The Old Clock on the Stairs
L'eternite est une pendule, dont le balancier dit et redit sanscesse ces deux mots seulement dans le silence des tombeaux:"Toujours! jamais! Jamais! toujours!"--JACQUES BRIDAINE.
Somewhat back from the village streetStands the old-fashioned country-seat.Across its antique porticoTall poplar-trees their shadows throw;And from its station in the hallAn ancient timepiece says to all,--"Forever--never!Never--forever!"
Half-way up the stairs it stands,And points and beckons with its handsFrom its case of massive oak,Like a monk, who, under his cloak,Crosses himself, and sighs, alas!With sorrowful voice to all who pass,--"Forever--never!Never--forever!"
By day its voice is low and light;But in the silent dead of night,Distinct as a passing footstep's fall,It echoes along the vacant hall,Along the ceiling, along the floor,And seems to say, at each chamber-door,--"Forever--never!Never--forever!"
Through days of sorrow and of mirth,Through days of death and days of birth,Through every swift vicissitudeOf changeful time, unchanged it has stood,And as if, like God, it all things saw,It calmly repeats those words of awe,--"Forever--never!Never--forever!"
In that mansion used to beFree-hearted Hospitality;His great fires up the chimney roared;The stranger feasted at his board;But, like the skeleton at the feast,That warning timepiece never ceased,--"Forever--never!Never--forever!"
There groups of merry children played,There youths and maidens dreaming strayed;O precious hours! O golden prime,And affluence of love and time!Even as a Miser counts his gold,Those hours the ancient timepiece told,--"Forever--never!Never--forever!"
From that chamber, clothed in white,The bride came forth on her wedding night;There, in that silent room below,The dead lay in his shroud of snow;And in the hush that followed the prayer,Was heard the old clock on the stair,--"Forever--never!Never--forever!"
All are scattered now and fled,Some are married, some are dead;And when I ask, with throbs of pain."Ah! when shall they all meet again?"As in the days long since gone by,The ancient timepiece makes reply,--"Forever--never!Never--forever!"
Never here, forever there,Where all parting, pain, and care,And death, and time shall disappear,--Forever there, but never here!The horologe of EternitySayeth this incessantly,--"Forever--never!Never--forever!"
Words in this poem
- pendule n.
- A pendulum. Evelyn. [F.]
- sans prep.
- Without; deprived or destitute of. Rarely used as an English word. [F., from L. sine without.]
- timepiece n.
- A clock, watch, or other instrument, to measure or show the progress of time; a chronometer.
- vicissitude n.
- Regular change or succession from one thing to another; alternation; mutual succession; interchange. [L. vicissitudo, fr. vicis change, turn: cf. F. vicissitude. See Vicarious.]
- changeful a.
- Full of change; mutable; inconstant; fickle; uncertain.
- mansion n.
- A dwelling place, -- whether a part or whole of a house or other shelter. [OF. mansion, F. maison, fr. L. mansio a staying, remaining, a dwelling, habitation, fr. manere, mansum, to stay, dwell; akin to Gr. Manse, Manor, Menagerie, Men]
- chimney n.
- A fireplace or hearth. Sir W. Raleigh.
- affluence n.
- A flowing to or towards; a concourse; an influx. [F. affluence, L. affluentia, fr. affluens, p. pr. of affluere to flow to; ad + fluere to flow. See Flux.]
- shall v. i.
- To owe; to be under obligation for. [OE. shal, schal, imp. sholde, scholde, AS. scal, sceal, I am obliged, imp. scolde, sceolde, inf. sculan; akin to OS. skulan, pres. skal, imp. skolda, D. zullen,]
- horologe n.
- A servant who called out the hours. [OE. horologe, orloge, timepiece, OF. horloge, orloge, oriloge, F. horloge, L. horologium, fr. Gr. Hour, and Logic.]
- incessantly adv.
- Unceasingly; continually.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Old Clock on the Stairs is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, The Old Clock on the Stairs, in A Psalm of Life, and Other Poems (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/the-old-clock-on-the-stairs.html, id L17539.
