The Hanging of the Crane

Henry Wadsworth Longfellow (1807–1882) · 1839–1882

iambic tetrameter · 198 lines · from The Complete Poetical Works

The lights are out, and gone are all the guestsThat thronging came with merriment and jestsTo celebrate the Hanging of the CraneIn the new house,--into the night are gone;But still the fire upon the hearth burns on,And I alone remain.

O fortunate, O happy day,When a new household finds its placeAmong the myriad homes of earth,Like a new star just sprung to birth,And rolled on its harmonious wayInto the boundless realms of space!

So said the guests in speech and song,As in the chimney, burning bright,We hung the iron crane to-night,And merry was the feast and long.

And now I sit and muse on what may be,And in my vision see, or seem to see,Through floating vapors interfused with light,Shapes indeterminate, that gleam and fade,As shadows passing into deeper shadeSink and elude the sight.

For two alone, there in the hall,As spread the table round and small;Upon the polished silver shineThe evening lamps, but, more divine,The light of love shines over all;Of love, that says not mine and thine,But ours, for ours is thine and mine.

They want no guests, to come betweenTheir tender glances like a screen,And tell them tales of land and sea,And whatsoever may betideThe great, forgotten world outside;They want no guests; they needs must beEach other's own best company.

The picture fades; as at a village fairA showman's views, dissolving into air,Again appear transfigured on the screen,So in my fancy this; and now once more,In part transfigured, through the open doorAppears the selfsame scene.

Seated, I see the two again,But not alone; they entertainA little angel unaware,With face as round as is the moon;A royal guest with flaxen hair,Who, throned upon his lofty chair,Drums on the table with his spoon,Then drops it careless on the floor,To grasp at things unseen before.

Are these celestial manners? theseThe ways that win, the arts that please?Ah yes; consider well the guest,And whatsoe'er he does seems best;He ruleth by the right divineOf helplessness, so lately bornIn purple chambers of the morn,As sovereign over thee and thine.He speaketh not; and yet there liesA conversation in his eyes;The golden silence of the Greek,The gravest wisdom of the wise,Not spoken in language, but in looksMore legible than printed books,As if he could but would not speak.And now, O monarch absolute,Thy power is put to proof; for, lo!Resistless, fathomless, and slow,The nurse comes rustling like the sea,And pushes back thy chair and thee,And so good night to King Canute.

As one who walking in a forest seesA lovely landscape through the parted frees,Then sees it not, for boughs that interveneOr as we see the moon sometimes revealedThrough drifting clouds, and then again concealed,So I behold the scene.

There are two guests at table now;The king, deposed and older grown,No longer occupies the throne,--The crown is on his sister's brow;A Princess from the Fairy Isles,The very pattern girl of girls.All covered and embowered in curls,Rose-tinted from the Isle of Flowers,And sailing with soft, silken sailsFrom far-off Dreamland into ours.Above their bowls with rims of blueFour azure eyes of deeper hueAre looking, dreamy with delight;Limpid as planets that emergeAbove the ocean's rounded verge,Soft-shining through the summer night.Steadfast they gaze, yet nothing seeBeyond the horizon of their bowls;Nor care they for the world that rollsWith all its freight of troubled soulsInto the days that are to be.

Again the tossing boughs shut out the scene,Again the drifting vapors intervene,And the moon's pallid disk is hidden quite;And now I see the table wider grown,As round a pebble into water thrownDilates a ring of light.

I see the table wider grown,I see it garlanded with guests,As if fair Ariadne's CrownOut of the sky had fallen down;Maidens within whose tender breastsA thousand restless hopes and fears,Forth reaching to the coming years,Flutter awhile, then quiet lieLike timid birds that fain would fly,But do not dare to leave their nests;--And youths, who in their strength elateChallenge the van and front of fate,Eager as champions to beIn the divine knight-errantryOf youth, that travels sea and landSeeking adventures, or pursues,Through cities, and through solitudesFrequented by the lyric Muse,The phantom with the beckoning hand,That still allures and still eludes.O sweet illusions of the brain!O sudden thrills of fire and frost!The world is bright while ye remain,And dark and dead when ye are lost!

