | ········ |
| And day by day more holy grew | 8 | ·····/˘· |
| Each spot where he had trod, | 6 | ······ |
| Till after-poets only knew | 8 | ···/˘/˘· |
| Their first-born brother as a god. | 8 | ···/˘··· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.