The Bells of San Blas
What say the Bells of San BlasTo the ships that southward passFrom the harbor of Mazatlan?To them it is nothing moreThan the sound of surf on the shore,--Nothing more to master or man.
But to me, a dreamer of dreams,To whom what is and what seemsAre often one and the same,--The Bells of San Blas to meHave a strange, wild melody,And are something more than a name.
For bells are the voice of the church;They have tones that touch and searchThe hearts of young and old;One sound to all, yet eachLends a meaning to their speech,And the meaning is manifold.
They are a voice of the Past,Of an age that is fading fast,Of a power austere and grand,When the flag of Spain unfurledIts folds o'er this western world,And the Priest was lord of the land.
The chapel that once looked downOn the little seaport townHas crumbled into the dust;And on oaken beams belowThe bells swing to and fro,And are green with mould and rust.
"Is, then, the old faith dead,"They say, "and in its steadIs some new faith proclaimed,That we are forced to remainNaked to sun and rain,Unsheltered and ashamed?
"Once, in our tower aloof,We rang over wall and roofOur warnings and our complaints;And round about us thereThe white doves filled the air,Like the white souls of the saints.
"The saints! Ah, have they grownForgetful of their own?Are they asleep, or dead,That open to the skyTheir ruined Missions lie,No longer tenanted?
"Oh, bring us back once moreThe vanished days of yore,When the world with faith was filled;Bring back the fervid zeal,The hearts of fire and steel,The hands that believe and build.
"Then from our tower againWe will send over land and mainOur voices of command,Like exiled kings who returnTo their thrones, and the people learnThat the Priest is lord of the land!"
O Bells of San Blas in vainYe call back the Past again;The Past is deaf to your prayer!Out of the shadows of nightThe world rolls into light;It is daybreak everywhere.
Words in this poem
- dreamer n.
- One who dreams.
- fading n.
- An Irish dance; also, the burden of a song.
- oaken a.
- Made or consisting of oaks or of the wood of oaks. [AS. acen.]
- mould n.
- Crumbling, soft, friable earth; esp., earth containing the remains or constituents of organic matter, and suited to the growth of plants; soil. [OE. molde, AS. molde; akin to D. mul, G. mull, mulm, OHG. molt, molta, Icel. mold, Dan. muld, Sw. mull, Goth. mulda, and E. meal flour. See Meal, and cf. Mole a]
- forgetful a.
- Apt to forget; easily losing remembrance; as, a forgetful man should use helps to strengthen his memory.
- yore adv.
- In time long past; in old time; long since. [OE. , yare, , AS. geára;akin to geár a year, E. year. Year.]
- fervid a.
- Very hot; burning; boiling. [L. fervidus, fr. fervere. See Fervent.]
- daybreak n.
- The time of the first appearance of light in the morning.
Definitions and etymologies from Webster's Unabridged Dictionary, 1913.
About this text
The Bells of San Blas is in the public domain. This text is taken from The Complete Poetical Works of Henry Wadsworth Longfellow, Project Gutenberg ebook #1365; the transcription's header, footer and licence were removed and nothing else was changed. You may copy, print and reuse it freely.
Cite as: Henry Wadsworth Longfellow, The Bells of San Blas, in The Complete Poetical Works (1839–1882), text of Project Gutenberg ebook #1365, Laurel, https://laurelpoetry.com/poem/longfellow-poems/the-bells-of-san-blas.html, id L17850.
Form and metre
The Bells of San Blas is 66 lines in 11 stanzas of 6 lines each. The rhyme scheme is AABCCB, complete in 9 of its 11 stanzas. The metre is iambic tetrameter, measured from the stress the words themselves fix (confidence 81%). 96% of its stressed syllables fall where the metre puts the beat. The lines average 7.0 syllables. 2 lines end on an unstressed syllable, a feminine ending. 36% of the lines run on without a stop at the line end.
See other poems in iambic tetrameter.
Measured by Laurel's pipeline, not copied from a handbook: how stress and metre are counted, how rhyme is lettered, how a drifted rhyme is found. Where the dictionary cannot confirm a rhyme the letter is withheld, not guessed.
Rhyme words, stanza by stanza
The word that ends each line, lettered by the rhyme it makes; a dash is a line whose rhyme the dictionary could not confirm.
