On the Death of Mrs. Elizabeth Filmer. An Elegiacall Epitaph

Richard Lovelace (1617–1657) · 1649

iambic tetrameter · octosyllabic couplets · 80 lines · from Lucasta

You that shall live awhile, beforeOld time tyrs, and is no more:When that this ambitious stoneStoopes low as what it tramples on:Know that in that age, when sinneGave the world law, and governd Queene,A virgin liv'd, that still put onWhite thoughts, though out of fashion:That trac't the stars, 'spite of report,And durst be good, though chidden for't:Of such a soule that infant Heav'nRepented what it thus had giv'n:For finding equall happy man,Th' impatient pow'rs snatch it agen.Thus, chaste as th' ayre whither shee's fled,She, making her celestiall bedIn her warme alablaster, layAs cold is in this house of clay:Nor were the rooms unfit to feastOr circumscribe this angel-guest;The radiant gemme was brightly setIn as divine a carkanet;Of which the clearer was not knowne,Her minde or her complexion.Such an everlasting grace,Such a beatifick face,Incloysters here this narrow floore,That possest all hearts before.

Blest and bewayl'd in death and birth!The smiles and teares of heav'n and earth!Virgins at each step are afeard,Filmer is shot by which they steer'd,Their star extinct, their beauty dead,That the yong world to honour led;But see! the rapid spheres stand still,And tune themselves unto her will.

Thus, although this marble must,As all things, crumble into dust,And though you finde this faire-built tombeAshes, as what lyes in its wombe:Yet her saint-like name shall shineA living glory to this shrine,And her eternall fame be read,When all but VERY VERTUE'S DEAD.

Headley (SELECT BEAUTIES, ed. 1810, ii. p. 42) has remarkedthe similarity between these lines and some in Collins'

"Belov'd till life can charm no more;And MOURN'D TILL PITY'S SELF BE DEAD."

See! what a clouded majesty, and eyesWhose glory through their mist doth brighter rise!See! what an humble bravery doth shine,And griefe triumphant breaking through each line,How it commands the face! so sweet a scorneNever did HAPPY MISERY adorne!So sacred a contempt, that others showTo this, (oth' height of all the wheele) below,That mightiest monarchs by this shaded bookeMay coppy out their proudest, richest looke.

Whilst the true eaglet this quick luster spies,And by his SUN'S enlightens his owne eyes;He cures his cares, his burthen feeles, then streightJoyes that so lightly he can beare such weight;Whilst either eithers passion doth borrow,And both doe grieve the same victorious sorrow.

These, my best LILLY, with so bold a spiritAnd soft a grace, as if thou didst inheritFor that time all their greatnesse, and didst drawWith those brave eyes your royal sitters saw.

Not as of old, when a rough hand did speakeA strong aspect, and a faire face, a weake;When only a black beard cried villaine, andBy hieroglyphicks we could understand;When chrystall typified in a white spot,And the bright ruby was but one red blot;Thou dost the things Orientally the sameNot only paintst its colour, but its flame:Thou sorrow canst designe without a teare,And with the man his very hope or feare;So that th' amazed world shall henceforth findeNone but my LILLY ever drew a MINDE.

Words in this poem 16
shall v. i.
To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
sinne adv.
Old form of Since. [Obs. or Prov.Eng. & Scot.]
whither adv.
To what place; -- used interrogatively; as, whither goest thou [OE. whider. AS. hwider; akin to E. where, who; cf. Goth. hvadre whither. See Who, and cf. Hither, Thither.]
celestiall a.
Belonging to the aërial regions, or visible heavens. [OF. celestial, celestied, fr. L. caelestic, fr. caelum heaved. See Cell.]
circumscribe v. t.
to write or engare around. [L. circumscribere, -scriptum; circum + scribere to write, draw. See Soribe.]
gemme v. t.
To put forth in the form of buds.
carkanet n.
A carcanet. Southey.
clearer n.
One who, or that which, clears.
complexion n.
The state of being complex; complexity. [F. complexion, fr. L. complexio. See Complex, a.]
honour n.
Esteem due or paid to worth; high estimation; respect; consideration; reverence; veneration; manifestation of respect or reverence. [OE. honor, honour, onour, onur, OF. honor, onor, honur, onur, honour, onour, F. honneur, fr. L. honor, honos.]
eternall a.
Without beginning or end of existence; always existing. [F. éternel, L. aeternalis, fr. aeternus. See Etern.]
eaglet n.
A young eagle, or a diminutive eagle. [Cf. OF. aiglet.]
borrow v. t.
To receive from another as a loan, with the implied or expressed intention of returning the identical article or its equivalent in kind; -- the opposite of lend. [OE. borwen, AS. borgian, fr. borg, borh, pledge; akin to D. borg, G. borg; prob. fr. root of AS. beorgan to protect. Borough.]
didst
, the 2d pers. sing. imp. of Do.
henceforth adv.
From this time forward; henceforward.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

On the Death of Mrs. Elizabeth Filmer. An Elegiacall Epitaph is in the public domain. This text is taken from Lucasta, Project Gutenberg ebook #703; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Richard Lovelace, On the Death of Mrs. Elizabeth Filmer. An Elegiacall Epitaph, in Lucasta (1649), text of Project Gutenberg ebook #703, Laurel, https://laurelpoetry.com/poem/lovelace-lucasta/on-the-death-of-mrs-elizabeth-filmer-an-elegiacall-epitaph.html, id L13014.

Form and metre

On the Death of Mrs. Elizabeth Filmer. An Elegiacall Epitaph is 80 lines in 9 verse paragraphs. It is in rhyming couplets, 72% of the lines: octosyllabic couplets. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 86%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 8.8 syllables. 7 lines end on an unstressed syllable, a feminine ending. 30% of the lines run on without a stop at the line end.