The meadow-brook, that seemeth to stand still,Quickens its current as it nears the mill;And so the stream of Time that lingerethIn level places, and so dull appears,Runs with a swifter current as it nearsThe gloomy mills of Death.

And now, like the magician's scroll,That in the owner's keeping shrinksWith every wish he speaks or thinks,Till the last wish consumes the whole,The table dwindles, and againI see the two alone remain.The crown of stars is broken in parts;Its jewels, brighter than the day,Have one by one been stolen awayTo shine in other homes and hearts.One is a wanderer now afarIn Ceylon or in Zanzibar,Or sunny regions of Cathay;And one is in the boisterous campMid clink of arms and horses' tramp,And battle's terrible array.I see the patient mother read,With aching heart, of wrecks that floatDisabled on those seas remote,Or of some great heroic deedOn battle-fields where thousands bleedTo lift one hero into fame.Anxious she bends her graceful headAbove these chronicles of pain,And trembles with a secret dreadLest there among the drowned or slainShe find the one beloved name.

After a day of cloud and wind and rainSometimes the setting sun breaks out again,And touching all the darksome woods with light,Smiles on the fields, until they laugh and sing,Then like a ruby from the horizon's ringDrops down into the night.

What see I now? The night is fair,The storm of grief, the clouds of care,The wind, the rain, have passed away;The lamps are lit, the fires burn bright,The house is full of life and light:It is the Golden Wedding day.The guests come thronging in once more,Quick footsteps sound along the floor,The trooping children crowd the stair,And in and out and everywhereFlashes along the corridorThe sunshine of their golden hair.On the round table in the hallAnother Ariadne's CrownOut of the sky hath fallen down;More than one Monarch of the MoonIs drumming with his silver spoon;The light of love shines over all.

O fortunate, O happy day!The people sing, the people say.The ancient bridegroom and the bride,Smiling contented and sereneUpon the blithe, bewildering scene,Behold, well pleased, on every sideTheir forms and features multiplied,As the reflection of a lightBetween two burnished mirrors gleams,Or lamps upon a bridge at nightStretch on and on before the sight,Till the long vista endless seems.

