Sancta Maria, Succurre Miseris
Dear Virgin Mary, far away,Look down from Heaven while I pray.Open your golden casement high,And lean way out beyond the sky.I am so little, it may beA task for you to harken me.
O Lady Mary, I have boughtA candle, as the good priest taught.I only had one penny, soOld Goody Jenkins let it go.It is a little bent, you see.But Oh, be merciful to me!
I have not anything to give,Yet I so long for him to live.A year ago he sailed awayAnd not a word unto today.I've strained my eyes from the sea-wallBut never does he come at all.
Other ships have entered portTheir voyages finished, long or short,And other sailors have receivedTheir welcomes, while I sat and grieved.My heart is bursting for his hail,O Virgin, let me spy his sail.
Hull down on the edge of a sun-soaked seaSparkle the bellying sails for me.Taut to the push of a rousing windShaking the sea till it foams behind,The tightened rigging is shrill with the song:"We are back again who were gone so long."
One afternoon I bumped my head.I sat on a post and wished I were deadLike father and mother, for no one caredWhither I went or how I fared.A man's voice said, "My little lad,Here's a bit of a toy to make you glad."
Then I opened my eyes and saw him plain,With his sleeves rolled up, and the dark blue stainOf tattooed skin, where a flock of quailFlew up to his shoulder and met the tailOf a dragon curled, all pink and green,Which sprawled on his back, when it was seen.
He held out his hand and gave to meThe most marvellous top which could ever be.It had ivory eyes, and jet-black rings,And a red stone carved into little wings,All joined by a twisted golden line,And set in the brown wood, even and fine.
Forgive me, Lady, I have not broughtMy treasure to you as I ought,But he said to keep it for his sakeAnd comfort myself with it, and takeJoy in its spinning, and so I do.It couldn't mean quite the same to you.
Every day I met him there,Where the fisher-nets dry in the sunny air.He told me stories of courts and kings,Of storms at sea, of lots of things.The top he said was a sort of signThat something in the big world was mine.
Blue and white on a sun-shot ocean.Against the horizon a glint in motion.Full in the grasp of a shoving wind,Trailing her bubbles of foam behind,Singing and shouting to port she races,A flying harp, with her sheets and braces.
O Queen of Heaven, give me heed,I am in very utmost need.He loved me, he was all I had,And when he came it made the sadThoughts disappear. This very daySend his ship home to me I pray.
I'll be a priest, if you want it so,I'll work till I have enough to goAnd study Latin to say the prayersOn the rosary our old priest wears.I wished to be a sailor too,But I will give myself to you.
I'll never even spin my top,But put it away in a box. I'll stopWhistling the sailor-songs he taught.I'll save my pennies till I have boughtA silver heart in the market square,I've seen some beautiful, white ones there.
I'll give up all I want to doAnd do whatever you tell me to.Heavenly Lady, take awayAll the games I like to play,Take my life to fill the score,Only bring him back once more!
The poplars shiver and turn their leaves,And the wind through the belfry moans and grieves.The gray dust whirls in the market square,And the silver hearts are covered with careBy thick tarpaulins. Once againThe bay is black under heavy rain.
The Queen of Heaven has shut her door.A little boy weeps and prays no more.
Words in this poem
- casement n.
- A window sash opening on hinges affixed to the upright side of the frame into which it is fitted. (Poetically) A window. [Shortened fr. encasement. See Incase 1st Case, and cf. Incasement.]
- goody n.
- A bonbon, cake, or the like; -- usually in the pl.
- jenkins n.
- name of contempt for a flatterer of persons high in social or official life; as, the Jenkins employed by a newspaper. [Colloq. Eng.
- afternoon n.
- The part of the day which follows noon, between noon and evening.
- whither adv.
- To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
- went n.
- Course; way; path; journey; direction.
- ought p. p.
- Was or were under obligation to pay; owed. [Orig. the preterit of the verb to owe. OE. oughte, aughte, ahte, AS. ahte. sq. root110. See Owe.]
- sunny a.
- Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
- glint n.
- A glimpse, glance, or gleam. [OE. glent.]
- rosary n.
- A bed of roses, or place where roses grow. [LL. rosarium a string of beads, L. rosarium a place planted with roses, rosa a rose: cf. F. rosaire. See Rose.]
- belfry n.