Form and metre
The Old Clock on the Stairs is 75 lines in 10 stanzas. The rhyme scheme is AABBCCDD, complete in 9 of its 10 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 89%). 87% of its stressed syllables fall where the metre puts the beat. The lines average 7.7 syllables. 26 lines end on an unstressed syllable, a feminine ending. 11% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 2 AABBCCDD streetA · seatA · porticoB · throwB · hallC · allC · neverD · foreverD
- 3 AABBCCDD standsA · handsA · oakB · cloakB · alasC · passC · neverD · foreverD
- 4 AABBCCDD lightA · nightA · fallB · hallB · floorC · doorC · neverD · foreverD
- 5 AABBCCDD mirthA · birthA · vicissitudeB · stoodB · sawC · aweC · neverD · foreverD
- 6 AABBCCDD beA · hospitalityA · roaredB · boardB · feastC · ceasedC · neverD · foreverD
- 7 AABBCCDD playedA · strayedA · primeB · timeB · goldC · toldC · neverD · foreverD
- 8 AABBCCDD whiteA · nightA · belowB · snowB · prayerC · stairC · neverD · foreverD
- 9 AABBCCDD fledA · deadA · painB · againB · byC · replyC · neverD · foreverD
- 10 AABBCCDD thereA · careA · disappearB · hereB · eternityC · incessantlyC · neverD · foreverD
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| L'eternite est une pendule, dont le balancier dit et redit sans | 18 | ···˘/·/˘·········· |
| cesse ces deux mots seulement dans le silence des tombeaux: | 14 | ·········/˘··· |
| "Toujours! jamais! Jamais! toujours!"--JACQUES BRIDAINE. | 11 | ··········· |
| Somewhat back from the village street | 8 | //···/˘· |
| Stands the old-fashioned country-seat. | 8 | ···/˘/˘· |
| Across its antique portico | 8 | ˘/·˘//˘· |
| Tall poplar-trees their shadows throw; | 8 | ·/˘··/·· |
| And from its station in the hall | 8 | ···/˘··· |
| An ancient timepiece says to all,-- | 8 | ·/˘/···· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| Half-way up the stairs it stands, | 7 | ······· |
| And points and beckons with its hands | 8 | ···/˘··· |
| From its case of massive oak, | 7 | ····/˘· |
| Like a monk, who, under his cloak, | 8 | ········ |
| Crosses himself, and sighs, alas! | 8 | /˘˘/··˘/ |
| With sorrowful voice to all who pass,-- | 8 | ·/˘····· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| By day its voice is low and light; | 8 | ········ |
| But in the silent dead of night, | 8 | ···/˘··· |
| Distinct as a passing footstep's fall, | 9 | ˘/··/˘/·· |
| It echoes along the vacant hall, | 9 | ·/˘˘/·/˘· |
| Along the ceiling, along the floor, | 9 | ˘/·/˘˘/·· |
| And seems to say, at each chamber-door,-- | 9 | ······/˘· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| Through days of sorrow and of mirth, | 8 | ···/˘··· |
| Through days of death and days of birth, | 8 | ········ |
| Through every swift vicissitude | 9 | ·/˘˘··/˘˘ |
| Of changeful time, unchanged it has stood, | 9 | ·/˘·˘/··· |
| And as if, like God, it all things saw, | 9 | ········· |
| It calmly repeats those words of awe,-- | 9 | ·/˘˘/···· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| In that mansion used to be | 7 | ··/˘··· |
| Free-hearted Hospitality; | 8 | ·/˘·˘/˘˘ |
| His great fires up the chimney roared; | 8 | ··/··/˘· |
| The stranger feasted at his board; | 8 | ·/˘/˘··· |
| But, like the skeleton at the feast, | 8 | ···/˘··· |
| That warning timepiece never ceased,-- | 8 | ·/˘/·/˘· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| There groups of merry children played, | 8 | ···/˘/˘· |
| There youths and maidens dreaming strayed; | 8 | ···/˘/˘· |
| O precious hours! O golden prime, | 8 | ·/˘/·/˘· |
| And affluence of love and time! | 8 | ·/˘˘···· |
| Even as a Miser counts his gold, | 8 | /··/˘··· |
| Those hours the ancient timepiece told,-- | 8 | ·/·/˘/·· |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| From that chamber, clothed in white, | 8 | ··/˘·˘·· |
| The bride came forth on her wedding night; | 9 | ······/˘· |
| There, in that silent room below, | 8 | ···/˘··· |
| The dead lay in his shroud of snow; | 8 | ········ |
| And in the hush that followed the prayer, | 9 | ·····/˘·· |
| Was heard the old clock on the stair,-- | 8 | ········ |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| All are scattered now and fled, | 8 | ··/˘˘··· |
| Some are married, some are dead; | 7 | ··/˘··· |
| And when I ask, with throbs of pain. | 8 | ········ |
| "Ah! when shall they all meet again?" | 8 | ······˘/ |
| As in the days long since gone by, | 8 | ········ |
| The ancient timepiece makes reply,-- | 8 | ·/˘/··˘/ |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
| Never here, forever there, | 7 | /˘·˘/˘· |
| Where all parting, pain, and care, | 7 | ··/˘··· |
| And death, and time shall disappear,-- | 8 | ······˘/ |
| Forever there, but never here! | 8 | ˘/˘··/˘· |
| The horologe of Eternity | 9 | ·/˘˘·˘/˘˘ |
| Sayeth this incessantly,-- | 6 | ··˘/˘˘ |
| "Forever--never! | 5 | ˘/˘/˘ |
| Never--forever!" | 5 | /˘˘/˘ |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.