Words in this poem 32
myriad n.
The number of ten thousand; ten thousand persons or things. [Gr. myriade.]
chimney n.
A fireplace or hearth. Sir W. Raleigh.
betide v. t.
To happen to; to befall; to come to ; as, woe betide the wanderer. [OE. bitiden; pref. bi-, be- + tiden, fr. AS. tidan, to happen, fr. tid time. See Tide.]
needs adv.
Of necessity; necessarily; indispensably; -- often with must, and equivalent to of need. [Orig. gen. of need, used as an adverb. Cf. - wards.]
selfsame a.
Precisely the same; the very same; identical. [Self, a. + same.]
unaware a.
Not aware; not noticing; giving no heed; thoughtless; inattentive.
flaxen a.
Made of flax; resembling flax or its fibers; of the color of flax; of a light soft straw color; fair and flowing, like flax or tow; as, flaxen thread; flaxen hair.
unseen a.
Not seen or discovered.
morn n.
The first part of the day; the morning; -- used chiefly in poetry. [OE. morwen, morgen, AS. morgen; akin to D. morgen, OS. morgan, G. morgen, Icel. morginn, morgunn, Sw. morgon, Dan. morgen, Goth. maúrgins. Cf. Morrow, Morning.]
resistless a.
Having no power to resist; making no opposition.
fathomless a.
Incapable of being fathomed; immeasurable; that can not be sounded.
princess n.
A female prince; a woman having sovereign power, or the rank of a prince. [F. princesse. See Prince, and cf. Princesse.]
isle v. t.
To cause to become an island, or like an island; to surround or encompass; to island.
dreamland n.
An unreal, delightful country such as in sometimes pictured in dreams; region of fancies; fairyland.
dreamy a.
Abounding in dreams or given to dreaming; appropriate to, or like, dreams; visionary.
awhile adv.
For a while; for some time; for a short time. [Adj. a + while time, interval.]
fain v. t.
To be glad ; to wish or desire.
elate a.
Lifted up; raised; elevated. [L. elatus elevated, fig., elated, proud (the figure, perh., being borrowed from a prancing horse); e out + latus (used as p. p. of ferre to bear), for tlatus, a]
swifter v. t.
To tighten, as slack standing rigging, by bringing the opposite shrouds nearer.
afar adv.
At, to, or from a great distance; far away; -- often used with from preceding, or off following; as, he was seen from afar; I saw him afar off. [Pref. a-.(for on or of) + far.]
sunny a.
Of or pertaining to the sun; proceeding from, or resembling the sun; hence, shining; bright; brilliant; radiant.
boisterous a.
Rough or rude; unbending; unyielding; strong; powerful. [OE. boistous; of uncertain origin; cf. W. bwyst wild, savage, wildness, ferocity, bwystus ferocious.]
clink v. t.
To cause to give out a slight, sharp, tinkling, sound, as by striking metallic or other sonorous bodies together. [OE. clinken; akin to G. klingen, D. klinken, SW. klinga, Dan. klinge; prob. of imitative origin. Cf. Clank, Clench, Click, v. i.]
aching a.
That aches; continuously painful. See Ache.
darksome a.
Dark; gloomy; obscure; shaded; cheerless.
corridor n.
A gallery or passageway leading to several apartments of a house. [F., fr. Itt. corridpore, or Sp. corredor; prop., a runner, hence, a running or long line, a gallery, fr. L. currere to run. See Course.]
sunshine n.
The light of the sun, or the place where it shines; the direct rays of the sun, the place where they fall, or the warmth and light which they give.
drumming n.
The act of beating upon, or as if upon, a drum; also, the noise which the male of the ruffed grouse makes in spring, by beating his wings upon his sides.
bridegroom n.
A man newly married, or just about to be married. [OE. bridegome, brudgume, AS. br (akin to OS. br, D. bruidegom, bruigom, OHG. pr, MHG. briutegome, G. bräutigam); AS. br bride + guma man, akin to Goth. guma, Ic]
blithe a.
Gay; merry; sprightly; joyous; glad; cheerful; as, a blithe spirit. [AS. bli blithe, kind; akin to Goth. blei kind, Icel. bli mild, gentle, Dan. & Sw. blid gentle, D. blijd blithe, OHG. blidi kind, blithe.]
bewildering a.
Causing bewilderment or great perplexity; as, bewildering difficulties.
vista n.
A view; especially, a view through or between intervening objects, as trees; a view or prospect through an avenue, or the like; hence, the trees or other objects that form the avenue. [It., sight, view, fr. vedere, p. p. visto, veduto, to see, fr. L. videre, visum. See View, Vision.]

Definitions and etymologies from Webster's Unabridged Dictionary, 1913.

About this text

The Hanging of the Crane is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.

Cite as: Henry Wadsworth Longfellow, The Hanging of the Crane, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/the-hanging-of-the-crane.html, id L17737.

Form and metre

The Hanging of the Crane is 198 lines in 18 stanzas. The commonest rhyme scheme is AABCCB, in 7 of the 18 stanzas; the rest vary or could not be confirmed. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 91%). 92% of its stressed syllables fall where the metre puts the beat. The lines average 8.4 syllables. 6 lines end on an unstressed syllable, a feminine ending. 31% of the lines run on without a stop at the line end.

See other poems in iambic tetrameter.

Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.

Rhyme words, stanza by stanza

The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.

