The Ropewalk

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

trochaic tetrameter · AABCCB · 66 lines · from The Complete Poetical Works

In that building, long and low,With its windows all a-row,Like the port-holes of a hulk,Human spiders spin and spin,Backward down their threads so thinDropping, each a hempen bulk.

At the end, an open door;Squares of sunshine on the floorLight the long and dusky lane;And the whirring of a wheel,Dull and drowsy, makes me feelAll its spokes are in my brain.

As the spinners to the endDownward go and reascend,Gleam the long threads in the sun;While within this brain of mineCobwebs brighter and more fineBy the busy wheel are spun.

Two fair maidens in a swing,Like white doves upon the wing,First before my vision pass;Laughing, as their gentle handsClosely clasp the twisted strands,At their shadow on the grass.

Then a booth of mountebanks,With its smell of tan and planks,And a girl poised high in airOn a cord, in spangled dress,With a faded loveliness,And a weary look of care.

Then a homestead among farms,And a woman with bare armsDrawing water from a well;As the bucket mounts apace,With it mounts her own fair face,As at some magician's spell.

Then an old man in a tower,Ringing loud the noontide hour,While the rope coils round and roundLike a serpent at his feet,And again, in swift retreat,Nearly lifts him from the ground.

Then within a prison-yard,Faces fixed, and stern, and hard,Laughter and indecent mirth;Ah! it is the gallows-tree!Breath of Christian charity,Blow, and sweep it from the earth!

Then a school-boy, with his kiteGleaming in a sky of light,And an eager, upward look;Steeds pursued through lane and field;Fowlers with their snares concealed;And an angler by a brook.

Ships rejoicing in the breeze,Wrecks that float o'er unknown seas,Anchors dragged through faithless sand;Sea-fog drifting overhead,And, with lessening line and lead,Sailors feeling for the land.

All these scenes do I behold,These, and many left untold,In that building long and low;While the wheel goes round and round,With a drowsy, dreamy sound,And the spinners backward go.

Words in this poem

hulk n.
The body of a ship or decked vessel of any kind; esp., the body of an old vessel laid by as unfit for service. [OE. hulke a heavy ship, AS. hulc a light, swift ship; akin to D. hulk a ship of burden, G. holk, OHG. holcho; perh. fr. LL. holcas, Gr. Wolf, Holcad.]
hempen a.
Made of hemp; as, a hempen cord.
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
reascend v. i.
To rise, mount, or climb again.
loveliness n.
The state or quality of being lovely. [From Lovely.]
apace adv.
With a quick pace; quick; fast; speedily. [Pref. a- + pace. OE. a pas at a walk, in which a is the article. See Pace.]
noontide n.
The time of noon; midday. [From noon + tide time; cf. AS. n the ninth hour.]
untold a.
Not told; not related; not revealed; as, untold secrets.
dreamy a.
Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Ropewalk is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, The Ropewalk, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/the-ropewalk.html, id L17628.

Form and metre

The Ropewalk is 66 lines in 11 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 10 of its 11 stanzas. The metre is trochaic tetrameter, measured from the stress the words themselves fix (confidence 91%). 99% of its stressed syllables fall where the metre puts the beat. The lines average 7.0 syllables. 4 lines end on an unstressed syllable, a feminine ending. 17% of the lines run on without a stop at the line end.

See other poems in trochaic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCB lowA · rowA · hulkB · spinC · thinC · bulkB
  2. 2 AABCCB doorA · floorA · laneB · wheelC · feelC · brainB
  3. 3 AABCCB endA · reascendA · sunB · mineC · fineC · spunB
  4. 4 AABCCB swingA · wingA · passB · handsC · strandsC · grassB
  5. 5 AABCCB mountebanksA · planksA · airB · dressC · lovelinessC · careB
  6. 6 AABCCB farmsA · armsA · wellB · apaceC · faceC · spellB
  7. 7 AABCCB towerA · hourA · roundB · feetC · retreatC · groundB
  8. 8 AAB--B yardA · hardA · mirthB · tree · charity · earthB
  9. 9 AABCCB kiteA · lightA · lookB · fieldC · concealedC · brookB
  10. 10 AABCCB breezeA · seasA · sandB · overheadC · leadC · landB
  11. 11 AABCCB beholdA · untoldA · lowB · roundC · soundC · goB
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against trochaic tetrameter. How this is done.

LineSyl.Stress
In that building, long and low,7··/˘···
With its windows all a-row,7··/˘···
Like the port-holes of a hulk,7·······
Human spiders spin and spin,7/˘/˘···
Backward down their threads so thin7/˘·····
Dropping, each a hempen bulk.7/˘··/˘·
At the end, an open door;7····/˘·
Squares of sunshine on the floor7··/····
Light the long and dusky lane;7····/˘·
And the whirring of a wheel,7··/˘···
Dull and drowsy, makes me feel7··/˘···
All its spokes are in my brain.7·······
As the spinners to the end7··/˘···
Downward go and reascend,6/˘····
Gleam the long threads in the sun;7·······
While within this brain of mine7·······
Cobwebs brighter and more fine7/·/˘···
By the busy wheel are spun.7··/˘···
Two fair maidens in a swing,7··/˘···
Like white doves upon the wing,7·······
First before my vision pass;7····/˘·
Laughing, as their gentle hands7/˘··/˘·
Closely clasp the twisted strands,7/˘··/˘·
At their shadow on the grass.7··/····
Then a booth of mountebanks,7·······
With its smell of tan and planks,7·······
And a girl poised high in air8····˘···
On a cord, in spangled dress,8····/˘˘·
With a faded loveliness,7··/˘/˘˘
And a weary look of care.7··/˘···
Then a homestead among farms,7··/····
And a woman with bare arms7··/˘···
Drawing water from a well;7/˘/˘···
As the bucket mounts apace,7··/˘·˘/
With it mounts her own fair face,7·······
As at some magician's spell.7···˘/˘·
Then an old man in a tower,8······/˘
Ringing loud the noontide hour,8/˘··/˘/˘
While the rope coils round and round7·······
Like a serpent at his feet,7··/˘···
And again, in swift retreat,7·˘/··˘/
Nearly lifts him from the ground.7/˘·····
Then within a prison-yard,7····/˘·
Faces fixed, and stern, and hard,8/˘·˘····
Laughter and indecent mirth;7/˘·˘/˘·
Ah! it is the gallows-tree!7····/˘·
Breath of Christian charity,7··/˘/˘˘
Blow, and sweep it from the earth!7·······
Then a school-boy, with his kite7·······
Gleaming in a sky of light,7/˘·····
And an eager, upward look;7··/˘/˘·
Steeds pursued through lane and field;8·˘/˘····
Fowlers with their snares concealed;8/˘···˘/˘
And an angler by a brook.7··/˘···
Ships rejoicing in the breeze,7·˘/˘···
Wrecks that float o'er unknown seas,7····˘/·
Anchors dragged through faithless sand;8/˘·˘·/˘·
Sea-fog drifting overhead,7··/˘/˘/
And, with lessening line and lead,8··/˘˘···
Sailors feeling for the land.7/˘/˘···
All these scenes do I behold,7·····˘/
These, and many left untold,7··/˘·˘/
In that building long and low;7··/˘···
While the wheel goes round and round,7·······
With a drowsy, dreamy sound,7··/˘/˘·
And the spinners backward go.7··/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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