- 1 ---AA- blas · pass · mazatlan · moreA · shoreA · man
- 2 AAB--B dreamsA · seemsA · sameB · me · melody · nameB
- 3 AABCCB churchA · searchA · oldB · eachC · speechC · manifoldB
- 4 AABCCB pastA · fastA · grandB · unfurledC · worldC · landB
- 5 AABCCB downA · townA · dustB · belowC · froC · rustB
- 6 AABCCB deadA · steadA · proclaimedB · remainC · rainC · ashamedB
- 7 AABCCB aloofA · roofA · complaintsB · thereC · airC · saintsB
- 8 AABCCB grownA · ownA · deadB · skyC · lieC · tenantedB
- 9 AABCCB moreA · yoreA · filledB · zealC · steelC · buildB
- 10 AABCCB againA · mainA · commandB · returnC · learnC · landB
- 11 AABCCB vainA · againA · prayerB · nightC · lightC · everywhereB
Scansion, line by line
Each line with its syllable count and the stresses the words themselves fix: / stressed, ˘ unstressed, · a syllable the word leaves free and the metre decides. Read against iambic tetrameter. How this is done.
| Line | Syl. | Stress |
|---|---|---|
| What say the Bells of San Blas | 7 | ······· |
| To the ships that southward pass | 7 | ····/˘· |
| From the harbor of Mazatlan? | 8 | ··/˘···· |
| To them it is nothing more | 7 | ····/˘· |
| Than the sound of surf on the shore,-- | 8 | ········ |
| Nothing more to master or man. | 8 | /˘··/˘·· |
| But to me, a dreamer of dreams, | 8 | ····/˘·· |
| To whom what is and what seems | 7 | ······· |
| Are often one and the same,-- | 7 | ·/˘···· |
| The Bells of San Blas to me | 7 | ······· |
| Have a strange, wild melody, | 7 | ····/˘˘ |
| And are something more than a name. | 8 | ··/˘···· |
| For bells are the voice of the church; | 8 | ········ |
| They have tones that touch and search | 7 | ······· |
| The hearts of young and old; | 6 | ······ |
| One sound to all, yet each | 6 | ······ |
| Lends a meaning to their speech, | 7 | ··/˘··· |
| And the meaning is manifold. | 8 | ··/˘·/˘· |
| They are a voice of the Past, | 7 | ······· |
| Of an age that is fading fast, | 8 | ·····/˘· |
| Of a power austere and grand, | 8 | ··/˘˘/·· |
| When the flag of Spain unfurled | 7 | ·····˘/ |
| Its folds o'er this western world, | 7 | ····/˘· |
| And the Priest was lord of the land. | 8 | ········ |
| The chapel that once looked down | 7 | ·/˘···· |
| On the little seaport town | 7 | ··/˘/·· |
| Has crumbled into the dust; | 7 | ·/˘···· |
| And on oaken beams below | 7 | ··/˘··· |
| The bells swing to and fro, | 6 | ······ |
| And are green with mould and rust. | 7 | ······· |
| "Is, then, the old faith dead," | 6 | ······ |
| They say, "and in its stead | 6 | ······ |
| Is some new faith proclaimed, | 6 | ····˘/ |
| That we are forced to remain | 7 | ·····˘/ |
| Naked to sun and rain, | 6 | /˘···· |
| Unsheltered and ashamed? | 6 | ····˘/ |
| "Once, in our tower aloof, | 8 | ··/˘/˘˘/ |
| We rang over wall and roof | 7 | ······· |
| Our warnings and our complaints; | 9 | /˘/˘·/˘˘/ |
| And round about us there | 6 | ······ |
| The white doves filled the air, | 6 | ······ |
| Like the white souls of the saints. | 7 | ······· |
| "The saints! Ah, have they grown | 6 | ······ |
| Forgetful of their own? | 6 | ˘/˘··· |
| Are they asleep, or dead, | 6 | ··˘/·· |
| That open to the sky | 6 | ·/˘··· |
| Their ruined Missions lie, | 6 | ·/˘/˘· |
| No longer tenanted? | 6 | ·/˘/˘˘ |
| "Oh, bring us back once more | 6 | ······ |
| The vanished days of yore, | 6 | ·/˘··· |
| When the world with faith was filled; | 7 | ······· |
| Bring back the fervid zeal, | 6 | ···/˘· |
| The hearts of fire and steel, | 7 | ···/˘·· |
| The hands that believe and build. | 7 | ···˘/·· |
| "Then from our tower again | 8 | ··/˘/˘˘/ |
| We will send over land and main | 8 | ········ |
| Our voices of command, | 7 | /˘/˘·˘/ |
| Like exiled kings who return | 7 | ·/···˘/ |
| To their thrones, and the people learn | 8 | ·····/˘· |
| That the Priest is lord of the land!" | 8 | ········ |
| O Bells of San Blas in vain | 7 | ······· |
| Ye call back the Past again; | 7 | ·····˘/ |
| The Past is deaf to your prayer! | 7 | ······· |
| Out of the shadows of night | 7 | ···/··· |
| The world rolls into light; | 6 | ······ |
| It is daybreak everywhere. | 7 | ··/·/˘· |
The reader shows the same poem with its rhymes coloured and a stress row above each line, the notes beside their stanzas, and any word's definition on a tap; the analysis page takes the whole book apart. How every part of this site was made.