To Ellinda, That Lately I Have Not Written

Richard Lovelace (1617–1657) · 1649

iambic tetrameter · octosyllabic couplets · 18 lines · from Lucasta

If in me anger, or disdaineIn you, or both, made me refraineFrom th' noble intercourse of verse,That only vertuous thoughts rehearse;Then, chaste Ellinda, might you feareThe sacred vowes that I did sweare.

But if alone some pious thoughtMe to an inward sadnesse brought,Thinking to breath your soule too welle,My tongue was charmed with that spell;And left it (since there was no roomeTo voyce your worth enough) strooke dumbe.

So then this silence doth revealNo thought of negligence, but zeal:For, as in adoration,This is love's true devotion;Children and fools the words repeat,But anch'rites pray in tears and sweat.

Words in this poem

vertuous a.
Virtuous; powerful.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

To Ellinda, That Lately I Have Not Written is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, To Ellinda, That Lately I Have Not Written, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/to-ellinda-that-lately-i-have-not-written.html, id L13004.

Form and metre

To Ellinda, That Lately I Have Not Written is 18 lines in 3 stanzas of 6 lines each. It is in rhyming couplets, 67% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 91% of its stressed syllables fall where the metre puts the beat. The lines average 7.9 syllables. 2 lines end on an unstressed syllable, a feminine ending. 33% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABBCC disdaineA · refraineA · verseB · rehearseB · feareC · sweareC
  2. 2 AABB-- thoughtA · broughtA · welleB · spellB · roome · dumbe
  3. 3 AA---- revealA · zealA · adoration · devotion · repeat · sweat
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
If in me anger, or disdaine8···/˘···
In you, or both, made me refraine8········
From th' noble intercourse of verse,8·/˘/˘···
That only vertuous thoughts rehearse;9·/˘/˘˘·˘/
Then, chaste Ellinda, might you feare8········
The sacred vowes that I did sweare.9·/˘˘·····
But if alone some pious thought8··˘/·/˘·
Me to an inward sadnesse brought,8···/˘···
Thinking to breath your soule too welle,8/˘······
My tongue was charmed with that spell;7·······
And left it (since there was no roome8········
To voyce your worth enough) strooke dumbe.8····˘/··
So then this silence doth reveal8···/˘·˘/
No thought of negligence, but zeal:8···/˘˘··
For, as in adoration,7····˘/˘
This is love's true devotion;7····˘/˘
Children and fools the words repeat,8/˘····˘/
But anch'rites pray in tears and sweat.8········

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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