- A movable tower erected by besiegers for purposes of attack and defense. [OE. berfray movable tower used in sieges, OF. berfreit, berfroit, F. beffroi, fr. MHG. bervrit, bercvrit, G. bergfriede, fr. MHG. bergen to protect (G. bergen t]
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
Sancta Maria, Succurre Miseris is in the public domain. This text is taken from Sword Blades and Poppy Seed, Project Gutenberg ebook #1020; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Amy Lowell, Sancta Maria, Succurre Miseris, in Sword Blades and Poppy Seed (1914), text of Project Gutenberg ebook #1020, Laurel, https://laurelpoetry.com/poem/lowell-amy-sword-blades/sancta-maria-succurre-miseris.html, id L08232.
Form and metre
Sancta Maria, Succurre Miseris is 98 lines in 17 stanzas. The rhyme scheme is AABBCC, complete in 16 of its 17 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 82%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.9 syllables. 7 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 AABBCC awayA · prayA · highB · skyB · beC · meC
- 2 AABBCC boughtA · taughtA · soB · goB · seeC · meC
- 3 AABBCC giveA · liveA · awayB · todayB · wallC · allC
- 4 AABBCC portA · shortA · receivedB · grievedB · hailC · sailC
- 5 AABBCC seaA · meA · windB · behindB · songC · longC
- 6 AABBCC headA · deadA · caredB · faredB · ladC · gladC
- 7 AABBCC plainA · stainA · quailB · tailB · greenC · seenC
- 8 AABBCC meA · beA · ringsB · wingsB · lineC · fineC
- 9 AABBCC broughtA · oughtA · sakeB · takeB · doC · youC
- 10 AABBCC thereA · airA · kingsB · thingsB · signC · mineC
- 11 AABBCC oceanA · motionA · windB · behindB · racesC · bracesC
- 12 AABBCC heedA · needA · hadB · sadB · dayC · prayC
- 13 AABBCC soA · goA · prayersB · wearsB · tooC · youC
- 14 AABBCC topA · stopA · taughtB · boughtB · squareC · thereC
- 15 AABBCC doA · toA · awayB · playB · scoreC · moreC
- 16 AABBCC leavesA · grievesA · squareB · careB · againC · rainC
- 17 AA doorA · moreA
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| Dear Virgin Mary, far away, | 8 | ·/˘/˘·˘/ |
| Look down from Heaven while I pray. | 8 | ···/˘··· |
| Open your golden casement high, | 8 | /˘·/˘/˘· |
| And lean way out beyond the sky. | 8 | ········ |
| I am so little, it may be | 8 | ···/˘··· |
| A task for you to harken me. | 8 | ·····/˘· |
| O Lady Mary, I have bought | 8 | ·/˘/˘··· |
| A candle, as the good priest taught. | 8 | ·/˘····· |
| I only had one penny, so | 8 | ·/˘··/˘· |
| Old Goody Jenkins let it go. | 8 | ·/˘/˘··· |
| It is a little bent, you see. | 8 | ···/˘··· |
| But Oh, be merciful to me! | 8 | ···/˘˘·· |
| I have not anything to give, | 8 | ···/˘··· |
| Yet I so long for him to live. | 8 | ········ |
| A year ago he sailed away | 8 | ··˘/··˘/ |
| And not a word unto today. | 8 | ······˘/ |
| I've strained my eyes from the sea-wall | 8 | ········ |
| But never does he come at all. | 8 | ·/˘····· |
| Other ships have entered port | 8 | /˘··/˘˘· |
| Their voyages finished, long or short, | 8 | ·/˘/˘··· |
| And other sailors have received | 8 | ·/˘/˘·˘/ |
| Their welcomes, while I sat and grieved. | 8 | ·/˘····· |
| My heart is bursting for his hail, | 8 | ···/˘··· |
| O Virgin, let me spy his sail. | 8 | ·/˘····· |
| Hull down on the edge of a sun-soaked sea | 10 | ·········· |
| Sparkle the bellying sails for me. | 8 | /˘·/˘··· |
| Taut to the push of a rousing wind | 9 | ······/˘· |
| Shaking the sea till it foams behind, | 9 | /˘······· |
| The tightened rigging is shrill with the song: | 10 | ·/˘/˘····· |
| "We are back again who were gone so long." | 10 | ···˘/····· |
| One afternoon I bumped my head. | 8 | ··˘/···· |
| I sat on a post and wished I were dead | 10 | ·········· |
| Like father and mother, for no one cared | 10 | ·/˘·/˘···· |