  1. 1 AABCCB guestsA · jestsA · craneB · goneC · onC · remainB
  2. 2 ABCCAB dayA · placeB · earthC · birthC · wayA · spaceB
  3. 3 ABBA songA · brightB · nightB · longA
  4. 4 AABCCB beA · seeA · lightB · fadeC · shadeC · sightB
  5. 5 AABBABB hallA · smallA · shineB · divineB · allA · thineB · mineB
  6. 6 AABCCB- betweenA · screenA · seaB · betideC · outsideC · beB · company
  7. 7 AABCCB fairA · airA · screenB · moreC · doorC · sceneB
  8. 8 AABCBBCDD againA · entertainA · unawareB · moonC · hairB · chairB · spoonC · floorD · beforeD
  9. 9 AABBCDDCEEFEGGFHIIJJH theseA · pleaseA · guestB · bestB · divineC · bornD · mornD · thineC · liesE · eyesE · greekF · wiseE · looksG · booksG · speakF · absoluteH · loI · slowI · seaJ · theeJ · canuteH
  10. 10 AABCCB seesA · freesA · interveneB · revealedC · concealedC · sceneB
  11. 11 ABBA-CCD-DEEFGGFHIIIH nowA · grownB · throneB · browA · isles · girlsC · curlsC · flowersD · sails · oursD · blueE · hueE · delightF · emergeG · vergeG · nightF · seeH · bowlsI · rollsI · soulsI · beH
  12. 12 AABCCB sceneA · interveneA · quiteB · grownC · thrownC · lightB
  13. 13 -ABBACCDDAEED-FGHGFHIJIJ grown · guestsA · crownB · downB · breastsA · fearsC · yearsC · lieD · flyD · nestsA · elateE · fateE · beD · errantry · landF · pursuesG · solitudesH · museG · handF · eludesH · brainI · frostJ · remainI · lostJ
  14. 14 AABCCB stillA · millA · lingerethB · appearsC · nearsC · deathB
  15. 15 ABBACCDEEDFFEGGEHIIHHJHCHCJ scrollA · shrinksB · thinksB · wholeA · againC · remainC · partsD · dayE · awayE · heartsD · afarF · zanzibarF · cathayE · campG · trampG · arrayE · readH · floatI · remoteI · deedH · bleedH · fameJ · headH · painC · dreadH · slainC · nameJ
  16. 16 AABCCB rainA · againA · lightB · singC · ringC · nightB
  17. 17 AABCCBDDAA-AEFFGGE fairA · careA · awayB · brightC · lightC · dayB · moreD · floorD · stairA · everywhereA · corridor · hairA · hallE · crownF · downF · moonG · spoonG · allE
  18. 18 AABCCBBDEDDE dayA · sayA · brideB · sereneC · sceneC · sideB · multipliedB · lightD · gleamsE · nightD · sightD · seemsE
Scansion, line by line

Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.