See other poems in octosyllabic couplets, other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AA-B--BBCC----DDEE--FF--GG-A beforeA · moreA · stone · onB · sinne · queene · onB · fashionB · reportC · for'tC · heav'n · giv'n · man · agen · fledD · bedD · layE · clayE · feast · guest · setF · carkanetF · knowne · complexion · graceG · faceG · floore · beforeA
  2. 2 AABBCCDD birthA · earthA · afeardB · steer'dB · deadC · ledC · stillD · willD
  3. 3 AABBCCDD mustA · dustA · tombeB · wombeB · shineC · shrineC · readD · deadD
  4. 6 AABBCCDDEE eyesA · riseA · shineB · lineB · scorneC · adorneC · showD · belowD · bookeE · lookeE
  5. 7 AABB-- spiesA · eyesA · streightB · weightB · borrow · sorrow
  6. 8 --AA spirit · inherit · drawA · sawA
  7. 9 AABBCCDDEEFF speakeA · weakeA · andB · understandB · spotC · blotC · sameD · flameD · teareE · feareE · findeF · mindeF
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
You that shall live awhile, before8····˘/··
Old time tyrs, and is no more:7·······
When that this ambitious stone7···˘/˘·
Stoopes low as what it tramples on:8·····/˘·
Know that in that age, when sinne7·······
Gave the world law, and governd Queene,8········
A virgin liv'd, that still put on8·/˘·····
White thoughts, though out of fashion:7·····/˘
That trac't the stars, 'spite of report,8······˘/
And durst be good, though chidden for't:8········
Of such a soule that infant Heav'n8·····/˘·
Repented what it thus had giv'n:8˘/˘·····
For finding equall happy man,8·/˘/˘/˘·
Th' impatient pow'rs snatch it agen.8˘/˘···˘/
Thus, chaste as th' ayre whither shee's fled,8····/˘··
She, making her celestiall bed8·/˘·˘/˘·
In her warme alablaster, lay8········
As cold is in this house of clay:8········
Nor were the rooms unfit to feast8····˘/··
Or circumscribe this angel-guest;8··˘/·/˘·
The radiant gemme was brightly set9·/˘˘··/˘·
In as divine a carkanet;8··˘/·/˘˘
Of which the clearer was not knowne,8···/˘···
Her minde or her complexion.7····˘/˘
Such an everlasting grace,7···˘/˘·
Such a beatifick face,6······
Incloysters here this narrow floore,8·····/˘·
That possest all hearts before.7·/˘····
Blest and bewayl'd in death and birth!8········
The smiles and teares of heav'n and earth!8········
Virgins at each step are afeard,8/˘····˘/
Filmer is shot by which they steer'd,8/˘······
Their star extinct, their beauty dead,8··˘/·/˘·
That the yong world to honour led;8·····/˘·
But see! the rapid spheres stand still,8···/˘···
And tune themselves unto her will.8··˘/····
Thus, although this marble must,7····/˘·
As all things, crumble into dust,8···/˘···
And though you finde this faire-built tombe8········
Ashes, as what lyes in its wombe:8/˘······
Yet her saint-like name shall shine7·······
A living glory to this shrine,8·/˘/˘···
And her eternall fame be read,8··˘/˘···
When all but VERY VERTUE'S DEAD.7···/˘··
Headley (SELECT BEAUTIES, ed. 1810, ii. p. 42) has remarked12/˘˘//˘····˘/
the similarity between these lines and some in Collins'14··˘/˘·······/˘
"Belov'd till life can charm no more;8˘/······
And MOURN'D TILL PITY'S SELF BE DEAD."8···/˘···
See! what a clouded majesty, and eyes10···/˘/˘˘··
Whose glory through their mist doth brighter rise!10·/˘····/˘·
See! what an humble bravery doth shine,10···/˘/˘˘··
And griefe triumphant breaking through each line,10··˘/˘/˘···
How it commands the face! so sweet a scorne10··˘/······
Never did HAPPY MISERY adorne!10/˘·/˘/˘˘··
So sacred a contempt, that others show10·/˘·˘/·/˘·
To this, (oth' height of all the wheele) below,11···········
That mightiest monarchs by this shaded booke10·/˘/···/˘·
May coppy out their proudest, richest looke.10·····/˘/˘·
Whilst the true eaglet this quick luster spies,10···/˘··/˘·
And by his SUN'S enlightens his owne eyes;10····˘/˘···
He cures his cares, his burthen feeles, then streight10·····/˘···
Joyes that so lightly he can beare such weight;10···/˘·····
Whilst either eithers passion doth borrow,10·/˘/˘/˘·/·
And both doe grieve the same victorious sorrow.11······˘/˘/˘
These, my best LILLY, with so bold a spirit11···/˘····/˘
And soft a grace, as if thou didst inherit11········˘/˘
For that time all their greatnesse, and didst draw10··········
With those brave eyes your royal sitters saw.10·····/˘/˘·
Not as of old, when a rough hand did speake10··········
A strong aspect, and a faire face, a weake;10··/·······
When only a black beard cried villaine, and10·/˘·······
By hieroglyphicks we could understand;10········˘/
When chrystall typified in a white spot,10·/˘/˘·····
And the bright ruby was but one red blot;10···/˘·····
Thou dost the things Orientally the same10··········
Not only paintst its colour, but its flame:10·/˘··/˘···
Thou sorrow canst designe without a teare,10·/˘·······
And with the man his very hope or feare;10·····/˘···
So that th' amazed world shall henceforth finde10··˘/˘··//·
None but my LILLY ever drew a MINDE.10···/˘/˘···

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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