| Whither I went or how I fared. | 8 | /˘······ |
| A man's voice said, "My little lad, | 8 | ·····/˘· |
| Here's a bit of a toy to make you glad." | 10 | ·········· |
| Then I opened my eyes and saw him plain, | 10 | ··/˘······ |
| With his sleeves rolled up, and the dark blue stain | 10 | ·········· |
| Of tattooed skin, where a flock of quail | 9 | ·˘/······ |
| Flew up to his shoulder and met the tail | 10 | ····/˘···· |
| Of a dragon curled, all pink and green, | 9 | ··/˘····· |
| Which sprawled on his back, when it was seen. | 9 | ········· |
| He held out his hand and gave to me | 9 | ········· |
| The most marvellous top which could ever be. | 10 | ········/· |
| It had ivory eyes, and jet-black rings, | 9 | ··/˘····· |
| And a red stone carved into little wings, | 10 | ·······/˘· |
| All joined by a twisted golden line, | 9 | ····/˘/˘· |
| And set in the brown wood, even and fine. | 9 | ······/·· |
| Forgive me, Lady, I have not brought | 9 | ˘/·/˘···· |
| My treasure to you as I ought, | 8 | ·/˘····· |
| But he said to keep it for his sake | 9 | ········· |
| And comfort myself with it, and take | 9 | ·/˘·/···· |
| Joy in its spinning, and so I do. | 9 | ···/˘···· |
| It couldn't mean quite the same to you. | 9 | ·/˘······ |
| Every day I met him there, | 8 | /˘˘····· |
| Where the fisher-nets dry in the sunny air. | 11 | ··/˘····/˘· |
| He told me stories of courts and kings, | 9 | ···/˘···· |
| Of storms at sea, of lots of things. | 8 | ········ |
| The top he said was a sort of sign | 9 | ········· |
| That something in the big world was mine. | 9 | ·/˘······ |
| Blue and white on a sun-shot ocean. | 9 | ·······/˘ |
| Against the horizon a glint in motion. | 11 | ···˘/˘···/˘ |
| Full in the grasp of a shoving wind, | 9 | ······/˘· |
| Trailing her bubbles of foam behind, | 9 | /˘·/˘···· |
| Singing and shouting to port she races, | 10 | /˘·/˘···/˘ |
| A flying harp, with her sheets and braces. | 10 | ·/˘·····/˘ |
| O Queen of Heaven, give me heed, | 8 | ···/˘··· |
| I am in very utmost need. | 8 | ···/˘/·· |
| He loved me, he was all I had, | 8 | ········ |
| And when he came it made the sad | 8 | ········ |
| Thoughts disappear. This very day | 8 | ··˘/·/˘· |
| Send his ship home to me I pray. | 8 | ········ |
| I'll be a priest, if you want it so, | 9 | ········· |
| I'll work till I have enough to go | 9 | ·····˘/·· |
| And study Latin to say the prayers | 9 | ·/˘/˘···· |
| On the rosary our old priest wears. | 8 | ··/˘/··· |
| I wished to be a sailor too, | 8 | ·····/˘· |
| But I will give myself to you. | 8 | ·····/·· |
| I'll never even spin my top, | 8 | ·/˘/˘··· |
| But put it away in a box. I'll stop | 10 | ···˘/····· |
| Whistling the sailor-songs he taught. | 8 | /˘·/˘··· |
| I'll save my pennies till I have bought | 9 | ···/˘···· |
| A silver heart in the market square, | 9 | ·/˘···/˘· |
| I've seen some beautiful, white ones there. | 8 | ···/˘··· |
| I'll give up all I want to do | 8 | ········ |
| And do whatever you tell me to. | 9 | ···/˘···· |
| Heavenly Lady, take away | 8 | /˘˘/˘·˘/ |
| All the games I like to play, | 7 | ······· |
| Take my life to fill the score, | 7 | ······· |
| Only bring him back once more! | 7 | /˘····· |
| The poplars shiver and turn their leaves, | 9 | ·/˘/˘···· |
| And the wind through the belfry moans and grieves. | 10 | ·····/˘··· |
| The gray dust whirls in the market square, | 9 | ······/˘· |
| And the silver hearts are covered with care | 10 | ··/˘··/˘·· |
| By thick tarpaulins. Once again | 8 | ······˘/ |
| The bay is black under heavy rain. | 9 | ······/˘· |
| The Queen of Heaven has shut her door. | 8 | ···/···· |
| A little boy weeps and prays no more. | 9 | ·/˘······ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.