LineSyl.Stress
The lights are out, and gone are all the guests10··········
That thronging came with merriment and jests10·/˘··/˘˘··
To celebrate the Hanging of the Crane10·/˘··/˘···
In the new house,--into the night are gone;10··········
But still the fire upon the hearth burns on,10···/······
And I alone remain.6··˘/˘/
O fortunate, O happy day,8·/˘˘·/˘·
When a new household finds its place8···/····
Among the myriad homes of earth,9···/˘˘···
Like a new star just sprung to birth,8········
And rolled on its harmonious way10··˘··˘/˘˘·
Into the boundless realms of space!8···/˘···
So said the guests in speech and song,8········
As in the chimney, burning bright,8···/˘/˘·
We hung the iron crane to-night,8···/˘···
And merry was the feast and long.8·/˘·····
And now I sit and muse on what may be,10··········
And in my vision see, or seem to see,10···/˘·····
Through floating vapors interfused with light,10·/˘/˘·····
Shapes indeterminate, that gleam and fade,10··˘/˘˘····
As shadows passing into deeper shade10·/·/˘··/˘·
Sink and elude the sight.6··˘/··
For two alone, there in the hall,8··˘/····
As spread the table round and small;8···/˘···
Upon the polished silver shine9···/˘˘/˘·
The evening lamps, but, more divine,8·/˘···˘/
The light of love shines over all;8········
Of love, that says not mine and thine,8········
But ours, for ours is thine and mine.10·/˘·/˘····
They want no guests, to come between8········
Their tender glances like a screen,8·/˘/˘···
And tell them tales of land and sea,8········
And whatsoever may betide8··˘/˘·˘/
The great, forgotten world outside;8··˘/˘·//
They want no guests; they needs must be8········
Each other's own best company.8·/˘··/˘˘
The picture fades; as at a village fair10·/˘····/˘·
A showman's views, dissolving into air,10·/˘·˘/˘···
Again appear transfigured on the screen,10˘/˘/······
So in my fancy this; and now once more,10···/˘·····
In part transfigured, through the open door10·······/˘·
Appears the selfsame scene.6˘/·/˘·
Seated, I see the two again,8/˘····˘/
But not alone; they entertain8··˘/··˘/
A little angel unaware,8·/˘/˘·˘/
With face as round as is the moon;8········
A royal guest with flaxen hair,8·/˘··/˘·
Who, throned upon his lofty chair,9··˘···/˘·
Drums on the table with his spoon,8···/˘···
Then drops it careless on the floor,8···/˘···
To grasp at things unseen before.8····˘/··
Are these celestial manners? these8··˘/˘/˘·
The ways that win, the arts that please?8········
Ah yes; consider well the guest,8··˘/˘···
And whatsoe'er he does seems best;7·······
He ruleth by the right divine8······˘/
Of helplessness, so lately born8·/˘˘·/˘·
In purple chambers of the morn,8·/˘/˘···
As sovereign over thee and thine.8·/˘·····
He speaketh not; and yet there lies8·/˘·····
A conversation in his eyes;8··˘/˘···
The golden silence of the Greek,8·/˘/˘···
The gravest wisdom of the wise,8·/˘/˘···
Not spoken in language, but in looks9·/˘·/˘···
More legible than printed books,8·/˘˘·/˘·
As if he could but would not speak.8········
And now, O monarch absolute,8···/·/˘·
Thy power is put to proof; for, lo!9·/˘······
Resistless, fathomless, and slow,8˘/˘/˘˘··
The nurse comes rustling like the sea,8···/˘···
And pushes back thy chair and thee,8·/˘·····
And so good night to King Canute.8········
As one who walking in a forest sees10···/˘··/˘·
A lovely landscape through the parted frees,10·/˘/···/˘·
Then sees it not, for boughs that intervene10········˘/
Or as we see the moon sometimes revealed10······˘/˘/
Through drifting clouds, and then again concealed,10·/˘···˘/˘/
So I behold the scene.6··˘/··
There are two guests at table now;8·····/˘·
The king, deposed and older grown,9··˘/˘·/˘·
No longer occupies the throne,--8·/˘/˘···
The crown is on his sister's brow;8·····/˘·
A Princess from the Fairy Isles,8·/˘··/˘·
The very pattern girl of girls.8·/˘/˘···
All covered and embowered in curls,10·/˘˘······
Rose-tinted from the Isle of Flowers,9·/˘····/˘
And sailing with soft, silken sails8·/˘··/˘·
From far-off Dreamland into ours.9···/···/˘
Above their bowls with rims of blue8········
Four azure eyes of deeper hue8·/˘··/˘·
Are looking, dreamy with delight;8·/˘/˘·˘/
Limpid as planets that emerge8/˘·/˘·˘/
Above the ocean's rounded verge,8···/˘/˘·
Soft-shining through the summer night.8·/˘··/˘·
Steadfast they gaze, yet nothing see8/····/˘·
Beyond the horizon of their bowls;9···˘/˘···
Nor care they for the world that rolls8········
With all its freight of troubled souls9·····/˘˘·
Into the days that are to be.8········
Again the tossing boughs shut out the scene,10˘/·/˘·····
Again the drifting vapors intervene,10˘/·/˘/˘·˘/
And the moon's pallid disk is hidden quite;10···/˘··/˘·
And now I see the table wider grown,10·····/˘/˘·
As round a pebble into water thrown10···/˘··/˘·
Dilates a ring of light.6˘/····
I see the table wider grown,8···/˘/˘·
I see it garlanded with guests,8···/˘˘··
As if fair Ariadne's Crown8····˘/˘·
Out of the sky had fallen down;8·····/˘·
Maidens within whose tender breasts8/˘···/˘·
A thousand restless hopes and fears,8·/˘/˘···
Forth reaching to the coming years,8·/˘··/˘·
Flutter awhile, then quiet lie8/˘˘/·/˘·
Like timid birds that fain would fly,8·/˘·····
But do not dare to leave their nests;--8········
And youths, who in their strength elate8······˘/
Challenge the van and front of fate,8/˘······
Eager as champions to be8/˘·/˘˘··
In the divine knight-errantry8··˘/·/˘˘
Of youth, that travels sea and land8···/˘···
Seeking adventures, or pursues,8/˘˘/˘·˘/
Through cities, and through solitudes8·/˘··/˘·
Frequented by the lyric Muse,8/˘˘··/˘·
The phantom with the beckoning hand,9·/˘··/˘˘·
That still allures and still eludes.8··˘/··˘/
O sweet illusions of the brain!8··˘/˘···
O sudden thrills of fire and frost!9·/˘··/˘··
The world is bright while ye remain,8······˘/
And dark and dead when ye are lost!8········
The meadow-brook, that seemeth to stand still,10·/···/˘···
Quickens its current as it nears the mill;10/˘·/˘·····
And so the stream of Time that lingereth10·······/˘˘
In level places, and so dull appears,10·/˘/˘···˘/
Runs with a swifter current as it nears10···/˘/˘···
The gloomy mills of Death.6·/˘···
And now, like the magician's scroll,8····˘/˘·
That in the owner's keeping shrinks8···/˘/˘·
With every wish he speaks or thinks,9·/˘˘·····
Till the last wish consumes the whole,8····˘/··
The table dwindles, and again8·/˘/˘·˘/
I see the two alone remain.8····˘/˘/
The crown of stars is broken in parts;9·····/˘··
Its jewels, brighter than the day,8·/˘/˘···
Have one by one been stolen away9·····/˘˘/
To shine in other homes and hearts.8···/˘···
One is a wanderer now afar9···/˘˘·˘/
In Ceylon or in Zanzibar,8·˘/··/˘·
Or sunny regions of Cathay;8·/˘/˘·˘/
And one is in the boisterous camp9·····/˘˘·
Mid clink of arms and horses' tramp,8·····/˘·
And battle's terrible array.8·/˘/˘˘˘/
I see the patient mother read,8···/˘/˘·
With aching heart, of wrecks that float8·/˘·····
Disabled on those seas remote,9˘/˘˘···˘/
Or of some great heroic deed8····˘/˘·
On battle-fields where thousands bleed8·/˘··/˘·
To lift one hero into fame.8···/˘···
Anxious she bends her graceful head8/˘···/˘·
Above these chronicles of pain,8···/˘˘··
And trembles with a secret dread8·/˘··/˘·
Lest there among the drowned or slain9······˘··
She find the one beloved name.7····˘/·
After a day of cloud and wind and rain10··········
Sometimes the setting sun breaks out again,10˘/·/˘···˘/
And touching all the darksome woods with light,10·/˘··/˘···
Smiles on the fields, until they laugh and sing,10··········
Then like a ruby from the horizon's ring11···/˘··˘/˘·
Drops down into the night.6······
What see I now? The night is fair,8········
The storm of grief, the clouds of care,8········
The wind, the rain, have passed away;9······˘˘/
The lamps are lit, the fires burn bright,9·····/˘··
The house is full of life and light:8········
It is the Golden Wedding day.8···/˘/˘·
The guests come thronging in once more,8···/˘···
Quick footsteps sound along the floor,8·/··˘/··
The trooping children crowd the stair,8·/˘/˘···
And in and out and everywhere8·····/˘·
Flashes along the corridor8/˘˘/·/˘˘
The sunshine of their golden hair.8·/···/˘·
On the round table in the hall8···/˘···
Another Ariadne's Crown8˘/˘·˘/˘·
Out of the sky hath fallen down;8·····/˘·
More than one Monarch of the Moon8···/····
Is drumming with his silver spoon;8·/˘··/˘·
The light of love shines over all.8········
O fortunate, O happy day!8·/˘˘·/˘·
The people sing, the people say.8·/˘··/˘·
The ancient bridegroom and the bride,8·/˘/····
Smiling contented and serene8/˘˘/˘·˘/
Upon the blithe, bewildering scene,9····˘/˘˘·
Behold, well pleased, on every side10˘/··˘·/˘˘·
Their forms and features multiplied,8···/˘/˘·
As the reflection of a light8··˘/˘···
Between two burnished mirrors gleams,9···/˘˘/˘·
Or lamps upon a bridge at night8········
Stretch on and on before the sight,8········
Till the long vista endless seems.8···/˘/˘·

The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.

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